ABOUT THE SPEAKER
Maya Beiser - Cellist
Maya Beiser commissions and performs radical new work for the cello.

Why you should listen

The founding cellist of the Bang on a Can All Stars, cellist Maya Beiser is a frequent collaborator with artists across the spectrum of creativity -- visual artists such as Shirin Neshat, video artists such as Irit Batsry -- to produce groundbreaking multimedia concerts.

Composers who write for her follow her passion for melding influences -- Middle Eastern sounds, classic and modern tones. Her newest project, Elsewhere, is described as "a CELLoOpera." Elsewhere is an imaginative retelling of the Biblical legend of Lot's wife, created by the "dream team" of Maya, director Robert Woodruff, composers Missy Mazzoli and Eve Beglarian, writer Erin Cressida Wilson, and choreographer Karole Armitage

More profile about the speaker
Maya Beiser | Speaker | TED.com
TED2011

Maya Beiser: A cello with many voices

Maya Beiser in njeno(a) čelo(a)

Filmed:
991,353 views

Čelistka Maya Beiser igra čudovito osem delno etudo s sedmimi kopijami sebe in gladko preide v meditativni hibrid med glasbo in videom -- uporabljajoč tehnologijo, da bi ustvarila neskončno možnosti za transformativno glasbo. Glasba je "Kontrapunkt čela" Stevea Reicha z videom Billa Morrisona, sledi pa "Svet, ki prihaja" Davida Langa.
- Cellist
Maya Beiser commissions and performs radical new work for the cello. Full bio

Double-click the English transcript below to play the video.

00:32
(MusicGlasba)
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(Glasba)
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(ApplauseAplavz)
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(Aplavz)
07:27
Thank you.
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Hvala.
07:29
ImaginingSi predstavlja a solosolo celloviolončelo concertkoncert,
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Če si zamislimo solo koncert s čelom,
07:32
one would mostnajbolj likelyverjetno think of JohannJohann SebastianSebastian BachBach
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si zelo verjetno zamislimo suite za čelo
07:35
unaccompaniedbrez spremstva celloviolončelo suitesApartmaji.
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Johanna Sebastiana Bacha brez spremljave.
07:38
As a childotrok
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Kot otroku,
07:40
studyingŠtudij these eternalvečno masterpiecesmojstrovine,
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ki je študiral te večne mojstrovine,
07:43
Bach'sBach's musicglasba would interminglemešajo
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se je Bachova glasba mešala
07:45
with the singingpetje voicesglasovi of MuslimMuslimanske prayersmolitve
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z glasovi petja muslimanskih molitev
07:48
from the neighboringsosednje ArabArabski villagevas
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iz sosednjih arabskih vasi
07:50
of the northernseverno KibbutzKibbutz in IsraelIzrael
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v severnem Kibbutzu v Izraelu,
07:52
where I grewnaraščal up.
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kjer sem odrasla.
07:54
LatePozno at night, after hoursure of practicingprakticiranje,
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Pozno ponoči, po urah vadb,
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I would listen to JanisJanis JoplinJoplin and BillieBillie HolidayHoliday
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sem poslušala Janis Joplin in Billie Holiday,
07:59
as the soundszvoki of tangoTango musicglasba
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med tem ko so se zvoki tanga
08:01
would be creepingplazeče from my parents'staršev stereostereo.
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plazili iz radia staršev.
08:04
It all becamepostati musicglasba to me.
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Vse mi je postala glasba.
08:07
I didn't hearslišite the boundariesmeje.
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Nisem slišala omejitev.
08:10
I still startZačni everyvsak day
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Še vedno vsak dan začnem
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practicingprakticiranje playingigranje BachBach.
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z vadbo igranja Bacha.
08:14
His musicglasba never ceasespreneha
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Njegova glasba mi nikoli ne neha
08:16
to soundzvok freshsveže and surprisingpresenetljivo to me.
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zveneti sveže in presenetljivo.
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But as I was movingpremikanje away
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Ko pa sem se začela odmikati
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from the traditionaltradicionalno classicalklasične repertoirerepertoar
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od tradicionalnega klasičnega repertoarja
08:22
and tryingposkušam to find newnovo waysnačinov
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in poskušala najti nove načine
08:24
of musicalglasbeni expressionizraz,
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glasbenega izražanja,
08:26
I realizedrealiziran that with today'sdanes technologicaltehnološki resourcesvirov,
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sem spoznala, da ob današnjih tehnoloških virih
08:29
there's no reasonrazlog to limitomejitev
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ni razloga, da bi omejevali,
08:31
what can be producedproizvedeni at one time
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kaj se lahko ustvari naenkrat
08:34
from a singlesamski stringniz instrumentinstrument.
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iz samo enega inštrumenta s strunami.
08:36
The powermoč and coherencyusklajenosti
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Moč in skladnost,
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that comesprihaja from one personoseba hearingsluh, perceivingzaznavanje and playingigranje all the voicesglasovi
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ki prihaja iz ene osebe, ki sliši, zaznava in igra vse glasove,
08:42
makesnaredi a very differentdrugačen experienceizkušnje.
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naredi zelo drugačno izkušnjo.
08:45
The excitementvznemirjenje of a great orchestraorkester performanceizvedba
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Razburljivost odličnega nastopa orkestra
08:48
comesprihaja from the attemptposkus to have a collectivekolektiv of musiciansglasbeniki
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prihaja iz poskusa, da bi kolektiv glasbenikov
08:51
producingproizvajajo one unifiedenotno wholeceloto conceptkoncept.
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izvajal en združen celoten koncept.
08:54
The excitementvznemirjenje from usinguporabo multi-trackingMulti-sledenje,
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Razburljivost uporabe več kanalnega snemanja,
08:57
the way I did in the piecekos you will hearslišite nextNaslednji,
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kot sem naredila pri skladbi, ki jo boste zdaj slišali,
09:01
comesprihaja from the attemptposkus
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prihaja iz poskusa,
09:03
to buildzgraditi and createustvarite a wholeceloto universevesolje
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da zgradim in ustvarim celo vesolje
09:06
with manyveliko diverseraznolika layersplasti,
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z mnogimi raznolikimi sloji,
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all generatedgenerirani from a singlesamski sourcevir.
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ki so vsi ustvarjeni iz istega vira.
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My celloviolončelo and my voiceglas are layeredslojevito
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Moje čelo in moj glas sta v slojih,
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to createustvarite this largevelik sonicSonic canvasplatno.
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da bi ustvarila to veliko glasbeno platno.
09:17
When composersskladatelji writepiši musicglasba for me,
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Ko skladatelji pišejo glasbo zame,
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I askvprašajte them to forgetpozabi what they know about the celloviolončelo.
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jih prosim, naj pozabijo vse, kar vedo o čelu.
09:22
I hopeupanje to arriveprispejo at newnovo territoriesozemelj
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Upam, da bom prispela na nova področja,
09:25
to discoverodkrijte soundszvoki I have never heardslišal before.
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da bi odkrila zvoke, ki jih še nikoli nisem slišala.
09:28
I want to createustvarite endlessneskončno possibilitiesmožnosti
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S tem čelom želim ustvariti
09:30
with this celloviolončelo.
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neskončne možnosti.
09:32
I becomepostane the mediumsrednje throughskozi whichki the musicglasba is beingbiti channeledspeljana,
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Postanem medij, skozi katerega se kanalizira glasba
09:35
and in the processproces, when all is right,
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in v tem postopku, ko je vse prav,
09:38
the musicglasba is transformedpreoblikovati
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se glasba transformira
09:40
and so am I.
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in z njo tudi jaz.
09:49
(MusicGlasba)
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(Glasba)
19:59
(ApplauseAplavz)
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(Aplavz)
Translated by Matej Divjak
Reviewed by Tilen Pigac - EFZG

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ABOUT THE SPEAKER
Maya Beiser - Cellist
Maya Beiser commissions and performs radical new work for the cello.

Why you should listen

The founding cellist of the Bang on a Can All Stars, cellist Maya Beiser is a frequent collaborator with artists across the spectrum of creativity -- visual artists such as Shirin Neshat, video artists such as Irit Batsry -- to produce groundbreaking multimedia concerts.

Composers who write for her follow her passion for melding influences -- Middle Eastern sounds, classic and modern tones. Her newest project, Elsewhere, is described as "a CELLoOpera." Elsewhere is an imaginative retelling of the Biblical legend of Lot's wife, created by the "dream team" of Maya, director Robert Woodruff, composers Missy Mazzoli and Eve Beglarian, writer Erin Cressida Wilson, and choreographer Karole Armitage

More profile about the speaker
Maya Beiser | Speaker | TED.com