ABOUT THE SPEAKER
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage.

Why you should listen

David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.

Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.

PHOTO CREDITS for David's 2012 TED Talk:

Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen

The Mahabharata
16 © Image Entertainment

Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012

De La Guarda
21 Courtesy of De La Guarda

Sleep No More
22 © Alick Crossley

100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll

Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk

Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland

Urban Dream Capsule
34 Photo courtesy of Bedno.com

Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine

Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett

More profile about the speaker
David Binder | Speaker | TED.com
TEDGlobal 2012

David Binder: The arts festival revolution

大卫.拜恩德:艺术节的革命

Filmed:
707,582 views

大卫.拜恩德是一名百老汇著名制作人,但去年夏天他来到一个澳大利亚的偏远小城,看当地人在自家草坪上跳舞,表演,享受这种感觉。他向我们展示了艺术节的新面貌,打破了观众和演员的界限,让城市更好地进行自我表达。
- Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio

Double-click the English transcript below to play the video.

00:16
Sydney悉尼. I had been waiting等候 my whole整个 life to get to Sydney悉尼.
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悉尼,我等来到悉尼的这一天等了太久了
00:20
I got to the airport飞机场, to the hotel旅馆, checked检查 in,
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我到达机场后,来到酒店,登记入住
00:23
and, sitting坐在 there in the lobby前厅, was a brochure小册
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然后坐在大厅里看到一本悉尼艺术节的小册子
00:26
for the Sydney悉尼 Festival. I thumbed翻阅 through通过 it,
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我一页页地翻看
00:28
and I came来了 across横过 a show显示 called "Minto明托: Live生活."
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直到我的目光停在了一个名叫“Minto现场秀”的演出上
00:31
The description描述 read: "The suburban郊区的 streets街道 of Minto明托
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这场秀被描述为"Minto郊区的街道
00:35
become成为 the stage阶段 for performances演出
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是一个为各国艺术家
00:38
created创建 by international国际 artists艺术家
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以及Minto居民
00:40
in collaboration合作 with the people of Minto明托."
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合作表演的舞台"
00:43
What was this place地点 called Minto明托?
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这个Minto到底是一个怎样的地方呢?
00:45
Sydney悉尼, as I would learn学习, is a city of suburbs郊区,
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悉尼,据我所知,是一个由郊区组成的城市
00:48
and Minto明托 lies southwest西南, about an hour小时 away.
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Minto坐落于城市西南方向一小时车程的地方
00:51
I have to say, it wasn't exactly究竟 what I had in mind心神
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我不得不说,当我第一次踏足Minto时
00:55
for my first day down under.
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它与我想象中的不大一样
00:56
I mean, I'd thought about the Harbour港口 Bridge or Bondi邦迪 Beach海滩,
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我想到的是类似港湾大桥或是邦迪海滩那种地方
00:59
but Minto明托? But still, I'm a producer制片人,
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然而Minto?尽管如此,作为一名制片人
01:02
and the lure of a site-specific位点特异性 theater剧院 project项目
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独具地方特色的剧场表演
01:05
was more than I could resist. (Laughter笑声)
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于我而言是无法抗拒的诱惑(笑声)
01:08
So, off I went into Friday星期五 afternoon下午 traffic交通,
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于是,周五下午我穿越重重车流
01:10
and I'll never forget忘记 what I saw when I got there.
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到达Minto的时候我永远不会忘记我看到的景象
01:13
For the performance性能, the audience听众 walked
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在演出时,观众们围绕着这片社区
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around the neighborhood邻里 from house to house,
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沿着一户户人家步行
01:18
and the residents居民, who were the performers表演者,
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本地居民,同时也是表演者
01:21
they came来了 out of their houses房屋, and they performed执行
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从他们的家中走出来
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these autobiographical自传 dances舞蹈 on their lawns草坪,
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在自家的草坪上,车道上
01:27
on their driveways车道. (Laughter笑声)
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跳起了自传性的舞蹈(笑声)
01:29
The show显示 is a collaboration合作 with a U.K.-based
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Minto现场秀是联合了一家
01:32
performance性能 company公司 called Lone孤单 Twin双胞胎.
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名叫Lone Twin的英国剧团共同打造的。
01:35
Lone孤单 Twin双胞胎 had come to Minto明托 and worked工作
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Lone Twin 来到 Minto 与本地的居民合作
01:37
with the residents居民, and they had created创建 these dances舞蹈.
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他们一起编排了富有创意的舞蹈
01:40
This Australian-Indian澳大利亚印度 girl女孩, she came来了 out and started开始
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这名澳印混血女孩走到了她的草坪上
01:44
to dance舞蹈 on her front面前 lawn草坪,
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开始在上面舞蹈
01:46
and her father父亲 peered凝视 out the window窗口 to see
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同时她的父亲透过窗户
01:49
what all the noise噪声 and commotion骚动 was about,
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瞟看外面的声音和骚动是为何事
01:51
and he soon不久 joined加盟 her.
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然后他走出来和女儿一起跳舞
01:53
And he was followed其次 by her little sister妹妹.
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接下来女孩的小妹妹也加入他们
01:56
And soon不久 they were all dancing跳舞 this joyous欢乐,
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不一会儿他们一家人聚在他们的草坪上
01:59
exuberant旺盛 dance舞蹈 right there on their lawn草坪. (Laughter笑声)
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跳的不亦乐乎
02:04
And as I walked through通过 the neighborhood邻里,
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当我在这片社区上闲逛时
02:06
I was amazed吃惊 and I was moved移动 by the incredible难以置信
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我被这个社区居民的积极参与
02:10
sense of ownership所有权 this community社区 clearly明确地 felt
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以及他们对这个节日的热忱
02:13
about this event事件.
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震惊了并深深感动了
02:15
"Minto明托: Live生活" brought Sydneysiders悉尼 into dialogue对话
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"Minto现场秀"为悉尼人与国际艺术家
02:18
with international国际 artists艺术家, and really celebrated著名
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提供了一次合作交流
02:21
the diversity多样 of Sydney悉尼 on its own拥有 terms条款.
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并彰显了悉尼的文化多样性
02:25
The Sydney悉尼 Festival which哪一个 produced生成 "Minto明托: Live生活" I think
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悉尼艺术节承办的"Minto现场秀"
02:29
represents代表 a new kind of 21st-centuryST-世纪 arts艺术 festival.
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代表了一类新的21世纪艺术节形式
02:32
These festivals节日 are radically根本 open打开.
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这一类艺术节开放性很强
02:36
They can transform转变 cities城市 and communities社区.
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它们可以改造并提升城市与社区
02:40
To understand理解 this, I think it kind of makes品牌 sense
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为了更好的理解这一点
02:42
to look where we've我们已经 come from.
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我想我们应该回到艺术节的起源
02:45
Modern现代 arts艺术 festivals节日 were born天生
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现代艺术节诞生于
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in the rubble瓦砾 of World世界 War战争 IIII.
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后二战时期的废土之上
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Civic思域 leaders领导者 created创建 these annual全年 events事件
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民间人士率先创立了
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to celebrate庆祝 culture文化 as the highest最高
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一年一度的活动
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expression表达 of the human人的 spirit精神.
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庆祝代表人类崇高精神的文化
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In 1947, the Edinburgh爱丁堡 Festival was born天生
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1947年爱丁堡艺术节诞生了
03:00
and Avignon阿维尼翁 was born天生 and hundreds数以百计 of others其他
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紧接其后的是阿维尼昂艺术节
03:02
would follow跟随 in their wake唤醒.
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以及千千万万个新生的艺术节
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The work they did was very, very high art艺术,
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这些艺术节致力于呈现高水平的艺术
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and stars明星 came来了 along沿 like Laurie劳瑞 Anderson安德森
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同时明星艺术家例如Laurie Anderson
03:10
and Merce梅尔切 Cunningham坎宁安 and Robert罗伯特 Lepage勒帕热
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Merce Cunningham 和 Robert Lepage
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who made制作 work for this circuit电路,
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年复一年地为艺术节奉上表演
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and you had these seminal shows节目 like "The Mahabharata摩诃婆罗多"
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于是我们有了影响深远的演出"The Mahabharata"
03:16
and the monumental纪念 "Einstein爱因斯坦 on the Beach海滩."
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和里程碑式的"Einstein on the Beach"
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But as the decades几十年 passed通过,
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然而几十年过去了
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these festivals节日, they really became成为 the establishment编制,
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这类艺术节变成了一种文化根基
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and as the culture文化 and capital首都 accelerated加速,
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尤其在这个文化与经济加速发展
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the Internet互联网 brought us all together一起,
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互联网使人们变得更加紧密的时代
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high and low kind of disappeared消失,
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这类艺术节形式在各地不再常见
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a new kind of festival emerged出现.
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全新的艺术节形式产生了
03:35
The old festivals节日, they continued继续 to thrive兴旺, but
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传统的艺术节仍在发挥影响力
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from Brighton布莱顿 to Rio里约热内卢 to Perth珀斯, something new was emerging新兴,
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但是从布灵顿到里约到珀斯
03:43
and these festivals节日 were really different不同.
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艺术节不断在变化与创新
03:45
They're open打开, these festivals节日, because, like in Minto明托,
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它们是开放式的艺术节
03:48
they understand理解 that the dialogue对话
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就像Minto一样体现了
03:51
between之间 the local本地 and the global全球 is essential必要.
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地方文化与世界文化交流的重要性
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They're open打开 because they ask the audience听众 to be a player播放机,
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它们之所以开放是因为它们邀请观众
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a protagonist主角, a partner伙伴, rather than a passive被动 spectator观众,
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当演员,主角,合作伙伴,而不是做一个被动的围观者
04:03
and they're open打开 because they know that imagination想像力
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它们之所以开放是因为它们认识到
04:07
cannot不能 be contained in buildings房屋,
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想象不能被约束于高宇之内
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and so much of the work they do
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因此它们的表演
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is site-specific位点特异性 or outdoor户外 work.
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大多安排在特殊的场地或户外
04:14
So, the new festival, it asks the audience听众 to play
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观众在这些新艺术节的邀请下
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an essential必要 role角色 in shaping成型 the performance性能.
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在演出过程中扮演了非常重要的角色
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Companies公司 like De La Guarda瓜尔达, which哪一个 I produce生产, and PunchdrunkPunchdrunk
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演出公司例如 De La Guarda, 我是它的制作人,以及
04:26
create创建 these completely全然 immersive身临其境 experiences经验
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Punchdrunk公司创造了这些令人大开眼界的表演形式
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that put the audience听众 at the center中央 of the action行动,
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他们把观众带入到舞台中间加入表演
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but the German德语 performance性能 company公司 Rimini里米尼 ProtokollProtokoll
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但是德国的 Rimini Protokoll 剧团
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takes this all to a whole整个 new level水平.
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则将这种表演形式发挥到了极致
04:38
In a series系列 of shows节目 that includes包括 "100 Percent百分 Vancouver温哥华,"
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在一个系列秀中,包括“百分百温哥华”
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"100 Percent百分 Berlin柏林," Rimini里米尼 ProtokollProtokoll makes品牌 shows节目
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”百分百柏林“
04:46
that actually其实 reflect反映 society社会.
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Rimini Protokoll 制作的演出真实地反映了社会
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Rimini里米尼 ProtokollProtokoll chooses 100 people that represent代表 that city
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Rimini Protokoll 挑选了100个普通人
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at that moment时刻 in terms条款 of race种族 and gender性别 and class,
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代表同一时间里不同种族、性别、阶级的人
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through通过 a careful小心 process处理 that begins开始 three months个月 before,
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他们从三个月前开始精心筹备演出
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and then those 100 people share分享 stories故事 about
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他们挑中的100个人分享了
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themselves他们自己 and their lives生活, and the whole整个 thing
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他们自己的故事和人生经历
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becomes a snapshot快照 of that city at that moment时刻.
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这整个演出成为了一个城市的瞬间写照
05:10
LIFT电梯 has always been a pioneer先锋 in the use of venues场馆.
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LIFT是善于利用场地策划演出的先锋
05:14
They understand理解 that theater剧院 and performance性能
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他们认为戏剧与表演
05:16
can happen发生 anywhere随地.
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可以在任何地方出现
05:17
You can do a show显示 in a schoolroom教室,
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你可以在教室里演出
05:21
in an airport飞机场, — (Laughter笑声) —
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可以在机场里
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in a department store商店 window窗口.
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也可以在商店的橱窗里
05:26
Artists艺术家 are explorers探险. Who better to show显示 us the city anew重新?
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艺术家是探索者,谁能比艺术家更能赋予城市新生?
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Artists艺术家 can take us to a far-flung遥远 part部分 of the city
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艺术家能带我们到一个城市遥远的一角
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that we haven't没有 explored探讨, or they can take us into
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那里我们从未探索过
05:35
that building建造 that we pass通过 every一切 day but we never went into.
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他们也能把我们带进一幢天天路过却从未进入的大楼
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An artist艺术家, I think, can really show显示 us people
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我认为,艺术家能真正向我们展示
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that we might威力 overlook俯瞰 in our lives生活.
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生活中不曾注意的人
05:47
Back to Back is an Australian澳大利亚 company公司 of people
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Back to Back是一家澳大利亚剧团
05:50
with intellectual知识分子 disabilities残疾人. I saw their amazing惊人 show显示
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演员都是智障人士。我在纽约史泰登岛渡轮码头
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in New York纽约 at the Staten斯塔滕 Island Ferry渡船 Terminal终奌站
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观看了他们精彩的演出
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at rush hour小时.
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高峰时段
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We, the audience听众, were given特定 headsets耳机 and seated坐在
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我们这些观众每人拿到一副耳机
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on one side of the terminal终奌站.
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坐在码头的一边
06:05
The actors演员 were right there in front面前 of us,
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演员就在我们正前方
06:07
right there among其中 the commuters乘客,
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在乘客中间
06:10
and we could hear them,
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我们可以听见他们
06:11
but we might威力 not have otherwise除此以外 seen看到 them.
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但也许无法看出他们
06:14
So Back to Back takes site-specific位点特异性 theater剧院 and uses使用 it
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Back to Back采用特别外景剧场
06:19
to gently平缓 remind提醒 us about who and what we choose选择
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利用环境来提醒我们如何
06:22
to edit编辑 out of our daily日常 lives生活.
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从日常生活中选择编辑人生的素材
06:25
So, the dialogue对话 with the local本地 and the global全球,
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地方与全球的对话
06:28
the audience听众 as participant参加者 and player播放机 and protagonist主角,
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观众是参与者,是演员,是主人公
06:32
the innovative创新 use of site现场, all of these things
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场景的创造性运用,所有的一切
06:35
come to play in the amazing惊人 work
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构成了极为动人的作品
06:38
of the fantastic奇妙 French法国 company公司 Royal王室的 de Luxe豪美.
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这家奇迹般的法国剧团名为Royal de Luxe
06:42
Royal王室的 de Luxe's豪华的 giant巨人 puppets木偶 come into a city
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Royal de Luxe让巨型人偶进驻城市
06:46
and they live生活 there for a few少数 days.
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住上几天
06:48
For "The Sultan's苏丹 Elephant," Royal王室的 de Luxe豪美
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为了“苏丹的大象”,Royal de Luxe剧团
06:52
came来了 to central中央 London伦敦 and brought it to a standstill停顿
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来到伦敦市中心驻扎
06:55
with their story故事 of a giant巨人 little girl女孩 and her friend朋友,
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他们演出一个巨型的小女孩和她的朋友
06:59
a time-traveling时间旅行 elephant.
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一头穿越时空的大象
07:02
For a few少数 days, they transformed改造 a massive大规模的 city
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几天后,他们把一个大都市转变成
07:07
into a community社区 where endless无穷 possibility可能性 reigned在位.
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一个充满了无限可能的社区
07:11
The Guardian监护人 wrote, "If art艺术 is about transformation转型,
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卫报写道:“如果艺术旨在转变,
07:15
then there can be no more transformative变革 experience经验.
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那就不会再有什么转变的体验。”
07:19
What 'The“该 Sultan's苏丹 Elephant'象' represents代表 is no less
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“苏丹的大象”代表了
07:23
than an artistic艺术的 occupation占用 of the city
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对城市的艺术占领
07:26
and a reclamation开垦 of the streets街道 for the people."
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以及人类对街道主权的收回
07:31
We can talk about the economic经济 impacts影响 of these festivals节日
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我们可以来探讨一下这些艺术节对各自城市的经济影响
07:34
on their cities城市, but I'm much [more] interested有兴趣 in many许多 more things,
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到我更加感兴趣的是其他的很多事
07:38
like how a festival helps帮助 a city to express表现 itself本身,
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艺术节如何帮助一个城市去表达自己
07:42
how it lets让我们 it come into its own拥有.
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找到自己的个性
07:45
Festivals节日 promote促进 diversity多样,
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艺术节促进多样化的发展
07:48
they bring带来 neighbors邻居 into dialogue对话,
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让邻居们开始对话
07:50
they increase增加 creativity创造力,
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提升了创造力
07:52
they offer提供 opportunities机会 for civic公民 pride自豪,
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激发了市民的自豪
07:55
they improve提高 our general一般 psychological心理 well-being福利.
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提升了我们整体上的心理幸福
07:59
In short, they make cities城市 better places地方 to live生活.
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总而言之,艺术节能让城市生活更美好
08:03
Case案件 in point:
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例证:
08:04
When "The Sultan's苏丹 Elephant" came来了 to London伦敦
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当“苏丹的大象”来到伦敦
08:07
just nine months个月 after 7/7, a Londoner伦敦 wrote,
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7/7事件之后的九个月,一个伦敦人写道:
08:12
"For the first time since以来 the London伦敦 bombings爆炸,
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“伦敦爆炸案后第一次,
08:15
my daughter女儿 called up with that sparkle火花 back in her voice语音.
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我从女儿的声音里再次听到了雀跃
08:19
She had gathered云集 with others其他
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她打电话来说她跟朋友们一起
08:21
to watch 'The“该 Sultan's苏丹 Elephant,' and, you know,
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去看了'苏丹的大象',你们知道
08:24
it just made制作 all the difference区别."
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演出改变了一切
08:27
Lyn林恩 Gardner加德纳 in The Guardian监护人 has written书面
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卫报的林.加得纳写道
08:29
that a great festival can show显示 us a map地图 of the world世界,
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一个伟大的艺术节向我们展示出一幅世界地图
08:33
a map地图 of the city and a map地图 of ourselves我们自己,
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一幅城市地图,一幅我们自己的画像
08:37
but there is no one fixed固定 festival model模型.
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然而并不存在一个固定的艺术节模式
08:40
I think what's so brilliant辉煌 about the festivals节日,
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我认为新颖艺术节的妙处在于
08:43
the new festivals节日, is that they are really fully充分 capturing捕获
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它们真正完全抓住了
08:48
the complexity复杂 and the excitement激动
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我们现今生活方式的
08:52
of the way we all live生活 today今天.
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复杂和刺激
08:54
Thank you very much. (Applause掌声)
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非常感谢(掌声)
Translated by JIN Huiying
Reviewed by Karen SONG

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ABOUT THE SPEAKER
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage.

Why you should listen

David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.

Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.

PHOTO CREDITS for David's 2012 TED Talk:

Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen

The Mahabharata
16 © Image Entertainment

Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012

De La Guarda
21 Courtesy of De La Guarda

Sleep No More
22 © Alick Crossley

100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll

Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk

Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland

Urban Dream Capsule
34 Photo courtesy of Bedno.com

Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine

Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett

More profile about the speaker
David Binder | Speaker | TED.com