ABOUT THE SPEAKER
Arthur Ganson - Sculptor
Arthur Ganson's kinetic metal sculptures mix high art with gearhead humor. He's also the inventor of the kids' construction toy Toobers & Zots.

Why you should listen

A modern-day creator of "twittering machines," Arthur Ganson uses simple, plain materials to build witty mechanical art. But the wit is not simply about Rube Goldberg-ian chain-reaction gags (though you'll find a few of those). His work examines the quiet drama of physical motion, whether driven by a motor or by the actions of the viewer. Notions of balance, of rising and falling, of action and reaction and consequence, play themselves out in wire and steel and plastic.

Ganson has been an artist-in-residence at MIT (where the Lemelson-MIT Award Program named him an Inventor of the Week, and where his show "Gestural Engineering" is ongoing) and has shown his work at art and science museums around the world -- including the legendary "Machine with Concrete," which will put on quite a show ... in 2 trillion years.

More profile about the speaker
Arthur Ganson | Speaker | TED.com
TED2002

Arthur Ganson: Moving sculpture

亞瑟甘臣的移動雕塑

Filmed:
928,010 views

兼具雕塑家和工程師於一身的亞瑟甘臣訴說著自己的工作──動態藝術,在探索深層哲學理念之餘,還可帶來無窮的樂趣。
- Sculptor
Arthur Ganson's kinetic metal sculptures mix high art with gearhead humor. He's also the inventor of the kids' construction toy Toobers & Zots. Full bio

Double-click the English transcript below to play the video.

00:18
A few少數 words about how I got started開始,
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先說一說這一切是怎麼開始的
00:20
and it has a lot to do with happiness幸福, actually其實.
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其實是跟開心好玩有很大的關係
00:24
When I was a very young年輕 child兒童, I was extremely非常 introverted內斂
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我小時候非常內向
00:27
and very much to myself.
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幾乎不和別人來往
00:30
And, kind of as a way of surviving倖存,
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可能是爲了生存吧
00:33
I would go into my own擁有 very personal個人 space空間,
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我會到我自己的祕密基地
00:36
and I would make things.
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做些東西
00:38
I would make things for people
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我會做東西給別人
00:40
as a way of, you know, giving, showing展示 them my love.
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你知道,送東西,是我表達愛的方式
00:44
I would go into these private私人的 places地方,
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我會到我的祕密基地裡
00:47
and I would put my ideas思路 and my passions激情 into objects對象 --
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然後把我的構想和熱情放到東西裡面
00:51
and sort分類 of learning學習 how to speak說話 with my hands.
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算是學著怎麼用手說話吧
00:54
So, the whole整個 activity活動 of working加工 with my hands and creating創建 objects對象
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所以做勞作和創造物件這整個活動
00:58
is very much connected連接的 with not only the idea理念 realm領域,
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不僅僅和我的構想世界相連接
01:03
but also with very much the feeling感覺 realm領域.
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也與我的感官世界連接在一起
01:07
And the ideas思路 are very disparate不同.
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我的各種構想差異很大
01:11
I'm going to show顯示 you many許多 different不同 kinds of pieces,
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現在讓我們看一些不同的作品
01:14
and there's no real真實 connection連接 between之間 one or the other,
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這些作品之間
01:17
except that they sort分類 of come out of my brain,
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除了都是從我的腦海裡出來的以外,並沒有什麼關聯
01:19
and they're all different不同 sort分類 of thoughts思念 that are triggered觸發
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而且這些不同的構想,是透過
01:23
by looking at life, and seeing眼看 nature性質 and seeing眼看 objects對象,
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審視生活,發現大自然和觀察物件而激發的
01:27
and just having kind of playful調皮 random隨機 thoughts思念 about things.
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或者只是對事物有一些好玩且隨性的想法
01:31
When I was a child兒童, I started開始 to explore探索 motion運動.
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我小時候就開始探索運動
01:39
I fell下跌 in love with the way things moved移動,
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我愛上了事物運動的方式
01:41
so I started開始 to explore探索 motion運動 by making製造 little flipbooks動畫書.
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所以,我從製作小動畫本子開始探索
01:46
And this is one that I did, probably大概 like when I was around seventh第七 grade年級,
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這個大概是我在七年級的時候做的
01:50
and I remember記得 when I was doing this,
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我記得我在做的時候
01:53
I was thinking思維 about that little rock there,
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我在想那裡那個小石頭
01:56
and the pathway of the vehicles汽車 as they would fly through通過 the air空氣,
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和汽車飛過的途徑
02:01
and how the characters人物 --
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還有這些人--
02:03
(Laughter笑聲) --
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(笑聲)
02:04
would come shooting射擊 out of the car汽車,
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會怎樣從汽車裏面飛出去
02:06
so, on my mind心神, I was thinking思維 about the trajectory彈道 of the vehicles汽車.
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所以我腦海裏想的是汽車的軌跡
02:13
And of course課程, when you're a little kid孩子, there's always destruction毀壞.
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當然啦,小時候總會想要搞些毀滅
02:16
So, it has to end結束 with this --
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所以這是這樣結束的--
02:18
(Laughter笑聲) --
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(笑聲)
02:19
gratuitous免費的 violence暴力.
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純粹的暴力
02:21
(Laughter笑聲)
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(笑聲)
02:23
So that was how I first started開始 to explore探索 the way things moved移動,
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那就是我開始探索物體運動的方式
02:29
and expressed表達 it.
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並且將其表達出來
02:31
Now, when I went to college學院,
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現在當我上大學的時候
02:33
I found發現 myself making製造 fairly相當 complicated複雜, fragile脆弱 machines.
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我發現自己在製造很複雜而且很容易壞的機器
02:40
And this really came來了 about
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這真的是從
02:43
from having many許多 different不同 kinds of interests利益.
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有很多不同的興趣產生的
02:46
When I was in high school學校, I loved喜愛 to program程序 computers電腦,
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在高中的時候我喜歡寫電腦程式
02:49
so I sort分類 of liked喜歡 the logical合乎邏輯 flow of events事件.
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所以我也蠻喜歡事情的邏輯連貫性
02:54
I was also very interested有興趣 in perhaps也許 going into surgery手術
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我對進入外科
02:59
and becoming變得 a surgeon外科醫生,
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當一名外科醫生也很有興趣
03:01
because it meant意味著 working加工 with my hands
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因為那需要用我的雙手工作
03:03
in a very focused重點, intense激烈 way.
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而且工作內容非常密集而精細
03:06
So, I started開始 taking服用 art藝術 courses培訓班,
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所以我開始上藝術課
03:08
and I found發現 a way to make sculpture雕塑
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然後我找到了雕塑
03:11
that brought together一起 my love for being存在 very precise精確 with my hands,
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雕塑將我對精密手工的熱愛
03:15
with coming未來 up with different不同 kinds of logical合乎邏輯 flows流動 of energy能源 through通過 a system系統.
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和透過一個系統而產生的另類邏輯能量結合在一起
03:25
And also, working加工 with wire -- everything that I did
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並且使用電線來做──我做的所有東西
03:31
was both a visual視覺 and a mechanical機械 engineering工程 decision決定
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不但是視覺設計
03:37
at the same相同 time.
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也是一個機械工程的決定
03:39
So, I was able能夠 to sort分類 of exercise行使 all of that.
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所以基本上我在各方面都可以此練習
03:41
Now, this kind of machine is as close as I can get to painting繪畫.
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這種機器是我能做出最接近繪畫的機器
03:47
And it's full充分 of many許多 little trivial不重要的 end結束 points,
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到處都是很多細小的端點
03:52
like there's a little foot腳丫子 here that just drags拖動 around in circles
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就像有個小腳在這裡繞圈圈
03:57
and it doesn't really mean anything.
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而且它也沒什麼意義
03:59
It's really just for the sort分類 of joy喜悅 of its own擁有 triviality雞毛蒜皮.
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真的只是爲了它本身細小而繁瑣的樂趣
04:05
The connection連接 I have with engineering工程
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我與工程的聯繫
04:08
is the same相同 as any other engineer工程師, in that I love to solve解決 problems問題.
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與其他任何一個工程師都一樣,就是因為我喜歡解決問題
04:13
I love to figure數字 things out,
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我喜歡把事情弄清楚
04:15
but the end結束 result結果 of what I'm doing is really completely全然 ambiguous曖昧.
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但是我所做的事的結果是完全不可預料的。
04:21
(Laughter笑聲)
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(笑聲)
04:23
That's pretty漂亮 ambiguous曖昧.
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那真的是非常不可預料的
04:25
(Laughter笑聲)
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(笑聲)
04:27
The next下一個 piece that is going to come up
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下一個將要展示的作品
04:32
is an example of a kind of machine that is fairly相當 complex複雜.
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是一種較複雜機器的好例子
04:42
I gave myself the problem問題.
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我給自己出了一個難題
04:44
Since以來 I'm always liking喜歡 to solve解決 problems問題,
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因為我總是喜歡解決難題
04:46
I gave myself the problem問題 of turning車削 a crank曲柄 in one direction方向,
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所以就給自己出了個題目,如何朝同一個方向轉動把手
04:50
and solving all of the mechanical機械 problems問題
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就解決所有機械上的問題
04:53
for getting得到 this little man to walk步行 back and forth向前.
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讓這個小人可以前後走動
04:57
So, when I started開始 this, I didn't have an overall總體 plan計劃 for the machine,
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剛開始我對於這個機器沒有完整的計畫
05:02
but I did have a sense of the gesture手勢,
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但是我的確有動作的構想
05:05
and a sense of the shape形狀 and how it would occupy佔據 space空間.
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還有對形狀的想法和它如何佔據空間
05:09
And then it was a matter of starting開始 from one point
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這樣,這就是一個從一點開始
05:12
and sort分類 of building建造 to that final最後 point.
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然後完成到最後一點的問題了
05:16
That little gear齒輪 there switches開關 back and forth向前 to change更改 direction方向.
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那個小齒輪會往前和往後,藉此以改變方向
05:21
And that's a little found發現 object目的.
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而且是一個小小的信手拈來的藝術品
05:25
So a lot of the pieces that I've made製作,
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所以,我做的很多小東西
05:28
they involve涉及 found發現 objects對象.
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都有信手拈來的東西
05:32
And it really -- it's almost幾乎 like doing visual視覺 puns雙關語 all the time.
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而且說真的──這幾乎一直就是視覺的雙關語
05:40
When I see objects對象, I imagine想像 them in motion運動.
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當我看東西的時候,我會想像東西活動的樣子
05:43
I imagine想像 what can be said with them.
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我會想像,這個東西可以怎麼說
05:45
This next下一個 one here, "Machine with Wishbone橫臂,"
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下一個是連接著「許願骨」的機器
05:49
it came來了 about from playing播放 with this wishbone叉臂 after dinner晚餐.
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是我在吃完晚飯後玩著許願骨的時候想出來的
05:56
You know, they say, never play with your food餐飲 --
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你知道的,他們都說,不要玩弄食物──
05:58
but I always play with things.
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可是我總是玩弄東西
06:00
So, I had this wishbone叉臂, and I thought,
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所以,我拿著許願骨的時候就一面想
06:02
it's kind of like a cowboy牛仔 who's誰是 been on his horse for too long.
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這就像一個騎馬騎太久了的牛仔
06:05
(Laughter笑聲)
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(笑聲)
06:06
And I started開始 to make him walk步行 across橫過 the table,
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然後我開始讓這個牛仔在桌上走著
06:09
and I thought, "Oh, I can make a little machine that will do that."
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然後我就想:「噢,我可以做一個帶著他走的機器呀」
06:14
So, I made製作 this device設備, linked關聯 it up, and the wishbone叉臂 walks散步.
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所以我就做了這個設備,許願骨就開始走路了
06:20
And because the wishbone叉臂 is bone -- it's animal動物 --
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而且因為許願骨是骨頭,是動物
06:23
it's sort分類 of a point where I think we can enter輸入 into it.
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我認為這算是一種切入點
06:29
And that's the whole整個 piece.
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這就是整個機器
06:31
(Laughter笑聲)
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(笑聲)
06:32
That's about that big.
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大概就這麼大
06:35
(Applause掌聲)
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(掌聲)
06:40
This kind of work is also very much like puppetry木偶戲,
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這種工作和木偶戲很像
06:45
where the found發現 object目的 is, in a sense, the puppet木偶,
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信手拈來的那個東西,在這個場景中就是木偶
06:49
and I'm the puppeteer木偶戲 at first, because I'm playing播放 with an object目的.
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而剛開始時我是那個牽著線的人,因為是我在玩那個東西
06:54
But then I make the machine, which哪一個 is sort分類 of the stand-in站在 for me,
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但後來我做了一個機器來代替我自己
06:58
and it is able能夠 to achieve實現 the action行動 that I want.
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這個機器可以造就出我想要達到的動作
07:03
The next下一個 piece I'll show顯示 you is a much more conceptual概念上的 thought,
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下一個我要展示的是比較抽象的概念
07:10
and it's a little piece called "Cory'sCory的 Yellow黃色 Chair椅子."
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我把這個作品叫做「可瑞的黃椅子」
07:14
I had this image圖片 in my mind心神, when I saw my son's兒子 little chair椅子,
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我看到我兒子的小椅子時,腦海裡就呈現出這個畫面
07:19
and I saw it explode爆炸 up and out.
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然後我看到椅子向上、向外炸開
07:24
And --
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然後──
07:28
so the way I saw this in my mind心神 at first,
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而我第一次在腦海中想像到的樣子
07:31
was that the pieces would explode爆炸 up and out with infinite無窮 speed速度,
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就是椅子的部件會以無限快的速度,向上、向外炸開
07:35
and the pieces would move移動 far out,
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碎片會向遠處移動
07:37
and then they would begin開始 to be pulled back
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然後再被拉回來
07:39
with a kind of a gravitational引力 feel,
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帶著一種引力的感覺被拉回來
07:41
to the point where they would approach途徑 infinite無窮 speed速度 back to the center中央.
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回來的時候也是會以無限快的速度回到中心點
07:45
And they would coalesce合併 for just a moment時刻,
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在一瞬間,這些部件就會完全密合
07:48
so you could perceive感知 that there was a chair椅子 there.
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所以你感覺到的會是,那裡曾有一把椅子
07:51
For me, it's kind of a feeling感覺 about the fleetingnessfleetingness of the present當下 moment時刻,
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對我而言,是一種當下瞬間的感覺
07:57
and I wanted to express表現 that.
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而我想把這種感覺表達出來
07:59
Now, the machine is -- in this case案件, it's a real真實 approximation近似 of that,
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現在,在這個情況下,這個機器可說是這種感覺真實的近似體現
08:04
because obviously明顯 you can't move移動 physical物理 matter
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因為你當然無法讓實物
08:07
infinitely無限地 with infinite無窮 speed速度 and have it stop instantaneously瞬間.
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以無限快的速度移動然後又突然停止
08:11
This whole整個 thing is about four feet wide,
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整個機器的寬度大約有四呎寬
08:15
and the chair椅子 itself本身 is only about a few少數 inches英寸.
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椅子本身也只有幾英吋
08:18
(Applause掌聲)
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(掌聲)
08:23
Now, this is a funny滑稽 sort分類 of conceptual概念上的 thing,
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現在這是一個有趣的概念性的東西
08:26
and yesterday昨天 we were talking about Danny丹尼 Hillis'希利斯“ "10,000 Year Clock時鐘."
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而且昨天我們才說到希里斯的萬年鐘
08:31
So, we have a motor發動機 here on the left,
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所以我們就有了左邊的這個馬達
08:33
and it goes through通過 a gear齒輪 train培養.
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經過一個齒輪列車
08:36
There are 12 pairs of 50:1 reductions減少,
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這裡有 12 對 50 比 1 的減速器
08:41
so that means手段 that the final最後 speed速度 of that gear齒輪 on the end結束
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也就是說到了最後一個齒輪的最終速度
08:46
is so slow that it would take two trillion years年份 to turn once一旦.
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已經慢到兩兆年才會轉一圈
08:50
So I've invented發明 it in concrete具體, because it doesn't really matter.
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因為不管發明在什麼上面都無所謂,所以我就把它放在水泥塊上
08:53
(Laughter笑聲)
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(笑聲)
08:54
Because it could run all the time.
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反正這個機器一直都是開著的
08:56
(Laughter笑聲)
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(笑聲)
08:57
Now, a completely全然 different不同 thought.
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現在,這是完全不同的一個概念─
09:01
I'm always imagining想像 myself in different不同 situations情況.
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我一直都想像著自己處於不同境況的情境
09:05
I'm imagining想像 myself as a machine.
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我把自己想像成一個機器
09:07
What would I love?
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我會喜歡什麼?
09:09
I would love to be bathed沐浴 in oil.
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我應該會喜歡泡在油裡面
09:11
(Laughter笑聲)
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(笑聲)
09:12
So, this machine does nothing but just bathe洗澡 itself本身 in oil.
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所以,這個機器就只是泡在油裡,什麼也不做
09:17
(Laughter笑聲)
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(笑聲)
09:19
(Applause掌聲)
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(掌聲)
09:23
And it's really, just sort分類 of --
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而且實際上對我來說─
09:26
for me, it was just really about the lusciousness甜美 of oil.
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這個機器真的只是陳述著油脂的甜美
09:29
(Laughter笑聲)
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(笑聲)
09:30
And then, I got a call from a friend朋友
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後來我接到一個朋友的電話
09:33
who wanted to have a show顯示 of erotic好色之徒 art藝術,
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她想要辦一個情色藝術展
09:36
and I didn't have any pieces.
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可是我沒有可以參展的作品
09:38
But when she suggested建議 to be in the show顯示, this piece came來了 to mind心神.
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但是當她建議可以展出些什麼時,我想到了這個作品
09:42
So, it's sort分類 of related有關, but you can see it's much more overtly陽謀 erotic好色之徒.
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這個作品算是有點關聯,但是你們可看到,這個實在太過情色了
09:48
And this one I call "Machine with Grease潤滑脂."
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我把這個作品叫做「機器和油脂」
09:51
It's just continually不斷 ejaculating射精, and it's --
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這個機器不斷地射精,而且─
09:53
(Laughter笑聲) --
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(笑聲)
09:54
this is a happy快樂 machine, I'll tell you.
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我可以告訴你,這是一個快樂的機器
09:57
(Laughter笑聲)
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(笑聲)
09:58
It's definitely無疑 happy快樂.
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絕對很快樂
10:02
From an engineering工程 point of view視圖,
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從工程的角度來說
10:05
this is just a little four-bar四桿 linkage連鎖.
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這是一個小小的四條槓的組合
10:07
And then again, this is a found發現 object目的, a little fan風扇 that I found發現.
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和前面一樣,這也是一個信手拈來,用我找到的一個小扇子做的
10:12
And I thought, what about the gesture手勢 of opening開盤 the fan風扇,
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然後我在想,打開扇子的姿勢是什麼
10:15
and how simply只是 could I state something.
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我可以用多麼簡單的方式來說明某件事
10:18
And, in a case案件 like this, I'm trying to make something which哪一個 is clear明確
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以這件作品為例,我試著要做出一個意象明確的東西
10:26
but also not suggestive提示 of any particular特定 kind of animal動物 or plant.
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但卻不會暗示著某種特定的動物或植物
10:33
For me, the process處理 is very important重要,
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對我來說,過程是很重要的
10:38
because I'm inventing發明了 machines,
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因為我不僅發明機器
10:40
but I'm also inventing發明了 tools工具 to make machines,
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我也發明製作機器的工具
10:43
and the whole整個 thing is all sort分類 of wrapped包裹 up from the beginning開始.
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整件事就好像是從頭到尾一氣喝成的感覺
10:46
So this is a little wire-bending線彎曲 tool工具.
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這是一個小小的用來彎鐵絲的工具
10:49
After many許多 years年份 of bending彎曲 gears齒輪 with a pair of pliers,
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多年來一直用鉗子彎鐵絲做齒輪之後
10:52
I made製作 that tool工具, and then I made製作 this other tool工具
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我做出那這個工具,後來我又做出了這個工具
10:55
for sort分類 of centering定心 gears齒輪 very quickly很快 --
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可以迅速把齒輪置中
10:59
sort分類 of developing發展 my own擁有 little world世界 of technology技術.
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可說是自行發展我自己的科技世界
11:02
My life completely全然 changed when I found發現 a spot welder焊機.
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我的人生在我找到了接點焊接器之後就完全改觀
11:08
(Laughter笑聲)
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(笑聲)
11:09
And that was that tool工具.
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這就是那個工具
11:11
It completely全然 changed what I could do.
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這個工具完全改變了我所能做的事
11:13
Now here, I'm going to do a very poor較差的 job工作 of silver soldering焊接.
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現在我要做一件很糟糕的銲錫工作
11:18
This is not the way they teach you to silver solder焊接 when you're in school學校.
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這不是學校教的銲錫法
11:23
I just like, throw it in.
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我只是就這樣扔進去
11:25
I mean, real真實 jewelers珠寶商 put little bits of solder焊接 in.
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我的意思是,真正的珠寶技工只會放一點點的焊料
11:28
So, that's a finished gear齒輪.
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這就是完成的齒輪
11:32
When I moved移動 to Boston波士頓,
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當我搬到波士頓之後
11:34
I joined加盟 a group called the World世界 Sculpture雕塑 Racing賽跑 Society社會.
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我加入了一個稱為「世界雕塑競速協會」的團體
11:39
(Laughter笑聲)
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(笑聲)
11:40
And the idea理念, their premise前提 was that we wanted to show顯示
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整個概念就是,他們的前提就是
11:47
pieces of sculpture雕塑 on the street,
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我們想在街上展示一件件的雕塑
11:49
and there'd這紅色 be no subjective主觀 decision決定 about what was the best最好.
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而且沒有主觀的判斷來評判哪一個雕塑最好
11:53
It would be -- whatever隨你 came來了 across橫過 the finish line first would be the winner優勝者.
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誰最先到達終點線誰就是贏家
11:55
(Laughter笑聲)
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(笑聲)
11:56
So I made製作 -- this is my first racing賽跑 sculpture雕塑,
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所以我就做了這個,我的第一個競速雕塑
12:00
and I thought, "Oh, I'm going to make a cart大車,
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而且我想:「我要做一個推車
12:02
and I'm going to have it --
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我要─
12:04
I'm going to have my hand writing寫作 'faster'更快,'
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我要讓我可以寫『快一點』
12:06
so as I run down the street, the cart's車的 going to talk to me
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所以在我上街時,推車就會和我說話
12:10
and it's going to go, 'Faster'更快, faster更快!' "
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而且會走得『快一點,快一點』」
12:13
So, that's what it does.
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這就是這件機器能做的
12:15
(Laughter笑聲)
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(笑聲)
12:16
But then in the end結束, what I decided決定
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但到最後,我決定的是
12:21
was every一切 time you finish writing寫作 the word,
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每一次寫完那個字後
12:24
I would stop and I would give the card to somebody on the side of the road.
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我就會停下來,把推車給路邊的人
12:28
So I would never win贏得 the race種族 because I'm always stopping停止.
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因為我總是停下來,所以我從來沒有贏過競速比賽
12:31
But I had a lot of fun開玩笑.
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可是我覺得很好玩
12:33
(Applause掌聲)
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(掌聲)
12:39
Now, I only have two and a half minutes分鐘 -- I'm going to play this.
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現在我只剩下兩分半鐘了─我現在要放這個
12:43
This is a piece that, for me, is in some ways方法
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這件作品在某種程度上,對我來說
12:49
the most complete完成 kind of piece.
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是最完整的一件作品
12:51
Because when I was a kid孩子, I also played發揮 a lot of guitar吉他.
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我小的時候,我彈吉他彈得很多
12:53
And when I had this thought,
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我在有這個想法時
12:57
I was imagining想像 that I would make --
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我想像著我會做一個─
12:59
I would have a whole整個 machine theater劇院 evening晚間,
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我會有一個完全由機器演奏的夜晚
13:02
where I would -- you would have an audience聽眾,
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在那裡─你會有觀眾
13:04
the curtain窗簾 would open打開, and you'd be entertained封盤 by machines on stage階段.
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在拉開序幕的那一刻,舞台上會是由機器來表演
13:08
So, I imagined想像 a very simple簡單 gestural手勢 dance舞蹈
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所以我想像的是非常簡單的示意舞蹈
13:11
that would be between之間 a machine and just a very simple簡單 chair椅子, and ...
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就是機器和一張普通椅子間的舞蹈,而且,,,
13:27
When I'm making製造 these pieces, I'm always trying to find a point
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當我在做這些設作品,我一直試著找到一點
13:31
where I'm saying something very clearly明確地 and it's very simple簡單,
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讓我可以很清楚、簡單的說一件事
13:42
but also at the same相同 time it's very ambiguous曖昧.
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但同時又很模稜兩可
13:45
And I think there's a point between之間 simplicity簡單 and ambiguity歧義
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我認為,界於清楚與模稜兩可之間有一個點
13:50
which哪一個 can allow允許 a viewer觀眾 to perhaps也許 take something from it.
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或許可以讓觀眾從中的到些什麼
13:59
And that leads引線 me to the thought that all of these pieces
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這一點讓我想到這些作品
14:03
start開始 off in my own擁有 mind心神, in my heart,
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都是從我的腦海中開始,從我心中開始
14:07
and I do my best最好 at finding發現 ways方法 to express表現 them with materials物料,
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而我盡可能找出用各種素材來表達的方式
14:14
and it always feels感覺 really crude原油.
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而且總是讓人覺得是未經人工雕琢的
14:16
It's always a struggle鬥爭,
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我總是在掙扎
14:19
but somehow不知何故 I manage管理 to sort分類 of get this thought
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但是我似乎總能把我的想法
14:23
out into an object目的, and then it's there, OK.
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注入物件中,然後就呈現出來了
14:27
It means手段 nothing at all.
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那並不具備任何意義
14:29
The object目的 itself本身 just means手段 nothing.
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物件本身並沒有任何意義
14:31
Once一旦 it's perceived感知, and someone有人 brings帶來 it into their own擁有 mind心神,
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當物件受到理解時,有人會把理解到的帶到他們的腦海中
14:36
then there's a cycle週期 that has been completed完成.
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那麼循環就完成了
14:41
And to me, that's the most important重要 thing
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對我而言,這一點是最重要的
14:43
because, ever since以來 being存在 a kid孩子, I've wanted to communicate通信 my passion and love.
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因為從孩童時期開始,我一直希望傳達我的熱情和我的愛
14:48
And that means手段 the complete完成 cycle週期 of coming未來 from inside,
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這指的是一個完整的循環,是從內心開始
14:53
out to the physical物理, to someone有人 perceiving感知 it.
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向外到有形的世界,再由另一個人理解
15:01
So I'll just let this chair椅子 come down.
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所以我只是要把椅子放下來
15:33
(Applause掌聲)
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(掌聲)
15:34
Thank you.
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謝謝!
15:35
(Applause掌聲)
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(掌聲)
Translated by Louise Chen
Reviewed by Michelle Fan

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ABOUT THE SPEAKER
Arthur Ganson - Sculptor
Arthur Ganson's kinetic metal sculptures mix high art with gearhead humor. He's also the inventor of the kids' construction toy Toobers & Zots.

Why you should listen

A modern-day creator of "twittering machines," Arthur Ganson uses simple, plain materials to build witty mechanical art. But the wit is not simply about Rube Goldberg-ian chain-reaction gags (though you'll find a few of those). His work examines the quiet drama of physical motion, whether driven by a motor or by the actions of the viewer. Notions of balance, of rising and falling, of action and reaction and consequence, play themselves out in wire and steel and plastic.

Ganson has been an artist-in-residence at MIT (where the Lemelson-MIT Award Program named him an Inventor of the Week, and where his show "Gestural Engineering" is ongoing) and has shown his work at art and science museums around the world -- including the legendary "Machine with Concrete," which will put on quite a show ... in 2 trillion years.

More profile about the speaker
Arthur Ganson | Speaker | TED.com