ABOUT THE SPEAKER
Alexa Meade - Visual artist
Alexa Meade paints mesmerizing, illusionistic portraits directly on living subjects, subverting familiar visual cues with perspective and color.

Why you should listen

Alexa Meade creates paintings in 3D space that make the real world appear to be a 2D painting. What may look like a traditional painted portrait is actually a photograph of a living, breathing person whose face, clothes and surroundings are all covered in acrylic paint. The 3D paintings can be photographed from any angle and maintain the illusion of flatness without the need for digital effects.

Alexa stumbled upon this technique by accident. While she was studying political science in college, she had an idea for an art project: what would it look like if she covered up shadows in the landscape with black paint? This question led her down a rabbit hole of experiments with painitng in 3D space that led to her discovery of this new style of optical illusion. She paints on people around the world who become part of the urban landscape as living street art. The photographs of the ephemeral painting performances hang on the walls of galleries and museums.

She recieved critical acclaim from CNN, Wired, NPR, the Wall Street Journal, and more. She has lectured at the CalArts, UC-Berkeley, Apple, Adobe and National Geographic London

Alexa travels the world creating live painting performances, art installations and commisioned portraits. Currently, Alexa is collaborating with scientists and researching spacetime at the Perimeter Institute for Theoretical Physics. Alexa is making a series of magical paintings with David Blaine, transforming her home into a "Fun House" with Chris Hughes, developing a line of toys and volunteering in the art program at the Braille Institute. 

More profile about the speaker
Alexa Meade | Speaker | TED.com
TEDGlobal 2013

Alexa Meade: Your body is my canvas

Alexa Meade: Vaše tijelo je moje platno

Filmed:
2,815,934 views

Alexa Meade ima inovativan pristup umjetnosti. Za nju to nije život ispunjen skiciranjem i razvlačenjem platna. Umjesto toga, ona odabire temu i onda je slika--doslovno. Prekriva sve u sceni--ljude, stolice, hranu, što god--maskom boje koja oponaša ono što se nalazi ispod. U ovom prosvjetljujućem govoru, Meade nam pokazuje fotografije svojih čudnovatijih rezultata i dijeli s nama novi projekt koji uključuje ljude, boju i mlijeko.
- Visual artist
Alexa Meade paints mesmerizing, illusionistic portraits directly on living subjects, subverting familiar visual cues with perspective and color. Full bio

Double-click the English transcript below to play the video.

00:12
You maysvibanj want to take a closerbliže look.
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Možda ćete htjeti pobliže pogledati.
00:14
There's more to this paintingslika than meetszadovoljava the eyeoko.
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Na ovoj slici ima više nego što možete zamijetiti na prvi pogled.
00:17
And yes, it's an acrylicakril paintingslika of a man,
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I da, ovo je akrilna slika muškarca,
00:21
but I didn't paintboja it on canvasplatno.
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ali nisam ju naslikala na platnu.
00:24
I paintedobojen it directlydirektno on topvrh of the man.
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Naslikala sam ju direktno na muškarca.
00:27
What I do in my artumjetnost is I skippreskočiti the canvasplatno altogethersve u svemu,
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Ono što činim u svojoj umjetnosti je da preskačem platno u potpunosti,
00:30
and if I want to paintboja your portraitportret,
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i ako želim naslikati vaš portret,
00:32
I'm paintingslika it on you, physicallytjelesno on you.
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slikam ga na vama, fizički na vama.
00:35
That alsotakođer meanssredstva you're probablyvjerojatno going to endkraj up
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To također znači da ćete vjerojatno završiti
00:37
with an earfulkondoma of paintboja,
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sa uhom punim boje,
00:39
because I need to paintboja your earuho on your earuho.
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zato što moram naslikati vaše uho na vašem uhu.
00:43
Everything in this scenescena, the personosoba, the clothesodjeća,
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Sve na ovoj sceni, osoba, odjeća,
00:46
chairsstolice, wallzid, getsdobiva coveredpokriven in a maskmaska of paintboja
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stolica, zid, sve bude pokriveno premazom boje
00:49
that mimicsoponaša what's directlydirektno belowispod it,
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koja oponaša ono što je direktno ispod nje,
00:52
and in this way, I'm ableu stanju to take a three-dimensionaltrodimenzionalni scenescena
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i na ovaj način mogu uzeti trodimenzionalnu scenu
00:56
and make it look like a two-dimensionaldvodimenzionalan paintingslika.
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i učiniti da izgleda kao dvodimenzionalna slika.
00:59
I can photographfotografirati it from any anglekut,
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Mogu je fotografirati iz bilo kojeg kuta,
01:01
and it will still look 2D.
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i dalje će izgledati 2D.
01:04
There's no PhotoshopPhotoshop here.
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Ovdje nema Photoshopa.
01:07
This is just a photofoto
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Ovo je samo fotografija
01:09
of one of my three-dimensionaltrodimenzionalni paintingsslike.
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jedne od mojih trodimenzionalnih slika.
01:13
You mightmoć be wonderingpitate how I camedošao up with this ideaideja
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Možda se pitate kako sam došla na ovu ideju
01:15
of turningtokarenje people into paintingsslike.
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da pretvaram ljude u slike.
01:17
But originallyizvorno, this had nothing to do
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Isprva, ovo nije imalo nikakve veze
01:20
with eitherili people or paintboja.
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ni s ljudima ni s bojom.
01:22
It was about shadowssjene.
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Radilo se o sjenama.
01:25
I was fascinatedopčinjen with the absenceodsutnost of lightsvjetlo,
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Bila sam fascinirana nedostatkom svjetla,
01:27
and I wanted to find a way that I could give it materialityznačajnosti
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i htjela sam pronaći način kako bi to mogla materijalizirati
01:31
and pinigla it down before it changedpromijenjen.
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i zabilježiti prije nego se promijeni.
01:33
I camedošao up with the ideaideja of paintingslika shadowssjene.
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Došla sam na ideju da slikam sjene.
01:36
I lovedvoljen that I could hidesakriti withinunutar this shadowsjena
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Svidjelo mi se to što sam unutar sjene sakrila
01:38
my ownvlastiti paintedobojen versionverzija,
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svoju vlastitu slikanu verziju,
01:40
and it would be almostskoro invisiblenevidljiv
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i bila bi gotovo nevidljiva
01:43
untildo the lightsvjetlo changedpromijenjen, and all of a suddennaglo
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dok se svjetlo ne bi promijenilo, i odjednom
01:45
my shadowsjena would be broughtdonio to the lightsvjetlo.
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moja sjena bi došla na svjetlo.
01:48
I wanted to think about what elsedrugo I could put shadowssjene on,
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Htjela sam se dosjetiti na što bih još mogla
staviti sjene,
01:51
and I thought of my friendprijatelj BernieBernie.
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i prisjetila se svog prijatelja Bernia.
01:54
But I didn't just want to paintboja the shadowssjene.
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Ali nisam htjela samo slikati sjene.
01:57
I alsotakođer wanted to paintboja the highlightsnaglasci
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Hjela sam naslikati i osvjetljene dijelove
01:59
and createstvoriti a mappingkartografija on his bodytijelo in greyscalesive boje.
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i mapirati njegovo tijelo nijansama sive.
02:02
I had a very specificspecifično visionvizija of what this would look like,
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Imala sam vrlo određenu viziju
kako bi to trebalo izgledati,
02:06
and as I was paintingslika him,
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i slikajući ga,
02:08
I madenapravljen sure to followslijediti that very closelytijesno.
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pazila sam da to točno slijedim.
02:10
But something keptčuva on flickeringtitranje before my eyesoči.
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Ali, nešto je uporno titralo pred mojim očima.
02:13
I wasn'tnije quitedosta sure what I was looking at.
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Nisam bila u potpunosti sigurna u što gledam.
02:15
And then when I tookuzeo that momenttrenutak to take a stepkorak back,
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I onda kada sam se na trenutak odmakla korak unatrag,
02:19
magicmagija.
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čarolija.
02:21
I had turnedokrenut my friendprijatelj into a paintingslika.
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Pretvorila sam svog prijatelja u sliku.
02:24
I couldn'tne mogu have foreseenpredviđena that
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Nisam mogla predvidjeti da ću
02:25
when I wanted to paintboja a shadowsjena,
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kada budem htjela naslikati sjenu,
02:28
I would pullVuci out this wholečitav other dimensiondimenzija,
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izvući ovu potpuno drugu dimenziju,
02:30
that I would collapsekolaps it,
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da ću ju urušiti,
02:31
that I would take a paintingslika and make it my friendprijatelj
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da ću uzeti sliku i učiniti ju svojim prijateljem
02:36
and then bringdonijeti him back to a paintingslika.
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i onda ga vratiti slici.
02:39
I was a little conflictedu sukobu thoughiako,
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Doduše, bila sam pomalo rastrzana,
02:41
because I was so exciteduzbuđen about what I'd foundpronađeno,
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jer sam bila tako uzbuđena ovim što sam našla,
02:45
but I was just about to graduatediplomirani from collegekoledž
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ali sam upravo trebala diplomirati
02:47
with a degreestupanj in politicalpolitički scienceznanost,
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političke znanosti,
02:49
and I'd always had this dreamsan
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i oduvijek sam imala taj san
02:51
of going to WashingtonWashington, D.C.,
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da odem u Washington,
02:53
and sittingsjedenje at a deskstol
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sjedim za radnim stolom
02:56
and workingrad in governmentvlada.
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i radim u vladi.
02:58
(LaughterSmijeh)
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(Smijeh)
03:00
Why did this have to get in the way of all that?
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Zašto se ovo moralo ispriječiti pred svim tim?
03:04
I madenapravljen the toughtvrd decisionodluka
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Donijela sam tešku odluku
03:05
of going home after graduationdiplome
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da se vratim kući nakon diplomiranja
03:09
and not going up to CapitolCapitol HillBrdo,
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i da ne odem gore na Capitol Hill,
03:12
but going down to my parents'roditelja basementpodrum
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već dolje u podrum svojih roditelja
03:14
and makingizrađivanje it my jobposao to learnnaučiti how to paintboja.
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i da moj posao bude da naučim slikati.
03:17
I had no ideaideja where to beginpočeti.
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Nisam imala pojma gdje da počnem.
03:21
The last time I'd paintedobojen,
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Posljednji put kad sam slikala,
03:22
I was 16 yearsgodina oldstar at summerljeto campkamp,
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bilo mi je 16 godina u ljetnom kampu,
03:25
and I didn't want to teachučiti myselfsebe how to paintboja
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i nisam htjela naučiti slikati
03:27
by copyingkopiranje the oldstar mastersmajstori
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kopirajući stare majstore
03:29
or stretchingistezanje a canvasplatno
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ili razvlačeći platno
03:31
and practicingvježbanje over and over again on that surfacepovršinski,
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i vježbajući ponovno i ponovno na toj površini,
03:34
because that's not what this projectprojekt was about for me.
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jer za mene to nije bila bit ovog projekta.
03:37
It was about spaceprostor and lightsvjetlo.
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Radilo se o prostoru i svjetlu.
03:40
My earlyrano canvasesplatna endedzavršeno up beingbiće
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Moja rana platna bila su
03:43
things that you wouldn'tne bi expectočekivati to be used as canvasplatno,
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stvari koje ne biste očekivali da će se uporabiti kao platna,
03:46
like friedpržene foodhrana.
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kao što je pržena hrana.
03:48
It's nearlyskoro impossiblenemoguće
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Skoro je nemoguće
03:50
to get paintboja to stickštap to the greasemasti in an eggjaje.
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postići da se boja zalijepi na mast na jajetu.
03:53
(LaughterSmijeh)
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(Smijeh)
03:55
Even harderteže was gettinguzimajući paintboja to stickštap
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Još teže je bilo postići da se boja uhvati
03:58
to the acidkiselina in a grapefruitgrejp.
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na kiselinu u grejpu.
04:00
It just would erasebrisati my brushČetka strokesudaraca
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Moji potezi kistom bili bi izbrisani
04:03
like invisiblenevidljiv inktinta.
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kao nevidljiva tinta.
04:05
I'd put something down, and instantlyodmah it would be goneotišao.
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Obojala bih nešto, i istog trenutka to bi nestalo.
04:08
And if I wanted to paintboja on people,
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Ako sam htjela slikati na ljudima,
04:10
well, I was a little bitbit embarrassedzbunjen
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pa, bilo mi je pomalo neugodno
04:13
to bringdonijeti people down into my studiostudio
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dovesti ljude u svoj studio
04:15
and showpokazati them that I spentpotrošen my daysdana in a basementpodrum
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i pokazati im da provodim dane u podrumu
04:18
puttingstavljanje paintboja on toasttost.
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nanoseći boju na tost.
04:21
It just seemedčinilo se like it madenapravljen more senseosjećaj
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Činilo mi se da ima više smisla
04:23
to practicepraksa by paintingslika on myselfsebe.
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vježbati slikanje na sebi.
04:26
One of my favoriteljubimac modelsmodeli actuallyzapravo endedzavršeno up beingbiće
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Jedan od mojih najdražih modela je zapravo postao
04:29
a retiredu mirovini oldstar man
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stari umirovljeni čovjek
04:31
who not only didn't mindum sittingsjedenje still
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kojem ne samo da nije smetalo sjediti mirno
04:33
and gettinguzimajući the paintboja in his earsuši,
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i imati boju u ušima,
04:36
but he alsotakođer didn't really have much embarrassmentSram
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nego se nije ni puno sramio
04:38
about beingbiće takenpoduzete out into very publicjavnost placesmjesta
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kada sam ga izvela na vrlo javna mjesta
04:40
for exhibitionizložba,
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radi izložbe,
04:42
like the MetroPodzemne.
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kao što je podzemna.
04:45
I was havingima so much funzabava with this processpostupak.
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Jako sam se zabavljala tijekom ovog procesa.
04:49
I was teachingnastava myselfsebe how to paintboja in all these differentdrugačiji stylesstilovi,
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Učila sam se kako slikati u ovim različitim stilovima,
04:53
and I wanted to see what elsedrugo I could do with it.
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i htjela sam vidjeti što još mogu učiniti s tim.
04:56
I camedošao togetherzajedno with a collaboratorsuradnik, SheilaSheila VandVAND,
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Sastala sam se sa suradnicom, Sheilom Vand,
04:59
and we had the ideaideja of creatingstvaranje paintingsslike
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i imale smo ideju stvaranja slika
05:02
in a more unusualneuobičajen surfacepovršinski,
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na nešto neobičnijoj površini,
05:04
and that was milkmlijeko.
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a to je bilo mlijeko.
05:07
We got a poolbazen. We filledispunjen it with milkmlijeko.
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Našle smo bazen. Napunile smo ga mlijekom.
05:10
We filledispunjen it with SheilaSheila. And I beganpočeo paintingslika.
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Napunile smo ga Sheila i ja. I počela sam slikati.
05:13
And the imagesslika were always
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I slike su na kraju uvijek bile
05:15
completelypotpuno unexpectedneočekivan in the endkraj,
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potpuno neočekivane,
05:17
because I could have a very specificspecifično imageslika
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jer mogla sam imati zaista određenu sliku
05:20
about how it would turnskretanje out,
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kako će to na kraju ispasti,
05:21
I could paintboja it to matchutakmica that,
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i mogla sam slikati tako da odrazim to,
05:23
but the momenttrenutak that SheilaSheila laidlaid back into the milkmlijeko,
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ali trenutak kad bi Sheila legla natrag u mlijeko,
05:26
everything would changepromijeniti.
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sve bi se promijenilo.
05:28
It was in constantkonstantno fluxtoka,
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Sve je bilo u stalnom pokretu,
05:30
and we had to, ratherradije than fightborba it, embracezagrljaj it,
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i morale smo, radije nego da se borimo, prigrliti to,
05:33
see where the milkmlijeko would take us
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vidjeti gdje će nas mlijeko odvesti
05:34
and compensatenadoknaditi to make it even better.
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i kompenzirati kako bi postalo još bolje.
05:38
SometimesPonekad, when SheilaSheila would laypoložiti down in the milkmlijeko,
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Ponekad, kad bi Sheila legla u mlijeko,
05:42
it would washpranje all the paintboja off of her armsoružje,
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ono bi opralo svu boju s njenih ruku,
05:44
and it mightmoć seemčiniti se a little bitbit clumsynespretno,
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i izgledalo bi pomalo nespretno,
05:47
but our solutionriješenje would be, okay, hidesakriti your armsoružje.
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ali naše rješenje bi bilo, u redu, sakrijmo tvoje ruke.
05:50
And one time, she got so much milkmlijeko in her hairdlaka
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Jednom je imala toliko mlijeka u kosi
05:53
that it just smearedpremazani all the paintboja off of her facelice.
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da je samo razmazalo svu boju sa njenog lica.
05:56
All right, well, hidesakriti your facelice.
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Dobro, onda sakrij lice.
05:59
And we endedzavršeno up with something fardaleko more elegantelegantan
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Na kraju smo dobile nešto daleko elegantnije
06:02
than we could have imaginedzamislio,
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nego što smo mogle zamisliti,
06:04
even thoughiako this is essentiallyu srži the sameisti solutionriješenje
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iako je ovo u biti potpuno jednako rješenje
06:06
that a frustratedfrustriran kiddijete usesnamjene when he can't drawizvući handsruke,
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koje frustrirano dijete koristi kada ne može nacrtati ruke,
06:09
just hidingskrivanje them in the pocketsdžepovi.
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skrivajući ih u džepovima.
06:13
When we startedpočeo out on the milkmlijeko projectprojekt,
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Započele smo sa projektom s mlijekom,
06:15
and when I startedpočeo out,
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i kada sam počela,
06:17
I couldn'tne mogu have foreseenpredviđena that I would go
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nisam mogla predvidjeti da ću otići
06:20
from pursuingslijedeći my dreamsan in politicspolitika
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od ostvarivanja svojih snova u politici
06:22
and workingrad at a deskstol
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i rada za stolom
06:24
to trippingokidanje over a shadowsjena
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do spoticanja o sjenu
06:25
and then turningtokarenje people into paintingsslike
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i pretvaranja ljudi u slike
06:28
and paintingslika on people in a poolbazen of milkmlijeko.
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i slikanja na ljudima u bazenu mlijeka.
06:32
But then again, I guessnagađati it's alsotakođer not unforeseeablenepredvidivih
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Ali opet, vjerojatno i nije tako nepredvidivo
06:35
that you can find the strangečudan in the familiarupoznat,
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da možete naći čudno u poznatom,
06:38
as long as you're willingspreman to look beyondIznad
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ako ste voljni gledati dalje od
06:40
what's alreadyveć been broughtdonio to lightsvjetlo,
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onoga što je već na svjetlu,
06:41
that you can see what's belowispod the surfacepovršinski,
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kako biste vidjeli ono što je ispod površine,
06:44
hidingskrivanje in the shadowssjene,
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i skriva se u sjenama,
06:46
and recognizeprepoznati that there can be more there
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te prepoznati da ondje može biti više
06:48
than meetszadovoljava the eyeoko.
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od onoga što je vidljivo oku.
06:50
Thank you.
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Hvala vam.
06:51
(ApplausePljesak)
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(Pljesak)
Translated by Ivan Stamenkovic
Reviewed by Sonja Rodić

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ABOUT THE SPEAKER
Alexa Meade - Visual artist
Alexa Meade paints mesmerizing, illusionistic portraits directly on living subjects, subverting familiar visual cues with perspective and color.

Why you should listen

Alexa Meade creates paintings in 3D space that make the real world appear to be a 2D painting. What may look like a traditional painted portrait is actually a photograph of a living, breathing person whose face, clothes and surroundings are all covered in acrylic paint. The 3D paintings can be photographed from any angle and maintain the illusion of flatness without the need for digital effects.

Alexa stumbled upon this technique by accident. While she was studying political science in college, she had an idea for an art project: what would it look like if she covered up shadows in the landscape with black paint? This question led her down a rabbit hole of experiments with painitng in 3D space that led to her discovery of this new style of optical illusion. She paints on people around the world who become part of the urban landscape as living street art. The photographs of the ephemeral painting performances hang on the walls of galleries and museums.

She recieved critical acclaim from CNN, Wired, NPR, the Wall Street Journal, and more. She has lectured at the CalArts, UC-Berkeley, Apple, Adobe and National Geographic London

Alexa travels the world creating live painting performances, art installations and commisioned portraits. Currently, Alexa is collaborating with scientists and researching spacetime at the Perimeter Institute for Theoretical Physics. Alexa is making a series of magical paintings with David Blaine, transforming her home into a "Fun House" with Chris Hughes, developing a line of toys and volunteering in the art program at the Braille Institute. 

More profile about the speaker
Alexa Meade | Speaker | TED.com

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