ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com
TEDGlobal 2009

Edward Burtynsky: Photographing the landscape of oil

Edward Burtynsky fotografuje ropné krajiny

Filmed:
550,970 views

Svými velkorozměrnými fotografiemi Edward Burtynsky sleduje cestu ropy moderní společností, od ropných čerpadel až do motorů aut - a pak dále předpovídá konec ropných krizí.
- Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind. Full bio

Double-click the English transcript below to play the video.

00:15
I startedzačal my journeycesta 30 yearsroky agopřed.
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Začal jsem svou cestu před 30 lety.
00:18
And I workedpracoval in minesdoly. And I realizeduvědomil that
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Pracoval jsem v dolech a uvědomil jsem si,
00:20
this was a worldsvět unseenneviditelné.
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že jde o neznámý svět.
00:22
And I wanted, throughpřes colorbarva and largevelký formatformát cameraskamery
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A chtěl jsem přes barvu a foťáky s velkým záběrem
00:24
and very largevelký printstiskne,
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a přes velkorozměrové fotogafie
00:26
to make a bodytělo of work that somehowNějak
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udělat dílo, které
00:28
becamestal se symbolssymboly of our
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by se stalo symbolem našeho
00:31
use of the landscapekrajina,
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využívání krajiny,
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how we use the landpřistát.
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jak využíváme půdu.
00:35
And to me this was
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A to byla pro mě
00:37
a keyklíč componentkomponent that somehowNějak, throughpřes this mediumstřední of photographyfotografování,
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klíčová součást, která jistým způsobem přes toto médium fotografie,
00:40
whichkterý allowsumožňuje us to contemplaterozjímat these landscapeskrajiny,
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jež nám umožnilo uvažovat o těchto krajinách,
00:43
that I thought photographyfotografování was perfectlydokonale suitedvhodný
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které mi jako fotografie přišly jako perfektní pro
00:46
to doing this typetyp of work.
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daný úkol.
00:48
And after 17 yearsroky of photographingfocení largevelký industrialprůmyslový landscapeskrajiny,
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Po 17 letech fotografování velkých industriálních krajin,
00:52
it occurreddošlo to me that
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přišlo mi, že
00:54
oilolej is underpinningoporou the scaleměřítko and speedRychlost.
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ropa stojí za tím záběrem za tou rychlostí,
00:56
Because that is what has changedzměněna,
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protože to, co se změnilo,
00:58
is the speedRychlost at whichkterý we're takingpřijmout all our resourceszdroje.
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je rychlost jakou těžíme naše zdroje.
01:01
And so then I wentšel out to developrozvíjet a wholeCelý seriessérie
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A tak jsem začal vytvářet celé série
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on the landscapekrajina of oilolej.
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ropných krajin.
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And what I want to do is to kinddruh of mapmapa an arcoblouk
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A to co jsem chtěl udělat bylo zmapovat cyklus,
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that there is extractionextrakce, where we're takingpřijmout it from the groundpřízemní,
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kde je těžba, kde se ze země berou suroviny.
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refinementvylepšení. And that's one chapterkapitola.
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To je jedna kapitola.
01:15
The other chapterkapitola that I wanted to look at was
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Další kapitola, kterou jsem chtěl zkoumat, byla
01:17
how we use it -- our citiesměsta,
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o využívání ropy, o našich městech,
01:19
our carsauta, our motorculturesmotorcultures,
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o našich autech, o naší automobilistické kultuře,
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where people gathershromáždit around the vehiclevozidlo
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kde si lidé scházejí u aut
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as a celebrationOslava.
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jako při oslavě.
01:27
And then the thirdTřetí one is this ideaidea of the endkonec of oilolej,
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A třetí je o myšlence konce ropy
01:29
this entropicentropické endkonec,
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tento entropický konec,
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where all of our partsčásti of carsauta, our tirespneumatiky,
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kde všechny naše díly aut, naše gumy,
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oilolej filtersfiltry,
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filtry benzínu,
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helicoptersvrtulníky, planesletadel --
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vrtulníky, letadla -
01:38
where are the landscapeskrajiny where all of that stuffvěci endskončí up?
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kde všechny ty krajiny, kde ty všechny věci končí?
01:41
And to me, again, photographyfotografování was
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Pro mě byla fotografie
01:43
a way in whichkterý I could exploreprozkoumat and researchvýzkum the worldsvět,
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způsob, jakým jsem mohl zkoumat tento svět
01:46
and find those placesmísta.
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a najít ty místa.
01:48
And anotherdalší ideaidea that I had as well,
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Další nápad, co jsem měl,
01:50
that was broughtpřinesl forwardvpřed by an ecologistekolog --
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původně dostal ekolog -
01:54
he basicallyv podstatě did a calculationvýpočet where
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V zásadě provedl kalkulaci, ve které
01:57
he tookvzal one literlitr of gasplyn and said,
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si vzal jeden litr benzínu a řekl:
01:59
well, how much carbonuhlík it would take, and how much organicorganické materialmateriál?
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"Kolik CO2 by bylo zapotřebí a kolik organického materiálu to vyžaduje?"
02:03
It was 23 metricmetrický tonstuny for one literlitr.
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Bylo to 23 metrických tun za jeden litr.
02:06
So wheneverkdykoli I fillvyplnit up my gasplyn,
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Takže když tankuju,
02:08
I think of that literlitr, and how much carbonuhlík.
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přemýšlím o tom jednom litru a o tom množství CO2.
02:10
And I know that oilolej comespřijde from the oceanoceán and phytoplanktonfytoplanktonu,
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Vím, že ropa pochází z oceánu z fytoplanktonu.
02:13
but he did the calculationsvýpočty for our EarthZemě
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Ale on provedl kalkulaci pro celou naši zemi
02:16
and what it had to do to producevyrobit that amountmnožství of energyenergie.
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a zkoumal, jaké to obnáší energetické nároky.
02:18
From the photosynthetick fotosyntéze growthrůst,
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Fotosintetickému růstu
02:20
it would take 500 yearsroky of that growthrůst
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by to trvalo 500 let,
02:23
to producevyrobit what we use, the 30 billionmiliarda barrelssudy we use perza yearrok.
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aby bylo vyprodukováno, 30 miliard barelů naší roční produkce.
02:28
And that alsotaké broughtpřinesl me to the factskutečnost that
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A to mě přimělo uvažovat o skutečnosti,
02:30
this posespředstavuje suchtakový a riskriziko to our societyspolečnost.
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že to obnáší velké riziko pro naši společnost.
02:33
Looking at 30 billionmiliarda perza yearrok,
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Když se zamyslíte nad 30 miliardami za rok,
02:38
we look at our two largestnejvětší suppliersdodavatelů,
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představujeme si naše dva největší dodavatele,
02:40
SaudiSaúdská ArabiaArábie and now CanadaKanada, with its dirtyšpinavý oilolej.
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Saudskou Árábii a nyní i Kanadu, s její špinavou ropou.
02:42
And togetherspolu they only formformulář about 15 yearsroky of supplyzásobování.
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Oba dohromady poskytují zhruba zásoby na 15 let.
02:46
The wholeCelý worldsvět, at 1.2 trillionbilion estimatedodhadnuto reservesrezerv,
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Celý svět má přibližně 1,2 triliónu zásob,
02:49
only givesdává us about 45 yearsroky.
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to nám dává přibližně 45 let.
02:51
So, it's not a questionotázka of if, but a questionotázka of when
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Není to tedy otázka "jestli", je to otázky "kdy"
02:54
peakvrchol oilolej will come uponna us.
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nás ropná krize dostihne.
02:56
So, to me, usingpoužitím photographyfotografování --
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Podle mě používáním fotografie -
02:58
and I feel that all of us need to now beginzačít to really
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a citím, že všichni potřebujeme začít opravdu
03:01
take the taskúkol of usingpoužitím our talentstalentů,
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využívat našich schopností,
03:03
our wayszpůsoby of thinkingmyslící,
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našeho uvažování,
03:06
to beginzačít to dealobchod with what I think is probablypravděpodobně
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abychom se vypořádali s tím, co považuji za
03:08
one of the mostvětšina challengingnáročný issuesproblémy of our time,
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nejakutnější problém naší doby,
03:11
how to dealobchod with our energyenergie crisiskrize.
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jak se vyrovnat s naší energetickou krizí.
03:13
And I would like to say that, on the other sideboční of it,
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A chtěl bych také říci, že na druhou stranu
03:15
30, 40 yearsroky from now, the childrenděti that I have,
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za 30, 40 let dětem, které mám,
03:17
I can look at them and say, "We did everything
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budu moct říct: "Udělali jsme všechno,
03:19
we possiblymožná, humanlylidsky could do,
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co jsme jako listvo mohli dokázat,
03:22
to beginzačít to mitigatezmírnit this,
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abychom se začali přizpůsobovat tomu,
03:25
what I feel is one of the mostvětšina importantdůležité and criticalkritické
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co považuji za nejdůležitější a nejkritičtější
03:27
momentsokamžiky in our time. Thank you.
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moment naší doby. Děkuji Vám.
03:30
(ApplausePotlesk)
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(Potlesk)
Translated by Simon Buryan
Reviewed by Lucie Sara Zavodna

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ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com

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