ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com
TEDGlobal 2009

Edward Burtynsky: Photographing the landscape of oil

ئیدوەرد بیورتین سکین: وێنەگرتنی دیمەنی سروشتی نەوت

Filmed:
550,970 views

لە وینەی نایابی ڕوونمایی بەرز، ئیدوەرد بیورتین شوێن ئەو ڕێرەوەی نەوت کەوت لەناو کۆمەڵگەی نوێ، لە سەرچاوەکەوە بە بۆڕیدا دەگوازرێتەوە بۆ مەکینەی ئۆتۆمبێل-- ھەروەھا پاشان ئەوە کۆتا قۆناغی پڕۆژەکەیە.
- Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind. Full bio

Double-click the English transcript below to play the video.

00:15
I started my journey 30 years ago.
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٣٠ ساڵ لەمەوبەر گەشتەکەم دەستی پێکرد.
00:18
And I worked in mines. And I realized that
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لە ناو کانەکاندا ئیشم کردووە و ھەستم کرد
00:20
this was a world unseen.
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ئەوە جیھانێکی نەبینراوە.
00:22
And I wanted, through color and large format cameras
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و دەمویست بە ڕەنگ و کامێرا ئاست بەرزەکان
00:24
and very large prints,
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ھەروەھا چاپخانە زۆر گەورەکان بۆ
00:26
to make a body of work that somehow
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درووستکردنی کۆمەڵێک کار کە
00:28
became symbols of our
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ببن بە سیمبول بۆ ئێمە
00:31
use of the landscape,
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بەکارھێنانی دیمەنە سروشتییەکە،
00:33
how we use the land.
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کە چۆن خاک بەکار بھێنین.
00:35
And to me this was
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ھەروەھا بۆ من ئەوە بوو
00:37
a key component that somehow, through this medium of photography,
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کلیلی سەرەکی ئەو ناوەندە وێنەگریەیە،
00:40
which allows us to contemplate these landscapes,
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کە ڕێگەمان دەدا بۆ بیرکردنەوە لەو دیمەنە،
00:43
that I thought photography was perfectly suited
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کە پێم وابوو وێنەگری بە تەواوی دەگونجێت
00:46
to doing this type of work.
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بۆ کردنی ئەو جۆرە ئیشە.
00:48
And after 17 years of photographing large industrial landscapes,
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دوای ١٧ ساڵی وێنەگرتنی
دیمەنەکانی پیشەسازی،
00:52
it occurred to me that
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تێگەیشتم کە
00:54
oil is underpinning the scale and speed.
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نەوت پێوەری خێرایی و گەشەکردنی پیشەسازییە.
00:56
Because that is what has changed,
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لەبەرئەوەی ئەوەی کە گۆڕاوە،
00:58
is the speed at which we're taking all our resources.
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ئەو خێراییەیە کە سەرچاوەکانمانی تێدایە
01:01
And so then I went out to develop a whole series
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و چوومە دەرەوە بۆ گەشەپێدانی
زنجیرەیەک
01:03
on the landscape of oil.
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لەسەر دیمەنی سروشتی نەوت.
01:05
And what I want to do is to kind of map an arc
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دەمەوێت نەخشەیەک سەبارەت بە
ساتی دەرهێنانی نەوت
01:10
that there is extraction, where we're taking it from the ground,
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ئەو کاتەی کە نەوت لە زەوی دەردەهێنرێت،
01:13
refinement. And that's one chapter.
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پوختە دەکرێت بکێشم.
ئەمە تەنها دەستپێک بوو
01:15
The other chapter that I wanted to look at was
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بەشەکانی تر کە دەمویست ئیشیان لەسەر بکەم:
01:17
how we use it -- our cities,
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شارەکانمان، چۆن ئەوە بەکاردەهێنن-
01:19
our cars, our motorcultures,
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مۆتۆرکلتورەکان، ئۆتۆمبێلەکان،
01:21
where people gather around the vehicle
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کە خەڵک لە دەوری ئۆتۆمبێلەکە کۆ دەبوونەوە
01:25
as a celebration.
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وەکو ئاھەنگێک.
01:27
And then the third one is this idea of the end of oil,
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و پاشان سێیەم دانە، بیرۆکەی کۆتایی نەوتە،
01:29
this entropic end,
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ئەو وزە نابەردەستە کۆتایی دێت،
01:31
where all of our parts of cars, our tires,
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کە ھەموو بەشەکانی ئۆتۆمبێاکانمان، تایەکان،
01:34
oil filters,
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پاڵێوەرەکانی نەوت،
01:36
helicopters, planes --
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فڕۆکەکان، هەلیکۆپتەرەکان--
01:38
where are the landscapes where all of that stuff ends up?
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لەم دیمەنە سروشتیەکان کە
هەموو شتەکان کۆتاییان دێت؟
01:41
And to me, again, photography was
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ھەروەھا بۆ من، دوبارە، وێنەگری بوو
01:43
a way in which I could explore and research the world,
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کە ڕێگەیەکە کە دەمتوانی بەهۆیەوە
جیھان بدۆزمەوە،
01:46
and find those places.
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ھەروەھا شوێنەکان بدۆزمەوە.
01:48
And another idea that I had as well,
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و بیرۆكەیەكی تریشم هەبوو
01:50
that was brought forward by an ecologist --
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کە لە ژینگەناسێک وەرمگرتبوو--
01:54
he basically did a calculation where
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بەشێوەیەکی بنچینەی لێکدانەوەیەکی کردبوو کە
01:57
he took one liter of gas and said,
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لیترێک لە گازی وەرگرت و بیری کردەوە کە،
01:59
well, how much carbon it would take, and how much organic material?
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باشە، چەند کاربۆن و ماددەی
ئەندامی لە خۆ دەگرێت؟
02:03
It was 23 metric tons for one liter.
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٢٣تەنی مەتری کاربۆن لە یەک لیترهەیە
02:06
So whenever I fill up my gas,
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بۆیە، کاتێک ئۆتۆمبیلەکەم پر گاز دەکەم
02:08
I think of that liter, and how much carbon.
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بیردەکەمەوە ئەو لیترە چەند کاربۆنی تێدایە.
02:10
And I know that oil comes from the ocean and phytoplankton,
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و دەزانم نەوت لە زەریا و فیتۆپلانکەوە دێت،
02:13
but he did the calculations for our Earth
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بەڵام ئەو ژماردنی کردوە بۆ زەوی
02:16
and what it had to do to produce that amount of energy.
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و چیمان کردبا بۆ بەرهەمهێنانی
ئەو بڕە وزەیە.
02:18
From the photosynthetic growth,
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لە گەشەی فۆتۆسینسیتک،
02:20
it would take 500 years of that growth
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کە ٥٠٠ ساڵی دەوێت
02:23
to produce what we use, the 30 billion barrels we use per year.
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بۆ بەرھەمھێنانی ئەوەی بەکاری دەھێنین،
پێویستمان بە ٣ بلیۆن بەرمیلە لە ساڵێکدا
02:28
And that also brought me to the fact that
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و ئەوە منی گەیاندە ئەو ڕاستییەی
02:30
this poses such a risk to our society.
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ئەو وەستانە جۆرێک
مەترسییە بۆ کۆمەڵگەکەمان.
02:33
Looking at 30 billion per year,
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سەیركردنی ٣٠ ملیار ساڵانە،
02:38
we look at our two largest suppliers,
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سەیری دوو گەورەترین یەدەگی نەوت دەکەین،
02:40
Saudi Arabia and now Canada, with its dirty oil.
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سعودییە و کەنەدا لە ئێستا،
ئەو نەوتە پیسەیان.
02:42
And together they only form about 15 years of supply.
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و پێکەوە ئەوان پاشەکەوتی ١٥ ساڵیان ھەیە
02:46
The whole world, at 1.2 trillion estimated reserves,
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ھەموو یەدەگی جیھان
بە ١,٢ ترلیۆن دەخەملێنرێت،
02:49
only gives us about 45 years.
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تەنھا بەشی ٤٥ ساڵمان دەکات
02:51
So, it's not a question of if, but a question of when
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کەواتە ئەوە پرسیاری ئەگەر نییە، بەڵکو کاتە
02:54
peak oil will come upon us.
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قڕانی نەوتمان توش دەبێت.
02:56
So, to me, using photography --
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کەواتە بۆ من بە بەکارھێنانی وێنەگرتن
02:58
and I feel that all of us need to now begin to really
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ھەموومان پێویستە بگەڕێینەوە بۆ ئەو ڕاستییە
03:01
take the task of using our talents,
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ئیش بە تواناکانمان بکەین،
03:03
our ways of thinking,
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ڕێگەکانی بیرکردنەوەمان،
03:06
to begin to deal with what I think is probably
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بۆ ئەوەی ھەموومان دەست
بکەین بە مامەڵەکردن
03:08
one of the most challenging issues of our time,
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یەکێ لە گەورەترین سەرکێشییەکانی کاتی
ئێستامان،
03:11
how to deal with our energy crisis.
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چۆن مامەڵە لەگەڵ قەیرانی وزەماندا بکەین.
03:13
And I would like to say that, on the other side of it,
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حەزم دەکرد کە بڵێم، لایەنێکی تری ئەوە،
03:15
30, 40 years from now, the children that I have,
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تا ٣٠،٤٠ ساڵێ تر منداڵەکانم،
03:17
I can look at them and say, "We did everything
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سەیریان بکەم و بڵێم "ھەموو شتێکمان کرد"
03:19
we possibly, humanly could do,
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ئێمە بە تەواوی و مرۆڤانە،
03:22
to begin to mitigate this,
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هەوڵی کەمکردنەوەی بەکارهێنانی نەوتمان کرد،
03:25
what I feel is one of the most important and critical
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ئەوەی ھەستی پێدەکەم یەکێکە لە گرنگترین و
03:27
moments in our time. Thank you.
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پڕ ڕەخنەترین کاتەکانی ژیانمان.
سوپاس.
03:30
(Applause)
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(چەپڵە)
Translated by Lavan Ahmed
Reviewed by Koya University

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ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com

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