ABOUT THE SPEAKER
John Hockenberry - Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence."

Why you should listen

Three-time Peabody Award winner, four-time Emmy award winner and Dateline NBC correspondent, John Hockenberry has broad experience as a journalist and commentator for more than two decades. He is the co-anchor of the public radio morning show “The Takeaway” on WNYC and PRI. He has reported from all over the world, in virtually every medium, having anchored programs for network, cable and radio. Hockenberry joined NBC as a correspondent for Dateline NBC in January 1996 after a fifteen-year career in broadcast news at both National Public Radio and ABC News. Hockenberry's reporting for Dateline NBC earned him three Emmys, an Edward R Murrow award and a Casey Medal.

His most prominent Dateline NBC reports include an hour-long documentary on the often-fatal tragedy of the medically uninsured, an emotionally gripping portrait of a young schizophrenic trying to live on his own, and extensive reporting in the aftermath of September 11th. In 2009 Hockenberry was appointed to the White House Fellows Commission by President Barack Obama where he participates in the selection of the annual Fellows for this most prestigious of Federal programs. Hockenberry is also the author of A River out of Eden, a novel based in the Pacific Northwest, and Moving Violations: War Zones, Wheelchairs and Declarations of Independence, a memoir of life as a foreign correspondent, which was a finalist for the National Book Critics Circle Award in 1996. He has also written for The New York Times, The New Yorker, I.D., Wired, The Columbia Journalism Review, Details, and The Washington Post.

Hockenberry spent more than a decade with NPR as a general assignment reporter, Middle East correspondent and host of several programs. During the Persian Gulf War (1990-91), Hockenberry was assigned to the Middle East, where he filed reports from Israel, Tunisia, Morocco, Jordan, Turkey, Iraq and Iran. He was one of the first Western broadcast journalists to report from Kurdish refugee camps in Northern Iraq and Southern Turkey. Hockenberry also spent two years (1988-90) as a correspondent based in Jerusalem during the most intensive conflict of the Palestinian uprising. Hockenberry received the Columbia Dupont Award for Foreign News Coverage for reporting on the Gulf War.

 

More profile about the speaker
John Hockenberry | Speaker | TED.com
TED2012

John Hockenberry: We are all designers

Džon Hokenberi (John Hockenberry): Svi smo mi dizajneri

Filmed:
792,401 views

Novinar Džon Hokenberi priča jednu ličnu priču, inspirisan parom svetlucavih točkova iz kataloga za delove invalidskih kolica i kako su mu oni pokazali vrednost kreiranja života sa namerom. (Sa sesije Design Studio na TED2012, gostujući kustosi Či Perlman i Dejvid Rokvel).
- Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence." Full bio

Double-click the English transcript below to play the video.

00:16
I am no designerдизајнер, nopeЈок, no way.
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Ja nisam dizajner, nikako.
00:20
My dadтата was,
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Moj otac je to bio,
00:22
whichкоја is kindкинд of an interestingзанимљиво way to growрасту up.
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pa je odrastanje bilo zanimljivo.
00:25
I had to figureфигура out what it is my dadтата did
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Morao sam da shvatim šta je moj otac radio
00:29
and why it was importantважно.
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i zašto je to bilo važno.
00:30
DadTata talkedпричао a lot about badлоше designдизајн when we were growingрастуће up,
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Dok smo odrastali, tata je mnogo pričao o lošem dizajnu,
00:34
you know, "BadLoše designдизајн is just people not thinkingразмишљање, JohnJohn," he would say
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kao: "Loš dizajn je kad ljudi prosto ne misle, Džone",
govorio bi
00:39
wheneverбило кад a kidклинац would be injuredповређено by a rotaryRotari lawntravnjak mowerkosilicu
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kad god bi kosilica povredila neko dete
00:41
or, say, a typewriterписаћа машина ribbonglavne trake would get tangledzapetljalo
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ili kada bi se traka u pisaćoj mašini zamrsila
00:44
or an eggbeatermutilica za jaja would get jammedzaglavio in the kitchenкухиња.
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ili kada bi mutilica za jaje zaribala.
00:46
You know, "DesignDizajn -- badлоше designдизајн, there's just no excuseизговор for it.
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"Dizajn -- loš dizajn, za to jednostavno nema opravdanja.
00:52
It's lettingизнајмљивање stuffствари happenдесити се withoutбез thinkingразмишљање about it.
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To je kad dozvolite da se stvari dese, a da ne razmišljate o njima.
00:55
EverySvaki objectобјекат should be about something, JohnJohn.
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Svaka stvar mora da oslikava nešto, Džone.
00:58
It should imagineзамислити a userкорисник.
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Mora da zamisli korisnika.
00:59
It should castцаст that userкорисник in a storyприча starringu glavnoj ulozi the userкорисник and the objectобјекат.
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Mora da dodeli ulogu korisniku u priči gde su glavni korisnik i objekat.
01:04
Good designдизајн," my dadтата said, "is about supplyingsnabdevanje intentнамера."
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Otac bi govorio: "Dobar dizajn obezbeđuje nameru."
01:10
That's what he said.
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To je ono što je rekao.
01:12
DadTata helpedпомогао designдизајн the controlконтрола panelsпанели for the IBMIBM 360 computerрачунар.
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Tata je pomagao u dizajniranju kontrolnih panela za kompjutere IBM 360.
01:16
That was a bigвелики dealдоговор; that was importantважно. He workedрадио је for KodakKodak for a while; that was importantважно.
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To je bilo nešto veliko, važno. Radio je jedno vreme za Kodak; to je bilo važno.
01:20
He designedдизајниран chairsстолице and desksstolova and other officeканцеларија equipmentопрема for SteelcaseSteelcase; that was importantважно.
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Za Steelcase je dizajnirao stolice, radne stolove i drugu kancelarijsku opremu; to je bilo važno.
01:26
I knewзнала designдизајн was importantважно in my houseкућа because, for heaven'sрај sakeсаке, it put foodхрана on our tableсто, right?
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Znam da je bavljenje dizajnom bilo važno u mojoj kući, pobogu, od toga smo živeli, zar ne?
01:31
And designдизајн was in everything my dadтата did.
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Kreativnost je bila u svemu što je tata radio.
01:33
He had a DixielandDiksilend jazzјазз bandбанд when we were growingрастуће up,
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Dok smo odrastali, imao je jednu Diksilend džez grupu
01:36
and he would always coverпоклопац LouisLouis ArmstrongArmstrong tunesmelodije.
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i on bi uvek svirao melodije Luja Armstronga.
01:39
And I would askпитати him everyсваки onceједном in a while,
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Povremeno bih ga zapitao:
01:41
"DadTata, do you want it to soundзвук like the recordзапис?"
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"Tata, da li bi hteo da to zvuči kao sa ploče?"
01:44
We had lots of oldстари jazzјазз recordsзаписи lyingлажи around the houseкућа.
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Imali smo mnogo ploča sa džez muzikom svuda po kući.
01:46
And he said, "No, never, JohnJohn, never.
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A on je rekao: "Ne, nikad, Džone, nikad.
01:48
The songпесма is just a givenдато, that's how you have to think about it.
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O pesmi moraš da misliš kao da je ona samo zadata tema.
01:51
You gottaМорам make it your ownвластити. You gottaМорам designдизајн it.
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Moraš je učiniti svojom. Moraš da je kreiraš.
01:53
ShowPrikaži everyoneсви what you intendНамеравам," is what he said.
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Pokaži svima šta nameravaš," rekao je on.
01:57
"Doing that, actingглума by designдизајн, is what we all should be doing.
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"Takvo delovanje, kroz dizajn, je ono što svi treba da radimo.
02:02
It's where we all belongприпадати."
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Tu pripadamo."
02:04
All of us? DesignersDizajneri?
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Svi mi? Dizajneri?
02:07
Oh, oh, DadTata. Oh, DadTata.
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Oh, oh, tata.
02:12
The songпесма is just a givenдато.
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Pesma je samo zadata.
02:14
It's how you coverпоклопац it that mattersпитања.
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Bitno je kako je pokrivaš.
02:16
Well, let's holdдржати on to that thought for just a minuteминута.
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Vratićemo se na tu misao za neki minut.
02:18
It's kindкинд of like this wheelchairinvalidska kolica I'm in, right?
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To je nešto kao ova kolica u kojima sam ja, zar ne?
02:21
The originalоригинал tunemelodija? It's a little scaryстрашно.
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Originalna melodija? Malo je zastrašujuće.
02:23
"OohOoh, what happenedдесило to that dudeBrate?
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"Jao, šta se desilo onom tipu?
02:26
He can't walkходати. AnybodyNikoga know the storyприча?
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Ne može da hoda. Zna li neko zašto?
02:29
AnybodyNikoga?"
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Bilo ko?"
02:31
I don't like to talk about this very much, but I'll tell you guys the storyприча todayданас.
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Ne volim baš mnogo da pričam o ovome, ali vama ću
danas ispričati priču.
02:36
All right, exactlyбаш тако 36 yearsгодине agoпре this weekНедеља, that's right,
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Ove nedelje sam, pre tačno 36 godina,
02:40
I was in a poorlyлоше designedдизајниран automobileаутомобил
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bio u loše dizajniranom automobilu
02:42
that hitхит a poorlyлоше designedдизајниран guardrailograda
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koji je udario u loše dizajniranu zaštitnu ogradu,
02:46
on a poorlyлоше designedдизајниран roadпут in PennsylvaniaPennsylvania,
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na jadno dizajniranom putu u Pensilvaniji
02:49
and plummetedje pala down a 200-foot- Срање embankmentnasipa
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i srušio se niz 60m nasipa
02:53
and killedубијен two people in the carауто.
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i dvoje ljudi u kolima je poginulo.
02:56
But ever sinceОд then, the wheelchairinvalidska kolica has been a givenдато in my life.
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Od tada su invalidska kolica u mom životu.
03:00
My life, at the mercymilost of good designдизајн and badлоше designдизајн.
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Moj život je u milosti dobrog i lošeg dizajna.
03:05
Think about it. Now, in designдизајн termsуслови,
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Zamislite to. U smislu dizajna,
03:08
a wheelchairinvalidska kolica is a very difficultтешко objectобјекат.
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kolica su veoma složen objekat.
03:11
It mostlyуглавном projectsпројеката tragedyтрагедија and fearбојати се and misfortunenesreća,
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Uglavnom usmeravaju na tragediju i strah i nesreću
03:15
and it projectsпројеката that messageпорука, that storyприча, so stronglyснажно
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i tako snažno projektuju tu poruku, tu priču,
03:18
that it almostскоро blotsslabe tačke out anything elseдруго.
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da skoro brišu sve ostalo.
03:20
I rollролл swiftlybrzo throughкроз an airportаеродром, right?
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Lagano se kotrljam po aerodromu, zar ne?
03:23
And momsmame grabграб theirњихова kidsклинци out of the way and say, "Don't stareбуљити!"
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I mame grabe svoju decu s mog puta i govore: "Ne zuri!"
03:27
The poorлоше kidклинац, you know, has this terrifiedprestravljen look on his faceлице, God knowsзна what they think.
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Jadno dete ima ovaj užasnuti pogled na svom licu, bog zna šta misli.
03:32
And for decadesдеценија, I'm going,
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I tako decenijama,
03:34
why does this happenдесити се? What can I do about it? How can I changeпромена this? I mean there mustмора be something.
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zašto se ovo dešava? Šta mogu da učinim? Kako to mogu da promenim? Mora da postoji nešto.
03:38
So I would rollролл, I'd make no eyeоко contactконтакт -- just kindanekako frownZaboravi, right?
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Tako bih se kotrljao, ne pogledavši nikog u oči -- kao neki mrgud, zar ne?
03:43
Or I'd dressхаљина up really, really sharplyoštro or something.
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Ili bih se obukao u nešto zaista upadljivo.
03:49
Or I'd make eyeоко contactконтакт with everyoneсви --
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Ili bih svakog gledao u oči --
03:51
that was really creepyjezivo; that didn't work at all.
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bilo je to zaista jezivo; uopšte nije uspevalo.
03:53
(LaughterSmeh)
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(Smeh)
03:55
You know anything, I'd try. I wouldn'tне би showerтуш for a weekНедеља -- nothing workedрадио је.
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Svašta sam pokušavao. Ne bih se tuširao nedelju dana -- ali ništa nije vredelo.
03:59
Nothing whatsoeverшта год workedрадио је untilсве док a fewнеколико yearsгодине agoпре,
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Ništa nije vredelo do pre nekoliko godina, kada
04:03
my six-year-oldшестогодишњак daughtersкћери were looking at this wheelchairinvalidska kolica catalogкаталог that I had, and they said,
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su moje šestogodišnje ćerke gledale u katalog za kolica, i rekle:
04:07
"Oh, DadTata! DadTata! Look, you gottaМорам get these, these flashyupadljivo wheelsточкови -- you gottaМорам get 'em'ем!"
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"Tata, tata! Vidi, ovo moraš da nabaviš, ove svetlucave točkove -- moraš da ih nabaviš!"
04:12
And I said, "Oh, girlsдевојке, DadTata is a very importantважно journalistновинар,
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A ja sam rekao: "Joj, curice, tata je jako važan novinar,
04:16
that just wouldn'tне би do at all."
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ovo uopšte ne bi valjalo."
04:19
And of courseкурс, they immediatelyодмах concludedзакључено,
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One su, naravno, odmah zaključile:
04:21
"Oh, what a bummerBedak, DadTata. JournalistsNovinari aren'tнису allowedдозвољен to have flashyupadljivo wheelsточкови.
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"Jao, kakva šteta, tata. Novinari ne smeju imati svetlucave točkove.
04:26
I mean, how importantважно could you be then?" they said.
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Kako bi onda bio važan?", rekle su.
04:31
I wentотишао, "Wait a minuteминута, all right, right -- I'll get the wheelsточкови." PurelyČisto out of protestprotest,
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"Čekajte samo tren, u redu, u redu, kupiću te točkove."
Baš iz inata
04:36
I got the flashyupadljivo wheelsточкови, and I installedинсталиран them and --
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kupio sam svetlucave točkove, montirao ih --
04:41
checkпровери this out. Could I have my specialпосебан lightсветло cueцуе please?
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vidite. Da li možete sad da podesite svetla?
04:44
(LaughterSmeh)
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(Smeh)
04:46
Look at that!
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Vidite ovo!
04:49
Now ... look at, look at this! Look at this!
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I ovo, i ovo! Vidite!
04:51
So what you are looking at here
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Ono što sada gledate
04:54
has completelyу потпуности changedпромењено my life,
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potpuno je promenilo moj život,
04:58
I mean totallyтотално changedпромењено my life.
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mislim skroz mi je promenilo život.
05:00
InsteadUmesto toga of blankпразно stareszuri and awkwardnessnezgrapnost,
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Umesto praznih pogleda i neprijatnosti,
05:03
now it is pointingPostavljanje pokazivača and smilingнасмејан!
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sad pokazuju na mene i smeju se!
05:07
People going, "AwesomeStrava wheelsточкови, dudeBrate! Those are awesomeсупер!
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Kažu: "Fenomenalni točkovi, frajeru! Baš su super!
05:11
I mean, I want some of those wheelsточкови!" Little kidsклинци say,
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I ja hoću takve!" Klinci kažu:
05:14
"Can I have a rideвози?"
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"Mogu li da se provozam?"
05:16
(LaughterSmeh)
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(Smeh)
05:18
And of courseкурс there's the occasionalpovremeno personособа --
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Tu su i, kao slučajno,
05:20
usuallyобично a middle-agedсредњих година maleМушки who will say,
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obično muškarci srednjih godina, koji kažu:
05:22
"Oh, those wheelsточкови are great!
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"Ti točkovi su sjajni!
05:23
I guessпретпостављам they're for safetyбезбедност, right?"
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To je zbog bezbednosti, je l' ?"
05:26
(LaughterSmeh)
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(Smeh)
05:28
No! They're not for safetyбезбедност.
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Ne! Nisu zbog bezbednosti.
05:34
No, no, no, no, no.
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Ne, ne.
05:36
What's the differenceразлика here,
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U čemu je razlika između
05:38
the wheelchairinvalidska kolica with no lightsсветла
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kolica bez svetla
05:40
and the wheelchairinvalidska kolica with lightsсветла?
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i kolica sa svetlima?
05:41
The differenceразлика is intentнамера.
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Razlika je u nameri.
05:45
That's right, that's right; I'm no longerдуже a victimжртва.
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Tako je. Više nisam žrtva.
05:49
I choseизабрао to changeпромена the situationситуација -- I'm the CommanderKomandant of the StarshipSvemirski brod WheelchairInvalidska kolica with the phaserfejzer wheelsточкови in the frontфронт. Right?
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Rešio sam da promenim situaciju -- Ja sam komandant svemirskog broda "Kolica", koji ima prednje fazne točkove. Je l' tako?
05:55
IntentNamera changesПромене the pictureслика completelyу потпуности.
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Namera potpuno menja sliku.
05:59
I chooseизаберите to enhanceПобољшати
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Rešio sam da poboljšam
06:01
this rollingваљање experienceискуство
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ovo iskustvo kotrljanja
06:03
with a simpleједноставно designдизајн elementелемент.
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jednim jednostavnim kreativnim elementom.
06:06
ActingGluma with intentнамера.
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Postupanje sa namerom.
06:09
It conveysvekovnih authorshipауторство.
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Ovo se već odnosi na autorsko pravo.
06:11
It suggestsсугерише that someoneнеко is drivingвожња.
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Sugeriše da neko vozi.
06:14
It's reassuringпомирење; people are drawnнацртан to it.
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Ubeđuje, privlači ljude.
06:17
SomeoneNeko makingстварање the experienceискуство theirњихова ownвластити.
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Neko stvara sopstveno iskustvo.
06:21
CoveringPokrivač the tragicтрагичан tunemelodija
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Pokriva tragičnu melodiju
06:23
with something differentразличит,
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nečim što je drugačije,
06:26
something radicallyрадикално differentразличит.
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nečim što je iz korena različito.
06:29
People respondодговори to that.
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Ljudi reaguju na to.
06:31
Now it seemsИзгледа simpleједноставно, but actuallyзаправо I think
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Sada izgleda jednostavno, ali u stvari mislim
06:34
in our societyдруштво and cultureкултура in generalгенерално,
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da u našem društvu i kulturi uopšte,
06:36
we have a hugeогромно problemпроблем with intentнамера.
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imamo veliki problem sa namerom.
06:38
Now go with me here. Look at this guy. You know who this is?
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Hajdete sad. Pogledajte ovog tipa. Znate li ko je on?
06:41
It's AndersAnders BreivikBrejvik. Now, if he intendedнамењен to killубиј
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Anders Brejvik. Ako mu je namera bila da ubije
06:45
in OlsoOlso, NorwayNorveška last yearгодине,
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u Oslu, u Norveškoj, prošle godine,
06:47
dozensдесетине and dozensдесетине of youngмлади people --
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na desetine mladih ljudi,
06:49
if he intendedнамењен to do that,
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ako mu je to bila namera,
06:51
he's a viciousopak criminalкриминал. We punishказни him.
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onda je on opasan kriminalac. Kažnjavamo ga.
06:54
Life in prisonзатвор. DeathSmrt penaltykazna in the UnitedUjedinjeni StatesDržava, not so much in NorwayNorveška.
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Život u zatvoru. Smrtna kazna postoji u Sjedinjenim Državama, ali ne i u Norveškoj.
06:57
But, if he insteadуместо тога actedpostupio out of a delusionalu zabludi fantasyфантазија,
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Ali, ako je postupio tako zbog poremećene fantazije,
07:01
if he was motivatedmotivisani by some randomслучајно mentalментални illnessболест,
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ako je motivisan nekom mentalnom bolešću,
07:06
he's in a completelyу потпуности differentразличит categoryкатегорија.
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onda on spada u sasvim različitu kategoriju.
07:09
We mayможе put him away for life, but
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Možemo ga skloniti doživotno, ali
07:11
we watch him clinicallyklinički.
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posmatramo ga klinički.
07:13
It's a completelyу потпуности differentразличит domainдомена.
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To je sasvim različiti domen.
07:16
As an intentionalнамерно murdererубица,
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Kao ubica sa namerom,
07:19
AndersAnders BreivikBrejvik is merelyсамо evilзло.
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Anders Brejvik je samo zlo.
07:22
But as a dysfunctionalnefunkcionalni,
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Ali kao disfunkcionalni,
07:24
as a dysfunctionalnefunkcionalni murdererубица/psychoticпсихотично,
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kao disufnkcionalni psihotični ubica,
07:26
he's something much more complicatedкомпликован.
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onda je već mnogo komplikovaniji.
07:28
He's the breathдах of some
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On je dah nekog
07:30
primitiveпримитивна, ancientдревни chaosхаос.
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primitivnog, drevnog haosa.
07:33
He's the randomслучајно stateдржава of natureприрода
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On je zalutalo stanje prirode
07:35
we emergedпојавио се from.
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iz koje smo nastali.
07:37
He's something very, very differentразличит.
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On je nešto mnogo, mnogo drugačije.
07:39
It's as thoughипак intentнамера is an essentialесенцијално componentсаставни део for humanityчовечанство.
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Kao da je namera suštinska komponenta čovečanstva.
07:43
It's what we're supposedпретпостављено to do somehowнекако.
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To bi trebalo nekako da činimo.
07:45
We're supposedпретпостављено to actчинити with intentнамера.
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Da postupamo sa namerom.
07:48
We're supposedпретпостављено to do things by designдизајн.
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Da kreiramo stvari.
07:50
IntentNamera is a markermarker for civilizationцивилизација.
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Namera je oznaka civilizacije.
07:55
Now here'sево an exampleпример a little closerближе to home:
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Evo neki bliži primer:
07:58
My familyпородица is all about intentнамера.
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moja porodica je sva u namerama.
08:00
You can probablyвероватно tell there are two setsсетови of twinsBlizanci,
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Možete videti da su tu dva para blizanaca,
08:03
the resultрезултат of IVFIVF technologyтехнологија, in vitrovitro fertilizationoplodnju technologyтехнологија,
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koji su rezultat veštačke oplodnje,
08:08
dueдуе to some physicalфизички limitationsограничења I won'tнеће go into.
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zbog nekih fizičkih ograničenja o kojima sad neću govoriti.
08:10
AnywayIonako, in vitrovitro technologyтехнологија, IVFIVF,
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Svakako, in vitro tehnologija
08:13
is about as intentionalнамерно as agricultureпољопривреде.
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je namerna, koliko i poljoprivreda.
08:16
Let me tell you, some of you mayможе have the experienceискуство.
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Da vam kažem, možda neki od vas znaju
08:18
In factчињеница, the wholeцела technologyтехнологија of spermsperma extractionvađenje
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da je celu tehnologiju vađenja sperme
08:21
for spinalспинална cord-injuredvrpca povređeno malesмушкарци was inventedизмишљен by a veterinarianVeterinar.
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kod mužjaka sa oštećenom kičmenom moždinom
izumeo veterinar.
08:26
I metиспуњен the dudeBrate. He's a great guy.
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Upoznao sam tipa. Sjajan momak.
08:28
He carriedноси this bigвелики leatherкожа bagторба fullпуна of spermsperma probessonde for
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Nosio je veliku kožnu torbu sa sondama za
08:33
all of the animalsЖивотиње that he'dон би workedрадио је with,
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sve životinje sa kojima je radio,
08:35
all the differentразличит animalsЖивотиње.
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za različite životinje.
08:37
ProbesSonde he designedдизајниран,
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On je dizajnirao sonde
08:39
and in factчињеница, he was really, really proudпоносан of these probessonde.
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i zaista je bio ponosan na njih.
08:42
He would say, "You're right betweenизмеђу horseкоњ and squirrelveverica, JohnJohn."
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Govorio bi: "Džone, ti si između konja i veverice."
08:46
(LaughterSmeh)
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(Smeh)
08:49
But anywayУ сваком случају, so when my wifeжена and I decidedодлучио
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Svakako, kada smo moja supruga i ja odlučili
08:55
to upgradeнадоградња our earlyрано middleсредина ageстарост -- we had fourчетири kidsклинци, after all --
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da unapredimo rane srednje godine -- imali smo već četvoro dece --
08:58
with a little differentразличит technologyтехнологија
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sa malo drugačijom tehnologijom
09:00
that I won'tнеће explainобјасни in too much detailдетаљ here --
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koju neću sada mnogo objašnjavati --
09:03
my urologisturolog assuredsigurni me I had nothing whatsoeverшта год to worryзабринути about.
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moj urolog me je uveravao da nemam o čemu da brinem.
09:07
"No need for birthрођење controlконтрола, DocDoktore, are you sure about that?"
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"Doco, siguran si da nema potrebe za kontracepcijom?"
09:09
"JohnJohn, JohnJohn, I lookedпогледао at your chartграфикон.
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"Džone, Džone gledao sam tvoj karton.
09:13
From your spermsperma testsтестови we can
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Na osnovu testiranja tvoje sperme
09:15
confidentlyсамоуверено say that
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možemo pouzdano da tvrdimo
09:17
you're basicallyу основи a formобразац of birthрођење controlконтрола."
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da si ti praktično kontraceptiv."
09:20
Well!
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"Pa, dobro!"
09:23
(LaughterSmeh)
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(Smeh)
09:27
What a liberatingослобађање thought! Yes!
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Kakva oslobađajuća misao! Da!
09:30
And after a coupleпар very liberatingослобађање weekendsвикендом,
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Posle nekoliko veoma "oslobađajućih" vikenda,
09:33
my wifeжена and I,
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moja supruga i ja,
09:35
utilizingkorišćenja some cutting-edgevrhunska erectileErektilna technologyтехнологија
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koristeći neke najsavremenije erektilne tehnologije
09:39
that is certainlyсигурно worthyдостојан of a TEDTalkTEDTalk somedayједног дана
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koje zaslužuju neki TEDTalk,
09:41
but I won'tнеће get into it now,
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ali neću sad o tome,
09:43
we noticedПриметио some familiarпознат, if unexpectedнеочекивано, symptomsсимптоми.
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primetili smo neke poznate, neočekivane simptome.
09:48
I wasn'tније exactlyбаш тако a formобразац of birthрођење controlконтрола.
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Nisam baš bio kontraceptivno sredstvo.
09:52
Look at that fontfont there. My wifeжена was so pissedљут.
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Vidite ova slova ovde. Moja žena je bila jako besna.
09:55
I mean, did a designerдизајнер come up with that?
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Da li je to dostignuće dizajnera?
09:57
No, I don't think a designerдизајнер did come up with that.
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Ne, mislim da nije.
09:59
In factчињеница, maybe that's the problemпроблем.
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U stvari, možda je to problem.
10:01
And so, little AjaxAJAX was bornрођен.
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I tako, rodio se mali Ajaks.
10:04
He's like our other childrenдеца,
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On je kao i ostala naša deca,
10:06
but the experienceискуство is completelyу потпуности differentразличит.
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ali iskustvo je potpuno drugačije.
10:08
It's something like my accidentнесрећа, right?
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To je kao ona moja nesreća, zar ne?
10:12
He cameДошао out of nowhereНигде.
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Pojavio se niotkud.
10:13
But we all had to changeпромена,
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Ali svi smo morali da se promenimo,
10:15
but not just reactреаговати to the givenдато;
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a ne samo da reagujemo na "zadato",
10:18
we bendбенд to this newново experienceискуство with intentнамера.
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povinuli smo se ovom iskustvu sa namerom.
10:22
We're fiveпет now. FivePet.
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Sad nas je petoro. Petoro.
10:26
FacingSa kojima se suočava the givenдато with intentнамера. Doing things by designдизајн.
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Suočavanje sa zadatim sa namerom. Radeći stvari kroz dizajn.
10:30
Hey, the nameиме AjaxAJAX -- you can't get much more intentionalнамерно than that, right?
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Hej, pa ime Ajaks -- može li biti išta namernije od toga?
10:34
We're really hopingнадати се he thanksХвала us for that laterкасније on.
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Stvarno se nadamo da će nam kasnije biti zahvalan za to.
10:39
(LaughterSmeh)
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(Smeh)
10:41
But I never becameпостао a designerдизајнер. No, no, no, no. Never attemptedпокушао. Never even closeБлизу.
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Ali ja nikad nisam postao dizajner. Ne, ne. Nikad nisam ni pokušao. Nisam bio ni blizu.
10:44
I did love some great designsдизајн as I was growingрастуће up:
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Stvarno sam voleo neka velika kreativna ostvarenja dok sam odrastao.
10:49
The HPHP 35S calculatorкалкулатор -- God, I lovedвољен that thing. Oh God, I wishжелети I had one.
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Ovaj HP35S digitron -- bože, kako sam voleo tu stvar. O bože, kako bih voleo da ga imam opet.
10:53
Man, I love that thing.
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Čoveče, volim taj digitron.
10:57
I could affordприушти that.
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Mogao bih da ga priuštim.
10:58
Other designsдизајн I really couldn'tније могао affordприушти, like the 1974 911 TargaTarga.
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Druga dizajnerska ostvarenja ne bih mogao da priuštim, na primer Targu 911 iz 1974.
11:03
In schoolшкола, I studiedстудирала nothing closeБлизу to designдизајн or engineeringинжењеринг;
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U školi nisam učio ništa slično dizajnu i inženjeringu;
11:06
I studiedстудирала uselessбескорисно things like the ClassicsKlasika,
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učio sam beskorisne stvari, kao što je klasicizam,
11:09
but there were some lessonsлекције even there --
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ali čak i tamo je bilo lekcija --
11:10
this guy, PlatoPlaton, it turnsокреће се out he's a designerдизајнер.
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ovaj tip, Platon, ispostavilo se da je on dizajner.
11:14
He designedдизајниран a stateдржава in "The RepublicRepublika,"
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On je osmislio državu u "Republici",
11:17
a designдизајн never implementedимплементирано.
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kreaciju, koja se nikad nije primenila.
11:19
Listen to one of the designдизајн featuresКарактеристике
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Slušajte jednu od karakteristika koje je kreirao
11:20
of Plato'sPlaton je GovernmentVlada 4.0:
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u četvrtom obliku vladavine:
11:23
"The StateDržava in whichкоја the rulersvladari are mostнајвише reluctantнерадо to governуправљати
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"Država u kojoj vladari najviše oklevaju da vladaju
11:28
is always the bestнајбоље and mostнајвише quietlyтихо governedуправља,
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je uvek najbolje i najmirnije vođena,
11:31
and the StateDržava in whichкоја they are mostнајвише eagernestrpljiv, the worstнајгоре."
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a najgora je država ona, u kojoj su vladari najželjniji vladavine."
11:35
Well, got that wrongпогрешно, didn't we?
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Pa, ovo nismo dobro razumeli, zar ne?
11:38
But look at that statementизјава; it's all about intentнамера. That's what I love about it.
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A ta izjava je skroz o nameri. Zato je volim.
11:42
But considerразмотрити what PlatoPlaton is doing here. What is he doing?
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Hajde da razmotrimo šta Platon radi ovde. Šta radi?
11:45
It's a grandгранд ideaидеја of designдизајн -- a hugeогромно ideaидеја of designдизајн,
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To je velika ideja kreativnosti, ogromna,
11:49
commonзаједнички to all of the voicesгласови of religionрелигија and philosophyфилозофија
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uobičajena za sve religijske i filozofske izjave
11:53
that emergedпојавио се in the ClassicalKlasične periodраздобље.
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koje se javljaju u periodu klasicizma.
11:55
What was going on then?
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Šta se tada dešavalo?
11:56
They were tryingпокушавајући to answerодговор the questionпитање of
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Pokušavali su da odgovore na pitanje
11:59
what would humanљудско beingsбића do now that they were no longerдуже simplyједноставно tryingпокушавајући to surviveпреживети?
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šta da ljudi rade sada, kada više ne pokušavaju samo da prežive?
12:03
As the humanљудско raceтрка emergedпојавио се from a prehistoricpraistorijski chaosхаос,
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Kako je ljudska rasa izašla iz praistorijskog haosa,
12:08
a confrontationsukob with randomслучајно, brutalбрутално natureприрода,
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iz sukoba sa surovom prirodom,
12:12
they suddenlyизненада had a momentтренутак to think -- and there was a lot to think about.
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iznenada su imali trenutak za razmišljanje -- a trebalo je razmišljati o mnogo čemu.
12:16
All of a suddenизненадан, humanљудско existenceпостојање neededпотребно an intentнамера.
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Iznenada, za opstanak ljudske rase, bila je potrebna namera.
12:20
HumanLjudski life neededпотребно a reasonразлог.
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Ljudskom postojanju je bio potreban razlog.
12:23
RealityStvarnost itselfсам neededпотребно a designerдизајнер.
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Stvarnosti je bio potreban kreator.
12:26
The givenдато was replacedзамењен
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Ono zadato je zamenjeno
12:28
by variousразни aspectsаспекти of intentнамера,
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raznim vidovima namere,
12:31
by variousразни designsдизајн,
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raznim kreacijama
12:33
by variousразни godsбогови.
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uz pomoć raznih bogova.
12:36
GodsBogovi we're still fightingборбе about. Oh yeah.
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Još uvek vodimo rat u vezi bogova. Da, da.
12:40
TodayDanas we don't confrontсуочити the chaosхаос of natureприрода.
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Danas se ne sukobljavamo sa haosom u prirodi.
12:43
TodayDanas it is the chaosхаос of humanity'sчовечанство impactутицај on the EarthZemlja itselfсам that we confrontсуочити.
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Danas se sukobljavamo sa haosom ljudskog uticaja na Zemlju.
12:49
This youngмлади disciplineдисциплина calledпозвани designдизајн, I think,
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Ova nova disciplina koja je nazvana dizajn,
12:52
is in factчињеница the emergingу настајању ethosetos
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u stvari je etos, koji izranja,
12:55
formulatingformulisanje and then answeringодговарајући a very newново questionпитање:
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oblikuje, a zatim odgovara na sasvim novo pitanje:
12:58
What shallтреба we do now
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Šta ćemo raditi sada
13:00
in the faceлице of the chaosхаос that we have createdстворено?
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pred haosom koji smo stvorili?
13:03
What shallтреба we do?
247
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Šta da radimo?
13:05
How shallтреба we inscribeOn me ispunjava intentнамера
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Kako ćemo zapisati nameru
13:08
on all the objectsобјеката we createстворити,
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na svim objektima koje kreiramo,
13:10
on all the circumstancesоколности we createстворити,
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oko svih okolnosti koje kreiramo,
13:12
on all the placesместа we changeпромена?
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na svim mestima koja menjamo?
13:15
The consequencesпоследице of a planetПланета with 7 billionмилијарде people and countingбројање.
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Posledice su po planetu sa 7 milijardi ljudi i više.
13:19
That's the tunemelodija we're all coveringpokrivač todayданас, all of us.
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Tu melodiju pokrivamo danas svi mi.
13:23
And we can't just imitateимитирати the pastпрошлост. No.
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Ne možemo samo da imitiramo prošlost. Ne.
13:26
That won'tнеће do.
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To neće ići.
13:29
That won'tнеће do at all.
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To uopšte neće ići.
13:30
Here'sEvo my favoriteомиљени designдизајн momentтренутак:
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Evo moj omiljeni momenat kreativnosti:
13:33
In the cityград of KinshasaKinshasa in ZaireZair in the 1990s,
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u gradu Kinšasa, u Zairu, 1990-ih godina,
13:37
I was workingрад for ABCABC NewsNovosti, and I was reportingизвештавање on
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radio sam za ABC News, izveštavao sam o
13:39
the fallпасти of MobutuMobutu SeseU SekoSeko, the dictatorдиктатор, the brutalбрутално dictatorдиктатор in ZaireZair,
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padu diktatora Mobutu Sesea Seka, brutalnog diktatora
u Zairu,
13:43
who rapedсилована and pillagedoteto that countryземљу.
261
807817
2000
koji je silovao i pljačkao zemlju.
13:45
There was riotingнемири in the middleсредина of KinshasaKinshasa.
262
809817
2568
Bili su nemiri usred Kinšase.
13:48
The placeместо was fallingпада apartодвојено; it was a horribleужасно, horribleужасно placeместо,
263
812385
3481
Mesto se raspadalo, bilo je to užasno, užasno mesto
13:51
and I neededпотребно to go and exploreистражити the centerцентар of KinshasaKinshasa
264
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i morao sam da odem da istražim centar Kinšase,
13:55
to reportизвештај on the riotingнемири and the lootingпљачке.
265
819737
2023
da bih izvestio o pobuni i pljačkanju.
13:57
People were carryingношење off vehiclesвозила, carryingношење off piecesкомада of buildingsзграде.
266
821760
3786
Ljudi su odnosili vozila, delove građevina.
14:01
SoldiersVojnici were in the streetsулице shootingпуцање at looterslopovi and herdingterao some in massмаса arrestshapšenja.
267
825546
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Vojnici su bili na ulicama, pucali u pljačkaše i masovno hapsili.
14:06
In the middleсредина of this chaosхаос, I'm rollingваљање around in a wheelchairinvalidska kolica,
268
830241
3514
Usred ovog haosa, ja se vozikam okolo u invalidskim kolicima
14:09
and I was completelyу потпуности invisibleневидљив. CompletelyPotpuno.
269
833755
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i potpuno sam nevidljiv. Sasvim.
14:13
I was in a wheelchairinvalidska kolica; I didn't look like a lootersmo pljačkaša.
270
837505
2770
Bio sam u kolicima, nisam ličio na pljačkaša.
14:16
I was in a wheelchairinvalidska kolica; I didn't look like a journalistновинар, particularlyпосебно, at leastнајмање from theirњихова perspectiveперспектива.
271
840275
6182
Bio sam u kolicima, sigurno nisam ličio na novinara,
naročito ne iz njihove perspektive.
14:22
And I didn't look like a soldierвојник, that's for sure.
272
846457
2240
A nisam ličio ni na vojnika, sigurno.
14:24
I was partдео of this sortврста of backgroundбацкгроунд noiseбука of the miseryjad of ZaireZair, completelyу потпуности invisibleневидљив.
273
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Bio sam samo deo pozadinske buke nesrećnog Zaira,
potpuno nevidljiv.
14:30
And all of a suddenизненадан, from around a cornerугао, comesдолази this youngмлади man, paralyzedпарализован, just like me,
274
854992
5097
I sasvim iznenada, iza ugla se pojavljuje ovaj mladić,
paralizovan kao i ja,
14:35
in this metalметал and woodдрво and leatherкожа
275
860089
3720
u ovim metalno-drveno-kožnim
14:39
pedalpedala, three-wheeltri točka tricycle-wheelchairtricikl-kolica deviceуређај,
276
863809
5025
tricikl invalidskim kolicima
14:44
and he pedalspedale up to me as fastбрзо as he can.
277
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i vozi prema meni, najbrže što može.
14:47
He goesиде, "Hey, misterGospodine! MisterGospodine!"
278
871298
1775
Viče: "Hej, gospodine! Gospodine!"
14:48
And I lookedпогледао at him --
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Pogledao sam ga --
14:51
he didn't know any other Englishengleski than that, but we didn't need Englishengleski, no, no, no, no, no.
280
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ništa drugo na engleskom nije znao sem toga, ali nam
engleski nije ni trebao, ne, ne,ne.
14:54
We satсат there and comparedУ поређењу wheelsточкови and tiresгуме and spokesosovine and tubesцеви.
281
878954
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Sedeli smo tamo i upoređivali točkove i gume i žbice i cevi.
15:00
And I lookedпогледао at his whackylud pedalpedala mechanismмеханизам;
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Gledao sam u njegov šašavi mehanizam sa pedalama.
15:04
he was fullпуна of prideponos over his designдизајн.
283
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On je bio veoma ponosan na svoj dizajn.
15:07
I wishжелети I could showсхов you that contraptionконтраптион.
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Voleo bih da mogu da vam pokažem tu čudnu napravu.
15:09
His smileосмех, our glowsjaj
285
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Osmeh tog mladića, naš žar,
15:11
as we talkedпричао a universalуниверзалан languageЈезик
286
895466
2511
dok smo govorili univerzalnim jezikom
15:13
of designдизајн,
287
897977
2712
dizajna,
15:16
invisibleневидљив to the chaosхаос around us.
288
900689
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dok smo bili nevidljivi tom haosu oko nas.
15:19
His machineмашина: homemadeдомаће, boltedzabravljena, rustyзарђати, comicalkomiиan.
289
903506
4056
Njegova mašina: domaća izrada, pričvršćena šrafovima,
zarđala, komična.
15:23
My machineмашина: American-madeAmerike, confidentсамоуверен, sleekелегантно.
290
907562
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Moja mašina: američka proizvodnja, pouzdana, doterana.
15:26
He was particularlyпосебно proudпоносан of the comfortableудобан seatседиште, really comfortableудобан seatседиште
291
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Mladić je bio naročito ponosan na udobno sedište,
zaista udobno sedište
15:30
he had madeмаде in his chariotkočiju
292
915082
1916
koje je napravio na svojoj kočiji
15:32
and its beautifulЛепа fabricтканина fringeмаргин around the edgeИвица.
293
916998
4427
i na lep porub oko ivice sedišta.
15:37
Oh, I wishжелети I'd had those sparklysjajne wheelsточкови back then to have shownпоказано him, man!
294
921425
3984
Eh, da sam bar mogao da mu pokažem te svetlucave točkove, čoveče!
15:41
He would have lovedвољен those! Oh yeah.
295
925409
2745
Sigurno bi mu se dopali! Da, da.
15:44
He would have understoodпримљено к знању those;
296
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1592
On bi to razumeo,
15:45
a chariotkočiju of pureчист intentнамера -- think about it --
297
929746
3468
kočija od čiste namere -- zamislite --
15:49
in a cityград out of controlконтрола.
298
933214
2612
u gradu bez kontrole.
15:51
DesignDizajn blewUpropastio it all away for a momentтренутак.
299
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3048
Kreativnost je sve to oduvala na tren.
15:54
We spokeговорио је for a fewнеколико minutesминута and then eachсваки of us vanishednestao back into the chaosхаос.
300
938874
4144
Pričali smo nekoliko minuta, a zatim smo
ponovo nestali u haosu.
15:58
He wentотишао back to the streetsулице of KinshasaKinshasa;
301
943018
2419
On se vratio na ulice Kinšase,
16:01
I wentотишао to my hotelХотел. And I think of him now, now ...
302
945437
5982
a ja u hotel. I razmišljam o njemu i sada ...
16:07
And I poseпозе this questionпитање.
303
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3062
Postavljam ovo pitanje.
16:10
An objectобјекат imbuedпрожет with intentнамера --
304
954481
3553
Jedan objekat prožet namerom --
16:13
it has powerмоћ,
305
958034
1664
on ima snagu,
16:15
it's treasureblago, we're drawnнацртан to it.
306
959698
3400
on je blago, on nas privlači.
16:18
An objectобјекат devoidneoprostiv of intentнамера --
307
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2632
Objekat lišen namere --
16:21
it's randomслучајно, it's imitativeimitativno,
308
965730
2512
on je slučajan, on je imitacija
16:24
it repelsodbija us. It's like a pieceпиеце of junkђубре mailПошта to be thrownбачен away.
309
968242
3680
odbija nas. To je džank mail koji odbacujemo.
16:27
This is what we mustмора demandпотражња of our livesживи,
310
971922
4751
Ono, što moramo zahtevati od naših života
16:32
of our objectsобјеката, of our things, of our circumstancesоколности:
311
976673
3825
od naših stvari, od naše okoline je
16:36
livingживи with intentнамера.
312
980498
3096
život sa namerom.
16:39
And I have to say
313
983594
2104
Moram da kažem,
16:41
that on that scoreрезултат, I have a very unfairNije fer advantageprednost over all of you.
314
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5031
da imam vrlo nepravednu prednost nad vama.
16:46
And I want to explainобјасни it to you now because this is a very specialпосебан day.
315
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5705
Moram ovo da vam objasnim, jer ovo je veoma poseban dan.
16:52
Thirty-six36 yearsгодине agoпре at nearlyскоро this momentтренутак,
316
996434
4935
Tridest šest godina pre ovog momenta,
16:57
a 19-year-old-година стар boyдечко awokeProbudio se from a comakoma
317
1001369
4156
jedan devetnaestogodišnjak se probudio iz kome
17:01
to askпитати a nurseмедицинска сестра a questionпитање,
318
1005525
1797
da pita medicinsku sestru jedno pitanje,
17:03
but the nurseмедицинска сестра was alreadyвећ there with an answerодговор.
319
1007322
2480
ali sestra je već bila tamo sa odgovorom:
17:05
"You've had a terribleстрашно accidentнесрећа, youngмлади man. You've brokenсломљен your back.
320
1009802
3703
"Imali ste strašnu nesreću, mladiću. Slomili ste leđa.
17:09
You'llCu te never walkходати again."
321
1013505
1641
Nikad više nećete hodati."
17:11
I said, "I know all that -- what day is it?"
322
1015146
5616
Ja sam rekao: "Znam to sve -- koji je danas dan?"
17:16
You see, I knewзнала that the carауто had goneотишла over the guardrailograda on the 28thтх of FebruaryFebruara,
323
1020762
7024
Znate, znao sam da je auto probio zaštitnu ogradu
28. februara
17:23
and I knewзнала that 1976 was a leapскок yearгодине.
324
1027786
3649
i znao sam da je 1976. prestupna godina.
17:27
"NurseMedicinska sestra! Is this the 28thтх or the 29thтх?"
325
1031435
4710
"Sestro, da li je 28. ili 29.?"
17:32
And she lookedпогледао at me and said,
326
1036145
1993
Pogledala me je i rekla:
17:34
"It's MarchMarta 1stст."
327
1038138
2575
"Sad je 1. mart."
17:36
And I wentотишао, "Oh my God.
328
1040713
2481
"Bože,
17:39
I've got some catchingхватање up to do!"
329
1043194
2536
šta sve moram da uradim!"
17:41
And from that momentтренутак, I knewзнала
330
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2672
Od tog momenta sam znao
17:44
the givenдато was that accidentнесрећа;
331
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3248
da mi je ta nesreća zadata;
17:47
I had no optionопција but to make up
332
1051650
3688
nisam imao drugog izbora,
17:51
this newново life withoutбез walkingХодање.
333
1055338
3056
nego da u novom životu, živim bez hodanja.
17:54
IntentNamera -- a life with intentнамера --
334
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3808
Namera -- život sa namerom --
17:58
livedживели by designдизајн,
335
1062202
1824
život kroz dizajn,
17:59
coveringpokrivač the originalоригинал
336
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pokrivanje originala
18:01
with something better.
337
1065642
1560
nečim boljim.
18:03
It's something for all of us to do or find a way to do in these timesпута.
338
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5080
To je nešto što svi treba da radimo ili da nađemo način
postupanja u takvim vremenima.
18:08
To get back to this,
339
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3342
Da se vratim na temu,
18:11
to get back to designдизајн,
340
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2136
da se vratim na dizajn,
18:13
and as my daddyTata suggestedпредложио a long time agoпре,
341
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3401
kao što mi je ćale davno sugerisao:
18:17
"Make the songпесма your ownвластити, JohnJohn.
342
1081161
3287
"Učini pesmu svojom, Džone.
18:20
ShowPrikaži everybodyсвима what you intendНамеравам."
343
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5090
Pokaži svima šta ti je namera."
18:39
DaddyTata,
344
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2299
Ćale,
18:41
this one'sједан је for you.
345
1105729
1948
ova pesma je za tebe.
18:43
(MusicMuzika)
346
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4780
(Muzika)
18:48
JoJo JoJo was a man who thought he was a lonerusamljenik
347
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♫ Džo Džo je mislio da je usamljenik ♫
18:52
♫ but he was anotherдруги man. ♫
348
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♫ ali je bio samo drugačiji. ♫
18:54
JoJo JoJo left his home in TucsonTucson, ArizonaArizona to attendprisustvuju a CaliforniaCalifornia bashBash. ♫
349
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♫ Napustio je svoj dom u Tusonu, u Arizoni, da bi
prisustvovao pobuni u Kaliforniji.♫
19:01
♫ Get back, get back, ♫
350
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♫ Vrati se, vrati se, ♫
19:04
♫ get back to where you onceједном belongedje pripadao. ♫
351
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♫ vrati se ovamo, gde pripadaš. ♫
19:07
♫ Get back, get back, ♫
352
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♫ Vrati se, vrati se ♫
19:10
♫ get back to where you onceједном belongedje pripadao. ♫
353
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♫ vrati se ovamo, gde pripadaš. ♫
19:19
(ApplauseAplauz)
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(Aplauz)
Translated by Tereza Ivanovic
Reviewed by Tatjana Jevdjic

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ABOUT THE SPEAKER
John Hockenberry - Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence."

Why you should listen

Three-time Peabody Award winner, four-time Emmy award winner and Dateline NBC correspondent, John Hockenberry has broad experience as a journalist and commentator for more than two decades. He is the co-anchor of the public radio morning show “The Takeaway” on WNYC and PRI. He has reported from all over the world, in virtually every medium, having anchored programs for network, cable and radio. Hockenberry joined NBC as a correspondent for Dateline NBC in January 1996 after a fifteen-year career in broadcast news at both National Public Radio and ABC News. Hockenberry's reporting for Dateline NBC earned him three Emmys, an Edward R Murrow award and a Casey Medal.

His most prominent Dateline NBC reports include an hour-long documentary on the often-fatal tragedy of the medically uninsured, an emotionally gripping portrait of a young schizophrenic trying to live on his own, and extensive reporting in the aftermath of September 11th. In 2009 Hockenberry was appointed to the White House Fellows Commission by President Barack Obama where he participates in the selection of the annual Fellows for this most prestigious of Federal programs. Hockenberry is also the author of A River out of Eden, a novel based in the Pacific Northwest, and Moving Violations: War Zones, Wheelchairs and Declarations of Independence, a memoir of life as a foreign correspondent, which was a finalist for the National Book Critics Circle Award in 1996. He has also written for The New York Times, The New Yorker, I.D., Wired, The Columbia Journalism Review, Details, and The Washington Post.

Hockenberry spent more than a decade with NPR as a general assignment reporter, Middle East correspondent and host of several programs. During the Persian Gulf War (1990-91), Hockenberry was assigned to the Middle East, where he filed reports from Israel, Tunisia, Morocco, Jordan, Turkey, Iraq and Iran. He was one of the first Western broadcast journalists to report from Kurdish refugee camps in Northern Iraq and Southern Turkey. Hockenberry also spent two years (1988-90) as a correspondent based in Jerusalem during the most intensive conflict of the Palestinian uprising. Hockenberry received the Columbia Dupont Award for Foreign News Coverage for reporting on the Gulf War.

 

More profile about the speaker
John Hockenberry | Speaker | TED.com

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