ABOUT THE SPEAKER
Jude Kelly - Theater director, producer
Jude Kelly is artistic director of Southbank Centre, Britain’s largest cultural institution.

Why you should listen

Jude Kelly was appointed artistic director of Southbank Centre, Britain's largest cultural institution, in 2006.

She founded Solent People's Theatre and Battersea Arts Centre, and was the founding director of the West Yorkshire Playhouse. In 1997, she was awarded an OBE for her services to theatre, and in 2015 she was made a CBE in the New Year honours for services to the Arts. She has directed over 100 productions from the Royal Shakespeare Company to the Châtalet in Paris.

In 2002, Kelly founded Metal, a platform where artistic hunches can be pursued in community contexts, with bases in Liverpool, Southend-On-Sea and Peterborough. She led the cultural team for the successful London 2012 Olympic and Paralympic bid and then served on the Board of the cultural Olympiad. She is a regular broadcaster and commentator on a range of issues relating to society, art and education.

Kelly created the WOW – Women of the World Festival in 2011. In 2011 she created the WOW: Women of the World Festival, now heading into its 7th year at Southbank Centre as well as in other parts of the UK and in countries all over the world.

(Photo: Kalpesh Lathigra)

More profile about the speaker
Jude Kelly | Speaker | TED.com
TEDWomen 2016

Jude Kelly: Why women should tell the stories of humanity

朱迪·凯莉: 为什么女人应该讲述人类的故事

Filmed:
1,249,968 views

数百年来(由于诸多原因)人们大声呼喊着:创造性天分基本上来自男性视角。戏剧导演朱迪·凯莉在这场激昂推理的演讲中指出,这种偏差会影响我们解读女性的非虚构故事和女性权利。她认为有一个更有益、更包容的方式来看待世界。她呼吁艺术家——女艺术家和男艺术家——通过绘画、勾勒、写作、拍摄来想象一个性别平等的社会。
- Theater director, producer
Jude Kelly is artistic director of Southbank Centre, Britain’s largest cultural institution. Full bio

Double-click the English transcript below to play the video.

00:12
Why do we think
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为什么我们认为
男人讲的故事具有普遍重要性.
00:14
that stories故事 by men男人 are deemed认为
to be of universal普遍 importance重要性,
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而认为女人讲的故事
只是关于女人?
00:19
and stories故事 by women妇女 are thought
to be merely仅仅 about women妇女?
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00:26
My grandmother祖母 left school学校
when she was 12.
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我的祖母12岁时辍学。
她生了14个孩子。
00:29
She had 14 children孩子.
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00:32
My mother母亲 left school学校 when she was 15.
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我母亲15岁时辍学,
她是秘书。
00:34
She was a secretary秘书.
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我大学毕业,成为戏剧导演
00:35
I graduated毕业 from university大学
to become成为 a theater剧院 director导向器,
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这进步完全归功于
00:39
and that progress进展 is entirely完全 to do
with the fact事实 that people I'll never meet遇到
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那些我从未谋面的人
为女人拥有人权而斗争着,
00:43
fought战斗 for women妇女 to have rights权利,
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为女人获得投票权,
教育权,取得进步而斗争着。
00:45
get the vote投票, get education教育,
have progress进展.
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我决心做同样的事
很明显你们也是。
00:49
And I'm determined决心 to do the same相同,
and obviously明显 you are, too.
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为什么不呢?
00:52
Why not?
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(掌声)
00:53
(Applause掌声)
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因此,我在七年前启动了
WOW(世界之女人)活动
00:55
So I started开始 a festival called WOW,
Women妇女 of the World世界, seven years年份 ago,
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现在WOW遍布五大洲的
20个国家。
00:59
and it's now in 20 countries国家
across横过 five continents大陆.
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其中一个国家是非洲的索马里兰。
01:02
And one of those countries国家
is Somaliland索马里兰 in Africa非洲.
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去年我去了那里,
01:05
So I traveled旅行 there last year,
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那次旅行的乐趣之一
是去这些岩洞,
01:07
and part部分 of the joy喜悦 I had in going there
was going to these caves洞穴.
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01:14
The Laas拉斯 Geel盖尔 caves洞穴.
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拉斯·吉尔岩洞。
这些岩洞里藏着一些
世界上最古老的岩洞壁画。
01:16
Now, these caves洞穴 contain包含 some
of the oldest最老的 cave洞穴 paintings绘画 in the world世界.
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01:22
These paintings绘画 are thought to be
round回合 about 9,000 to 11,000 years年份 old.
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这些壁画有大约
9000到11000年历史了。
01:29
Art艺术:
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艺术:
是人类自从进化以来所做的一切。
01:30
what humanity人性 has doneDONE
ever since以来 it evolved进化.
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它是我们谈论自己的方式,
01:34
It's how we speak说话 about ourselves我们自己,
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我们理解自己身份的方式,
01:36
how we understand理解 our identity身分,
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我们看待周围环境的方式,
01:38
how we look at our surroundings环境,
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我们因自己生命的意义
01:40
who we find out about each other
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而彼此相互了解。
01:43
because of the meaning含义 of our lives生活.
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这就是艺术。
01:45
That's what art艺术 is for.
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01:47
So look at this little picture图片.
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那么看看这个小小的图片。
我觉得是一个小女孩。
01:49
I think it's a little girl女孩.
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感觉她有点像我小时候。
01:51
I thought it was a bit like me
when I was a little girl女孩.
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而且我想,嗯,是谁
画了这个开心、青春的人像?
01:55
And I thought, well, who painted
this joyful快乐, youthful青春的 figure数字?
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我询问岩洞的管理人。
01:59
And I asked the curator馆长 of the caves洞穴.
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我说:“给我说说画出这些壁画的
男人和女人们吧。”
02:01
I said, "Tell me about the men男人
and women妇女 who painted these."
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他斜眼看着我,然后说
02:05
And he looked看着 at me
absolutely绝对 askance怀疑地, and he said,
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“这不是女人画的。”
02:08
"Women妇女 didn't paint涂料 these pictures图片."
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我说:“好吧,
那是一万一千年前的事了,”
02:11
And I said, "Well,
it was 11,000 years年份 ago."
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我说,“你是怎么知道的?”
02:13
I said, "How do you know?"
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02:15
(Laughter笑声)
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(笑声)
他说:“女人不做这些事啊,
02:17
And he said, "Women妇女 don't do these things.
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男人做这些标记,女人不做的。”
02:21
Men男人 made制作 these marks分数. Women妇女 don't."
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02:26
Now, I wasn't really surprised诧异,
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我并不怎么惊讶,
因为这种态度是我
作为戏剧制作人
02:30
because that's an attitude态度
that I've seen看到 continuously一直
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一辈子持续不断看到的态度。
02:34
all my life as a theater剧院 maker制作者.
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02:38
We are told that divine神圣 knowledge知识
comes down through通过 the masculine男性,
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我们被告知,
神的启示通过男性传播
可以传给阿訇、神父、拉比、圣人.
02:44
whether是否 it be to the imam阿訇,
the priest牧师, the rabbi拉比, the holy man.
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同样,我们被告知
创造性的天分存在于阳刚之气,
02:49
Similarly同样, we're told that creative创作的 genius天才
resides所在 in the masculine男性,
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男人
02:54
that it is the masculine男性
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才能够告诉我们,
我们到底是谁,
02:56
that will be able能够 to tell us
about who we really are,
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男人会代表我们所有人
02:59
that the masculine男性 will tell
the universal普遍 story故事
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讲述所有的故事,
03:02
on behalf代表 of all of us,
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而女性艺术家将
只谈论女人的经历,
03:04
whereas women妇女 artists艺术家 will really
just talk about women's女士的 experiences经验,
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女人的问题,仅仅限于女人
03:09
women's女士的 issues问题
only really relevant相应 to women妇女
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对男人来说是一闪而过——
03:12
and of passing通过 interest利益 to men男人 --
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而且只有一部分男人有兴趣。
03:15
and really only some men男人.
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我认为,就是我们被灌输的这种观念
03:17
And it's that conviction定罪,
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03:20
that that we are taught,
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03:21
that I think colors颜色 so much
of whether是否 we're prepared准备 to believe
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严重改变了我们能否相信
女性的故事也同样重要。
03:25
that women's女士的 stories故事 really matter.
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除非我们准备好了去相信
女性的故事真的重要,
03:27
And unless除非 we're prepared准备 to believe
that women's女士的 stories故事 really matter,
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否则女性的权利就无足轻重,
03:31
then women's女士的 rights权利 don't really matter,
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那么变化就不会真的来临。
03:34
and then change更改 can't really come.
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03:38
I want to tell you
about two examples例子 of stories故事
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我想给你讲两个例子
是被普遍认为非常重要的故事:
03:43
that are thought to be
of universal普遍 importance重要性:
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《E.T.》和《哈姆雷特》。
03:46
"E.T." and "Hamlet村庄."
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03:49
(Laughter笑声)
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(笑声)
我带着我的两个孩子去看《E.T.》
03:52
So I took my two children孩子
when they were little --
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当时他们很小
卡罗琳8岁,罗比5岁,
03:55
Caroline卡罗琳 was eight and Robby罗比 was five --
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03:59
to see "E.T."
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那是个小外星人的奇妙故事。
04:00
And it's a fantastic奇妙 story故事
of this little alien外侨
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这个小外星人到了一个美国家庭,
04:04
who ends结束 up in an American美国 family家庭
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家里有妈妈、两个哥哥和一个妹妹,
04:06
with a mum沉默, two brothers兄弟 and a sister妹妹,
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可是他想回家。
04:09
but he wants to go home.
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04:11
Not only that, but some
really bad scientists科学家们
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不仅如此,还有些特别坏的科学家,
想拿他做某种实验。
04:14
want to do some experiments实验 on him,
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那些科学家在找他,
04:16
and they're looking for him.
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所以孩子们密谋,
04:18
So the children孩子 have a plot情节.
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他们决定自己把小外星人带回飞船,
04:21
They decide决定 they're going to take him
back to his spaceship飞船
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而且要尽快。
04:23
as soon不久 as they can,
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他们把小外星人放进单车篮子里,
04:25
and they plop扑通 him in a bicycle自行车 basket,
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他们就开始骑,
04:27
and off they ride.
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不幸的是,坏人发现了,追上了。
04:28
But unfortunately不幸, the baddies坏人
have found发现 out, and they're catching up
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坏人有警笛,坏人有枪
04:32
and they've他们已经 got sirens警报器
and they've他们已经 got their guns枪炮,
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坏人还有大喇叭,特别吓人,
04:34
they've他们已经 got the loud-hailers大声hailers,
it's terribly可怕 frightening可怕的,
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然后坏接近那些孩子了
04:37
and they're closing关闭 up on the children孩子,
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孩子们快不可能完成任务了。
04:39
and the children孩子 are never
going to make it.
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然后,突然之间,神奇地
单车飞向天空,
04:41
And then all of a sudden突然, magically神奇,
the bikes自行车 fly up in the air空气,
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飞过云层,
04:45
over the clouds,
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飞过月亮,
04:47
over the moon月亮,
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他们拯救了E.T.
04:48
and they're going to save保存 "E.T."
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04:51
So I turn to see my children's儿童 faces面孔,
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然后我转头看看我的孩子们
罗比被吸引了,他身处其中
他在拯救E.T.,
04:53
and Robby罗比 is enraptured眉飞色舞,
he's there with them, he's saving保存 E.T.,
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他特别开心,
04:58
he's a happy快乐 boy男孩.
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然后我转向卡罗琳,她哭得好可怜,
05:00
And I turn to Caroline卡罗琳,
and she's crying哭了 her eyes眼睛 out.
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我说“怎么了?”
05:03
And I said, "What's the matter?"
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她说,“为什么我不能拯救E.T.?
为什么不能让我来?”
05:05
And she said, "Why can't I save保存 E.T.?
Why can't I come?"
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突然我意识到:
05:11
And then all of a sudden突然 I realized实现:
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他们不是“孩子们”
05:13
they weren't children孩子;
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他们是“男孩子们”,
05:15
they were boys男孩 --
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全都是男孩子。
05:17
all boys男孩.
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05:19
And Caroline卡罗琳, who had invested投资
so much in E.T.,
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而对E.T.那么投入的卡罗琳
嗯,当然她并没有被邀请去拯救他,
05:22
well, she wasn't invited邀请 to save保存 him,
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她觉得被羞辱,被冷落了.
05:25
and she felt humiliated羞辱 and spurned唾弃.
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所以我写信给史蒂芬·斯皮尔伯格。
05:28
So I wrote to Steven史蒂芬 Spielberg斯皮尔伯格 --
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05:30
(Laughter笑声) (Applause掌声)
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(笑声)(掌声)
我写道:“我不知道你是否明白
05:36
and I said, "I don't know
if you understand理解
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所发生的事情在心理上的重要性,
05:38
the psychological心理 importance重要性
of what's happened发生,
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你准备好支付心理咨询费了吗?”
05:41
and are you prepared准备 to pay工资
for the therapy治疗 bills票据?"
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(笑声)
05:43
(Laughter笑声)
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20年过去了,我还没收到他的回复,
05:45
Twenty二十 years年份 later后来, I haven't没有
had a word back from him,
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但我还是满怀希望的。
05:48
but I'm still hopeful有希望.
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05:49
(Laughter笑声)
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(笑声)
但我认为这很有趣,
05:51
But I thought it was interesting有趣,
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因为如果你看到
他对E.T.的用意的评论,
05:53
because if you read reviews评论
of what he intended with E.T.,
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他说得非常具体,
05:55
he says very specifically特别,
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“我想让这世界了解
05:57
"I wanted the world世界 to understand理解
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我们应该爱并拥抱差异。”
06:00
that we should love
and embrace拥抱 difference区别."
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但不知何故,他的这个想法
06:03
But somehow不知何故 he didn't include包括
the idea理念 of girls'女孩 difference区别
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没有提到女孩的想法的“差异”。
06:08
in this thinking思维.
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他认为他在写一个
关于全人类的故事,
06:09
He thought he was writing写作 a story故事
about all humanity人性.
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卡罗琳认为他正在
使人类中的一半边缘化,
06:14
Caroline卡罗琳 thought he was marginalizing边缘化
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06:16
half of humanity人性.
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06:17
He thought he was writing写作 a story故事
about human人的 goodness善良;
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他认为他在写一个
关于人类善良的故事,
她以为他正在写
一个小伙子的英勇冒险。
06:20
she thought he was writing写作
a lad's小伙子的 heroic英勇 adventure冒险.
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06:26
And this is common共同.
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这很常见。
06:28
Men男人 feel they have been given特定 the mantle披风
for universal普遍 communication通讯,
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男人觉得他们被委以
进行全部沟通的重任,
但当然,他们怎么可能?
06:33
but of course课程, how could they be?
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他们的写作来自
男性眼中的男性经历。
06:35
They are writing写作 from male experience经验
through通过 male's男的 eyes眼睛.
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06:42
We have to have a look at this ourselves我们自己.
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我们必须亲自看看这个。
我们必须准备好
回顾所有的书和电影,
06:44
We have to be prepared准备 to go back
through通过 all our books图书 and our films影片,
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以及所有我们最喜欢的东西,
06:47
all our favorite喜爱 things,
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然后说:“事实上,
这是由男性艺术家写的 ——
06:49
and say, "Actually其实, this is written书面
by a male artist艺术家 --
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而不只说“这是艺术家写的”。
06:52
not an artist艺术家.
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我们必须看到,这么多的故事
06:54
We have to see
that so many许多 of these stories故事
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都是通过男性角度来写的。
06:56
are written书面 through通过 a male perspective透视.
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那也没问题,
06:58
Which哪一个 is fine,
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但是女性必须拥有50%的权利,
07:00
but then females女性 need to have
50 percent百分 of the rights权利
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拥有舞台、电影、小说,
07:04
for the stage阶段, the film电影, the novel小说,
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拥有发挥创造力的所在。
07:06
the place地点 of creativity创造力.
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07:09
Let me talk about "Hamlet村庄."
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让我谈谈《哈姆雷特》
“生存还是毁灭
07:11
To be or not to be.
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那是个问题。”
07:13
That is the question.
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但那不是我的问题,
07:14
But it's not my question.
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我的问题是:为什么,作为年轻女子
07:16
My question is: Why was I taught
as a young年轻 woman女人
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我被教导说,《哈姆雷特》是有关
07:20
that this was the quintessential典型
example of human人的 dilemma困境
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人类困境和人生的精华作品?
07:24
and human人的 experience经验?
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它确实是一个伟大的故事,
07:26
It's a marvelous奇妙 story故事,
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07:28
but actually其实, it's about a young年轻 man
fearful可怕 that he won't惯于 be able能够 to make it
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但实际上,它讲述的是
一个年轻男子的恐惧。
除非他为他父亲的被杀去报仇,
07:33
as a powerful强大 figure数字 in a male world世界
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否则他在男性世界中
不能成为强大的人物。
07:36
unless除非 he takes revenge复仇
for his father's父亲的 murder谋杀.
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07:39
He talks会谈 a great deal合同 to us
about suicide自杀 being存在 an option选项,
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他对我们说了很多
关于自杀是一种选择,
但是现实是,
真正自杀的人是奥菲莉亚。
07:44
but the reality现实 is that the person
who actually其实 commits提交 suicide自杀, Ophelia欧菲,
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在被他羞辱和虐待之后
07:48
after she's been humiliated羞辱
and abused滥用 by him,
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奥菲利亚从未有机会对观众说一说
她的感受。
07:51
never gets得到 a chance机会 to talk
to the audience听众 about her feelings情怀.
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当他结束了奥菲莉亚时,
又把矛头转向他妈妈,
07:54
And then when he's finished with Ophelia欧菲,
he turns on his mum沉默,
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仅仅上是因为她竟敢
爱上他的叔叔,
07:57
because basically基本上 she has the audacity大胆
to fall秋季 in love with his uncle叔叔
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还享受着性爱。
08:00
and enjoy请享用 sex性别.
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(笑声)
08:02
(Laughter笑声)
159
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它的确是个伟大的故事,
08:04
It is a great story故事,
160
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但这个故事讲的是男性的冲突、
08:06
but it is a story故事 about male conflict冲突,
male dilemma困境, male struggle斗争.
161
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男性的困境、男性的斗争。
08:12
But I was told this was the story故事
of human人的 beings众生,
162
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但我被告知,这就是全人类的故事。
尽管事实上,故事中只有两个女人。
08:16
despite尽管 the fact事实 that it only
had two women妇女 in it.
163
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除非我重新教育自己,
08:19
And unless除非 I reeducate再教育 myself,
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否则我会一直认为
08:22
I am always going to think
165
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女人的故事没有男人的故事重要。
08:23
that women's女士的 stories故事
matter less than men's男装.
166
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08:28
A woman女人 could have written书面 "Hamlet村庄,"
167
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女人也可以写《哈姆雷特》
但她会写得不一样,
08:29
but she would have written书面 it differently不同,
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而且不会被全世界认可。
08:32
and it wouldn't不会 have had
global全球 recognition承认.
169
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正如作家玛格丽特·阿特伍德所说:
08:34
As the writer作家 Margaret玛格丽特 Atwood阿特伍德 says,
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“当一个男人写到洗碗时,
08:36
"When a man writes about doing the dishes碗碟,
171
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它是现实主义,
08:39
it's realism现实主义.
172
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当女人写到洗碗时,
08:41
When a woman女人 writes about doing it,
173
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这是不幸的遗传倾向。”
08:43
it's an unfortunate不幸的 genetic遗传 disposition性格."
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(笑声)
08:46
(Laughter笑声)
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这不只是属于旧年代的东西。
08:47
Now, this is not just something
that belongs属于 to then.
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当我还是个小女孩,
08:51
I mean, when I was a young年轻 girl女孩,
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拼命想成为戏剧导演,
08:52
wanting希望 desperately拼命
to be a theater剧院 director导向器,
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我的男讲师这样对我说:
08:55
this is what my male lecturer讲师 said to me:
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“呃,英国有三个女导演,朱迪”
08:58
"Well, there are three women妇女
directors董事 in Britain英国," he said, "Jude裘德."
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“有琼·奈特,女同性恋,
有琼·丽特伍德,退休了,
09:02
"There's Joan Knight骑士, who's谁是 a lesbian女同性恋,
there's Joan Littlewood利特尔伍德, who's谁是 retired退休,
181
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还有巴兹·古德波堤,刚自杀。
09:06
and there's Buzz蜂鸣器 Goodbody古德博特,
who's谁是 just killed杀害 herself她自己.
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那么,你想变成她们中的哪一个? ”
09:09
So, which哪一个 of those three
would you like to be?"
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09:11
(Laughter笑声)
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(笑声)
先不谈对女同性恋的无耻侮辱,
09:12
Now, leaving离开 aside在旁边
the disgusting讨厌 slur诽谤 on gay同性恋者 women妇女,
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事实是,他想羞辱我。
09:17
the fact事实 is, he wanted to humiliate羞辱 me.
186
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他认为我想做导演
是很蠢的。
09:20
He thought it was silly愚蠢
that I wanted to be a director导向器.
187
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我告诉我的指挥朋友,
马林·阿尔索普,她说:
09:24
And I told my friend朋友 Marin马林 Alsop艾尔索普,
the conductor导体, and she said,
188
552139
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“哦对,呵呵,我的音乐老师
说过一模一样的话,
09:27
"Oh yes, well, my music音乐 teacher老师
said exactly究竟 the same相同.
189
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他说:‘女人不能指挥。’”
09:29
He said, 'Women"女人 don't conduct进行.'"
190
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这么多年过去了
我们成功了。
09:32
But all these years年份 later后来,
we've我们已经 made制作 our mark标记.
191
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你觉得“现在肯定不一样了。”
09:35
You think, "Well, it'll它会 be different不同 now."
192
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恐怕现在没有什么不同。
09:37
I'm afraid害怕 it's not different不同 now.
193
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2494
巴黎音乐学院现任主管最近说过:
09:40
The current当前 head
of the Paris巴黎 Conservatoire音乐学院
194
568223
3445
09:43
said recently最近, "It takes
great physical物理 strength强度
195
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3427
“指挥交响乐需要很大的体力,
09:47
to conduct进行 a symphony交响乐,
196
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1481
女人太弱。”
09:48
and women妇女 are too weak."
197
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1451
(笑声)
09:50
(Laughter笑声)
198
578123
1453
艺术家乔治·巴塞利茨说:
09:51
The artist艺术家 George乔治 Baselitz巴塞利茨 said,
199
579600
1939
“嗯,事实是女人不会画画。
09:53
"Well, the fact事实 is women妇女 can't paint涂料.
200
581563
2287
好吧——她们画不好。”
09:55
Well -- they can't paint涂料 very well."
201
583874
1846
作家V.S. 奈保尔在两年前说:
09:58
The writer作家 V.S. Naipaul奈保尔
said two years年份 ago,
202
586194
2388
“我可以只读两段就立即知道
是不是女人写的,
10:00
"I can read two paragraphs段落 and know
immediately立即 if it's written书面 by a woman女人,
203
588606
3592
然后我就不读了,
因为不值得我读。”
10:04
and I just stop reading,
because it's not worthy值得 of me."
204
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2701
10:06
Audience听众: Whoa!
205
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1673
观众:哇!
10:09
And it goes on.
206
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1633
还有很多。
10:12
We have to find a way
207
600997
1988
我们必须找到一种方法,
来不让小女孩和年轻的女人们
10:15
of stopping停止 young年轻 girls女孩 and women妇女
208
603009
2644
感觉不仅她们的故事没意义,
10:17
feeling感觉 not only that
their story故事 doesn't matter,
209
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2841
而且她们不被允许成为讲述者。
10:20
but they're not allowed允许
to be the storyteller说故事的人.
210
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3210
10:24
Because once一旦 you feel
that you can't stand in the central中央 space空间
211
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3583
因为一旦你感觉不能站在中央
10:28
and speak说话 on behalf代表 of the world世界,
212
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3008
代表世界发声,
你会觉得你只能把作品
献给很小的、特定的一群人,
10:31
you will feel that you can offer提供
your goods产品 up to a small, select选择 group.
213
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5075
你将倾向于在更小的舞台,
做更轻微的工作,
10:36
You will tend趋向 to do smaller work
on smaller stages阶段,
214
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3516
你的经济力量会更小,
10:39
your economic经济 power功率 will be less,
215
627939
2033
你的受众范围会更小,
10:41
your reach达到 of audiences观众 will be less,
216
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2472
作艺术家的资格会更少。
10:44
and your credit信用 will be less as an artist艺术家.
217
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4341
10:49
And we do finally最后 give artists艺术家
these incredible难以置信, prominent突出 spaces空间
218
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5255
并且我们已经在这世界上
为艺术家们提供了
难以置信的、卓越的空间。
10:54
in the world世界,
219
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1164
因为他们是我们的讲述者。
10:56
because they are our storytellers讲故事的人.
220
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1739
那么,如果你不是艺术家,
为什么你要在乎这些?
10:57
Now, why should it matter to you
if you're not an artist艺术家?
221
645787
3129
假设你是会计师或企业家
11:00
Supposing假如 you're an accountant会计
or an entrepreneur企业家 or a medic军医
222
648940
3245
或医生或科学家
11:04
or a scientist科学家:
223
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1167
你是否应该在乎女性艺术家?
11:05
Should you care关心 about women妇女 artists艺术家?
224
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2602
绝对的,你必须在乎,
11:08
Absolutely绝对, you must必须,
225
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2056
因为就像你在岩洞绘画中看到的
11:10
because as you can see
from the cave洞穴 paintings绘画,
226
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3412
所有的文明,
11:13
all civilizations文明,
227
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1681
全体人类
11:15
all of humanity人性
228
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2204
都依靠艺术家来讲述人类的故事。
11:18
have relied upon artists艺术家
to tell the human人的 story故事,
229
666105
3956
如果人类的故事
最终只由男人来讲述,
11:22
and if the human人的 story故事
is finally最后 told by men男人,
230
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3269
记住我的话,
11:25
take my word for it,
231
673378
1736
故事里将只有男人。
11:27
it will be about men男人.
232
675138
1717
11:29
So let's make a change更改.
233
677671
2684
所以,让我们做出改变,
改变我们所有的教育体系,
11:32
Let's make a change更改
to all our institutions机构,
234
680379
2202
而且不仅仅是在西方,
11:34
and not just in the West西.
235
682605
1275
不要忘记——
11:35
Don't forget忘记 -- this message信息
of incapability无能 of women妇女
236
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4419
女人没有创造性天分的观念,
11:40
to hold保持 creative创作的 genius天才
237
688347
2025
在尼日利亚,中国,俄罗斯,
在印度尼西亚,
11:42
is being存在 told to girls女孩 and women妇女
in Nigeria尼日利亚, in China中国, in Russia俄国,
238
690396
4914
正被灌输给女孩和女人们。
11:47
in Indonesia印度尼西亚.
239
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1163
11:48
All over the world世界, girls女孩
and women妇女 are being存在 told
240
696521
2709
在世界各地,女孩和女人被告知
她们不会拥有创造性灵感。
11:51
that they can't finally最后 hold保持 the idea理念
of creative创作的 inspiration灵感.
241
699254
4917
11:57
And I want to ask you:
242
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1649
我想问你:
你相信那说法吗?
11:58
Do you believe that?
243
706804
1714
你是否相信,女人可以是
有创造力的天才呢?
12:00
Do you believe that women妇女
can be a creative创作的 genius天才?
244
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3795
12:05
(Applause掌声 and cheers干杯)
245
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5739
(掌声和欢呼)
那么,请更进一步
12:10
Well then, please go forward前锋,
246
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1661
支持女性艺术家,
12:12
support支持 women妇女 artists艺术家,
247
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2250
购买她们的作品,
12:14
buy购买 their work,
248
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1474
主张她们的声音被聆听,
12:16
insist咬定 that their voices声音 are heard听说,
249
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2268
找到可以让她们发声的平台。
12:18
find platforms平台 on which哪一个
their voices声音 will be made制作.
250
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3270
12:22
And remember记得 this:
251
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1787
并且记住这一点:
在某种意义上,如果我们要
走过世界的这一时刻
12:24
that in a sense, if we're going
to get past过去 this moment时刻
252
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3279
这个我们知道我们不平等的时刻
12:27
of a world世界 where we know
that we are unequal不等,
253
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3852
艺术家必须想象出另一世界的。
12:31
it's artists艺术家 who have to imagine想像
a different不同 world世界.
254
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3197
12:34
And I'm calling调用 on all artists艺术家,
women妇女 and men男人,
255
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3610
我呼吁所有的艺术家,
女人以及男人
去想象一个性别平等的世界。
12:38
to imagine想像 a gender-equal两性平等 world世界.
256
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3340
12:42
Let's paint涂料 it. Let's draw it.
257
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2183
让我们绘制它,让我们勾勒它,
让我们写出它,让我们拍摄它。
12:44
Let's write about it. Let's film电影 it.
258
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1795
如果我们能够想象出来,
12:46
And if we could imagine想像 it,
259
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1886
那么我们就有能量和耐力
12:48
then we would have the energy能源
and the stamina耐力
260
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向它努力。
12:51
to work towards it.
261
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1489
12:53
When I see this little girl女孩,
262
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2054
当我看着这个小女孩,
11000年前的小女孩,
12:55
11,000 years年份 ago,
263
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2040
我需要知道,这个小女孩现在
12:57
I want to know that the little girl女孩 now
264
765944
3461
可以站在那里,相信
她有权拥有自己的梦想,
13:01
can stand there and think
she's entitled标题 to her dreams,
265
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3284
她有权主宰自己的命运,
13:04
she's entitled标题 to her destiny命运
266
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她有权代表整个世界说话,
13:07
and she's entitled标题 to speak说话
on behalf代表 of the whole整个 world世界,
267
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4202
为此被认同,
13:11
be recognized认可 for it
268
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并为此享有掌声。
13:13
and applauded叫好.
269
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13:14
Thank you.
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谢谢。
13:16
(Applause掌声)
271
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4781
(掌声)
Translated by Yan Gao
Reviewed by Jiawei Ni

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ABOUT THE SPEAKER
Jude Kelly - Theater director, producer
Jude Kelly is artistic director of Southbank Centre, Britain’s largest cultural institution.

Why you should listen

Jude Kelly was appointed artistic director of Southbank Centre, Britain's largest cultural institution, in 2006.

She founded Solent People's Theatre and Battersea Arts Centre, and was the founding director of the West Yorkshire Playhouse. In 1997, she was awarded an OBE for her services to theatre, and in 2015 she was made a CBE in the New Year honours for services to the Arts. She has directed over 100 productions from the Royal Shakespeare Company to the Châtalet in Paris.

In 2002, Kelly founded Metal, a platform where artistic hunches can be pursued in community contexts, with bases in Liverpool, Southend-On-Sea and Peterborough. She led the cultural team for the successful London 2012 Olympic and Paralympic bid and then served on the Board of the cultural Olympiad. She is a regular broadcaster and commentator on a range of issues relating to society, art and education.

Kelly created the WOW – Women of the World Festival in 2011. In 2011 she created the WOW: Women of the World Festival, now heading into its 7th year at Southbank Centre as well as in other parts of the UK and in countries all over the world.

(Photo: Kalpesh Lathigra)

More profile about the speaker
Jude Kelly | Speaker | TED.com

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