ABOUT THE SPEAKER
Nora Brown - Musician
Nora Brown sings ballads and plays traditional old-time music with a heavy interest in eastern Kentucky banjo playing.

Why you should listen

Nora Brown started learning ukulele at age six from the late Shlomo Pestcoe. With a focus on old-time music, he laid a foundation of love of music and the community it creates, and he instilled in her the lesson that music is meant to be shared. Now 13 years old, Brown plays banjo and accordion. She plays and sings with many of her old-time mentors including fiddler Stephanie Coleman, under the band name Little Leatherwood, and harmonica player Trip Henderson, under the band name Tin+Bone.

Nora is mentored by many of her favorite old-time musicians including Alice Gerrard, John Cohen, Anna Roberts-Gevalt, Sammy Lind, Mark Simos, KC Groves, Courtney Hartman, Mac Traynham, John Haywood and Brett Ratliff. In the last two years, she's won the blue ribbon in the youth banjo competition at the Clifftop Appalachian String Band Music Festival in West Virginia. In 2018 she also placed third in the adult banjo competition at Clifftop. In 2017 she landed second place in the banjo competition (all ages) at the Oldtone Roots Music Festival in Hillsdale, New York. More recently, Brown traveled to eastern Kentucky to visit with 90-year-old master banjo player and former coal miner Lee Sexton and master banjo player and historian George Gibson.

Brown has played on the Floyd Radio Show in Floyd, Virginia, the Washington Square Park Folk Festival, Brooklyn Folk Festival, Brooklyn Americana Festival, Oldtone Roots Music Festival, both Summer and Winter Hoots at the Ashokan Center and NYC Trad Fest. She has had multiple month-long residencies at famed Barbès in Brooklyn, New York.

The Tribeca Film Festival funded a short documentary by Josh Weinstein about Nora called "Little Nora (the Banjo Prodigy)."

More profile about the speaker
Nora Brown | Speaker | TED.com
TED Salon: Education Everywhere

Nora Brown: "East Virginia" / "John Brown's Dream"

Nora Brown: « East Virginia » / « John Brown's Dream »

Filmed:
255,994 views

Dans un jeu envoûtant, la musicienne Nora Brown inspire une nouvelle vie à deux vieux airs de banjo : « East Virginia » et « John Brown's Dream ». Une interprétation nostalgique combinée à une brève histoire de l'évolution du banjo.
- Musician
Nora Brown sings ballads and plays traditional old-time music with a heavy interest in eastern Kentucky banjo playing. Full bio

Double-click the English transcript below to play the video.

00:12
(MusicMusique: "EastEast VirginiaVirginie")
0
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(Musique : « East Virginia »)
00:15
(BanjoBanjo)
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(Banjo)
00:52
(SingingChant) I'm from
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(Chant) Je viens
00:56
oldvieux EastEast VirginiaVirginie.
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de l'ancienne Virginie de l'est.
01:04
NorthNord CarolinaCaroline
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La Caroline du Nord,
01:08
I did go.
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2209
j'y suis allé.
01:11
I metrencontré
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J'ai rencontré
01:13
a fairjuste, youngJeune maidenjeune fille.
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une belle jeune fille.
01:21
Her nameprénom I did not know.
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J'ignorais son nom.
01:26
(BanjoBanjo)
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(Banjo)
02:05
Don't that roadroute
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Ce chemin
02:08
look roughrugueux and rockyrocheux?
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n'a-t-il pas l'air
difficile et cahoteux ?
02:16
Don't that seamer look widelarge and deepProfond?
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3333
Cette mer n'a-t-elle pas l'air
vaste et profonde ?
02:21
Don't my darlin'Darlin'
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Ma bien-aimée
02:25
look
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n'a-t-elle pas l'air
02:29
the sweetestplus doux ...
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d'être la plus jolie...
02:33
When she's in my armsbras asleependormi?
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Quand elle dort dans mes bras ?
02:36
(BanjoBanjo)
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(Banjo)
03:05
Her haircheveux
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Ses cheveux
03:08
was a dark-brownbrun foncé curlybouclés.
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étaient brun foncé et bouclés.
03:16
Her cheeksjoues were chestnutchâtaigne redrouge.
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Ses joues étaient hâlées.
03:22
On her breastSein
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Sur sa poitrine,
03:24
she woreportait a whiteblanc lillyLilly.
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elle portait un lys blanc.
03:32
ThroughPar le biais the night, the tearslarmes she shedhangar.
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Tout au long de la nuit,
elle a versé des larmes.
03:35
(BanjoBanjo)
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(Banjo)
04:06
CaptainCapitaine,
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Capitaine,
04:10
CaptainCapitaine, I am dyin'mourir.
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Capitaine, je suis mourant.
04:17
Won'tNe you take these wordsmots for me?
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Ramèneriez-vous ces mots pour moi ?
04:24
Take them back
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Ramenez-les
04:26
to oldvieux EastEast VirginiaVirginie.
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dans l'ancienne Virginie de l'est.
04:33
Tell my darlin'Darlin' she is freegratuit.
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Dites à ma bien-aimée qu'elle est libre.
04:38
(BanjoBanjo)
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(Banjo)
04:41
(MusicMusique endsprend fin)
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(Fin de la musique)
04:44
(ApplauseApplaudissements and cheersa bientôt)
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(Applaudissements et acclamations)
04:52
That was a songchant calledappelé "EastEast VirginiaVirginie"
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Cette chanson s'appelle « East Virginia ».
04:54
I learnedappris from a man namednommé CliftonClifton HicksHicks
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Je l'ai apprise avec Clifton Hicks,
04:56
who livesvies down in GeorgiaGéorgie.
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qui vit en Géorgie.
04:59
The nextprochain songchant ...
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La prochaine chanson...
05:02
I have for you
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que je vais vous chanter
05:05
is calledappelé "JohnJohn Brown'sBrown DreamRêve."
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s'appelle « John Brown's Dream ».
05:07
It's an oldvieux danceDanse tunemélodie.
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C'est une ancienne mélodie dansante.
05:09
And you maymai noticeremarquer that the banjobanjo
that I'm holdingen portant looksregards a little differentdifférent
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Vous remarquez peut-être que le banjo
que je tiens a l'air un peu différent
05:13
than banjosbanjos you mightpourrait be used to seeingvoyant
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des banjos que vous avez
l'habitude de voir
05:15
or the one I just playedjoué, for exampleExemple.
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ou de celui avec lequel
je viens de jouer, par exemple.
05:18
And this banjobanjo
is sortTrier of an earlierplus tôt modelmaquette.
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Ce banjo est un modèle plus ancien.
05:24
BanjosBanjos kindgentil of evolvedévolué like a humanHumain has.
45
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Le banjo a évolué comme l'être humain.
05:27
And I like to say that the sounddu son
that comesvient out of this banjobanjo
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J'aime dire que le son
qui sort de ce banjo
05:31
is a sounddu son that was
just a little closerplus proche to the sourcela source,
47
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est un peu plus proche de son origine,
05:36
whichlequel is AfricaL’Afrique,
48
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qui est l'Afrique,
05:37
and some people forgetoublier that,
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et certains l'oublient,
05:39
so, yeah ...
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alors...
05:40
(BanjoBanjo tuningTuning)
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(Accorde le banjo)
05:51
(MusicMusique: "JohnJohn Brown'sBrown DreamRêve")
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(Musique : « John Brown's Dream »)
05:54
(BanjoBanjo)
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(Banjo)
06:54
(BanjoBanjo continuescontinue)
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(Le banjo continue)
07:43
(SingingChant) JohnJohn Brown'sBrown dreamrêver,
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(Chant) Le rêve de John Brown,
07:45
JohnJohn Brown'sBrown dreamrêver the devildiable was deadmort.
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dans son rêve, le diable était mort.
07:47
I'm gonna get that, get that, get that,
57
455542
1892
Je vais l'avoir, l'avoir, l'avoir,
07:49
I'm gonna get that prettyjoli little girlfille.
58
457458
1893
je vais avoir cette jolie fille.
07:51
(BanjoBanjo)
59
459375
3500
(Banjo)
08:38
JohnJohn Brown'sBrown dreamrêver,
60
506708
2101
Le rêve de John Brown,
08:40
JohnJohn Brown'sBrown dreamrêver the devildiable was deadmort.
61
508833
2101
dans son rêve, le diable était mort.
08:42
(BanjoBanjo)
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510958
3350
(Banjo)
08:46
Come on, LizaLiza, LizaLiza, LizaLiza.
63
514332
1851
Allez, Liza, Liza, Liza.
08:48
Come on, LizaLiza we'llbien be pickin'Pickin ' it again.
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516207
1936
Allez, Liza, nous recommencerons.
08:50
I'm gonna get that, get that, get that,
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518167
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Je vais l'avoir, l'avoir, l'avoir,
08:52
I'm gonna get that prettyjoli little girlfille.
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je vais avoir cette jolie fille.
08:53
(BanjoBanjo)
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(Banjo)
09:00
(MusicMusique endsprend fin)
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(Fin de la musique)
09:02
(ApplauseApplaudissements and cheersa bientôt)
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(Applaudissements et acclamations)
09:08
Thank you very much.
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Merci beaucoup.
Translated by Morgane Quilfen
Reviewed by Jules Daunay

▲Back to top

ABOUT THE SPEAKER
Nora Brown - Musician
Nora Brown sings ballads and plays traditional old-time music with a heavy interest in eastern Kentucky banjo playing.

Why you should listen

Nora Brown started learning ukulele at age six from the late Shlomo Pestcoe. With a focus on old-time music, he laid a foundation of love of music and the community it creates, and he instilled in her the lesson that music is meant to be shared. Now 13 years old, Brown plays banjo and accordion. She plays and sings with many of her old-time mentors including fiddler Stephanie Coleman, under the band name Little Leatherwood, and harmonica player Trip Henderson, under the band name Tin+Bone.

Nora is mentored by many of her favorite old-time musicians including Alice Gerrard, John Cohen, Anna Roberts-Gevalt, Sammy Lind, Mark Simos, KC Groves, Courtney Hartman, Mac Traynham, John Haywood and Brett Ratliff. In the last two years, she's won the blue ribbon in the youth banjo competition at the Clifftop Appalachian String Band Music Festival in West Virginia. In 2018 she also placed third in the adult banjo competition at Clifftop. In 2017 she landed second place in the banjo competition (all ages) at the Oldtone Roots Music Festival in Hillsdale, New York. More recently, Brown traveled to eastern Kentucky to visit with 90-year-old master banjo player and former coal miner Lee Sexton and master banjo player and historian George Gibson.

Brown has played on the Floyd Radio Show in Floyd, Virginia, the Washington Square Park Folk Festival, Brooklyn Folk Festival, Brooklyn Americana Festival, Oldtone Roots Music Festival, both Summer and Winter Hoots at the Ashokan Center and NYC Trad Fest. She has had multiple month-long residencies at famed Barbès in Brooklyn, New York.

The Tribeca Film Festival funded a short documentary by Josh Weinstein about Nora called "Little Nora (the Banjo Prodigy)."

More profile about the speaker
Nora Brown | Speaker | TED.com

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