ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com
TEDGlobal 2009

Edward Burtynsky: Photographing the landscape of oil

ئیدوەرد بیورتین سکین: وێنەگرتنی دیمەنی سروشتی نەوت

Filmed:
550,970 views

لە وینەی نایابی ڕوونمایی بەرز، ئیدوەرد بیورتین شوێن ئەو ڕێرەوەی نەوت کەوت لەناو کۆمەڵگەی نوێ، لە سەرچاوەکەوە بە بۆڕیدا دەگوازرێتەوە بۆ مەکینەی ئۆتۆمبێل-- ھەروەھا پاشان ئەوە کۆتا قۆناغی پڕۆژەکەیە.
- Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind. Full bio

Double-click the English transcript below to play the video.

00:15
I started my journey 30 years ago.
0
0
3000
٣٠ ساڵ لەمەوبەر گەشتەکەم دەستی پێکرد.
00:18
And I worked in mines. And I realized that
1
3000
2000
لە ناو کانەکاندا ئیشم کردووە و ھەستم کرد
00:20
this was a world unseen.
2
5000
2000
ئەوە جیھانێکی نەبینراوە.
00:22
And I wanted, through color and large format cameras
3
7000
2000
و دەمویست بە ڕەنگ و کامێرا ئاست بەرزەکان
00:24
and very large prints,
4
9000
2000
ھەروەھا چاپخانە زۆر گەورەکان بۆ
00:26
to make a body of work that somehow
5
11000
2000
درووستکردنی کۆمەڵێک کار کە
00:28
became symbols of our
6
13000
3000
ببن بە سیمبول بۆ ئێمە
00:31
use of the landscape,
7
16000
2000
بەکارھێنانی دیمەنە سروشتییەکە،
00:33
how we use the land.
8
18000
2000
کە چۆن خاک بەکار بھێنین.
00:35
And to me this was
9
20000
2000
ھەروەھا بۆ من ئەوە بوو
00:37
a key component that somehow, through this medium of photography,
10
22000
3000
کلیلی سەرەکی ئەو ناوەندە وێنەگریەیە،
00:40
which allows us to contemplate these landscapes,
11
25000
3000
کە ڕێگەمان دەدا بۆ بیرکردنەوە لەو دیمەنە،
00:43
that I thought photography was perfectly suited
12
28000
3000
کە پێم وابوو وێنەگری بە تەواوی دەگونجێت
00:46
to doing this type of work.
13
31000
2000
بۆ کردنی ئەو جۆرە ئیشە.
00:48
And after 17 years of photographing large industrial landscapes,
14
33000
4000
دوای ١٧ ساڵی وێنەگرتنی
دیمەنەکانی پیشەسازی،
00:52
it occurred to me that
15
37000
2000
تێگەیشتم کە
00:54
oil is underpinning the scale and speed.
16
39000
2000
نەوت پێوەری خێرایی و گەشەکردنی پیشەسازییە.
00:56
Because that is what has changed,
17
41000
2000
لەبەرئەوەی ئەوەی کە گۆڕاوە،
00:58
is the speed at which we're taking all our resources.
18
43000
3000
ئەو خێراییەیە کە سەرچاوەکانمانی تێدایە
01:01
And so then I went out to develop a whole series
19
46000
2000
و چوومە دەرەوە بۆ گەشەپێدانی
زنجیرەیەک
01:03
on the landscape of oil.
20
48000
2000
لەسەر دیمەنی سروشتی نەوت.
01:05
And what I want to do is to kind of map an arc
21
50000
5000
دەمەوێت نەخشەیەک سەبارەت بە
ساتی دەرهێنانی نەوت
01:10
that there is extraction, where we're taking it from the ground,
22
55000
3000
ئەو کاتەی کە نەوت لە زەوی دەردەهێنرێت،
01:13
refinement. And that's one chapter.
23
58000
2000
پوختە دەکرێت بکێشم.
ئەمە تەنها دەستپێک بوو
01:15
The other chapter that I wanted to look at was
24
60000
2000
بەشەکانی تر کە دەمویست ئیشیان لەسەر بکەم:
01:17
how we use it -- our cities,
25
62000
2000
شارەکانمان، چۆن ئەوە بەکاردەهێنن-
01:19
our cars, our motorcultures,
26
64000
2000
مۆتۆرکلتورەکان، ئۆتۆمبێلەکان،
01:21
where people gather around the vehicle
27
66000
4000
کە خەڵک لە دەوری ئۆتۆمبێلەکە کۆ دەبوونەوە
01:25
as a celebration.
28
70000
2000
وەکو ئاھەنگێک.
01:27
And then the third one is this idea of the end of oil,
29
72000
2000
و پاشان سێیەم دانە، بیرۆکەی کۆتایی نەوتە،
01:29
this entropic end,
30
74000
2000
ئەو وزە نابەردەستە کۆتایی دێت،
01:31
where all of our parts of cars, our tires,
31
76000
3000
کە ھەموو بەشەکانی ئۆتۆمبێاکانمان، تایەکان،
01:34
oil filters,
32
79000
2000
پاڵێوەرەکانی نەوت،
01:36
helicopters, planes --
33
81000
2000
فڕۆکەکان، هەلیکۆپتەرەکان--
01:38
where are the landscapes where all of that stuff ends up?
34
83000
3000
لەم دیمەنە سروشتیەکان کە
هەموو شتەکان کۆتاییان دێت؟
01:41
And to me, again, photography was
35
86000
2000
ھەروەھا بۆ من، دوبارە، وێنەگری بوو
01:43
a way in which I could explore and research the world,
36
88000
3000
کە ڕێگەیەکە کە دەمتوانی بەهۆیەوە
جیھان بدۆزمەوە،
01:46
and find those places.
37
91000
2000
ھەروەھا شوێنەکان بدۆزمەوە.
01:48
And another idea that I had as well,
38
93000
2000
و بیرۆكەیەكی تریشم هەبوو
01:50
that was brought forward by an ecologist --
39
95000
4000
کە لە ژینگەناسێک وەرمگرتبوو--
01:54
he basically did a calculation where
40
99000
3000
بەشێوەیەکی بنچینەی لێکدانەوەیەکی کردبوو کە
01:57
he took one liter of gas and said,
41
102000
2000
لیترێک لە گازی وەرگرت و بیری کردەوە کە،
01:59
well, how much carbon it would take, and how much organic material?
42
104000
4000
باشە، چەند کاربۆن و ماددەی
ئەندامی لە خۆ دەگرێت؟
02:03
It was 23 metric tons for one liter.
43
108000
3000
٢٣تەنی مەتری کاربۆن لە یەک لیترهەیە
02:06
So whenever I fill up my gas,
44
111000
2000
بۆیە، کاتێک ئۆتۆمبیلەکەم پر گاز دەکەم
02:08
I think of that liter, and how much carbon.
45
113000
2000
بیردەکەمەوە ئەو لیترە چەند کاربۆنی تێدایە.
02:10
And I know that oil comes from the ocean and phytoplankton,
46
115000
3000
و دەزانم نەوت لە زەریا و فیتۆپلانکەوە دێت،
02:13
but he did the calculations for our Earth
47
118000
3000
بەڵام ئەو ژماردنی کردوە بۆ زەوی
02:16
and what it had to do to produce that amount of energy.
48
121000
2000
و چیمان کردبا بۆ بەرهەمهێنانی
ئەو بڕە وزەیە.
02:18
From the photosynthetic growth,
49
123000
2000
لە گەشەی فۆتۆسینسیتک،
02:20
it would take 500 years of that growth
50
125000
3000
کە ٥٠٠ ساڵی دەوێت
02:23
to produce what we use, the 30 billion barrels we use per year.
51
128000
5000
بۆ بەرھەمھێنانی ئەوەی بەکاری دەھێنین،
پێویستمان بە ٣ بلیۆن بەرمیلە لە ساڵێکدا
02:28
And that also brought me to the fact that
52
133000
2000
و ئەوە منی گەیاندە ئەو ڕاستییەی
02:30
this poses such a risk to our society.
53
135000
3000
ئەو وەستانە جۆرێک
مەترسییە بۆ کۆمەڵگەکەمان.
02:33
Looking at 30 billion per year,
54
138000
5000
سەیركردنی ٣٠ ملیار ساڵانە،
02:38
we look at our two largest suppliers,
55
143000
2000
سەیری دوو گەورەترین یەدەگی نەوت دەکەین،
02:40
Saudi Arabia and now Canada, with its dirty oil.
56
145000
2000
سعودییە و کەنەدا لە ئێستا،
ئەو نەوتە پیسەیان.
02:42
And together they only form about 15 years of supply.
57
147000
4000
و پێکەوە ئەوان پاشەکەوتی ١٥ ساڵیان ھەیە
02:46
The whole world, at 1.2 trillion estimated reserves,
58
151000
3000
ھەموو یەدەگی جیھان
بە ١,٢ ترلیۆن دەخەملێنرێت،
02:49
only gives us about 45 years.
59
154000
2000
تەنھا بەشی ٤٥ ساڵمان دەکات
02:51
So, it's not a question of if, but a question of when
60
156000
3000
کەواتە ئەوە پرسیاری ئەگەر نییە، بەڵکو کاتە
02:54
peak oil will come upon us.
61
159000
2000
قڕانی نەوتمان توش دەبێت.
02:56
So, to me, using photography --
62
161000
2000
کەواتە بۆ من بە بەکارھێنانی وێنەگرتن
02:58
and I feel that all of us need to now begin to really
63
163000
3000
ھەموومان پێویستە بگەڕێینەوە بۆ ئەو ڕاستییە
03:01
take the task of using our talents,
64
166000
2000
ئیش بە تواناکانمان بکەین،
03:03
our ways of thinking,
65
168000
3000
ڕێگەکانی بیرکردنەوەمان،
03:06
to begin to deal with what I think is probably
66
171000
2000
بۆ ئەوەی ھەموومان دەست
بکەین بە مامەڵەکردن
03:08
one of the most challenging issues of our time,
67
173000
3000
یەکێ لە گەورەترین سەرکێشییەکانی کاتی
ئێستامان،
03:11
how to deal with our energy crisis.
68
176000
2000
چۆن مامەڵە لەگەڵ قەیرانی وزەماندا بکەین.
03:13
And I would like to say that, on the other side of it,
69
178000
2000
حەزم دەکرد کە بڵێم، لایەنێکی تری ئەوە،
03:15
30, 40 years from now, the children that I have,
70
180000
2000
تا ٣٠،٤٠ ساڵێ تر منداڵەکانم،
03:17
I can look at them and say, "We did everything
71
182000
2000
سەیریان بکەم و بڵێم "ھەموو شتێکمان کرد"
03:19
we possibly, humanly could do,
72
184000
3000
ئێمە بە تەواوی و مرۆڤانە،
03:22
to begin to mitigate this,
73
187000
3000
هەوڵی کەمکردنەوەی بەکارهێنانی نەوتمان کرد،
03:25
what I feel is one of the most important and critical
74
190000
2000
ئەوەی ھەستی پێدەکەم یەکێکە لە گرنگترین و
03:27
moments in our time. Thank you.
75
192000
3000
پڕ ڕەخنەترین کاتەکانی ژیانمان.
سوپاس.
03:30
(Applause)
76
195000
4000
(چەپڵە)
Translated by Lavan Ahmed
Reviewed by Koya University

▲Back to top

ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com