ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

بول راكر: كيف كانت أمّي مصدر إلهامٍ لعزف التشيللو بأسلوبي الخاص

Filmed:
387,890 views

قام الفنّان متعدّد المواهب وزميل TED، بول راكر، بتطوير أسلوب خاص لعزف التشيللو فنراه يمرّر عصي الأكل بين الأوتار، يستخدم الآلة الموسيقية كالطّبول أو يجرّب العزف بالآلات الإلكترونية مثل دوّاسة الغيتار اللولبيّة. يشارك معنا راكر مصدر إلهامه عبر سرد قصص معبّرة تارة وتقديم أداء موسيقي تارة أخرى...ومن المؤكد أنه لا يتّبع نفس الأسلوب الكلاسيكي للعازف والمؤلف باخ.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(Celloالتشيلو musicموسيقى)
0
1568
3033
(عزف التشيللو)
01:03
(Musicموسيقى endsنهايات)
1
51012
4880
(نهاية العزف)
01:09
On the flightطيران here,
2
57373
2378
أثناء قدومي إلى هنا،
01:13
I was remindedذكر about my momأمي.
3
61071
1722
تذكّرت أمّي.
لم أحضر أبدًا دروسًا لتعلّم عزف التشيللو
بل تمرّنت بمفردي.
01:15
I'm a self-taughtالعصاميين cellistعازف التشيلو,
I've never had a lessonدرس.
4
63437
2632
01:18
I studiedدرس doubleمزدوج bassصوت عميق, but I just
pickedالتقطت up the celloالتشيلو and startedبدأت playingتلعب
5
66093
3576
في البداية تعلمت العزف على الكمان الأجهر
لكن انتهى بي المطاف باختيار التشيللو
01:21
because I love doing it.
6
69693
1190
بسبب شغفي الكبير به.
01:22
But my momأمي was an inspirationوحي to me.
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1786
لقد كانت أمّي مصدر إلهام لي،
01:24
I did not realizeأدرك she was an inspirationوحي,
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ولم أدرك ذلك أبدًا،
01:26
because she got her musicموسيقى degreeالدرجة العلمية
throughعبر a mail-orderالبريد النظام courseدورة,
9
74805
4129
لأنها حصلت على شهادة الموسيقى
بحضور درس كان يُرسل لها عبر البريد،
من قبل المدرسة الأمريكية للموسيقى.
01:30
the US Schoolمدرسة of Musicموسيقى.
10
78958
1468
01:32
While raisingمقوي two kidsأطفال,
11
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أثناء اعتنائها بطفليها،
01:34
she receivedتم الاستلام a lessonدرس a weekأسبوع in the mailبريد,
12
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كانت تستلم درسًا في الأسبوع عبر البريد،
01:37
and practicedتمارس.
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وتتدرَّب على العزف.
01:39
And at the endالنهاية of a coupleزوجان of yearsسنوات,
she put on a recitalالحيثيه.
14
87165
3562
هكذا تمكنت من تقديم أداء موسيقيّ
بعد سنوات معدودة.
01:42
And I'll be 50 this monthشهر,
and it tookأخذ me that long to realizeأدرك
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4023
سيصبح عمري 50 عامًا في هذا الشهر
وقد أمضيت كل تلك المدة لإدراك حقيقة
أن أمي كانت مصدر إلهامي
طوال كل تلك السنين.
01:46
that she was that bigكبير of an inspirationوحي.
16
94799
1920
01:49
I'm just going to keep --
yeah, thanksشكر, momأمي.
17
97357
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سأواصل العزف بدون توقف...
أجل، شكرًا أمّي.
01:52
(Applauseتصفيق)
18
100060
6188
(تصفيق)
01:58
She's alsoأيضا one of the mostعظم
extraordinaryاستثنائي people I know,
19
106532
2660
هي أيضًا من أعظم الأشخاص الذين أعرفهم،
02:01
beyondوراء beingيجرى a wonderfulرائع musicianموسيقي او عازف.
20
109217
2268
فضلًا عن كونها موسيقية مُبهرة.
02:03
I want to playلعب a little bitقليلا for momأمي
and your momsالامهات as well, actuallyفعلا.
21
111913
3309
أريد أن أعزف قليلًا من أجل أمّي
و كل أمّهاتكم كذلك.
02:07
(Celloالتشيلو musicموسيقى)
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115968
2752
(عزف التشيللو)
02:22
(Musicموسيقى endsنهايات)
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2076
(انتهاء الموسيقى)
02:24
You know, when you normallyبشكل طبيعي
hearسمع a celloالتشيلو, you think of this.
24
132307
2889
في العادة عند سماع عزف
التشيللو يخطر على بالكم هذا.
02:27
(Playsيلعب Bachحياة العزاب Celloالتشيلو Suiteجناح No.1)
25
135221
2524
(يعزف معزوفة التشيللو رقم 1 للعازف باخ)
02:29
We're not going to do that todayاليوم.
26
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2201
في الواقع لن نعزف بهذا الشكل اليوم.
02:31
(Laughterضحك and applauseتصفيق)
27
139996
3083
(ضحك وتصفيق)
02:35
(Drumsطبول)
28
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2976
(طبول)
02:41
(Celloالتشيلو)
29
149684
2000
(تشيللو)
02:46
Hey!
30
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أجل!
02:48
(Loopedيحلق samplesعينات of onstageعلى المسرح soundsاصوات)
31
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(مقاطع متكرّرة من أصوات المسرح)
03:05
(Celloالتشيلو musicموسيقى and loopedيحلق samplesعينات)
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(عزف التشيللو ومقاطع متكرّرة)
03:54
(Musicموسيقى endsنهايات)
33
222911
2000
(انتهاء الموسيقى)
03:57
(Applauseتصفيق and cheersفي صحتك)
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225805
6961
(تصفيق وهتاف)
Translated by sheyma Boutar
Reviewed by Fatima Zahra El Hafa

▲Back to top

ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com

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