ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Come mia madre ha ispirato il mio approccio al violoncello

Filmed:
387,890 views

L'artista multidisciplinare e TED Fellow Paul Rucker ha sviluppato uno stile personale nel suonare il violoncello: mette bacchette in mezzo alle corde, usa lo strumento come un tamburo e sperimenta con l'elettronica, come ad esempio con i pedali loop. Spaziando tra narrazione riflessiva ed esibizione, Rucker condivide la sua ispirazione e, sicuramente, non suona il solito vecchio Bach.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

(Musica di violoncello)
00:13
(CelloVioloncello musicmusica)
0
1568
3033
01:03
(MusicMusica endsestremità)
1
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(La musica finisce)
Sul volo per venire qui,
01:09
On the flightvolo here,
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01:13
I was remindedha ricordato about my mommamma.
3
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ho pensato alla mia mamma.
Sono un violoncellista autodidatta,
non ho mai preso lezioni.
01:15
I'm a self-taughtautodidatta cellistvioloncellista,
I've never had a lessonlezione.
4
63437
2632
Ho studiato contrabbasso, poi ho preso
il violoncello e ho iniziato a suonarlo
01:18
I studiedstudiato doubleraddoppiare bassbasso, but I just
pickedraccolto up the cellovioloncello and startediniziato playinggiocando
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66093
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perché amo farlo.
01:21
because I love doing it.
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E la mia mamma è stata un'ispirazione.
01:22
But my mommamma was an inspirationispirazione to me.
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Non capivo quanto mi ispirasse,
01:24
I did not realizerendersi conto she was an inspirationispirazione,
8
72717
2064
01:26
because she got her musicmusica degreegrado
throughattraverso a mail-orderordine di posta coursecorso,
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perché aveva preso il diploma
di musica per corrispondenza
01:30
the US SchoolScuola of MusicMusica.
10
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con la US School of Music.
Mentre cresceva due figli,
01:32
While raisingraccolta two kidsbambini,
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01:34
she receivedricevuto a lessonlezione a weeksettimana in the mailposta,
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riceveva una lezione a settimana per posta
e provava.
01:37
and practicedpraticato.
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1151
01:39
And at the endfine of a couplecoppia of yearsanni,
she put on a recitalConsiderando.
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E dopo un paio d'anni,
organizzò un'esibizione.
Compio 50 anni questo mese
e ci ho messo tanto a capire
01:42
And I'll be 50 this monthmese,
and it tookha preso me that long to realizerendersi conto
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che è stata una grande ispirazione.
01:46
that she was that biggrande of an inspirationispirazione.
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1920
01:49
I'm just going to keep --
yeah, thanksGrazie, mommamma.
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Continuerò a... sì, grazie mamma.
01:52
(ApplauseApplausi)
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(Applausi)
01:58
She's alsoanche one of the mostmaggior parte
extraordinarystraordinario people I know,
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È una delle persone
più straordinarie che conosco,
oltre a essere una strepitosa musicista.
02:01
beyondal di là beingessere a wonderfulmeraviglioso musicianmusicista.
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02:03
I want to playgiocare a little bitpo for mommamma
and your momsmamme as well, actuallyin realtà.
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Voglio suonare un po' per la mia mamma
e anche per le vostre mamme.
02:07
(CelloVioloncello musicmusica)
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(Musica di violoncello)
02:22
(MusicMusica endsestremità)
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2076
(La musica finisce)
02:24
You know, when you normallynormalmente
hearsentire a cellovioloncello, you think of this.
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Quando si sente un violoncello,
di solito si pensa a questo.
02:27
(PlaysGioca BachBach CelloVioloncello SuiteSuite No.1)
25
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(Suite per violoncello n.1 di Bach)
Ma oggi non la suoneremo.
02:29
We're not going to do that todayoggi.
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(Risate e applausi)
02:31
(LaughterRisate and applauseapplausi)
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02:35
(DrumsBatteria)
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(Tambureggia sul violoncello)
02:41
(CelloVioloncello)
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(Violoncello)
02:46
Hey!
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Ehi!
02:48
(LoopedLoop samplescampioni of onstagesul palco soundssuoni)
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(Loop di suoni dal vivo)
03:05
(CelloVioloncello musicmusica and loopedin loop samplescampioni)
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(Violoncello e loop)
03:54
(MusicMusica endsestremità)
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2000
(La musica finisce)
03:57
(ApplauseApplausi and cheersCheers)
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(Applausi e acclamazioni)
Translated by Elisabetta Siagri
Reviewed by Sara Frasconi

▲Back to top

ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com

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