ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Hoe mijn moeder mijn benadering van de cello inspireerde

Filmed:
387,890 views

Multidisciplinair kunstenaar en TED-fellow Paul Rucker heeft zijn eigen stijl op de cello ontwikkeld; hij plaatst eetstokjes tussen zijn snaren, gebruikt het instrument als een trommel en experimenteert met elektronica zoals looperpedalen. Tussen het mijmerende vertellen en de performance in, deelt Rucker zijn inspiratie -- en speelt hij zeker niet weer dezelfde oude Bach.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloCello musicmuziek-)
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(Cello-muziek)
01:03
(MusicMuziek endsloopt af)
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(Muziek eindigt)
01:09
On the flightvlucht here,
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Tijdens de vlucht naar hier
01:13
I was remindedherinnerde about my mommam.
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1722
moest ik aan mijn moeder denken.
Ik ben een autodidact cellist,
ik heb nooit les gevolgd.
01:15
I'm a self-taughtautodidact cellistcellist,
I've never had a lessonles.
4
63437
2632
01:18
I studiedbestudeerd doubledubbele bassBass, but I just
pickeduitgekozen up the cellocello and startedbegonnen playingspelen
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Ik studeerde contrabas,
maar ik pakte de cello op
en begon te spelen, want ik hou ervan.
01:21
because I love doing it.
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Maar mijn moeder
was een inspiratie voor mij.
01:22
But my mommam was an inspirationinspiratie to me.
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01:24
I did not realizerealiseren she was an inspirationinspiratie,
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Ik besefte dat niet,
01:26
because she got her musicmuziek- degreemate
throughdoor a mail-ordermail-order courseCursus,
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omdat ze haar muziekdiploma behaalde
door een afstandscursus,
01:30
the US SchoolSchool of MusicMuziek.
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de US School of Music.
01:32
While raisingverheffing two kidskinderen,
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Terwijl ze twee kinderen grootbracht,
01:34
she receivedontvangen a lessonles a weekweek in the mailmail,
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kreeg ze één les per week via de post,
01:37
and practicedgeoefend.
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en oefende ze.
01:39
And at the endeinde of a couplepaar of yearsjaar,
she put on a recitalOverweging.
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En na een paar jaar hield ze een recital.
01:42
And I'll be 50 this monthmaand,
and it tooknam me that long to realizerealiseren
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Ik word deze maand 50 --
zo lang duurde het om te beseffen
dat ze me zo erg inspireert.
01:46
that she was that biggroot of an inspirationinspiratie.
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1920
01:49
I'm just going to keep --
yeah, thanksbedankt, mommam.
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Ik ga het daarop houden --
bedankt, moeder.
01:52
(ApplauseApplaus)
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(Applaus)
Ze is ook een van de meest
bijzondere mensen die ik ken,
01:58
She's alsoook one of the mostmeest
extraordinarybuitengewoon people I know,
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02:01
beyondvoorbij beingwezen a wonderfulprachtig musicianmusicus.
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los van haar muzikale talent.
02:03
I want to playspelen a little bitbeetje for mommam
and your momsmoeders as well, actuallywerkelijk.
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Ik wil iets spelen voor mijn moeder
en ook voor jullie moeders.
02:07
(CelloCello musicmuziek-)
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(Cello-muziek)
02:22
(MusicMuziek endsloopt af)
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(Muziek eindigt)
02:24
You know, when you normallynormaal
hearhoren a cellocello, you think of this.
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Meestal als je een cello hoort,
denk je aan dit.
02:27
(PlaysSpeelt BachBach CelloCello SuiteSuite No.1)
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(Speelt Bach Cello Suite No.1)
02:29
We're not going to do that todayvandaag.
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Dat gaan we vandaag niet doen.
02:31
(LaughterGelach and applauseapplaus)
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(Gelach en applaus)
02:35
(DrumsDrums)
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(Drums)
02:41
(CelloCello)
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(Cello)
02:46
Hey!
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Hallo!
02:48
(LoopedLus samplessamples of onstageop het podium soundsklanken)
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(Herhaalde geluidsfragmenten)
03:05
(CelloCello musicmuziek- and loopedlus samplessamples)
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(Muziek van cello
en herhaalde geluidsfragmenten)
03:54
(MusicMuziek endsloopt af)
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(Muziek eindigt)
03:57
(ApplauseApplaus and cheersCheers)
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(Applaus)
(Gejuich)
Translated by Rik Delaet
Reviewed by Bieke Van Gelder

▲Back to top

ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com

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