ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com
TEDGlobal 2017

Thandiswa Mazwai: "Iyeza" / "Zabalaza"

Thandiswa Mazwai: „Iyeza“ / „Zabalaza“

Filmed:
204,387 views

Die selbsternannte wilde Frau und rebellische Sängerin Thandiswa Mazwai rockt die TED-Bühne mit einer elektrisierenden Vorführung ihrer beiden Lieder: „Iyeza“ und „Zabalaza“.
- Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation. Full bio

Double-click the English transcript below to play the video.

00:12
(MusicMusik)
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(Musik)
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(VocalizingVocalizing)
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(Lautgesang)
00:41
NdicelaNdicela iyezaiyeza
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Ndicela iyeza
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lokuhlambalokuhlamba
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lokuhlamba
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ndisusendisuse iinkathazoiinkathazo.
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ndisuse iinkathazo.
00:51
NdicelaNdicela iyezaiyeza
5
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Ndicela iyeza
00:54
lokuhlambalokuhlamba
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lokuhlamba
00:56
ndikhuphendikhuphe iinkathazoiinkathazo.
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ndikhuphe iinkathazo.
01:00
(VocalizingVocalizing)
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(Lautgesang)
01:05
(ImprovisingImprovisieren)
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(Improvisation)
01:19
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
01:24
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
01:29
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
01:33
ThongoThongo lamLam vumaVuma.
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Thongo lam vuma.
01:38
NdicelaNdicela iyezaiyeza
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Ndicela iyeza
01:41
lokuhlambalokuhlamba
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lokuhlamba
01:43
ndisusendisuse iinkathazoiinkathazo
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ndisuse iinkathazo
01:47
ndicelandicela iyezaiyeza
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ndicela iyeza
01:49
iyezaiyeza lokughabhalokughabha
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iyeza lokughabha
01:52
ndisusendisuse iinkathazoiinkathazo
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ndisuse iinkathazo
01:56
ndicelandicela iyezaiyeza
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ndicela iyeza
01:59
lokuhlambalokuhlamba
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2336
lokuhlamba
02:02
ndisusendisuse iinkathazoiinkathazo.
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110240
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ndisuse iinkathazo.
02:06
(VocalizingVocalizing)
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(Lautgesang)
02:15
ThongoThongo lamLam vumaVuma,
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123120
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Thongo lam vuma,
02:19
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:24
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:28
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:32
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:35
LamLam vumaVuma,
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Lam vuma,
02:37
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:40
LamLam vumaVuma,
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Lam vuma,
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ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:44
LamLam vumaVuma,
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Lam vuma,
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ThongoThongo lamLam vumaVuma,
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Thongo lam vuma,
02:48
LamLam vumaVuma, lamLam vumaVuma.
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Lam vuma, lam vuma,
02:50
(ImprovisingImprovisieren)
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(Improvisation)
(Musik endet)
04:04
(MusicMusik endsendet)
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04:06
(ApplauseApplaus)
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(Applaus)
Thandiswa Mazwai:
Hallo alle zusammen.
04:16
ThandiswaThandiswa MazwaiMazwai: HelloHallo everybodyjeder.
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04:18
Thank you so much for havingmit us here.
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Danke, dass wir hier
für euch spielen dürfen.
04:21
My nameName is ThandiswaThandiswa MazwaiMazwai.
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Ich heiße Thandiswa Mazwai.
04:24
I am a wildwild womanFrau,
a rebelRebell singerSänger, a conduitLeitung.
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Ich bin eine wilde Frau,
eine rebellische Sängerin.
04:31
My musicMusik- is about memoryErinnerung
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1937
Meine Musik erzählt von Erinnerung
04:33
and strugglingkämpfend betweenzwischen
oppresionoppresion and freedomFreiheit.
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und dem Kampf zwischen
Unterdrückung und Freiheit.
04:40
After over 20 yearsJahre in SouthSüden AfricaAfrika
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Nach 20 Jahren sind wir in Südafrika
04:43
we find ourselvesuns selbst as the blackschwarz massesMassen
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noch immer in den Massen der Schwarzen,
04:48
still sufferingLeiden and fightingKampf
for our freedomFreiheit and humanityMenschheit.
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im Kampf für Freiheit und Humanität.
04:53
This first songLied was callednamens "IyezaIyeza"
whichwelche meansmeint "medicineMedizin."
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Das erste Lied heißt „Iyeza“,
das bedeutet „Medizin“.
04:59
MedicineMedizin for our madnessWahnsinn,
medicineMedizin for our rageRage.
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Medizin für unseren Wahnsinn,
Medizine für unsere Wut.
05:04
This songLied we're doing now
is callednamens "ZabalazaZabalaza,"
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Das nächste Lied heißt „Zabalaza“,
das bedeutet „Rebell“.
05:08
and it meansmeint "rebelRebell."
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05:11
I'd like to dedicatewidmen this to the valiantValiant
studentSchüler movementBewegung in SouthSüden AfricaAfrika
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Ich möchte es der tapferen
Studentenbewegung in Südafrika widmen,
die #FeesMustFall initiierten.
05:16
who camekam up with the #FeesMustFallFeesMustFall.
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05:18
(ApplauseApplaus)
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(Applaus)
05:19
RhodesRhodos MustMuss FallHerbst.
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#RhodesMustFall.
05:21
(ApplauseApplaus)
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(Applaus)
05:23
But more importantlywichtig,
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Aber vor allem
05:24
the newneu vigorVigor that has been broughtgebracht
into the feministFeminist movementBewegung
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muss diese Kraft auch
der feministischen Bewegung zufließen,
05:28
so patriarchyPatriarchat mustsollen fallfallen.
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das Patriarchat muss stürzen.
05:32
(ApplauseApplaus)
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(Applaus)
05:36
(MusicMusik)
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(Musik)
05:44
GogoGogo bek'Bek " umthwaloumthwalo
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Gogo bek' umthwalo
05:50
Kunin'Kunin " uhluphekauhlupheka?
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Kunin' uhlupheka?
05:56
Little ghettoGhetto childKind
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Kleines Ghettokind,
06:01
UngazibulaliUngazibulali sanaSana
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ungazibulali sana.
06:09
Oh ...
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Oh ...
06:17
If you take my handHand,
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wenn Du meine Hand nimmst,
06:23
I'll showShow you
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werde ich Dir zeigen,
06:26
how to be freefrei.
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wie man frei ist.
06:30
Ayifanelang'Ayifanelang " ub'UB " iyenzekaiyenzeka lentoLento
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Ayifanelang' ub' iyenzeka lento
06:37
EmziniEmzini kabawokabawo
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Emzini kabawo
06:43
kungekunge kudalakudala
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kunge kudala
06:49
SizozabalazaSizozabalaza.
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Sizozabalaza.
06:52
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
06:54
ZabalazaZabalaza.
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Zabalaza.
06:58
SizozabalazaSizozabalaza.
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Sizozabalaza.
07:01
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:06
ZabalazaZabalaza.
78
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Zabalaza.
07:11
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:14
ZabalazaZabalaza.
80
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Zabalaza.
07:18
ZabalazaZabalaza.
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Zabalaza.
07:20
ZabalazaZabalaza.
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Zabalaza.
07:24
ZabalazaZabalaza.
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Zabalaza.
07:28
(VocalizingVocalizing)
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(Lautgesang)
08:07
(ImprovisingImprovisieren)
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(Improvisation)
08:53
It's my people in SowetoSoweto,
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Es ist mein Volk in Soweto,
08:58
my people in MozambiqueMosambik,
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mein Volk in Mosambik,
09:03
my people in SenegalSenegal.
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mein Volk im Senegal.
09:07
These are my people in the ghettosGhettos.
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Dies ist mein Volk in den Ghettos.
10:12
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
10:15
ZabalazaZabalaza.
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Zabalaza.
10:20
ZabalazaZabalaza.
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Zabalaza.
10:36
(MusicMusik endsendet)
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(Musik endet)
10:37
(ApplauseApplaus)
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(Applaus)
10:40
(CheeringJubeln)
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(Jubelrufe)
10:43
Thank you very much.
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Vielen Dank.
10:44
(ApplauseApplaus)
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(Applaus)
Translated by Sebastian Schumacher
Reviewed by Sonja Maria Neef

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ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com

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