ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com
TEDGlobal 2017

Thandiswa Mazwai: "Iyeza" / "Zabalaza"

Thandiswa Mazwai: "Iyeza" y "Zabalaza"

Filmed:
204,387 views

Autodefinida como mujer salvaje y cantante rebelde, Thandiswa Mazwai hace vibrar el escenario de TED con la estremecedora interpretación de dos canciones: "Iyeza" y "Zabalaza".
- Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation. Full bio

Double-click the English transcript below to play the video.

00:12
(MusicMúsica)
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(Música)
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(VocalizingVocalizar)
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(Vocalización)
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NdicelaNdicela iyezaiyeza
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Ndicela iyeza
00:44
lokuhlambalokuhlamba
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lokuhlamba
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ndisusendisuse iinkathazoiinkathazo.
4
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ndisuse iinkathazo.
00:51
NdicelaNdicela iyezaiyeza
5
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Ndicela iyeza
00:54
lokuhlambalokuhlamba
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lokuhlamba
00:56
ndikhuphendikhuphe iinkathazoiinkathazo.
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ndikhuphe iinkathazo.
01:00
(VocalizingVocalizar)
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(Vocalización)
01:05
(ImprovisingImprovisando)
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(Improvisación)
01:19
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
01:24
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
01:29
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
01:33
ThongoThongo lamde la fuga vumaVuma.
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Thongo lam vuma.
01:38
NdicelaNdicela iyezaiyeza
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Ndicela iyeza
01:41
lokuhlambalokuhlamba
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lokuhlamba
01:43
ndisusendisuse iinkathazoiinkathazo
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ndisuse iinkathazo
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ndicelandicela iyezaiyeza
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ndicela iyeza
01:49
iyezaiyeza lokughabhalokughabha
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iyeza lokughabha
01:52
ndisusendisuse iinkathazoiinkathazo
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ndisuse iinkathazo
01:56
ndicelandicela iyezaiyeza
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ndicela iyeza
01:59
lokuhlambalokuhlamba
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lokuhlamba
02:02
ndisusendisuse iinkathazoiinkathazo.
22
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ndisuse iinkathazo.
02:06
(VocalizingVocalizar)
23
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3760
(Vocalización)
02:15
ThongoThongo lamde la fuga vumaVuma,
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123120
4416
Thongo lam vuma
02:19
ThongoThongo lamde la fuga vumaVuma,
25
127560
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Thongo lam vuma
02:24
ThongoThongo lamde la fuga vumaVuma,
26
132000
3440
Thongo lam vuma
02:28
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma
02:32
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma
02:35
LamDe la fuga vumaVuma,
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Lam vuma,
02:37
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
02:40
LamDe la fuga vumaVuma,
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Lam vuma,
02:41
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
02:44
LamDe la fuga vumaVuma,
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Lam vuma,
02:46
ThongoThongo lamde la fuga vumaVuma,
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Thongo lam vuma,
02:48
LamDe la fuga vumaVuma, lamde la fuga vumaVuma.
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Lam vuma, lam vuma,
02:50
(ImprovisingImprovisando)
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(Improvisación)
04:04
(MusicMúsica endstermina)
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(Fin de la música)
04:06
(ApplauseAplausos)
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(Aplausos)
04:16
ThandiswaThandiswa MazwaiMazwai: HelloHola everybodytodos.
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Thandiswa Mazwai: Hola a todos.
04:18
Thank you so much for havingteniendo us here.
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Gracias por la invitación.
04:21
My namenombre is ThandiswaThandiswa MazwaiMazwai.
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Me llamo Thandiswa Mazwai.
04:24
I am a wildsalvaje womanmujer,
a rebelrebelde singercantante, a conduitconducto.
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Soy una mujer salvaje, cantante
rebelde, una intermediaria.
04:31
My musicmúsica is about memorymemoria
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Mi música es sobre la memoria
04:33
and strugglingluchando betweenEntre
oppresionagobio and freedomlibertad.
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y la lucha entre
la opresión y la libertad.
04:40
After over 20 yearsaños in SouthSur AfricaÁfrica
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En Sudáfrica, después de 20 años,
04:43
we find ourselvesNosotros mismos as the blacknegro massesmasas
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nosotros, la inmensa la población negra,
04:48
still sufferingsufrimiento and fightinglucha
for our freedomlibertad and humanityhumanidad.
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aún seguimos sufriendo y luchando
por nuestra libertad y humanidad.
04:53
This first songcanción was calledllamado "IyezaIyeza"
whichcual meansmedio "medicinemedicina."
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La primera canción fue "Iyeza",
que significa "medicina".
04:59
MedicineMedicina for our madnessLocura,
medicinemedicina for our ragerabia.
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Medicina para nuestra locura,
medicina para nuestra ira.
05:04
This songcanción we're doing now
is calledllamado "ZabalazaZabalaza,"
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La canción que interpretaremos
ahora se llama "Zabalaza",
05:08
and it meansmedio "rebelrebelde."
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que significa "rebeldía".
05:11
I'd like to dedicatededicar this to the valiantvaliente
studentestudiante movementmovimiento in SouthSur AfricaÁfrica
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Quisiera dedicarla al valiente
movimiento estudiantil de Sudáfrica
05:16
who camevino up with the #FeesMustFallFeesMustFall.
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que protestó contra
el alza de colegiaturas
05:18
(ApplauseAplausos)
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(Aplausos)
05:19
RhodesRodas MustDebe FallOtoño.
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y la remoción de la estatua de Rhodes.
05:21
(ApplauseAplausos)
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(Aplausos)
05:23
But more importantlyen tono rimbombante,
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Pero lo más importante
05:24
the newnuevo vigorvigor that has been broughttrajo
into the feministfeminista movementmovimiento
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es la nueva fuerza que cobró
el movimiento feminista.
05:28
so patriarchypatriarcado mustdebe fallotoño.
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Por eso, abajo el patriarcado.
05:32
(ApplauseAplausos)
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(Aplausos)
05:36
(MusicMúsica)
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(Música)
05:44
GogoGogo bek'Bek' umthwaloumthwalo
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Gogo bek' umthwalo
05:50
Kunin'Kunin' uhluphekauhlupheka?
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Kunin' uhlupheka?
05:56
Little ghettoghetto childniño
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Niñito del gueto
06:01
UngazibulaliUngazibulali sanasana
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Ungazibulali sana
06:09
Oh ...
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Oh...
06:17
If you take my handmano,
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Si tomas mi mano,
06:23
I'll showespectáculo you
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te mostraré
06:26
how to be freegratis.
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cómo ser libre.
06:30
Ayifanelang'Ayifanelang' ub'UB' iyenzekaiyenzeka lentolento
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Ayifanelang' ub' iyenzeka lento
06:37
EmziniEmzini kabawokabawo
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Emzini kabawo
06:43
kungekunge kudalakudala
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kunge kudala
06:49
SizozabalazaSizozabalaza.
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Sizozabalaza.
06:52
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
06:54
ZabalazaZabalaza.
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Zabalaza.
06:58
SizozabalazaSizozabalaza.
76
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Sizozabalaza.
07:01
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:06
ZabalazaZabalaza.
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Zabalaza.
07:11
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:14
ZabalazaZabalaza.
80
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Zabalaza.
07:18
ZabalazaZabalaza.
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Zabalaza.
07:20
ZabalazaZabalaza.
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Zabalaza.
07:24
ZabalazaZabalaza.
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Zabalaza.
07:28
(VocalizingVocalizar)
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(Vocalización)
08:07
(ImprovisingImprovisando)
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(Improvisación)
08:53
It's my people in SowetoSoweto,
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Es mi gente de Soweto,
08:58
my people in MozambiqueMozambique,
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mi gente de Mozambique,
09:03
my people in SenegalSenegal.
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mi gente de Senegal.
09:07
These are my people in the ghettosguetos.
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Esta es mi gente de los guetos.
10:12
ZabalazaZabalaza, zabalazazabalaza.
90
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Zabalaza, zabalaza.
10:15
ZabalazaZabalaza.
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Zabalaza.
10:20
ZabalazaZabalaza.
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Zabalaza.
10:36
(MusicMúsica endstermina)
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(Fin de la música)
10:37
(ApplauseAplausos)
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(Aplausos)
10:40
(CheeringAplausos)
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(Ovación)
10:43
Thank you very much.
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Muchas gracias.
10:44
(ApplauseAplausos)
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(Aplausos)
Translated by Paula Motter
Reviewed by Claudia Viveros

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ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com

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