Michael Bierut: The genius of the London Tube Map
Μάικλ Μπιέρουτ: Η μεγαλοφυΐα του χάρτη του Υπογείου του Λονδίνου
Michael Bierut is a partner in the New York office of Pentagram, a founder of Design Observer and a teacher at Yale School of Art and Yale School of Management. Full bio
Double-click the English transcript below to play the video.
in some ways, is a history of maps:
τρόπους, είναι μια ιστορία χαρτών:
the world around us?
because it really isn't a map at all.
λειτουργεί επειδή δεν είναι καν χάρτης.
the London Tube Map]
του Μετρό του Λονδίνου]
came together in 1908,
σιδηροδρομικές εταιρίες συγχωνεύθηκαν
independent railways merged
να αντιπροσωπεύει το σύστημα,
bodies of water, trees and parks --
υδατικά συστήματα, δέντρα και πάρκα --
at the center of the map,
στο κέντρο του χάρτη,
that couldn't even fit on the map.
που δεν χωρούσαν καν στον χάρτη.
αλλά ίσως όχι και τόσο χρήσιμος.
but maybe not so useful.
engineering draftsman
σχεδιαστής μηχανικής
for the London Underground.
για τον Υπόγειο του Λονδίνου.
riding underground in trains
ταξίδευε υπόγεια στα τρένα
what's happening aboveground.
για το τι συνέβαινε από πάνω.
from station to station --
από τον ένα σταθμό στον άλλον --
not the geography.
όχι η γεωγραφία.
mess of spaghetti,
χάος από μακαρόνια,
σε τρεις κατευθύνσεις:
or they're 45 degrees.
ανάμεσα στους σταθμός ίδια,
correspond to the color of the line,
να αντιστοιχεί στο χρώμα της γραμμής,
so that it's not really a map anymore.
ώστε να μην είναι πια ένας χάρτης.
isn't wires conducting electrons,
καλώδια που φέρουν ηλεκτρόνια,
conducting people from place to place.
τον κόσμο από το ένα μέρος στο άλλο.
to give Harry Beck's map a try.
στον χάρτη του Χάρι Μπεκ.
τέτοιους χάρτες, σε μέγεθος τσέπης.
of a thousand of these maps, pocket-size.
που βλέπετε σήμερα.
τους χάρτες του μετρό σήμερα.
Sydney, Washington, D.C. --
Σίντνεϊ, Ουάσινγκτον Π.Κ. --
την πολύπλοκη γεωγραφία
to distinguish between lines,
χρώματα για να ξεχωρίσουν τις γραμμές,
to distinguish between types of stations.
για να ξεχωρίσουν τους τύπους σταθμών.
of a universal language, seemingly.
κομμάτι μιας καθολικής γλώσσας.
what a user interface was,
δεν ήξερε τι ήταν μια διεπαφή χρήστη,
and broke it down to three principles
και την έσπασε σε τρεις αρχές
σε σχεδόν κάθε σχεδιαστικό πρόβλημα.
in nearly any design problem.
to deliver that need?
να εκπληρωθεί αυτή η ανάγκη;
that an electrical engineer
ότι ένας ηλεκτρολόγος μηχανικός
complicated systems in the world --
πολύπλοκα συστήματα στον κόσμο --
with a pencil and an idea.
με ένα μολύβι και μια ιδέα.
ABOUT THE SPEAKER
Michael Bierut - Designer, criticMichael Bierut is a partner in the New York office of Pentagram, a founder of Design Observer and a teacher at Yale School of Art and Yale School of Management.
Why you should listen
Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning, graduating summa cum laude in 1980. Prior to joining Pentagram in 1990 as a partner in the firm's New York office, he worked for ten years at Vignelli Associates, ultimately as vice president of graphic design.
His projects at Pentagram have included work for the New York Times, Saks Fifth Avenue, The Cathedral of St. John the Divine, Harley-Davidson, The Museum of Arts and Design, Mastercard, the New York City Department of Transportation, the Robin Hood Foundation, Mohawk Paper Mills, New World Symphony, the New York Jets, the Brooklyn Academy of Music and MIT Media Lab. As a volunteer to Hillary for America, he created the ubiquitous H logo that was used throughout the 2016 presidential campaign.
He has won hundreds of design awards and his work is represented in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Musée des Arts Décoratifs, Montreal. He served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. Bierut was elected to the Alliance Graphique Internationale in 1989, to the Art Directors Club Hall of Fame in 2003, and was awarded the profession’s highest honor, the AIGA Medal, in 2006. In 2008, he was named winner in the Design Mind category of the Cooper-Hewitt National Design Awards. In spring 2016, Bierut was appointed the Henry Wolf Graphic Designer in Residence at the American Academy in Rome.
Bierut is a senior critic in graphic design at the Yale School of Art and a lecturer at the Yale School of Management. He writes frequently about design and is the co-editor of the five-volume series Looking Closer: Critical Writings on Graphic Design published by Allworth Press. In 2002, Bierut co-founded Design Observer, a blog of design and cultural criticism which now features podcasts on design, popular culture, and business.
Bierut's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. A monograph on his work, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world, was published in 2015 by Thames & Hudson and Harper Collins. This accompanied the first retrospective exhibition of his work, part of the School of Visual Art's Masters Series, which was on view at the SVA Chelsea Gallery in New York City for five weeks in autumn 2015. His next book, Now You See It, is due out from Princeton Architectural Press this fall.
Michael Bierut | Speaker | TED.com