Michael Bierut: The genius of the London Tube Map
Michael Bierut: Waarom de kaart van de metro in Londen geniaal is
Michael Bierut is a partner in the New York office of Pentagram, a founder of Design Observer and a teacher at Yale School of Art and Yale School of Management. Full bio
Double-click the English transcript below to play the video.
een geschiedenis van kaarten.
in some ways, is a history of maps:
the world around us?
om ons heen leren kennen?
because it really isn't a map at all.
omdat ze niet echt een kaart is.
the London Tube Map]
came together in 1908,
kwam in 1908 tot leven
spoorwegen gingen samenwerken
independent railways merged
bomen en parken op --
bodies of water, trees and parks --
in het midden van de kaart,
at the center of the map,
that couldn't even fit on the map.
die niet op de kaart pasten.
maar niet echt bruikbaar.
but maybe not so useful.
engineering draftsman
technische tekenaar
for the London Underground.
van Londen had gedaan.
riding underground in trains
die ondergronds in een trein rijden
what's happening aboveground.
naar het andere station komen --
from station to station --
not the geography.
niet de geografie.
mess of spaghetti,
knoeiboel van spaghetti
or they're 45 degrees.
of 45 graden.
de stations gelijkmatig
correspond to the color of the line,
die overeenkwam met de kleur van de lijn
so that it's not really a map anymore.
isn't wires conducting electrons,
die elektronen geleiden,
conducting people from place to place.
naar een andere plek brengen.
to give Harry Beck's map a try.
om Harry Beck's kaart uit te proberen.
of a thousand of these maps, pocket-size.
duizenden kaarten in pocketformaat.
dat ze iets goeds hadden.
die je tegenwoordig ziet.
kaarten voor de metro denken.
Sydney, Washington, D.C. --
Sydney, Washington D.C. --
geografie allemaal
to distinguish between lines,
kleuren voor verschillende lijnen,
to distinguish between types of stations.
verschillende stations te onderscheiden.
of a universal language, seemingly.
van een universele taal.
what a user interface was,
wat een gebruikersinterface was,
and broke it down to three principles
en bracht haar terug tot drie principes
kunnen worden toegepast.
in nearly any design problem.
to deliver that need?
om die behoefte te vervullen?
that an electrical engineer
dat een elektrotechnische ingenieur
gecompliceerde systemen ter wereld was.
complicated systems in the world --
met een potlood en een idee.
with a pencil and an idea.
ABOUT THE SPEAKER
Michael Bierut - Designer, criticMichael Bierut is a partner in the New York office of Pentagram, a founder of Design Observer and a teacher at Yale School of Art and Yale School of Management.
Why you should listen
Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning, graduating summa cum laude in 1980. Prior to joining Pentagram in 1990 as a partner in the firm's New York office, he worked for ten years at Vignelli Associates, ultimately as vice president of graphic design.
His projects at Pentagram have included work for the New York Times, Saks Fifth Avenue, The Cathedral of St. John the Divine, Harley-Davidson, The Museum of Arts and Design, Mastercard, the New York City Department of Transportation, the Robin Hood Foundation, Mohawk Paper Mills, New World Symphony, the New York Jets, the Brooklyn Academy of Music and MIT Media Lab. As a volunteer to Hillary for America, he created the ubiquitous H logo that was used throughout the 2016 presidential campaign.
He has won hundreds of design awards and his work is represented in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Musée des Arts Décoratifs, Montreal. He served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. Bierut was elected to the Alliance Graphique Internationale in 1989, to the Art Directors Club Hall of Fame in 2003, and was awarded the profession’s highest honor, the AIGA Medal, in 2006. In 2008, he was named winner in the Design Mind category of the Cooper-Hewitt National Design Awards. In spring 2016, Bierut was appointed the Henry Wolf Graphic Designer in Residence at the American Academy in Rome.
Bierut is a senior critic in graphic design at the Yale School of Art and a lecturer at the Yale School of Management. He writes frequently about design and is the co-editor of the five-volume series Looking Closer: Critical Writings on Graphic Design published by Allworth Press. In 2002, Bierut co-founded Design Observer, a blog of design and cultural criticism which now features podcasts on design, popular culture, and business.
Bierut's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. A monograph on his work, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world, was published in 2015 by Thames & Hudson and Harper Collins. This accompanied the first retrospective exhibition of his work, part of the School of Visual Art's Masters Series, which was on view at the SVA Chelsea Gallery in New York City for five weeks in autumn 2015. His next book, Now You See It, is due out from Princeton Architectural Press this fall.
Michael Bierut | Speaker | TED.com