Paul Rucker: The symbols of systemic racism -- and how to take away their power
Paul Rucker: I simboli del razzismo istituzionale – e come privarli del loro potere
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio
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Visione consigliata a un pubblico adulto]
to mark slaves as property.
per marchiare gli schiavi.
con le immagini dei linciaggi.
that attended these lynchings,
che partecipavano a questi linciaggi,
that portray black people as criminals
dove i neri sono descritti come criminali
per marchiare gli schiavi.
when they were marked.
non erano ancora schiavi.
were going to be slaves
my imagination when I was younger
la mia immaginazione da giovane
Ku Klux Klan rallies occasionally,
ho visto i loro raduni di tanto in tanto,
never really left my mind.
i ricordi di quegli eventi.
with that imagery until 25 years later.
con quei ricordi fino a 25 anni dopo.
I started researching the Klan,
ho iniziato a studiare il KKK,
had more than five million active members,
contava più di 5 milioni di membri attivi,
of the population at the time,
della popolazione dell'epoca,
of New York City at the time.
di New York all'epoca.
neighborhood of Georgia was so busy
a Buckhead in Georgia, era così attiva
to keep up with orders.
per poter evadere tutti gli ordini.
to keep up with the demand.
per stare dietro alle richieste.
and as an artist,
di artefatti e un artista
to be part of my collection,
nella mia collezione,
and objects tell stories,
raccontano delle storie,
that was really good quality.
a trovarne nessuno di buona qualità.
Klan robe that he's looking for?
del Ku Klux Klan di buona fattura?
the best quality Klan robes in America.
i migliori abiti del KKK in America.
you would see at any KKK rally.
che siete abituati a vedere ai raduni KKK.
satins and different patterns.
e diverse fantasie.
I make them for young kids
li ho fatti per i ragazzini,
the Klan had in place
che ha adottato il Ku Klux Klan
a hundred years ago
neighborhoods, workplaces,
e posti di lavori separati,
that are keeping these policies in place.
che tengono in vita queste politiche.
a lungo termine della schiavitù.
the long-term impact of slavery.
with the residue of systemic racism.
i residui del razzismo istituzionale,
of every single thing we do.
di tutto quello che facciamo.
segregated neighborhoods,
e scuole separati.
of minorities incarcerated.
etniche in carcere è elevatissimo.
We have police brutality.
e gli abusi di potere della polizia.
you're being discriminated against.
avere le prove di quello che succede.
in America is slavery.
in America è la schiavitù.
il capitale del capitalismo.
Nathan Bedford Forrest,
Nathan Bedford Forrest,
and a millionaire slave trader.
e un trafficante di schiavi milionario.
from chattel slavery --
dal possesso di schiavi,
would boggle the mind.
come beni, è inimmaginabile.
equalled 200 million dollars.
erano di 200 milioni di dollari.
five billion dollars today.
through generational wealth.
si vede ancora oggi
for the entire year.
alla settimana per un anno intero.
ho avuto un'epifania.
that white supremacy is there,
è ancora presente,
of white supremacy is not the KKK,
della supremazia bianca non è il KKK,
del razzismo istituzionale.
over me at all.
più potere su di me.
are part of our history,
che fanno parte della nostra storia,
no more power over us.
in cui non hanno più potere su di noi.
and acknowledge
e ammettiamo
of who we are as a country,
di chi siamo come nazione,
about the intentional segregation
quella segregazione
neighborhoods and workplaces.
nei quartieri e sui posti di lavoro.
can we actually address
potremo veramente affrontare
ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellistPaul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.
Why you should listen
Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.
His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.
Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy. In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.
Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.
Paul Rucker | Speaker | TED.com