Paul Rucker: The symbols of systemic racism -- and how to take away their power
Paul Rucker: Os símbolos do racismo sistêmico e como tirar o poder deles
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio
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Aconselhamos a discrição do telespectador]
to mark slaves as property.
escravos como propriedade.
that attended these lynchings,
que presenciavam esses linchamentos,
that portray black people as criminals
que retratam os negros como criminosos
ainda quando eram marcados.
when they were marked.
mas eram marcados com um "S"
were going to be slaves
quando fossem levados para os EUA
my imagination when I was younger
em minha mente quando eu era mais jovem
Ku Klux Klan rallies occasionally,
de vez em quando,
never really left my mind.
nunca saíram da minha cabeça.
with that imagery until 25 years later.
até 25 anos depois.
I started researching the Klan,
comecei a pesquisar o Klan,
had more than five million active members,
mais de 5 milhões de membros ativos,
of the population at the time,
of New York City at the time.
da cidade de Nova York na época.
neighborhood of Georgia was so busy
bairro da Geórgia, ficava tão ocupada
to keep up with orders.
para acompanhar os pedidos.
to keep up with the demand.
o tempo todo, para atender à demanda.
and as an artist,
to be part of my collection,
do Klan para minha coleção,
and objects tell stories,
contam histórias,
that was really good quality.
realmente de boa qualidade.
Klan robe that he's looking for?
uma veste do Klan de qualidade?
the best quality Klan robes in America.
do Klan de melhor qualidade dos EUA.
you would see at any KKK rally.
em qualquer encontro do KKK.
satins and different patterns.
cetim e padrões diferentes.
I make them for young kids
para crianças jovens e pequenas.
the Klan had in place
que o Klan havia estabelecido,
a hundred years ago
neighborhoods, workplaces,
bairros, locais de trabalho,
that are keeping these policies in place.
que mantêm essas políticas em prática.
the long-term impact of slavery.
a longo prazo da escravidão.
with the residue of systemic racism.
com o que restou do racismo sistêmico.
of every single thing we do.
segregated neighborhoods,
bairros, locais de trabalho e escolas.
of minorities incarcerated.
de minorias encarceradas.
We have police brutality.
temos brutalidade policial.
que estamos sendo discriminados.
you're being discriminated against.
ele fica em segurança,
in America is slavery.
nos EUA é a escravidão.
do capitalismo.
Nathan Bedford Forrest,
Nathan Bedford Forrest,
and a millionaire slave trader.
e negociante de escravos milionário.
from chattel slavery --
da escravidão de bens móveis,
would boggle the mind.
era surpreendente.
equalled 200 million dollars.
totalizavam US$ 200 milhões.
five billion dollars today.
through generational wealth.
por meio da riqueza de gerações.
for the entire year.
durante o ano inteiro.
tive uma revelação.
that white supremacy is there,
de que a supremacia branca está lá,
of white supremacy is not the KKK,
over me at all.
are part of our history,
fazem parte de nossa história,
no more power over us.
de não terem mais poder sobre nós.
and acknowledge
sistêmico e reconhecermos
of who we are as a country,
de quem somos como nação,
about the intentional segregation
sobre a segregação intencional
neighborhoods and workplaces.
bairros e locais de trabalho.
can we actually address
poderemos realmente abordar
legado de escravidão.
ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellistPaul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.
Why you should listen
Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.
His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.
Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy. In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.
Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.
Paul Rucker | Speaker | TED.com