Paul Rucker: The symbols of systemic racism -- and how to take away their power
Paul Rucker: Os símbolos do racismo sistémico — e como tirar-lhes o poder
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio
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Aconselhamos discrição aos espectadores]
to mark slaves as property.
marcavam escravos como propriedade.
that attended these lynchings,
que iam a esses linchamentos.
para correspondência.
that portray black people as criminals
que retratam negros como criminosos
quando eram marcados.
when they were marked.
were going to be slaves
a minha imaginação quando era mais jovem
my imagination when I was younger
Ku Klux Klan rallies occasionally,
ocasionalmente,
never really left my mind.
nunca deixaram a minha mente.
with that imagery until 25 years later.
senão 25 anos depois.
I started researching the Klan,
a pesquisar a Ku Klux Klan,
had more than five million active members,
mais de cinco milhões de membros ativos,
of the population at the time,
da cidade de Nova Iorque na época.
of New York City at the time.
Buckhead na Geórgia estava tão ocupada
neighborhood of Georgia was so busy
to keep up with orders.
para acompanhar os pedidos.
disponíveis para satisfazer a procura.
to keep up with the demand.
e enquanto artista,
and as an artist,
to be part of my collection,
para a minha coleção,
and objects tell stories,
e os objetos contam histórias,
that was really good quality.
que fosse de boa qualidade.
tem que fazer nos EUA
Klan robe that he's looking for?
da qualidade que procura?
the best quality Klan robes in America.
de melhor qualidade dos EUA.
da Ku Klux Klan
you would see at any KKK rally.
satins and different patterns.
cetins e diferentes padrões.
I make them for young kids
fi-las para miúdos,
estão a aprender a andar.
the Klan had in place
que a Klan implementava
a hundred years ago
nos bairros e nos locais de trabalho
neighborhoods, workplaces,
that are keeping these policies in place.
que continuam com essas políticas.
a longo prazo da escravatura.
the long-term impact of slavery.
com resíduos do racismo sistémico.
with the residue of systemic racism.
of every single thing we do.
segregated neighborhoods,
of minorities incarcerated.
de minorias encarceradas.
We have police brutality.
Temos brutalidade policial.
que estamos a ser discriminados.
you're being discriminated against.
in America is slavery.
nos EUA é a escravatura.
Nathan Bedford Forrest,
Nathan Bedford Forrest,
and a millionaire slave trader.
e um traficante de escravos milionário.
from chattel slavery --
com a escravatura de bens móveis
would boggle the mind.
surpreenderia a mente.
equalled 200 million dollars.
equivaleu a 200 milhões de dólares.
five billion dollars today.
a 5 mil milhões de dólares.
pode ser vista hoje
through generational wealth.
de geração em geração.
por semana, durante o ano inteiro.
for the entire year.
tive uma revelação.
that white supremacy is there,
de que há uma supremacia branca,
não é a Ku Klux Klan
of white supremacy is not the KKK,
over me at all.
nenhum poder sobre mim.
are part of our history,
fazem parte da nossa história,
no more power over us.
de eles já não terem poder sobre nós.
e reconhecermos
and acknowledge
de quem nós somos enquanto país,
of who we are as a country,
quanto à segregação intencional
about the intentional segregation
neighborhoods and workplaces.
e nos locais de trabalho.
can we actually address
podemos abordar
legado da escravatura.
ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellistPaul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.
Why you should listen
Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.
His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.
Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy. In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.
Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.
Paul Rucker | Speaker | TED.com