ABOUT THE SPEAKER
Elizabeth Streb - Action and hardware architect
Elizabeth Streb is an extreme action specialist who flies, crash-lands and invents hardware to get higher, faster, sooner, harder.

Why you should listen

Elizabeth Streb is known for her unique brand of movement, "Pop Action," which intertwines dance, athletics, boxing, rodeo, the circus, stunt work and the invention of action gizmos. In 1985, she founded STREB Extreme Action Company to push the limitations of the human body and, in 2003, she established SLAM (STREB Lab for Action Mechanics) in Brooklyn. For the 2012 London Olympic Games, the company was commissioned to create One Extraordinary Day, a series of events across the city that included dancers "bungee dancing" off Millennium Bridge and abseiling down City Hall. The 2016 film OXD, directed by Craig Lowy, follows these events. In 2017, STREB was commissioned by Bloomberg LLP to create a series of events to open the new corporate headquarters in London and to launch the CityLab Conference in Paris.

Streb is the recipient of numerous honors including a MacArthur Fellowship (1997) and a Guggenheim Fellowship (1987). She lectures regularly across the country and her book, STREB: How to Become an Extreme Action Hero, was published by Feminist Press in 2010. In 2014, Born to Fly: STREB vs. Gravity a documentary directed by Catherine Gund, premiered at Film Forum NYC, was aired on PBS and nominated for an Emmy. It is available on iTunes and Netflix. STREB's rehearsals at SLAM are always open to the public.

More profile about the speaker
Elizabeth Streb | Speaker | TED.com
TED2018

Elizabeth Streb: My quest to defy gravity and fly

Elizabeth Streb: Minha missão: desafiar a gravidade e voar

Filmed:
1,465,552 views

Ao longo de sua carreira destemida, a especialista em ação extrema Elizabeth Streb empurrou os limites do corpo humano. Ela pulou através de vidros quebrados, caiu de grandes alturas e construiu engenhocas para fornecer um impulso ao longo do caminho. Apoiada por imagens de seu trabalho, Streb reflete sobre sua busca ao longo da vida para desafiar a gravidade e voar da única maneira que um ser humano pode: dominando o pouso.
- Action and hardware architect
Elizabeth Streb is an extreme action specialist who flies, crash-lands and invents hardware to get higher, faster, sooner, harder. Full bio

Double-click the English transcript below to play the video.

00:13
Come on:
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Vamos lá…
00:15
Hasn't everyone here dreamt of flying?
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Alguém aqui nunca sonhou
que estava voando?
00:18
So why haven't humans flown yet?
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Então por que os humanos não voaram ainda?
00:23
I've been obsessed with
learning to fly my whole life.
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Estive obcecada por aprender a voar
durante toda a minha vida.
00:26
I grew up a feral, adopted child
on the northern shore of Lake Ontario,
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Cresci como uma criança adotiva e feroz
na costa norte do lago Ontário,
00:31
following my bricklayer/fisherman
father around.
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seguindo meu pai, um pedreiro
e pescador, por onde ele andava.
00:35
I was always fascinated
by things that moved,
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Sempre fui fascinada
por coisas que se moviam,
00:38
catching small animals,
holding them in my hands,
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pegando pequenos animais,
segurando-os em minhas mãos,
00:41
feeling the magic of their movement;
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sentindo a magia de seus movimentos;
00:44
playing with fire,
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brincando com fogo,
00:46
thrilled and terrified at
its unrelenting force,
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emocionada e aterrorizada
com sua força implacável,
00:49
accidentally burning
my father's barn down --
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queimando acidentalmente
o celeiro do meu pai...
00:53
just once.
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somente uma vez.
00:54
(Laughter)
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(Risos)
00:55
That was my first brush with real danger,
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Essa foi a primeira vez
que brinquei com o perigo.
00:58
the fire and my father.
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O fogo e meu pai.
01:01
When I was about eight or nine years old,
I caught a fly in a mason jar.
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Quando tinha entre oito e nove anos,
prendi uma mosca em um pote de vidro.
01:05
Studying that fly, I thought, "Wow,
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Estudando aquela mosca, pensei: "Nossa,
01:07
it's changing directions
in midair with acute angles,
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ela muda drasticamente
de direção em pleno ar,
01:11
and it's going so fast, it's a blur.
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ela é tão rápida, um borrão.
01:13
Why can't we do that? Can we?"
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Por que não podemos
fazer isso? Ou podemos?"
01:18
Everywhere I looked,
there were things moving.
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Para todo lugar que eu olhava,
havia coisas em movimento.
01:21
And these things moved
with their very own causal rhythms,
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E essas coisas se moviam
em seus próprios ritmos causais,
01:25
their very own mechanistic anatomies.
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com suas próprias anatomias mecanicistas.
01:28
It was clear to me -- and to Newton --
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Ficou claro para mim, e para Newton,
01:31
that things move based
on their component parts:
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que as coisas se movem com base
nas partes que as compõem:
01:34
worms squirmed, birds flew,
kangaroos hopped.
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vermes se contorcem,
pássaros voam, cangurus pulam.
01:37
And a human's first bout with flying
was falling accidentally, tripping,
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E a primeira tentativa de voo de um humano
foi caindo acidentalmente, tropeçando,
01:43
or slipping on that fabled banana peel.
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ou escorregando na famosa casca de banana.
01:46
Once your ground is dragged
out from under you,
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Quando o chão não está mais
embaixo de nós,
01:50
a world of wonder comes rushing in.
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um mundo de maravilhas surge.
01:54
I had found my territory.
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Eu tinha encontrado minha praia.
01:56
I was seized with a compulsion,
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Fui tomada por uma compulsão,
01:59
a primordial urge to learn how to fly,
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um desejo primordial de aprender a voar,
02:02
like a human.
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como um humano.
02:03
For the next 10 years,
I did my experiments alone,
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Nos próximos dez anos,
fiz meus experimentos sozinha,
02:06
on my own body.
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no meu próprio corpo.
02:08
I drove my Honda 350
across the United States
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Eu pilotava minha Honda 350
pelos Estados Unidos
02:11
in an "Easy Rider" kind of way.
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tipo "Sem Destino".
02:14
I got my degree in modern dance.
I mimicked that fly in the box.
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Me formei em dança moderna
e imitei aquela mosca no pote.
02:19
I dove horizontally through glass;
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Mergulhei horizontalmente
através do vidro;
02:21
on the way, I punched a hole in it.
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no caminho, fiz um buraco nele.
02:22
I was trying to figure out
something about flight.
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Eu estava tentando
descobrir algo sobre voo.
02:26
When I was 27 years old,
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Quando tinha 27 anos,
02:28
I found myself in a rat-infested
New York City loft,
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me vi em Nova York,
num sótão infestado de ratos,
02:32
getting ready to hurl myself off a ladder.
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me preparando para
me atirar de uma escada.
02:35
I climbed higher, higher, higher,
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Subi cada vez mais alto,
02:37
and I jumped.
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e então pulei.
02:38
Wham-o! I landed.
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Bam! Aterrissei.
02:41
That hurt.
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Aquilo doeu.
02:42
(Laughter)
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(Risos)
02:43
And it occurred to me that people
didn't really enjoy getting hurt,
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E me ocorreu que as pessoas
não gostavam muito de se machucar,
02:48
and that maybe the reason
that we weren't flying yet
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e talvez o motivo pelo qual
ainda não estivéssemos voando
02:51
is that we were still attached
to that false idea
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é que ainda estávamos
ligados a essa falsa ideia
02:54
that we would fly the way birds do,
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de que voaríamos como os pássaros
02:56
or butterflies.
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ou as borboletas.
02:58
Maybe we needed to assumption-bust,
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Talvez precisássemos de outras suposições,
03:02
to ask a different kind of question --
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fazer outro tipo de pergunta;
03:05
about duration, for instance.
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sobre a duração, por exemplo.
03:06
Humans in the air? A few seconds.
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Humanos no ar? Alguns segundos.
03:09
Birds and butterflies?
Minutes, maybe hours.
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Pássaros e borboletas?
Minutos, talvez horas.
03:14
And what about fear?
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E quanto ao medo?
03:16
I think fear is complex and personal.
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Acho que o medo é complexo e pessoal.
03:20
I really think it has to do with curiosity
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Eu realmente acho que tem
a ver com curiosidade
03:23
and not taking yourself so seriously.
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e com não se levar tão a sério.
03:26
We might need to get a little hurt,
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Talvez seja preciso se machucar um pouco,
03:29
just not too hurt.
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apenas não se machucar muito,
03:32
And pain: redefine it.
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E dor: redefina isso.
03:34
Rather than "pain," say, "another
rather interesting, foreign sensation."
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Em vez de "dor", digamos
"sensação interessante e estrangeira".
03:39
Something like that.
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Ou algo parecido.
03:42
I realized then that to learn to fly,
we were going to have to learn to land.
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Então percebi que, para aprender a voar,
teríamos que aprender a pousar.
03:46
My hero, Evel Knievel --
one of them -- said,
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Um de meus heróis, Evel Knievel, disse:
03:49
"Anyone can jump a motorcycle.
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"Qualquer um pode empinar uma moto.
03:51
The trouble begins
when you try to land it."
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O problema começa
quando você tenta parar".
(Risos)
03:54
(Laughter)
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Aterrissar machuca.
03:57
Landing hurts.
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Mas eu estava curiosa.
03:59
I was curious, though.
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Eu pensei: "Por que não inventamos
uma técnica de impacto?
04:01
I thought, "Well, why don't we invent
an impact technique?
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04:04
Why don't we just expand
our base of support?"
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Por que não expandimos
nossa base de apoio, simplesmente?"
04:07
I had seen pieces of plywood fall,
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Vi pedaços de madeira caírem,
04:09
and they didn't flinch on the way down.
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e eles não recuaram no caminho.
04:12
So I made my body into a perfect line
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Então mantive meu corpo
em uma linha perfeita
04:14
and tilted back.
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e me inclinei para trás.
04:16
Whaft!
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Plaft!
04:17
It was a totally different
sound than "wham-o."
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Foi um som totalmente diferente.
04:20
And I rushed out onto
the streets of New York City
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Corri pelas ruas de Nova York,
04:23
and went up to complete strangers,
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cheguei em completos estranhos
04:25
and I said -- well, I thought --
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e disse, quer dizer, pensei:
04:27
"I did a backfall today. Did you?"
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"Eu caí de costas hoje, e você?"
04:30
In 1985, we started to tour
all over the world a little bit,
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Em 1985, começamos
uma turnê ao redor do mundo,
04:35
and I started my company,
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e criei minha empresa,
04:37
called STREB EXTREME ACTION.
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chamada "Streb Extreme Action".
04:40
In 2003, we were invited
to go to Kitty Hawk
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Em 2003, fomos convidados
para ir a Kitty Hawk
para celebrar o centésimo aniversário
de voo dos irmãos Wright.
04:43
to celebrate the 100th anniversary
of flight with the Wright Brothers.
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04:47
We had gotten very good at landing;
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Tínhamos ficado muito bons em pousar;
04:49
now we needed to get up into the air.
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agora precisávamos nos levantar no ar.
04:52
And like them, we wanted
to stay there longer.
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E, como eles, queríamos
ficar lá mais tempo.
04:55
I came across this quote by Wilbur:
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Me deparei com esta citação de Wilbur:
04:58
"If you are looking for perfect safety,
you will do well to sit on a fence
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"Se está procurando por segurança,
é melhor sentar em uma cerca
05:02
and watch the birds;
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e observar os pássaros;
05:04
but if you really wish to learn,
you must mount a machine
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mas se realmente quiser aprender,
deve montar uma máquina
05:07
and become acquainted
with its tricks by actual trial."
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e se familiarizar com suas funcionalidades
através de tentativas reais".
05:11
Ah, machines.
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Oh, máquinas.
05:13
It incited the hardware
junkie inside of me.
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Isso incitou a louca por máquinas
que vive em mim.
05:16
And if we did want to go or travel
to unhabitual places in space --
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Se quiséssemos ir ou viajar
para lugares não habituais no espaço,
05:20
to that banana peel spot that confuses us;
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para o ponto da casca de banana
que nos confunde;
05:24
to that place outside
our vertical comfort zone,
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para aquele lugar fora
de nossa zona de conforto vertical,
05:27
where we encounter unexpected turbulence
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onde nos deparamos
com uma turbulência inesperada
05:30
and get accelerated oddly,
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e aceleramos de forma estranha,
05:34
where the ground changes
and moves out from under us --
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onde o chão muda e sai de debaixo de nós,
05:37
like the composer
who is trying to hit a note
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como o compositor
que quer atingir uma nota mais alta
do que a voz humana pode cantar
05:40
higher than the human voice can sing,
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05:43
he invents a piccolo or a flute,
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e inventa um flautim ou flauta,
05:45
I set about the invention
of my prototypic machines.
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comecei a inventar minhas máquinas.
05:50
And if we wanted to go
higher, faster, sooner, harder,
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E se quiséssemos ir mais alto,
mais rápido, mais cedo, mais difícil
05:54
it was necessary that we create
our very own spaceships.
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era necessário criar nossas
próprias naves espaciais.
05:57
And we did.
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E nós o fizemos.
05:58
And we did travel to unknown,
invisible, dangerous territories,
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Nós viajamos para territórios
desconhecidos, invisíveis e perigosos,
06:03
and it changed us.
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e isso nos mudou.
06:06
If any of you want
to try this, let me know.
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Se algum de vocês quiser
tentar isso, me avise.
06:08
(Laughter)
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(Risos)
06:10
In 2012, we brought all
of our best machines to London
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Em 2012, trouxemos nossas
melhores máquinas para Londres
06:13
and put them in their most iconic places.
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e as colocamos nos lugares
mais emblemáticos.
06:16
We got on the London Eye.
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Subimos na London Eye.
06:18
It was 443 feet above the earth.
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Estávamos a 135 metros de altura.
06:22
And as we reached the zenith,
we unlocked our brake and fell --
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E quando chegamos ao ponto mais alto
soltamos o freio e caímos...
06:27
200 feet on the radius,
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foram 61 metros de alcance
06:29
on the spoke that we were attached to.
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no raio a que estávamos ligados.
06:32
We reached as far up as heaven that day,
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Subimos tão alto quanto o céu naquele dia,
06:35
I'm pretty sure of it.
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tenho certeza disso.
06:36
And then I and two of my dancers
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E então eu e duas das minhas dançarinas
06:38
walked down the outside
of London's City Hall.
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descemos pelo lado de fora
da prefeitura de Londres.
06:41
As I stood up there,
300 feet above the ground,
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Quando eu estava lá em cima,
92 metros acima do solo,
06:44
and looked down,
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e olhei para baixo,
06:45
I saw 2,000 eyes staring up at me,
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vi 2 mil olhos olhando para mim,
06:48
and they saw what they usually do --
the sky, a bird, a plane -- and then us.
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eles viam o que costumam ver, o céu,
um pássaro, um avião e então nós.
06:53
And we were just a tiny speck up there.
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Éramos apenas um pequeno ponto lá no alto.
06:56
And I realized that action
is for everybody.
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E percebi que ação é para todos.
06:59
Now we have our very own
mason jar in Williamsburg, Brooklyn.
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Agora temos nosso próprio
pote de vidro em Williamsburg, Brooklyn.
07:03
It's called SLAM: STREB Lab
for Action Mechanics.
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Chama-se SLAM: Laboratório Streb
para Mecânica de Ação.
07:06
It was a former mustard seed factory.
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Era uma antiga fábrica
de sementes de mostarda.
07:09
And I designed it after
the use of a petri dish,
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Eu a projetei como uma placa de Petri,
07:13
and in that petri dish,
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e nessa placa de Petri,
07:14
I put Kid Action, STREB EXTREME ACTION
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coloquei "Kid Action",
"Streb Extreme Action"
07:17
and circus arts,
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e artes circenses.
07:18
and we all learned to fly, fall and land
and invent extreme action together.
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Todos nós aprendemos a voar, cair,
pousar e inventar ações extremas juntos.
07:23
And you know what we found?
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Sabe o que descobrimos?
07:24
In comes everyone --
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Todos gostam.
07:27
every size, shape, age, capacity,
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Pessoas de todos os tamanhos,
formatos, idades, capacidades;
07:30
every nationality, every race,
every class, all genders,
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de todas as nacionalidades,
raças, classes, gêneros;
07:35
the timid and the bold,
the outcast and the cool,
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o tímido e o ousado, o chato e o legal
07:38
the risk avoiders and the risk obsessives.
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os que evitam risco
e os obcecados por ele.
07:42
And these buildings exist
all over the world,
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E esses edifícios existem no mundo todo,
07:45
and every one of them can be
a flying training center.
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cada um deles pode ser
um centro de treinamento de voo.
07:51
And you know, as it turns out,
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Você sabe, no fim,
07:54
people don't want
to just dream about flying,
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as pessoas não querem
apenas sonhar com voar,
07:57
nor do they want to watch us fly.
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nem querem só nos ver voar.
07:59
They want to do it, too, and they can.
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Elas também querem
fazer isso, e elas podem.
08:01
And with a little training,
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E, com um pouco de treino,
08:03
they learn to relish
the hit and the impact,
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elas aprendem a saborear
a batida e o impacto,
08:06
and, I guess even more,
getting up afterwards.
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ainda mais depois que se levantam.
08:10
I've found that the effect of flying
causes smiles to get more common,
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Descobri que o efeito de voar faz
com que os sorrisos fiquem mais comuns,
08:16
self-esteem to blossom,
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a autoestima floresça
08:18
and people get just a little bit braver.
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e as pessoas fiquem
um pouco mais corajosas.
08:22
And people do learn to fly,
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E as pessoas aprendem a voar,
08:25
as only humans can.
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como só os humanos podem.
08:28
So can you.
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Você também pode.
08:29
Come fly with us.
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Venha voar conosco.
08:32
(Applause)
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(Aplausos)
08:36
(Music)
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(Música)
09:07
Thank you. Thank you. Thank you.
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Obrigada.
(Aplausos)
09:11
(Applause)
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Translated by Edeilson Silva
Reviewed by Cláudia Sander

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ABOUT THE SPEAKER
Elizabeth Streb - Action and hardware architect
Elizabeth Streb is an extreme action specialist who flies, crash-lands and invents hardware to get higher, faster, sooner, harder.

Why you should listen

Elizabeth Streb is known for her unique brand of movement, "Pop Action," which intertwines dance, athletics, boxing, rodeo, the circus, stunt work and the invention of action gizmos. In 1985, she founded STREB Extreme Action Company to push the limitations of the human body and, in 2003, she established SLAM (STREB Lab for Action Mechanics) in Brooklyn. For the 2012 London Olympic Games, the company was commissioned to create One Extraordinary Day, a series of events across the city that included dancers "bungee dancing" off Millennium Bridge and abseiling down City Hall. The 2016 film OXD, directed by Craig Lowy, follows these events. In 2017, STREB was commissioned by Bloomberg LLP to create a series of events to open the new corporate headquarters in London and to launch the CityLab Conference in Paris.

Streb is the recipient of numerous honors including a MacArthur Fellowship (1997) and a Guggenheim Fellowship (1987). She lectures regularly across the country and her book, STREB: How to Become an Extreme Action Hero, was published by Feminist Press in 2010. In 2014, Born to Fly: STREB vs. Gravity a documentary directed by Catherine Gund, premiered at Film Forum NYC, was aired on PBS and nominated for an Emmy. It is available on iTunes and Netflix. STREB's rehearsals at SLAM are always open to the public.

More profile about the speaker
Elizabeth Streb | Speaker | TED.com

Data provided by TED.

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