Ziyah Gafić: Everyday objects, tragic histories
Ziyah Gafić: Alltägliche Dinge und ihre tragischen Geschichten
To help him come to terms with the tragedy of his own homeland, Bosnian photographer Ziyah Gafić turns his camera on the aftermath of conflict, showing his images in galleries, in books and on Instagram. Full bio
Double-click the English transcript below to play the video.
Alltagsgegenständen vertraut.
toothpaste and a toothbrush
und Zahnbürste bei sich trugen,
dass sie nicht wussten,
ausgetauscht würden.
aus zahlreichen Massengräbern
graben Forensiker Leichen
das je entdeckt wurde.
größtenteils Zivilisten,
entweder zu Kriegsbeginn
die Menschlichkeit und Genozid.
rassischen, politischen, religiösen
die Zerstörung von Eigentum,
dass sie niemals existierten.
nicht nur ums Töten,
und unsere selektive
an sie überdauern.
dieser Sammlung von Dingen
der Identifizierung derer,
auf europäischem Boden
die die Opfer auf dem Weg
packed in white plastic bags
in weiße Plastikbeutel getan,
der Opfer eingesetzt,
very valuable forensic evidence
sehr wertvolle Beweise
Kriegsverbrecherprozessen.
zu identifizieren,
ist sehr schwierig,
schmerzvoller Prozess.
Ärzte und Anwälte
ob Sie es glauben oder nicht,
Stücke zu fotografieren,
einfach durchsehen können.
der Gemeinschaft etwas zurückgeben.
ein Bewusstsein schaffen.
und akkurate Erinnerung
items guarantee empathy.
Gegenstände garantiert Empathie.
überhaupt existiert haben.
ABOUT THE SPEAKER
Ziyah Gafić - Photographer + storytellerTo help him come to terms with the tragedy of his own homeland, Bosnian photographer Ziyah Gafić turns his camera on the aftermath of conflict, showing his images in galleries, in books and on Instagram.
Why you should listen
Ziyah Gafić uses his camera to capture the aftermath of war. He has traveled to Pakistan, Iraq and Chechnya to capture beautiful portraits of people carrying on with their lives in the face of destruction; he has photographed the everyday lives of children in Rwanda, a generation born from the widespread use of rape as a weapon during the Rwandan genocide. A moving question runs through his work: After war, how do people manage to keep the fabric of society together?
Gafić's interest in this subject comes from his own biography. Born in Sarajevo, he was a teenager during the Bosnian War of the 1990s. Through photography, he parses what happened in his homeland. For his book Quest for Identity, Gafić photographed the watches, keys, shoes, combs and glasses exhumed from mass graves 20 years after the Bosnian War. These objects are cleaned, catalogued and used to help identify the bodies found with them, but afterwards, they become what Gafić calls “orphans of the narrative,” either destroyed or stored away out of sight and out of mind. His quest is to keep them in view as a last testament to the fact that these people existed, preserving them as an easily accessible visual archive that tells the story of what happened—integrating an objective forensic perspective with human compassion.
Ziyah Gafić | Speaker | TED.com