Chris Milk: How virtual reality can create the ultimate empathy machine
Chris Milk: Bagaimana realita virtual bisa menciptakan mesin empati mutakhir
Working at the frontiers of interactive technology, Chris Milk stretches virtual reality into a new canvas for storytelling. Full bio
Double-click the English transcript below to play the video.
in sort of an unusual place.
di tempat yang cukup aneh.
I was seven years old.
pada usia belia 7 tahun.
to access virtual reality
mengakses realita virtual
that particular item:
over 100 feet at top speed.
dari 30 meter di kecepatan maksimal.
jumped the Snake River Canyon together.
kami melompati Snake River Canyon bersama.
I only got the motorcycle.
saya hanya punya motornya.
dengan dunianya.
when I grew up, I wanted to be stuntman.
setelah dewasa, saya ingin jadi stuntman.
Evel Knievel adalah teman saya.
music videos that I made:
pertama yang saya buat:
some slight similarities here.
kesamaan di sini.
or, the beginning of a filmmaker,
atau baru mulai membuat film,
available to me as a filmmaker
bisa saya dapatkan sebagai sutradara
that I can to an audience.
paling menarik pada penonton.
that allows us to feel empathy
membuat kita merasakan empati
foreign from our own.
dari dunia kita.
empathy for us that we felt for him,
sama seperti yang kami rasakan terhadapnya
that I worshipped as a child,
orang yang saya puja ketika saya kecil,
to become as an adult,
ketika kecil,
tanda tangannya.
now as it was then.
dari dulu sampai sekarang.
played in a sequence.
yang diputar berurutan.
with those rectangles.
menakjubkan dengan persegi tersebut.
and developing technologies
modern dan berkembang
the traditional tools of filmmaking
gunakan peralatan film tradisional
100 tahun terakhir?
to build the ultimate empathy machine.
mesin empati mutakhir.
"The Wilderness Downtown."
where you grew up at the beginning of it.
memasukkan alamat Anda semasa kecil.
boxes with different browser windows.
di halaman baru.
running down a street,
dan tampilan Google Maps
and Google Maps imagery
he's running down is yours.
jalan di depan rumah Anda.
he stops in front of your house.
ia berhenti di depan rumah Anda.
having an even deeper emotional reaction
merasa ikatan emosional yang lebih dalam
I had made in rectangles.
dengan persegi tadi.
a piece of your history
sejarah hidup Anda
the framing of the story.
kerangka cerita ini.
(identitas) Anda,
inside of the frame?
keseluruhan diri Anda ke dalam cerita?
making art installations.
saya mulai membuat instalasi seni.
"The Treachery of Sanctuary."
you the third panel.
Saya akan menunjukkan panel ketiga.
ke dalam frame,
visceral emotional reactions
ikatan yang bahkan lebih mendalam
karya yang sebelumnya.
and what do they represent?
dan simbolisasinya?
television, cinema --
televisi, bioskop --
these other worlds.
I got you in a frame.
Saya memasukkan Anda ke dalam frame.
I don't want you in the window,
di dalam frame, di jendela,
I want you on the other side,
is like dancing about architecture.
"menari tentang arsitektur."
about architecture in virtual reality.
tentang arsitektur di realita visual.
Why is it difficult to explain?
Mengapa begitu?
experiential medium.
adalah medium yang mesti dialami.
it feels like truth.
seperti kenyataan.
that you're inside
di dalam dunia itu
that you're inside of it with.
yang ada di dalamnya bersama Anda.
of a virtual reality film:
satu film realita virtual:
all the information
we shoot virtual reality.
syuting realita virtual.
in every direction
menangkap ke segala arah
that face in every direction.
ke segala arah.
a sphere of a world that you inhabit.
membuat lingkungan dunia yang Anda huni.
is not a view into the world,
gambaran akan dunia,
stretched into a rectangle.
menjadi sebuah persegi.
"Clouds Over Sidra,"
(Awan di Atas Sidra)
our virtual reality company called VRSE
realita virtual kami yang bernama VRSE
in Jordan in December
di Yordania bulan Desember
girl there named Sidra.
12 tahun bernama Sidra.
through the desert into Jordan
ke Yordania melalui gurun
camp for the last year and a half.
selama satu setengah tahun terakhir.
in the Daraa Province, Inkhil City.
Kota Inkhil.
in Jordan for the last year and a half.
Yordania ini
I was a baby and he says I did not.
menangis waktu bayi, dan katanya tidak.
than my brother.
of the headset.
360 degrees, in all directions.
ke segala arah.
in her room, watching her,
memandangnya,
a television screen,
melalui layar televisi,
you're sitting there with her.
Anda duduk di sana bersamanya.
on the same ground that she's sitting on.
yang ia duduki.
keberadaannya sebagai manusia
secara lebih mendalam.
minds with this machine.
(banyak orang) dengan mesin ini.
to try to change a few.
Forum in Davos in January.
Dunia di Davos bulan Januari.
ke sekelompok orang
of millions of people.
mempengaruhi kehidupan jutaan orang.
who might not otherwise
in a refugee camp in Jordan.
di dalam tenda pengungsi di Yordania.
in Switzerland,
satu siang di Swiss,
United Nations right now
a story in Liberia.
satu kisah di Liberia.
to shoot a story in India.
kisah lain di India.
at the United Nations
dan orang yang sedang berkunjung.
that are visiting there.
them to the people
of the people inside of the films.
mereka yang berada di dalam film.
start to scratch the surface
mulai menyentuh permukaan
yang sebenarnya.
in a profound way
dengan cara yang sangat mendalam
in any other form of media.
dalam media bentuk lain.
perception of each other.
terhadap satu sama lain.
to actually change the world.
untuk benar-benar mengubah dunia.
we become more compassionate,
kita jadi lebih pengasih,
and we become more connected.
dan lebih terhubung.
kita menjadi lebih berperikemanusiaan.
ABOUT THE SPEAKER
Chris Milk - Immersive storytellerWorking at the frontiers of interactive technology, Chris Milk stretches virtual reality into a new canvas for storytelling.
Why you should listen
Chris Milk is a visual artist who has created music videos for Kanye West, Arcade Fire, Beck, U2, Johnny Cash, Gnarls Barkley and many more. He is known for weaving artistic and technological innovations in pursuit of the next great platform for storytelling. Milk's acclaimed interactive projects include Wilderness Downtown (with Arcade Fire), The Johnny Cash Project and The Treachery of Sanctuary. His interactive installation artworks have been showcased at the MoMA, the Tate Modern and museums around the world.
Milk's most recent contribution to the art and tech frontier is as founder and CEO of the virtual reality company Within (formerly Vrse). In collaboration with the New York Times, Zach Richter and JR, Milk created two VR films, Walking New York and The Displaced, which were distributed along with Google Cardboard viewers to 1 million NYT subscribers in 2015. He has also collaborated on VR projects with the United Nations (Clouds Over Sidra and Waves of Grace), Vice, SNL and U2.
Chris Milk | Speaker | TED.com