TED2015
Chris Milk: How virtual reality can create the ultimate empathy machine
Kris Milk (Chris Milk): Kako virtuelna stvarnost može da stvori vrhunsku mašinu za empatiju
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Kris Milk koristi najnapredniju tehnologiju za stvaranje zadivljujućih i magičnih filmova u kojima gledaoci uživaju. Za Milka, priča o ljudima predstavlja silu koja pokreće sve što on radi. U ovom kratkom, šarmantnom govoru, on pokazuje nekoliko svojih projekata koje je napravio u saradnji sa muzičarima među kojima su Kanje Vest i Arkejd Fajr, i opisuje svoje nove eksperimente sa virtuelnom stvarnošću koji će sigurno zagolicati vaš um.
Chris Milk - Immersive storyteller
Working at the frontiers of interactive technology, Chris Milk stretches virtual reality into a new canvas for storytelling. Full bio
Working at the frontiers of interactive technology, Chris Milk stretches virtual reality into a new canvas for storytelling. Full bio
Double-click the English transcript below to play the video.
Virtualna stvarnost je za mene počela
na poprilično neobičnom mestu.
na poprilično neobičnom mestu.
00:13
Virtual reality started for me
in sort of an unusual place.
in sort of an unusual place.
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Bilo je to tokom 1970-ih.
00:18
It was the 1970s.
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00:21
I got into the field very young:
I was seven years old.
I was seven years old.
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Ušao sam u tu sferu vrlo mlad:
imao sam samo sedam godina.
imao sam samo sedam godina.
00:24
And the tool that I used
to access virtual reality
to access virtual reality
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Sredstvo koje sam koristio
da uđem u virtuelnu stvarnost
da uđem u virtuelnu stvarnost
bio je motocikl kaskadera Ivela Knivela.
00:29
was the Evel Knievel stunt cycle.
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Ovo je reklama za taj konkretni motor:
00:32
This is a commercial for
that particular item:
that particular item:
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00:35
(Video) Voice-over: What a jump!
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(Video) Narator: Kakav skok!
00:36
Evel's riding the amazing stunt cycle.
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Ivel vozi fantastičan kaskaderski motor.
Žiro sila ga lansira
preko 30 metara u najvećoj brzini.
preko 30 metara u najvećoj brzini.
00:38
That gyro-power sends him
over 100 feet at top speed.
over 100 feet at top speed.
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Kris Milk: Tako sam uživao u to vreme.
00:41
Chris Milk: So this was my joy back then.
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Vozio sam taj motor svuda,
00:43
I rode this motorcycle everywhere.
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00:46
And I was there with Evel Knievel; we
jumped the Snake River Canyon together.
jumped the Snake River Canyon together.
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i bio sam tamo sa Ivel Knivelom;
zajedno smo preskočili kanjon reke Snejk.
zajedno smo preskočili kanjon reke Snejk.
00:50
I wanted the rocket.
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Želeo sam raketu.
Nikada nisam dobio raketu,
dobio sam samo motocikl.
dobio sam samo motocikl.
00:52
I never got the rocket,
I only got the motorcycle.
I only got the motorcycle.
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00:57
I felt so connected to this world.
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Osećao sam se tako povezan sa ovim svetom.
Nisam hteo da budem pripovedač
kada odrastem, hteo sam da budem kaskader.
kada odrastem, hteo sam da budem kaskader.
01:00
I didn't want to be a storyteller
when I grew up, I wanted to be stuntman.
when I grew up, I wanted to be stuntman.
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Bio sam tamo.
Ivel Knivel je bio moj prijatelj.
Ivel Knivel je bio moj prijatelj.
01:04
I was there. Evel Knievel was my friend.
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Osećao sam toliko empatije prema njemu.
01:07
I had so much empathy for him.
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Međutim, nije nam uspelo. (Smeh)
01:10
But it didn't work out. (Laughter)
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Otišao sam u umetničku školu.
01:13
I went to art school.
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Počeo sam da pravim muzičke spotove.
01:15
I started making music videos.
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Ovo je jedan od prvih spotova
koje sam napravio:
koje sam napravio:
01:17
And this is one of the early
music videos that I made:
music videos that I made:
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01:20
(Music: "Touch the Sky" by Kanye West)
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(Muzika: „Dodirni nebo“ - Kanje Vest)
01:26
CM: You may notice
some slight similarities here.
some slight similarities here.
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Kris Milk: Možda primećujete
manje sličnosti ovde.
manje sličnosti ovde.
01:30
(Laughter)
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(Smeh)
I dobio sam tu raketu.
01:31
And I got that rocket.
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(Smeh)
01:34
(Laughter)
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Dakle, sada stvaram filmove,
ili barem počinjem time da se bavim,
ili barem počinjem time da se bavim,
01:37
So, now I'm a filmmaker,
or, the beginning of a filmmaker,
or, the beginning of a filmmaker,
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01:41
and I started using the tools that are
available to me as a filmmaker
available to me as a filmmaker
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pa sam počeo da koristim sredstva
koje su mi dostupna kao filmskom stvaraocu
koje su mi dostupna kao filmskom stvaraocu
01:45
to try to tell the most compelling stories
that I can to an audience.
that I can to an audience.
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kako bih pokušao da publici
predočim najubedljivije priče.
predočim najubedljivije priče.
01:49
And film is this incredible medium
that allows us to feel empathy
that allows us to feel empathy
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Film je neverovatan medij
koji omogućava da doživimo empatiju
koji omogućava da doživimo empatiju
01:52
for people that are very different than us
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prema ljudima drugačijim od nas
i svetovima potpuno drugačijim od naših.
01:55
and worlds completely
foreign from our own.
foreign from our own.
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Nažalost, Ivel Knivel
nije gajio ista osećanja
nije gajio ista osećanja
01:57
Unfortunately,
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01:58
Evel Knievel did not feel the same
empathy for us that we felt for him,
empathy for us that we felt for him,
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prema nama kao i mi prema njemu,
02:03
and he sued us for this video --
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pa nas je tužio zbog ovog spota -
02:06
(Laughter) --
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(Smeh) -
02:08
shortly thereafter.
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nedugo potom.
Sa pozitivne strane,
čovek kojeg sam idealizovao kao dete,
čovek kojeg sam idealizovao kao dete,
02:10
On the upside, the man
that I worshipped as a child,
that I worshipped as a child,
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02:14
the man that I wanted
to become as an adult,
to become as an adult,
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čovek kakav sam želeo
da postanem kada odrastem,
da postanem kada odrastem,
konačno mi je dao autogram.
02:18
I was finally able to get his autograph.
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(Smeh)
02:22
(Applause)
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(Aplauz)
02:29
Let's talk about film now.
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Hajde sada da pričamo o filmu.
Film, to je neverovatan medij,
02:34
Film, it's an incredible medium,
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ali, u suštini, on je isti sada
kao što je bio nekada.
kao što je bio nekada.
02:37
but essentially, it's the same
now as it was then.
now as it was then.
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To je grupa pravougaonika
koje vidimo u jednom nizu.
koje vidimo u jednom nizu.
02:41
It's a group of rectangles that are
played in a sequence.
played in a sequence.
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I učinili smo fantastične stvari
sa tim pravougaonicima.
sa tim pravougaonicima.
02:44
And we've done incredible things
with those rectangles.
with those rectangles.
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Međutim, počeo sam da razmišljam
o tome postoji li način
o tome postoji li način
02:48
But I started thinking about,
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02:51
is there a way that I can use modern
and developing technologies
and developing technologies
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na koji mogu iskoristiti
moderne tehnologije i one u nastajanju
moderne tehnologije i one u nastajanju
da bih ispričao priče na drugačije načine
02:55
to tell stories in different ways
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i da bih ispričao drugačije priče
koje možda ne bih mogao da ispričam
koje možda ne bih mogao da ispričam
02:57
and tell different kinds of stories
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02:59
that maybe I couldn't tell using
the traditional tools of filmmaking
the traditional tools of filmmaking
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pomoću tradicionalnih metoda
pravljenja filmova
pravljenja filmova
koje koristimo već 100 godina?
03:03
that we've been using for 100 years?
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03:05
So I started experimenting,
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Tako sam počeo da eksperimentišem,
03:08
and what I was trying to do was
to build the ultimate empathy machine.
to build the ultimate empathy machine.
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i pokušao sam da napravim
vrhunsku mašinu za empatiju.
vrhunsku mašinu za empatiju.
03:15
And here's one of the early experiments:
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I ovo je jedan od tih eksperimenata:
03:17
(Music)
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(Muzika)
03:20
So this is called
"The Wilderness Downtown."
"The Wilderness Downtown."
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Dakle, ovo se zove
„Divljina u centru grada“.
„Divljina u centru grada“.
U pitanju je saradnja
sa bendom Arkejd Fajr.
sa bendom Arkejd Fajr.
03:22
It was a collaboration with Arcade Fire.
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03:24
It asked you to put in the address
where you grew up at the beginning of it.
where you grew up at the beginning of it.
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Na početku bi vas pitali da unesete
adresu na kojoj ste odrasli.
adresu na kojoj ste odrasli.
03:28
It's a website.
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To je veb-sajt.
03:29
And out of it starts growing these little
boxes with different browser windows.
boxes with different browser windows.
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Iz njega bi počeli da iskaču kvadratići
sa prozorima raznih pretraživača.
sa prozorima raznih pretraživača.
03:34
And you see this teenager
running down a street,
running down a street,
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Prvo vidite ovog tinejdžera
koji trči niz ulicu,
koji trči niz ulicu,
03:36
and then you see Google Street View
and Google Maps imagery
and Google Maps imagery
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i onda vam se pojavi slika
Gugl mape i pregleda ulica
Gugl mape i pregleda ulica
03:39
and you realize the street
he's running down is yours.
he's running down is yours.
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i shvatate da je ulica
niz koju on trči zapravo vaša.
niz koju on trči zapravo vaša.
03:41
And when he stops in front of a house,
he stops in front of your house.
he stops in front of your house.
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A kada stane pred kuću,
zapravo stane pred vašu kuću.
zapravo stane pred vašu kuću.
To je bilo sjajno, video sam ljude
koji su na ovo reagovali emotivnije
koji su na ovo reagovali emotivnije
03:47
And this was great, and I saw people
having an even deeper emotional reaction
having an even deeper emotional reaction
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03:51
to this than the things that
I had made in rectangles.
I had made in rectangles.
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nego na one stvari koje sam
pravio sa pravougaonicima.
pravio sa pravougaonicima.
03:54
And I'm essentially taking
a piece of your history
a piece of your history
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U suštini, ja uzimam deo vaše istorije
i stavljam ga u okvir ove priče.
03:58
and putting it inside
the framing of the story.
the framing of the story.
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04:01
But then I started thinking,
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Međutim, onda sam počeo da mislim,
okej, to je deo vas,
okej, to je deo vas,
04:03
okay, well that's a part of you,
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ali kako da sve vas stavim u isti okvir?
04:05
but how do I put all of you
inside of the frame?
inside of the frame?
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04:10
So to do that, I started
making art installations.
making art installations.
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Da bih uspeo u tome, počeo sam
da pravim umetničke instalacije.
da pravim umetničke instalacije.
04:13
And this is one called
"The Treachery of Sanctuary."
"The Treachery of Sanctuary."
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Ova se zove „Izdaja svetilišta“.
U pitanju je triptih
i pokazaću vam treći panel.
i pokazaću vam treći panel.
04:16
It's a triptych. I'm going to show
you the third panel.
you the third panel.
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(Muzika)
04:19
(Music)
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04:43
So now I've got you inside of the frame,
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Dakle, sada sam vas stavio u okvir
04:46
and I saw people having even more
visceral emotional reactions
visceral emotional reactions
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i primetio još jače reakcije kod ljudi
na ovaj nego na prethodni rad.
na ovaj nego na prethodni rad.
04:51
to this work than the previous one.
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Onda sam počeo da razmišljam
o okvirima i tome šta oni predstavljaju.
o okvirima i tome šta oni predstavljaju.
04:54
But then I started thinking about frames,
and what do they represent?
and what do they represent?
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Okvir je zapravo samo prozor.
04:58
And a frame is just a window.
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05:00
I mean, all the media that we watch --
television, cinema --
television, cinema --
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Mislim, svi mediji koje pratimo -
televizija, filmovi -
televizija, filmovi -
oni su poput prozora u druge svetove.
05:03
they're these windows into
these other worlds.
these other worlds.
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05:05
And I thought, well, great.
I got you in a frame.
I got you in a frame.
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I zato sam pomislio, pa, sjajno,
stavio sam vas u okvir,
stavio sam vas u okvir,
ali, ne želim vas uokvirene,
ne želim vas u prozoru.
ne želim vas u prozoru.
05:08
But I don't want you in the frame,
I don't want you in the window,
I don't want you in the window,
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Želim da prođete kroz prozor,
želim da odete na drugu stranu,
želim da odete na drugu stranu,
05:11
I want you through the window,
I want you on the other side,
I want you on the other side,
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05:14
in the world, inhabiting the world.
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u svet, da se nastanite u svetu.
05:18
So that leads me back to virtual reality.
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To me vraća nazad do virtuelne stvarnosti.
05:21
Let's talk about virtual reality.
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Hajde da pričamo o virtuelnoj stvarnosti.
05:24
Unfortunately,
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Nažalost,
05:25
talking about virtual reality
is like dancing about architecture.
is like dancing about architecture.
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pričati o virtuelnoj stvarnosti
je isto što i plesati oko arhitekture.
je isto što i plesati oko arhitekture.
05:30
And this is actually someone dancing
about architecture in virtual reality.
about architecture in virtual reality.
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A ovo je zapravo neko ko pleše
oko arhitekture u virtuelnoj stvarnosti.
oko arhitekture u virtuelnoj stvarnosti.
(Smeh)
05:37
(Laughter)
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05:39
So, it's difficult to explain.
Why is it difficult to explain?
Why is it difficult to explain?
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Dakle, teško je to objasniti.
Zašto je to teško objasniti?
Zašto je to teško objasniti?
05:43
It's difficult because it's a very
experiential medium.
experiential medium.
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Teško je jer je to iskustveni medij.
Kada ste u njemu, vi nešto zaista osećate.
05:46
You feel your way inside of it.
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05:48
It's a machine, but inside of it,
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To jeste mašina, ali u njoj
05:50
it feels like real life,
it feels like truth.
it feels like truth.
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imate osećaj kao da je pravi život,
kao da je istina.
kao da je istina.
05:53
And you feel present in the world
that you're inside
that you're inside
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Osećate se prisutno u svetu u kome ste
05:56
and you feel present with the people
that you're inside of it with.
that you're inside of it with.
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i osećate da ste prisutni
sa ljudima koji su tu sa vama.
sa ljudima koji su tu sa vama.
05:59
So, I'm going to show you a demo
of a virtual reality film:
of a virtual reality film:
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Pokazaću vam sada prikaz
virtuelne stvarnosti:
virtuelne stvarnosti:
preko celog ekrana
videćete sve informacije
videćete sve informacije
06:03
a full-screen version of
all the information
all the information
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koje obuhvatimo kada snimamo
virtuelnu stvarnost.
virtuelnu stvarnost.
06:06
that we capture when
we shoot virtual reality.
we shoot virtual reality.
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Zato snimamo u svim pravcima.
06:08
So we're shooting in every direction.
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Ovo je sistem kamera koji smo izgradili
06:10
This is a camera system that we built
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06:12
that has 3D cameras that look
in every direction
in every direction
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i u njemu 3D kamere gledaju
u svim pravcima,
u svim pravcima,
i mikrofoni za oba uha
usmereni su u svim pravcima.
usmereni su u svim pravcima.
06:15
and binaural microphones
that face in every direction.
that face in every direction.
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U suštini, sa tim, mi napravimo
područje sveta koji vi naseljavate.
područje sveta koji vi naseljavate.
06:17
We take this and we build, basically,
a sphere of a world that you inhabit.
a sphere of a world that you inhabit.
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06:23
So what I'm going to show you
is not a view into the world,
is not a view into the world,
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Tako da ću vam pokazati
ne samo pogled u svet,
ne samo pogled u svet,
nego praktično ceo svet
razvučen u pravougaonik.
razvučen u pravougaonik.
06:26
it's basically the whole world
stretched into a rectangle.
stretched into a rectangle.
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Ovaj film se zove „Oblaci nad Sidrom“,
a rezultat je saradnje
a rezultat je saradnje
06:30
So this film is called
"Clouds Over Sidra,"
"Clouds Over Sidra,"
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06:33
and it was made in conjunction with
our virtual reality company called VRSE
our virtual reality company called VRSE
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između naše kompanije
virtuelne stvarnosti, VRSE,
virtuelne stvarnosti, VRSE,
i Ujedinjenih nacija,
06:37
and the United Nations,
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06:39
and a co-collaborator named Gabo Arora.
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uz saradnika zvanog Gabo Arora.
U decembru smo otišli u Jordan
u kamp izbeglica iz Sirije
u kamp izbeglica iz Sirije
06:42
And we went to a Syrian refugee camp
in Jordan in December
in Jordan in December
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06:46
and shot the story of a 12-year-old
girl there named Sidra.
girl there named Sidra.
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i snimili priču
o 12-godišnjoj devojčici Sidri.
o 12-godišnjoj devojčici Sidri.
Ona je sa porodicom pobegla iz Sirije
kroz pustinju sve do Jordana
kroz pustinju sve do Jordana
06:50
And she and her family fled Syria
through the desert into Jordan
through the desert into Jordan
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i poslednjih godinu i po živi u tom kampu.
06:54
and she's been living in this
camp for the last year and a half.
camp for the last year and a half.
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07:00
(Video) Sidra: My name is Sidra.
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(Video) Sidra: Moje ime je Sidra.
07:02
I am 12 years old.
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Imam 12 godina.
Idem u peti razred.
07:04
I am in the fifth grade.
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07:06
I am from Syria,
in the Daraa Province, Inkhil City.
in the Daraa Province, Inkhil City.
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Dolazim iz Sirije,
iz grada Inkil u regiji Dara.
iz grada Inkil u regiji Dara.
Živim ovde, u kampu Zatari u Jordanu,
poslednjih godinu i po dana.
poslednjih godinu i po dana.
07:11
I have lived here in the Zaatari camp
in Jordan for the last year and a half.
in Jordan for the last year and a half.
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07:18
I have a big family:
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Imam veliku porodicu:
tri brata, od kojih je jedan beba.
tri brata, od kojih je jedan beba.
07:20
three brothers, one is a baby.
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On puno plače.
07:23
He cries a lot.
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Pitala sam tatu jesam li i ja plakala
kad sam bila beba i rekao je da nisam.
kad sam bila beba i rekao je da nisam.
07:27
I asked my father if I cried when
I was a baby and he says I did not.
I was a baby and he says I did not.
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07:32
I think I was a stronger baby
than my brother.
than my brother.
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Mislim da sam bila jača beba od mog brata.
07:35
CM: So, when you're inside
of the headset.
of the headset.
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Kris Milk: Sa slušalicama,
to ne vidite ovako.
to ne vidite ovako.
07:38
you're not seeing it like this.
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07:40
You're looking around through this world.
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Vi gledate okolo po ovom svetu.
07:42
You'll notice you see full
360 degrees, in all directions.
360 degrees, in all directions.
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Primetićete da vidite
u svih 360 stepeni, u svim pravcima.
u svih 360 stepeni, u svim pravcima.
A kada sedite tamo, u njenoj sobi,
dok je posmatrate,
dok je posmatrate,
07:47
And when you're sitting there
in her room, watching her,
in her room, watching her,
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07:50
you're not watching it through
a television screen,
a television screen,
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ne gledate to kroz ekran televizora,
07:53
you're not watching it through a window,
you're sitting there with her.
you're sitting there with her.
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ne gledate to kroz prozor,
vi sedite tamo sa njom.
vi sedite tamo sa njom.
Kada pogledate dole, sedite
na istoj zemlji na kojoj i ona sedi,
na istoj zemlji na kojoj i ona sedi,
07:56
When you look down, you're sitting
on the same ground that she's sitting on.
on the same ground that she's sitting on.
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08:00
And because of that,
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i zato osećate njenu ljudskost
na dublji način.
na dublji način.
08:02
you feel her humanity in a deeper way.
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08:07
You empathize with her in a deeper way.
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Saosećate sa njom na dubljem nivou.
Mislim da možemo da promenimo
umove pomoću ove mašine.
umove pomoću ove mašine.
08:11
And I think that we can change
minds with this machine.
minds with this machine.
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Već smo krenuli da menjamo nekoliko.
08:17
And we've already started
to try to change a few.
to try to change a few.
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Odneli smo ovaj film u januaru
na Svetski ekonomski forum u Davosu.
na Svetski ekonomski forum u Davosu.
08:21
So we took this film to the World Economic
Forum in Davos in January.
Forum in Davos in January.
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08:26
And we showed it to a group of people
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Pokazali smo ga grupi ljudi
08:29
whose decisions affect the lives
of millions of people.
of millions of people.
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čije odluke utiču na živote miliona ljudi.
08:33
And these are people
who might not otherwise
who might not otherwise
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A to su ljudi koji inače ne bi sedeli
08:35
be sitting in a tent
in a refugee camp in Jordan.
in a refugee camp in Jordan.
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u šatoru sa izbeglicama u kampu u Jordanu,
ali u januaru,
jednog popodneva u Švajcarskoj,
jednog popodneva u Švajcarskoj,
08:41
But in January, one afternoon
in Switzerland,
in Switzerland,
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odjednom su se svi našli tamo.
08:47
they suddenly all found themselves there.
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(Aplauz)
08:52
(Applause)
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I to je ostavilo utisak na njih.
08:58
And they were affected by it.
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Zato ćemo napraviti još ovakvih filmova.
09:01
So we're going to make more of them.
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Trenutno radimo sa Ujedinjenim nacijama
09:04
We're working with the
United Nations right now
United Nations right now
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kako bismo snimili
čitavu seriju ovakvih filmova.
čitavu seriju ovakvih filmova.
09:07
to shoot a whole series of these films.
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Upravo smo završili
snimanje priče u Liberiji
snimanje priče u Liberiji
09:09
We just finished shooting
a story in Liberia.
a story in Liberia.
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i sada idemo da snimimo priču u Indiji.
09:12
And now, we're going
to shoot a story in India.
to shoot a story in India.
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A ove filmove pokazujemo
09:15
And we're taking these films,
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09:17
and we're showing them
at the United Nations
at the United Nations
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u Ujedinjenim nacijama,
ljudima koji tamo rade
i onima koji su u poseti,
i onima koji su u poseti,
09:20
to people that work there and people
that are visiting there.
that are visiting there.
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i pokazujemo ih ljudima
09:23
And we're showing
them to the people
them to the people
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09:24
that can actually change the lives
of the people inside of the films.
of the people inside of the films.
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koji zapravo mogu da promene živote
ljudi iz tih filmova.
ljudi iz tih filmova.
Mislim da sada tek počinjemo
da grebemo po površini
da grebemo po površini
09:29
And that's where I think we just
start to scratch the surface
start to scratch the surface
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09:32
of the true power of virtual reality.
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prave moći virtuelne stvarnosti.
To nije periferija video igre.
09:36
It's not a video game peripheral.
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Ona povezuje ljude
jedne sa drugima na tako dubok način
jedne sa drugima na tako dubok način
09:38
It connects humans to other humans
in a profound way
in a profound way
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da ja ranije nisam video
ništa slično u drugim medijima,
ništa slično u drugim medijima,
09:43
that I've never seen before
in any other form of media.
in any other form of media.
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i može da promeni
našu percepciju o drugima.
našu percepciju o drugima.
09:46
And it can change people's
perception of each other.
perception of each other.
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Zbog toga mislim da virtuelna stvarnost
ima potencijal da zaista promeni svet.
ima potencijal da zaista promeni svet.
09:50
And that's how I think
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09:52
virtual reality has the potential
to actually change the world.
to actually change the world.
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Dakle, to je mašina,
09:58
So, it's a machine,
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10:01
but through this machine
we become more compassionate,
we become more compassionate,
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ali kroz ovu mašinu
postajemo još saosećajniji,
postajemo još saosećajniji,
10:06
we become more empathetic,
and we become more connected.
and we become more connected.
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postajemo empatičniji i povezaniji.
I na kraju krajeva, postajemo čovečniji.
10:11
And ultimately, we become more human.
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Hvala.
10:16
Thank you.
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10:17
(Applause)
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(Aplauz)
ABOUT THE SPEAKER
Chris Milk - Immersive storytellerWorking at the frontiers of interactive technology, Chris Milk stretches virtual reality into a new canvas for storytelling.
Why you should listen
Chris Milk is a visual artist who has created music videos for Kanye West, Arcade Fire, Beck, U2, Johnny Cash, Gnarls Barkley and many more. He is known for weaving artistic and technological innovations in pursuit of the next great platform for storytelling. Milk's acclaimed interactive projects include Wilderness Downtown (with Arcade Fire), The Johnny Cash Project and The Treachery of Sanctuary. His interactive installation artworks have been showcased at the MoMA, the Tate Modern and museums around the world.
Milk's most recent contribution to the art and tech frontier is as founder and CEO of the virtual reality company Within (formerly Vrse). In collaboration with the New York Times, Zach Richter and JR, Milk created two VR films, Walking New York and The Displaced, which were distributed along with Google Cardboard viewers to 1 million NYT subscribers in 2015. He has also collaborated on VR projects with the United Nations (Clouds Over Sidra and Waves of Grace), Vice, SNL and U2.
Chris Milk | Speaker | TED.com