ABOUT THE SPEAKER
Phil Hansen - Multimedia artist
Taking a cue from his own artistic journey, Phil Hansen challenges us to spark our creativity by thinking inside the box.

Why you should listen

As an art student, Phil Hansen’s intense style of pointillism led to a tremor in his hand and a diagnosis of nerve damage. Devastated, he dropped out and lost his way ... until a neurologist suggested he “embrace the shake.” That piece of advice tweaked Hansen’s point of view and sent him on a quest to invent different approaches to making art by embracing personal and universal limitations.

Hansen challenged himself to create art using unconventional materials (dandelion puffs, matches, live worms, hamburger grease) and canvases (a stack of Satrbucks cups, his torso, bananas). The resulting time-lapse videos of his creative processes are his meta-art, showing that art is action, not just results. Through an integrated view of what sparks creativity, Hansen has devoted himself to teaching others the approaches to creativity that have changed both his outlook and his artistic endeavors. You can read more in his 2012 book, Tattoo a Banana.

Hansen has just started a new project via Kickstarter, inviting people to share their stories of overcoming limitations with him. Anyone who calls him at 651-321-4996 and tells him their story will become a part of the work, the creation of which is watchable on a live feed

More profile about the speaker
Phil Hansen | Speaker | TED.com
TED2013

Phil Hansen: Embrace the shake

菲爾韓森 (Phil Hansen): 擁抱顫抖

Filmed:
2,458,448 views

就讀藝術學院時,菲爾韓森 (Phil Hansen) 得了一種手會不自覺顫抖的病,使得他無法繼續從事熱愛的點畫創作。他被擊倒了,沒有人生目標,直到一位神經科醫師給了他一個小建議:擁抱這個限制…並且超越它。
- Multimedia artist
Taking a cue from his own artistic journey, Phil Hansen challenges us to spark our creativity by thinking inside the box. Full bio

Double-click the English transcript below to play the video.

00:12
So, when I was in art藝術 school學校,
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我讀藝術系時
00:14
I developed發達 a shake in my hand,
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手開始會顫抖
00:16
and this was the straightest直的 line I could draw.
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這是我當時能畫出來最直的線
00:19
Now in hindsight事後, it was actually其實 good for some things,
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現在想想,有些事其實我還頗在行
00:21
like mixing混合 a can of paint塗料 or shaking發抖 a Polaroid寶麗來,
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譬如說:搖勻顏料罐
或是甩動拍立得相片
00:24
but at the time this was really doomsday末日.
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但那段時間真像世界末日
00:27
This was the destruction毀壞 of my dream夢想 of becoming變得 an artist藝術家.
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我想成為藝術家的夢想就此幻滅
00:31
The shake developed發達 out of, really,
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這個顫抖的症狀其實來自於
00:33
a single-minded專一 pursuit追求 of pointillism點畫,
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我全心投入點畫的結果
00:35
just years年份 of making製造 tiny, tiny dots.
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經年累月描繪小小的點
00:38
And eventually終於 these dots went from being存在 perfectly完美 round回合
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最後因為顫抖的關係
00:41
to looking more like tadpoles蝌蚪, because of the shake.
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這些小圓點變成蝌蚪狀
00:45
So to compensate補償, I'd hold保持 the pen鋼筆 tighter更緊,
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因此我得用力握筆
00:47
and this progressively逐步 made製作 the shake worse更差,
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這讓顫抖的症狀更嚴重
00:50
so I'd hold保持 the pen鋼筆 tighter更緊 still.
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所以我握得更緊
00:52
And this became成為 a vicious惡毒 cycle週期 that ended結束 up
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最後變成惡性循環
00:54
causing造成 so much pain疼痛 and joint聯合 issues問題,
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不但非常疼痛,也造成關節的問題
00:56
I had trouble麻煩 holding保持 anything.
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我很難握好任何物體
00:59
And after spending開支 all my life wanting希望 to do art藝術,
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我想把畢生精力都花在藝術上
01:02
I left art藝術 school學校, and then I left art藝術 completely全然.
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後來卻離開了藝術學院
也完全遠離了藝術
01:07
But after a few少數 years年份, I just couldn't不能 stay away from art藝術,
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幾年後,我覺得還是離不開藝術
01:09
and I decided決定 to go to a neurologist神經學家 about the shake
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我決定去找神經科醫生
診治我顫抖的症狀
01:11
and discovered發現 I had permanent常駐 nerve神經 damage損傷.
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卻發現我的神經已永久受損
01:14
And he actually其實 took one look at my squiggly彎彎曲曲 line,
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醫生看了看我畫的彎彎曲曲的線條
01:17
and said, "Well, why don't you just embrace擁抱 the shake?"
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說:「何不乾脆和顫抖做朋友?」
01:20
So I did. I went home, I grabbed抓起 a pencil鉛筆,
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我照著做了。回到家,我拿起筆
01:23
and I just started開始 letting出租 my hand shake and shake.
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就開始放手讓它抖啊抖
01:25
I was making製造 all these scribble pictures圖片.
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我創作出這些塗鴉
01:27
And even though雖然 it wasn't the kind of art藝術
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雖然它並不是我理想中
01:29
that I was ultimately最終 passionate多情 about, it felt great.
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藝術的模樣,但我覺得棒極了
01:33
And more importantly重要的, once一旦 I embraced擁抱 the shake,
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更重要的是,一旦我
接受了顫抖這個事實
01:35
I realized實現 I could still make art藝術.
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我發現我還是可以創造藝術
01:37
I just had to find a different不同 approach途徑
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只是要找出另一種呈現的方式
01:39
to making製造 the art藝術 that I wanted.
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來做出我想要的藝術
01:41
Now, I still enjoyed享受 the fragmentation碎片 of pointillism點畫,
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如今我仍然喜歡
點畫中的這種破碎感
01:44
seeing眼看 these little tiny dots come together一起
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看著許多小點點
01:46
to make this unified統一 whole整個.
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集合成一個完整的作品
01:48
So I began開始 experimenting試驗 with other ways方法 to fragment分段 images圖片
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所以我開始實驗
運用不同的方法來支解圖像
01:51
where the shake wouldn't不會 affect影響 the work,
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這些方式不會因我的顫抖
而影響到作品
01:53
like dipping浸漬 my feet in paint塗料 and walking步行 on a canvas帆布,
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例如用腳去沾顏料
然後在畫布上行走
01:57
or, in a 3D structure結構體 consisting of two-by-fours兩個由四肢著地,
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或用 2 乘 4 英吋標準木條建構 3D
02:01
creating創建 a 2D image圖片 by burning燃燒 it with a blowtorch噴燈.
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用噴槍燒出 2D 的圖像
02:06
I discovered發現 that, if I worked工作 on a larger scale規模 and with bigger materials物料,
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我發現只要我運用大件物料
從事大型創作
02:10
my hand really wouldn't不會 hurt傷害,
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我的手抖就不會造成太大的問題
02:12
and after having gone走了 from a single approach途徑 to art藝術,
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我從單一方式的藝術創作
02:16
I ended結束 up having an approach途徑 to creativity創造力
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後來竟找到創造力的方法
02:18
that completely全然 changed my artistic藝術的 horizons視野.
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讓我的創作視野完全改變
02:22
This was the first time I'd encountered遇到 this idea理念
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這是我首次有了這個觀念─
02:24
that embracing擁抱 a limitation局限性 could actually其實 drive駕駛 creativity創造力.
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擁抱極限,可能激發出創造力
02:29
At the time, I was finishing精加工 up school學校,
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那時我即將畢業
02:32
and I was so excited興奮 to get a real真實 job工作 and finally最後 afford給予 new art藝術 supplies耗材.
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我很開心可以找到工作
還買得起新的美術材料
02:35
I had this horrible可怕 little set of tools工具, and I felt like
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我有一套陽春到不行的小工具組
02:39
I could do so much more with the supplies耗材
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我自認為只要擁有藝術家的工具
02:41
I thought an artist藝術家 was supposed應該 to have.
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就會產出更多的創作
02:44
I actually其實 didn't even have a regular定期 pair of scissors剪刀.
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我其實連普通的剪刀都沒有
02:46
I was using運用 these metal金屬 shears until直到 I stole偷了 a pair
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我一直在用剪電線的剪刀
02:48
from the office辦公室 that I worked工作 at.
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後來才偷了辦公室的剪刀
02:51
So I got out of school學校, I got a job工作, I got a paycheck薪水,
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就這樣,我離開學校
找到工作,拿到薪水
02:53
I got myself to the art藝術 store商店,
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我到美術用品店
02:55
and I just went nuts堅果 buying購買 supplies耗材.
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瘋狂的採購
02:58
And then when I got home, I satSAT down
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回到家後,我坐下
03:00
and I set myself to task任務 to really try to create創建 something
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開始努力要創作點什麼
03:03
just completely全然 outside of the box.
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要完全跳脫出框架的作品
03:06
But I satSAT there for hours小時, and nothing came來了 to mind心神.
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我坐了好幾個小時
卻一點想法都沒有
03:10
The same相同 thing the next下一個 day, and then the next下一個,
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隔天一樣,再隔天還是一樣
03:13
quickly很快 slipping滑倒 into a creative創作的 slump暴跌.
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我掉落創作的深淵
03:16
And I was in a dark黑暗 place地點 for a long time, unable無法 to create創建.
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我就一直處在黑暗之中,無法創作
03:21
And it didn't make any sense, because I was finally最後 able能夠
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這講不通啊,我總算可以從事
03:23
to support支持 my art藝術, and yet然而 I was creatively創造性 blank空白.
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我熱愛的藝術創作,可是卻撞牆了
03:28
But as I searched搜索 around in the darkness黑暗,
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但是當我在黑暗中摸索
03:30
I realized實現 I was actually其實 paralyzed by all of the choices選擇
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我了解到,原來我是
被過多選擇給麻痺了
03:33
that I never had before.
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這些自己以前從不曾擁有的選擇
03:36
And it was then that I thought back to my jittery風聲鶴唳 hands.
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因此我又想起我不停顫抖的雙手
03:40
Embrace擁抱 the shake.
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跟顫抖做朋友
03:42
And I realized實現, if I ever wanted my creativity創造力 back,
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我了解到,如果我想找回創作力
03:45
I had to quit放棄 trying so hard to think outside of the box
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我就不要一直想跳出框架
03:49
and get back into it.
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而是要回到框框中
03:51
I wondered想知道, could you become成為 more creative創作的, then,
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然後我又想著,難道說找出侷限
03:54
by looking for limitations限制?
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就能比較有創造力嗎?
03:56
What if I could only create創建 with a dollar's美元 worth價值 of supplies耗材?
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如果我只能用一塊錢的素材
來創作呢?
04:02
At this point, I was spending開支 a lot of my evenings晚上 in --
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那時我花了很多個晚…
04:04
well, I guess猜測 I still spend a lot of my evenings晚上 in Starbucks星巴克
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嗯,我想我現在還是
花了很多個晚上在星巴克
04:07
but I know you can ask for an extra額外 cup杯子 if you want one,
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在那裡可以多要一個杯子
04:10
so I decided決定 to ask for 50.
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所以我決定要 50 個杯子
04:12
Surprisingly出奇, they just handed them right over,
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不敢置信,他們真的就拿給我
04:14
and then with some pencils鉛筆 I already已經 had,
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然後我用我原本就有的鉛筆
04:16
I made製作 this project項目 for only 80 cents.
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花了 8 毛錢完成了這個作品
04:19
It really became成為 a moment時刻 of clarification澄清 for me
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那一刻我才明白
04:22
that we need to first be limited有限
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我們得身處於限制中
04:25
in order訂購 to become成為 limitless無限.
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才能體現何謂無限
04:28
I took this approach途徑 of thinking思維 inside the box
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於是我把這樣的想法—
在侷限中創作
04:30
to my canvas帆布, and wondered想知道 what if, instead代替 of
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帶到我的畫布上
我想像如果我不能在畫布上作畫
04:32
painting繪畫 on a canvas帆布, I could only paint塗料 on my chest胸部?
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而只能在自己胸前作畫呢?
04:35
So I painted 30 images圖片, one layer at a time,
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然後我畫了 30 張圖,一次畫一層
04:38
one on top最佳 of another另一個,
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一層一層疊上
04:39
with each picture圖片 representing代表 an influence影響 in my life.
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每一幅圖都代表著
我人生中重大的影響
04:43
Or what if, instead代替 of painting繪畫 with a brush,
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又或者,我不能用筆刷作畫
04:46
I could only paint塗料 with karate空手道 chops印章? (Laughter笑聲)
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而只能用空手道的手刀去劈呢?
(觀眾笑)
04:49
So I'd dip my hands in paint塗料,
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所以我就將手沾上顏料
04:50
and I just attacked襲擊 the canvas帆布,
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然後攻擊我的畫布
04:52
and I actually其實 hit擊中 so hard that I bruised傷痕累累 a joint聯合 in my pinkie小指
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結果我打得太用力
把我的小指關節打到瘀青
04:54
and it was stuck卡住 straight直行 for a couple一對 of weeks.
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有好幾個禮拜
我的小指都只能僵直著…
04:57
(Laughter笑聲) (Applause掌聲)
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(觀眾大笑鼓掌)
05:01
Or, what if instead代替 of relying依托 on myself,
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又假如,我的創作不能自己來
05:05
I had to rely依靠 on other people
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只能依賴他人
05:07
to create創建 the content內容 for the art藝術?
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來完成主體內容呢?
05:09
So for six days, I lived生活 in front面前 of a webcam攝像頭.
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所以接下來六天
我在網路攝影機前過日子
05:12
I slept on the floor地板 and I ate takeout取出,
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睡在地板上、叫外賣
05:15
and I asked people to call me and share分享 a story故事 with me
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我請別人打電話給我,跟我分享
05:17
about a life-changing改變生活 moment時刻.
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他人生中重要的轉捩點
05:20
Their stories故事 became成為 the art藝術
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他們的故事變成了藝術品
05:22
as I wrote them onto the revolving旋轉 canvas帆布.
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我把這些動人故事
寫在一張旋轉畫布上
05:26
(Applause掌聲)
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(觀眾鼓掌)
05:30
Or what if instead代替 of making製造 art藝術 to display顯示,
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再假設,如果我的創作
不是用來觀賞
05:35
I had to destroy破壞 it?
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而是必須要毀掉的呢?
05:37
This seemed似乎 like the ultimate最終 limitation局限性,
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這很像一種終極的限制吧
05:39
being存在 an artist藝術家 without art藝術.
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作一個沒有藝術作品的藝術家
05:42
This destruction毀壞 idea理念 turned轉身 into a yearlong長年的 project項目
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這個具毀滅性的概念
成了長達將近一年的專案
05:44
that I called Goodbye再見 Art藝術,
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我稱之為「不見藝術」
05:46
where each and every一切 piece of art藝術 had to be destroyed銷毀 after its creation創建.
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每件作品一問世,隨即要被銷毀
05:50
In the beginning開始 of Goodbye再見 Art藝術, I focused重點 on
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一開始我將焦點擺在強制性毀滅
05:52
forced被迫 destruction毀壞, like this image圖片 of Jimi吉米 Hendrix亨德里克斯,
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像這幅吉米罕醉克斯(Jimi Hendrix)
的圖像
05:55
made製作 with over 7,000 matches火柴.
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是用七千多支火柴棒做成的
05:57
(Laughter笑聲)
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(觀眾笑)
05:58
Then I opened打開 it up to creating創建 art藝術 that was destroyed銷毀 naturally自然.
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後來我用自然銷毀的方式進行創作
06:02
I looked看著 for temporary臨時 materials物料,
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找尋暫時性的材料
06:04
like spitting隨地吐痰 out food餐飲 --
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例如:啐吐食物
06:06
(Laughter笑聲) —
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(觀眾笑)
06:11
sidewalk人行道 chalk粉筆
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人行道粉筆畫
06:14
and even frozen凍結的 wine紅酒.
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甚至於冷凍酒
06:18
The last iteration迭代 of destruction毀壞
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最後一輪的毀滅
06:20
was to try to produce生產 something that didn't actually其實 exist存在 in the first place地點.
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是製作從一開始就不存在的東西
06:24
So I organized有組織的 candles蠟燭 on a table, I lit發光的 them, and then blew自爆 them out,
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我在桌上排了一些蠟燭
把它們點燃,然後吹滅
06:28
then repeated重複 this process處理 over and over with the same相同 set of candles蠟燭,
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一次又一次,利用同樣的這些蠟燭
重覆一樣的過程
06:31
then assembled組裝 the videos視頻 into the larger image圖片.
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再將拍攝的影片組成一幅大的圖像
06:35
So the end結束 image圖片 was never visible可見 as a physical物理 whole整個.
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所以,最終的圖像從未完整存在
06:40
It was destroyed銷毀 before it ever existed存在.
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而是在完成前就被毀了
06:44
In the course課程 of this Goodbye再見 Art藝術 series系列,
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這一系列的「不見藝術」
06:46
I created創建 23 different不同 pieces
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我總共創作了 23 件不同的作品
06:49
with nothing left to physically物理 display顯示.
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沒有留下任何實體物品
06:52
What I thought would be the ultimate最終 limitation局限性
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我原本以為的終極限制
06:55
actually其實 turned轉身 out to be the ultimate最終 liberation解放,
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最後竟成了終極解放
06:58
as each time I created創建,
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每一次的創造後
07:00
the destruction毀壞 brought me back to a neutral中性 place地點
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這些毀滅都把我歸零
07:02
where I felt refreshed刷新 and ready準備 to start開始 the next下一個 project項目.
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我覺得很清新,並且準備好再出發
07:06
It did not happen發生 overnight過夜.
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這不是一夕可造成的
07:08
There were times when my projects項目 failed失敗 to get off the ground地面,
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有好幾次我的專案作品
一開始就失敗了
07:11
or, even worse更差, after spending開支 tons of time on them
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還有更糟的,在費了許多功夫後
07:13
the end結束 image圖片 was kind of embarrassing尷尬.
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成果卻難以見人
07:16
But having committed提交 to the process處理, I continued繼續 on,
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但因已投入過程,我還是繼續進行
07:19
and something really surprising奇怪 came來了 out of this.
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最後竟得到了意想不到的成果
07:21
As I destroyed銷毀 each project項目,
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當我毀掉了每一件作品
07:24
I was learning學習 to let go,
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我學會了放下
07:26
let go of outcomes結果, let go of failures故障,
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放下結果,放下失敗
07:30
and let go of imperfections缺陷.
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放下不完美
07:32
And in return返回, I found發現 a process處理 of creating創建 art藝術
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得到的回報,是找到一種創造過程
07:35
that's perpetual永動的 and unencumbered支配 by results結果.
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不會間斷、也不因結果而束縛自己
07:39
I found發現 myself in a state of constant不變 creation創建,
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我發覺自己一直不停的創造
07:41
thinking思維 only of what's next下一個
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不斷想著下一步還可以做什麼
07:44
and coming未來 up with more ideas思路 than ever.
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想法源源不絕而來
07:46
When I think back to my three years年份 away from art藝術,
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當我想起離開藝術創作的那三年
07:49
away from my dream夢想, just going through通過 the motions運動,
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遠離我的夢想,就只是隨波逐流
07:52
instead代替 of trying to find a different不同 way to continue繼續 that dream夢想,
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當時我沒有嘗試找出不同方法
來繼續這個夢想
07:56
I just quit放棄, I gave up.
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我喊停,放棄了
07:59
And what if I didn't embrace擁抱 the shake?
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如果我沒有去和顫抖做朋友呢?
08:03
Because embracing擁抱 the shake for me
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因為接受手抖這件事對我而言
08:04
wasn't just about art藝術 and having art藝術 skills技能.
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不只是藝術或是創作技巧上的問題
08:07
It turned轉身 out to be about life, and having life skills技能.
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而是關於人生,是生活的技能
08:11
Because ultimately最終, most of what we do
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因為最終我們所做的事
08:14
takes place地點 here, inside the box, with limited有限 resources資源.
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都是發生在這個框框裡面
在有限的資源下
08:19
Learning學習 to be creative創作的 within the confines界限 of our limitations限制
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學習在自己的受限範圍中創新
08:23
is the best最好 hope希望 we have to transform轉變 ourselves我們自己
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是改變自我的最佳方式
08:27
and, collectively, transform轉變 our world世界.
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然後大家可以一起,改變這個世界
08:31
Looking at limitations限制 as a source資源 of creativity創造力
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把限制當作創造力來源的想法
08:35
changed the course課程 of my life.
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轉換了我的人生道路
08:38
Now, when I run into a barrier屏障
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所以當我遇上了阻礙
08:39
or I find myself creatively創造性 stumped難倒,
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或者發現自己的創造力遇到瓶頸
08:43
I sometimes有時 still struggle鬥爭,
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我還是會有掙扎的時刻
08:44
but I continue繼續 to show顯示 up for the process處理
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但過程中我依然不會缺席
08:46
and try to remind提醒 myself of the possibilities可能性,
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嘗試提醒自己,還有其他可能性
08:50
like using運用 hundreds數以百計 of real真實, live生活 worms蠕蟲 to make an image圖片,
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例如:使用上百條活生生的蟲
來展現一張圖像
08:54
using運用 a pushpin圖釘 to tattoo a banana香蕉,
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用圖釘幫香蕉紋身
08:59
or painting繪畫 a picture圖片 with hamburger漢堡包 grease潤滑脂.
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或用漢堡的油脂來作畫
09:05
(Laughter笑聲)
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(觀眾笑)
09:07
One of my most recent最近 endeavors努力
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最近我在努力的一件事是
09:08
is to try to translate翻譯 the habits習慣 of creativity創造力 that I've learned學到了
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將我學到的創造力這個習慣
09:12
into something others其他 can replicate複製.
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轉化成可以讓人複製的技巧
09:15
Limitations限制 may可能 be the most unlikely不會 of places地方
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「侷限」或許是這世上
09:19
to harness馬俱 creativity創造力, but perhaps也許
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最不可能駕馭創造力的方式
但或許
09:22
one of the best最好 ways方法 to get ourselves我們自己 out of ruts車轍,
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這卻是能跳脫自我泥淖
最好的方法之一
09:26
rethink反思 categories類別 and challenge挑戰 accepted公認 norms規範.
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重新規劃,並挑戰既有的世俗標準
09:30
And instead代替 of telling告訴 each other to seize搶占 the day,
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除了告訴彼此要活在當下
09:33
maybe we can remind提醒 ourselves我們自己 every一切 day
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或許我們每一天還要提醒自己
09:37
to seize搶占 the limitation局限性.
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要精彩的活在侷限之中
09:40
Thank you.
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謝謝各位
09:41
(Applause掌聲)
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(觀眾掌聲)
Translated by Sailin Lu
Reviewed by Allen Li

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ABOUT THE SPEAKER
Phil Hansen - Multimedia artist
Taking a cue from his own artistic journey, Phil Hansen challenges us to spark our creativity by thinking inside the box.

Why you should listen

As an art student, Phil Hansen’s intense style of pointillism led to a tremor in his hand and a diagnosis of nerve damage. Devastated, he dropped out and lost his way ... until a neurologist suggested he “embrace the shake.” That piece of advice tweaked Hansen’s point of view and sent him on a quest to invent different approaches to making art by embracing personal and universal limitations.

Hansen challenged himself to create art using unconventional materials (dandelion puffs, matches, live worms, hamburger grease) and canvases (a stack of Satrbucks cups, his torso, bananas). The resulting time-lapse videos of his creative processes are his meta-art, showing that art is action, not just results. Through an integrated view of what sparks creativity, Hansen has devoted himself to teaching others the approaches to creativity that have changed both his outlook and his artistic endeavors. You can read more in his 2012 book, Tattoo a Banana.

Hansen has just started a new project via Kickstarter, inviting people to share their stories of overcoming limitations with him. Anyone who calls him at 651-321-4996 and tells him their story will become a part of the work, the creation of which is watchable on a live feed

More profile about the speaker
Phil Hansen | Speaker | TED.com

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