Jer Thorp: Make data more human
Jer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them. Full bio
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of the most exciting possible things.
a definition of history.
of history within a framework.
historical documents,
that have happened in the past,
together into a story.
of my own story.
who works creatively with computers,
well-adjusted young man --
in the type of business that I'm in,
not the Apple on the right.
by the Apple on the right
I mean, look at that logo!
It's not even in the right order!
about the company.
a machine, though.
I go back and I think about this.
when I was about 12 years old,
that could change our lives that way.
to talk about the computer.
that came loaded on that computer.
not the guy on the left,
who the guy on the right is?
to this question.
for tons of things
that Bill Atkinson wrote,
that shipped with the Mac,
for users of the computer
that we think about today,
and their big distribution.
of their local basketball team scores
there were some art projects.
kind of exploratory environment.
all of the time.
for putting me in this era
on a public computer
of the computer to make programs with it.
who invented the computer
a day, a magical day,
but none of them knew how to program,
with my computer, small-scale things,
the growth systems of plants.
a simulated economy
with one another,
these types of systems work,
to start working with data.
"communism" in the New York Times --
as "communism" is going away.
interested in the aesthetic of the graphs.
a "timepiece graph."
overlaying "despair" over "hope."
it's "crisis" over "hope" --
when "crisis" eclipses "hope."
of one of them right now.
with the New York Times data
an entire year's news cycle
a full year of news, all the people,
into a single graphic.
interested again in more active systems.
tweeting on Twitter.
in Hawaii!" -- you know,
that into their Twitter conversation.
But I did just land in Hawaii."
those people's trips,
we can use social network
to epidemiologists, among other people.
is a similar project,
saying "Good morning" to each other
on the West Coast wake up much later
from the Kepler Project
that made sense to me.
I've shown you up to now --
that I just did for fun.
but this comes back from HyperCard.
kind of occupy this weird space
from my experience with HyperCard,
to help me understand systems.
at the New York Times.
of really interesting projects,
to share with you today.
in conjunction with Mark Hansen.
at UCLA. He's also a media artist.
with a very interesting question
from person A to person B?
to person C to person D?
in the internet,
is what happens in that gap
the tool to explore that,
that leads to other events,
actually happen over time.
a lot of people who share our content,
they look more like this.
the content from one person to another,
degrees of separation,
in a couple of different views:
the threads of conversation,
that stacked view
about 7,000 pieces of content
when we were building this tool,
this vast terrain of data.
that we're giving people
terrain of data.
playing in real time.
a tremendous moment.
data, fake data, for so long,
for the first moment,
just dusted off these dinosaur bones.
and we were seeing it for the first time,
that underlie the internet.
analogy is a good one,
some probabilistic guesses
pieces and making some guesses,
are as statistically rigorous as possible.
they become parts of stories.
are the most interesting ones,
are also interesting.
We call this the "Rabbi Cascade."
about this article in the New York Times,
don't get a lot of time off.
for them to take off.
of rabbis having a conversation
Twitter name ever --
if it weren't for this exploratory tool.
been able to see that.
single pieces of information
building histories out of them,
about two years ago.
tremendously impactful event
has really become a more intricate one,
of the 9/11 Memorial in Manhattan.
are not laid out in alphabetical order
between the people who were killed
all of these myriad connections
called Local Projects
and a software tool
the layout for the memorial:
adjacency requests,
a very dense narrative,
of this memorial.
we produce the software tool,
first of all, generate a layout
adjacency requests,
where they needed to
that they wanted to tell.
has an incredibly timely concept
networks that make up people's lives --
inside of the memorial.
moving experiences
are placed next to each other,
is representing their own lives.
there was a controversy,
that on the iPhone
of the location data.
this was not location data about you,
about wireless networks
this human-mobility data.
How many people have iPhones?"
database of location data
would really, really like.
with researchers to share that data,
that can actually put it to use.
success as a prototype.
see their lives unfolding
that are left behind on your devices.
was how moving this experience would be.
I thought, "Big deal.
What am I going to see here?"
was that moment I got off the plane
that first night,
of being in New York;
on Amsterdam Avenue.
I told you about those stories
you about those stories?
in the tool, inadvertently,
into a human context.
tremendously important,
that are being stored on these devices.
is get a better understanding
that we're sharing.
if we can put data into a human context,
for the people involved in these systems.
in a fundamental respect,
in a large part of technology,
with issues like privacy,
are not just numbers,
pieces of the real world.
the dialog becomes a lot different.
your location data on your phone?
to this information is the first party!
about these pieces of data
a lot more important.
to do is really simple:
in a human context.
think about them in a human context.
think about them in a human context.
is big business.
that we've developed involving resources.
a lack of participation in these dialogues
from artists, from poets, from writers --
into this discussion.
with the resource industry
with the financial industry,
element into this story,
to tremendous places.
ABOUT THE SPEAKER
Jer Thorp - Data artistJer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them.
Why you should listen
Currently the data artist in residence at the New York Times, Jer’s software-based art has been featured all over the world. His former career as a data artist explains why his art often brings big data sets to life and is deeply influenced by science. Originally from Vancouver, he lives in New York City, where, along with his work at the New York Times, he teaches in NYU’s ITP program.
Jer Thorp | Speaker | TED.com