Judith Jamison and members of the Alvin Ailey American Dance Theater: Revelations from a lifetime of dance
Judith Jamison y el Alvin Ailey American Dance Theater: Revelaciones de toda una vida de baile
Judith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future. Full bioAlvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance. Full bio
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by Ella Jenkins)
por Ella Jenkins)
enteramente vestido de blanco
enteramente vestido de rojo
a todos los hombres?
se lavó toda la noche
le dolieron las manos
se lavó toda la noche
let's give a warm welcome
una calurosa bienvenida
del Alvin Ailey American Dance Theater,
of the Alvin Ailey American Dance Theater,
you've just been to church?
de ir a la iglesia?
Mr. Ailey created in 1960,
que el Sr. Ailey creó en 1960,
when he choreographed this masterpiece.
coreografió esta obra maestra.
and understood universally,
y entendido universalmente,
the humanity in us all.
la humanidad en todos nosotros.
of a journey we all take in life,
un viaje que todos hacemos en la vida,
that connected us all.
nos conectaban a todos.
at the Judimar School of Dance,
en la escuela de danza Judimar,
from the Rio Grande."
Cowhand from the Rio Grande".
every minute of it,
amé cada minuto,
when I was six, I said,
cuando tenía 6 años, dije:
a career of your lifetime,
para toda tu vida,
and through college,
that that's what I actually wanted to do.
de que eso era lo que quería hacer.
I've had in my life --
he tenido en mi vida,
from that audition --
de esa audición,
"Thank you very much,"
me dijeron "Muchas gracias"
en los escalones.
the Alvin Ailey American Dance Theater.
al Alvin Ailey American Dance Theater.
with the company,
bailando con la compañia
for something like 21 years.
and African American and a dancer,
afroamericanos y bailarines
entre los años 40 y 70,
was not being heard.
as you truly were.
como realmente eras.
of the Civil Rights Movement,
Movimiento por los Derechos Civiles,
sobre quiénes éramos,
of American culture.
la panoplia de la cultura norteamericana.
to educate, to entertain,
ha sido educar, entretener,
came from the people
venía de las personas
back to the people.
of who we were and still are,
quiénes éramos y quiénes somos
part of the company.
importante de la compañía.
¿para quién bailamos?
what it is to be human
para mostrar a la gente qué es ser humano
that we dance for.
para el que bailamos?
to make sure the community understood
de asegurar que la comunidad entendiera
is a part of their heritage.
es parte de nuestra herencia.
solo en Estados Unidos,
dance company in the world.
compañía de danza en el mundo
was released from prison,
fuera liberado de la prisión,
to go to South Africa.
el momento de ir a Sudáfrica".
that were really in dire straits.
estaban en una situación desesperada.
as we were there, I'm going like,
estábamos allí, era como:
el corazón de la Madre África,
these people how to dance?"
a estas personas a bailar?"
that they were interested in,
afroamericana lo que les interesaba,
over the last 400 years.
desarrollado en los últimos 400 años.
or South America or Asia
Europa, Sudamérica o Asia
communication really works.
no verbal realmente funciona.
in the '60s and the '70s;
momento en los años 60 y 70;
of the time was about,
la verdad de esa época,
to reveal it through dance.
revelarlo a través del baile.
he had and we had,
que tenía y que teníamos,
and turned it into powerful dance.
la convirtió en una danza poderosa.
generacionalmente.
about things so much,
tanto sobre las cosas,
our shared responsibilities.
nuestras responsabilidades compartidas.
to take over the company
me hiciera cargo de la compañía
of the same tree.
partes del mismo árbol.
pudieron haber visto,
todas las mujeres negras,
from your heart and your spirit.
desde tu corazón y espíritu.
you can share that with.
con el que puedes compartirlo.
es un espacio sagrado,
to each other through spirit.
con el otro a través del espíritu.
technique on top of that
algo de técnica además
and I brought my Judy to it.
y yo aporté a mi Judy.
present for his mother,
cumpleaños para su madre,
to get her a tactile gift.
de darle un regalo tangible.
and emotionally draining.
from beginning to end.
completa de principio a fin.
who has been to hell and back,
en su viaje a través del Atlántico
you're going to see she is triumphant.
verán que está triunfante.
step that she does,
she digs into the earth
for the next journey.
el espacio para el próxima viaje.
con una última reflexión.
with one last thought.
of the struggle that continues.
de que la lucha continúa.
can elevate our human experience
elevar nuestra experiencia humana
by East Harlem)
por East Harlem)
el viento del norte
Save your child
salva a tu hija
Save your child
Salva a tu hija
sea un poco más ligera
Where will I be tomorrow night?
¿dondé estaré mañana por la noche?
ABOUT THE SPEAKERS
Judith Jamison - Dancer, choreographerJudith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future.
Why you should listen
Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the next 15 years, Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s, Jamison appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Ailey asked her to succeed him as Artistic Director. In the 21 years that followed, she brought the Company to unprecedented heights, including two historic engagements in South Africa and a 50-city global tour to celebrate the Company’s 50th anniversary.
Jamison is the recipient of numerous awards and honors, among them an Emmy, an American Choreography Award, the Kennedy Center Honor, a National Medal of Arts, a "Bessie" Award, the Phoenix Award and the Handel Medallion. She was also listed in TIME's list of The World’s Most Influential People and honored by First Lady Michelle Obama at the first White House Dance Series event. In 2015, she became the 50th inductee into the Hall of Fame at the National Museum of Dance. Jamison continues to dedicate herself to asserting the prominence of the arts in our culture.
Judith Jamison | Speaker | TED.com
Alvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance.
Why you should listen
Constance Stamatiou began her dance training at Pat Hall's Dance Unlimited and North Carolina Dance and Theatre. She graduated from NorthWest School of the Arts and studied at SUNY Purchase before becoming a fellowship student at The Ailey School. In 2009, Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts. She performed at the White House Dance Series and has been a guest performer on So You Think You Can Dance, Dancing with the Stars, Logo's Trailblazer Honors, and The Today Show. Stamatiou has also danced in the films Shake Rattle & Roll and in Dan Pritzker's Bolden. Stamatiou was a member of Ailey ll a guest artist for Darrell Grand Moultrie and Caroline Calouche and Co. She is a certified Gyrotonic and Gyrokinesis instructor and a mother of two. Stamatiou first joined the Company in 2007 and rejoined in 2016.
Solomon Dumas was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy For The Arts and the Russell Talbert Dance Studio, where he received his most influential training. Dumas studied at New World School Of The Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Mr. Dumas joined the Company in 2016.
Samantha Figgins began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor and Twyla Tharp. Upon graduating cum laude, Figgins became a member of Complexions Contemporary Ballet, performing works by Dwight Rhoden, Jae Man Joo and Camille A. Brown. She also performed at the 2014 DanceOpen Festival in St. Petersburg, Russia. Figgins was featured both on the cover of Dance Spirit magazine and in Pointe magazine's "10 Careers to Watch" in 2013. She has worked with Beyoncé and can be seen in the film Enemy Within alongside Tiler Peck and Matthew Rushing. Figgins joined the Company in 2014.
Alvin Ailey American Dance Theater | Speaker | TED.com