Judith Jamison and members of the Alvin Ailey American Dance Theater: Revelations from a lifetime of dance
Judith Jamison et l'Alvin Ailey American Dance Theater: Les révélations d'une vie dédiée à la danse
Judith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future. Full bioAlvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance. Full bio
Double-click the English transcript below to play the video.
by Ella Jenkins)
par Ella Jenkins)
dans l'eau, mon enfant !
à pieds joints dans l'eau ?
dans l'eau, mon enfant !
dans l'eau, mon enfant !
que Moïse a conduit.
dans l'eau, mon enfant !
libéré Daniel ?
libéré Daniel ?
libéré Daniel ?
libéré Daniel ?
pour s'y laver de ses péchés.
soient douloureuses.
let's give a warm welcome
of the Alvin Ailey American Dance Theater,
de l'Alvin Ailey American Dance Theater :
you've just been to church?
vous sortez de l'église ?
Mr. Ailey created in 1960,
que monsieur Ailey a créé en 1960 :
when he choreographed this masterpiece.
de ce chef-d'œuvre à 29 ans.
and understood universally,
et tout le monde le comprend
the humanity in us all.
notre humanité à nous tous.
of a journey we all take in life,
de notre parcours personnel dans la vie,
that connected us all.
qui nous relie tous.
qu'il vous relatait était la vôtre,
at the Judimar School of Dance,
à l'école de danse Judimar,
et des chaussons de danse roses.
from the Rio Grande."
from the Rio Grande ».
every minute of it,
chaque instant de la danse
when I was six, I said,
à l'âge de six ans,
a career of your lifetime,
and through college,
et l'université en dansant
that that's what I actually wanted to do.
c'est ce que je voulais vraiment faire.
I've had in my life --
from that audition --
je pensais qu'ils me signifiaient
"Thank you very much,"
sur une marche.
cet homme m'a appelée
the Alvin Ailey American Dance Theater.
de l'Alvin Ailey American Dance Theater.
with the company,
for something like 21 years.
pendant 21 ans environ.
and African American and a dancer,
afro-américaine et danseuse,
was not being heard.
dans son intégralité.
as you truly were.
comme vous êtes vraiment.
of the Civil Rights Movement,
pour les droits civils,
sur qui nous étions --
of American culture.
de la culture américaine.
to educate, to entertain,
d'éduquer, d'amuser
came from the people
que la danse émanait du peuple
back to the people.
of who we were and still are,
constitutif de qui nous étions et sommes,
part of the company.
crucial pour la troupe.
what it is to be human
pour montrer le sens d'être un humain
that we dance for.
pour lequel nous dansons.
to make sure the community understood
de la compréhension par la communauté
is a part of their heritage.
fait partie de leur héritage.
dance company in the world.
quelle autre compagnie de danse au monde.
was released from prison,
to go to South Africa.
d'aller en Afrique du Sud.
that were really in dire straits.
dans le plus complet dénuement.
as we were there, I'm going like,
nourricier de l'Afrique
these people how to dance?"
leur apprendre à danser.
that they were interested in,
à notre « afro-américanité »
over the last 400 years.
nous avions développée en 400 ans.
le monde plusieurs fois
en Amérique du Sud ou en Asie,
or South America or Asia
communication really works.
est super puissante.
in the '60s and the '70s;
dans les années 60 et 70,
ce que nous faisions.
of the time was about,
la vérité de l'époque
to reveal it through dance.
à travers la danse.
he had and we had,
ainsi que des nôtres,
and turned it into powerful dance.
et l'a transformée en une danse puissante.
de la même génération.
about things so much,
de parler beaucoup
our shared responsibilities.
nos responsabilités partagées.
to take over the company
de reprendre la troupe
of the same tree.
des membres d'un seul arbre.
from your heart and your spirit.
notre cœur et notre esprit,
you can share that with.
un danseur avec qui partager ça.
to each other through spirit.
spirituelle entre deux êtres.
technique on top of that
un niveau technique
and I brought my Judy to it.
et moi, j'y ai mis ma Judy.
present for his mother,
d'anniversaire pour sa mère
to get her a tactile gift.
l'achat d'un objet à offrir.
et émotionnellement.
and emotionally draining.
from beginning to end.
sa totalité d'un seul coup.
who has been to hell and back,
qui est descendue et revenue des enfers,
you're going to see she is triumphant.
vous constaterez qu'elle triomphe.
step that she does,
she digs into the earth
for the next journey.
with one last thought.
avec un dernier mot.
pour nos droits civils.
of the struggle that continues.
de cette lutte continue.
can elevate our human experience
peut élever notre expérience humaine
entravés ou incompris.
by East Harlem)
Be free. » d'East Harlem)
où le vent du nord souffle.
volant haut, volant.
dans un magasin.
Save your child
dans un magasin.
Save your child
dans un magasin.
Where will I be tomorrow night?
où serai-je demain ?
ABOUT THE SPEAKERS
Judith Jamison - Dancer, choreographerJudith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future.
Why you should listen
Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the next 15 years, Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s, Jamison appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Ailey asked her to succeed him as Artistic Director. In the 21 years that followed, she brought the Company to unprecedented heights, including two historic engagements in South Africa and a 50-city global tour to celebrate the Company’s 50th anniversary.
Jamison is the recipient of numerous awards and honors, among them an Emmy, an American Choreography Award, the Kennedy Center Honor, a National Medal of Arts, a "Bessie" Award, the Phoenix Award and the Handel Medallion. She was also listed in TIME's list of The World’s Most Influential People and honored by First Lady Michelle Obama at the first White House Dance Series event. In 2015, she became the 50th inductee into the Hall of Fame at the National Museum of Dance. Jamison continues to dedicate herself to asserting the prominence of the arts in our culture.
Judith Jamison | Speaker | TED.com
Alvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance.
Why you should listen
Constance Stamatiou began her dance training at Pat Hall's Dance Unlimited and North Carolina Dance and Theatre. She graduated from NorthWest School of the Arts and studied at SUNY Purchase before becoming a fellowship student at The Ailey School. In 2009, Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts. She performed at the White House Dance Series and has been a guest performer on So You Think You Can Dance, Dancing with the Stars, Logo's Trailblazer Honors, and The Today Show. Stamatiou has also danced in the films Shake Rattle & Roll and in Dan Pritzker's Bolden. Stamatiou was a member of Ailey ll a guest artist for Darrell Grand Moultrie and Caroline Calouche and Co. She is a certified Gyrotonic and Gyrokinesis instructor and a mother of two. Stamatiou first joined the Company in 2007 and rejoined in 2016.
Solomon Dumas was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy For The Arts and the Russell Talbert Dance Studio, where he received his most influential training. Dumas studied at New World School Of The Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Mr. Dumas joined the Company in 2016.
Samantha Figgins began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor and Twyla Tharp. Upon graduating cum laude, Figgins became a member of Complexions Contemporary Ballet, performing works by Dwight Rhoden, Jae Man Joo and Camille A. Brown. She also performed at the 2014 DanceOpen Festival in St. Petersburg, Russia. Figgins was featured both on the cover of Dance Spirit magazine and in Pointe magazine's "10 Careers to Watch" in 2013. She has worked with Beyoncé and can be seen in the film Enemy Within alongside Tiler Peck and Matthew Rushing. Figgins joined the Company in 2014.
Alvin Ailey American Dance Theater | Speaker | TED.com