Judith Jamison and members of the Alvin Ailey American Dance Theater: Revelations from a lifetime of dance
Judith Jamison e l'Alvin Ailey American Dance Theater: Rivelazioni da una vita nella danza
Judith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future. Full bioAlvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance. Full bio
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by Ella Jenkins)
di Ella Jenkins)
si è lavato tutta la notte
non gli hanno fatto male
si è lavato tutta la notte
let's give a warm welcome
diamo un caloroso benvenuto
of the Alvin Ailey American Dance Theater,
del Alvin Ailey American Dance Theater,
appena stati in chiesa?
you've just been to church?
a un battesimo, sì?
Mr. Ailey created in 1960,
opera che Mr. Ailey realizzò nel 1960,
when he choreographed this masterpiece.
la coreografia di questo capolavoro.
and understood universally,
e universalmente compresa,
the humanity in us all.
l'umanità che c'è in tutti noi.
of a journey we all take in life,
di un viaggio che tutti facciamo,
that connected us all.
che creavano un legame tra tutti noi.
la nostra storia,
lunghe fino alle ascelle.
at the Judimar School of Dance,
alla Judimar School of Dance,
Old Cowhand from the Rio Grande."
from the Rio Grande."
every minute of it,
amai ogni istante,
when I was six, I said,
quando avevo sei anni, e dissi:
di tutta la tua vita,
a career of your lifetime,
and through college,
tutta la scuola e l'università,
that that's what I actually wanted to do.
che era ciò che volevo veramente fare.
I've had in my life --
che feci in vita mia
from that audition --
“Grazie molte”,
"Thank you very much,"
the Alvin Ailey American Dance Theater.
all'Alvin Ailey American Dance Theater.
with the company,
con la compagnia,
for something like 21 years.
più o meno per 21 anni.
and African American and a dancer,
tra gli anni ‘40 e ‘70,
was not being heard.
non era ascoltata del tutto.
as you truly were.
per quello che eri veramente.
of the Civil Rights Movement,
del Movimento per i Diritti Civili,
la nostra bellezza,
of American culture.
della cultura americana.
to educate, to entertain,
istruire, intrattenere,
came from the people
venisse dalla gente
back to the people.
of who we were and still are,
di chi eravamo e ancora siamo,
part of the company.
parte della compagnia.
what it is to be human
alla gente cosa significhi essere umani
that we dance for.
con il pubblico per cui danziamo?
nel garantire che la comunità comprenda
to make sure the community understood
is a part of their heritage.
fa parte della loro tradizione.
ma in tutto il mondo.
di danza del mondo.
dance company in the world.
was released from prison,
to go to South Africa.
di andare in Sud Africa.
that were really in dire straits.
in condizioni davvero pessime.
as we were there, I'm going like,
mentre eravamo lì:
nel cuore di Madre Africa,
a questa gente?"
these people how to dance?"
che a loro interessava,
that they were interested in,
over the last 400 years.
nel corso degli ultimi 400 anni.
in giro per il mondo,
or South America or Asia
o in Sud America o in Asia,
esaltati ed emozionati.
communication really works.
non verbale funziona sul serio.
ogni persona.
in the '60s and the '70s;
negli anni '60 e '70;
eseguendo i suoi lavori.
of the time was about,
la verità a quel tempo,
to reveal it through dance.
di rivelarla attraverso la danza.
he had and we had,
che aveva e che noi avevamo,
and turned it into powerful dance.
e la trasformava in danza potente.
si sovrapponevano.
più di tanto delle cose,
about things so much,
our shared responsibilities.
le nostre comuni responsabilità.
di rilevare la compagnia
to take over the company
of the same tree.
dello stesso albero.
from your heart and your spirit.
dal cuore e dall’anima.
you can share that with.
con la quale condividerlo.
to each other through spirit.
technique on top of that
and I brought my Judy to it.
e io ci misi la mia Judy.
present for his mother,
di compleanno per sua madre,
to get her a tactile gift.
di prenderle un regalo tangibile.
and emotionally draining.
from beginning to end.
tutta la parte dall’inizio alla fine.
who has been to hell and back,
che è stata all’inferno e ne è uscita,
you're going to see she is triumphant.
step that she does,
she digs into the earth
scavando nella terra
for the next journey.
per il viaggio successivo.
with one last thought.
per i diritti civili.
of the struggle that continues.
della battaglia che continua.
can elevate our human experience
di elevare l’umana esperienza
by East Harlem)
Degli East Harlem)
il vento del nord
che vola alto, continua a volare
Save your child
Salva tuo figlio
Save your child
Salva tuo figlio
Where will I be tomorrow night?
Dove sarò domani sera?
ABOUT THE SPEAKERS
Judith Jamison - Dancer, choreographerJudith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future.
Why you should listen
Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the next 15 years, Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s, Jamison appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Ailey asked her to succeed him as Artistic Director. In the 21 years that followed, she brought the Company to unprecedented heights, including two historic engagements in South Africa and a 50-city global tour to celebrate the Company’s 50th anniversary.
Jamison is the recipient of numerous awards and honors, among them an Emmy, an American Choreography Award, the Kennedy Center Honor, a National Medal of Arts, a "Bessie" Award, the Phoenix Award and the Handel Medallion. She was also listed in TIME's list of The World’s Most Influential People and honored by First Lady Michelle Obama at the first White House Dance Series event. In 2015, she became the 50th inductee into the Hall of Fame at the National Museum of Dance. Jamison continues to dedicate herself to asserting the prominence of the arts in our culture.
Judith Jamison | Speaker | TED.com
Alvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance.
Why you should listen
Constance Stamatiou began her dance training at Pat Hall's Dance Unlimited and North Carolina Dance and Theatre. She graduated from NorthWest School of the Arts and studied at SUNY Purchase before becoming a fellowship student at The Ailey School. In 2009, Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts. She performed at the White House Dance Series and has been a guest performer on So You Think You Can Dance, Dancing with the Stars, Logo's Trailblazer Honors, and The Today Show. Stamatiou has also danced in the films Shake Rattle & Roll and in Dan Pritzker's Bolden. Stamatiou was a member of Ailey ll a guest artist for Darrell Grand Moultrie and Caroline Calouche and Co. She is a certified Gyrotonic and Gyrokinesis instructor and a mother of two. Stamatiou first joined the Company in 2007 and rejoined in 2016.
Solomon Dumas was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy For The Arts and the Russell Talbert Dance Studio, where he received his most influential training. Dumas studied at New World School Of The Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Mr. Dumas joined the Company in 2016.
Samantha Figgins began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor and Twyla Tharp. Upon graduating cum laude, Figgins became a member of Complexions Contemporary Ballet, performing works by Dwight Rhoden, Jae Man Joo and Camille A. Brown. She also performed at the 2014 DanceOpen Festival in St. Petersburg, Russia. Figgins was featured both on the cover of Dance Spirit magazine and in Pointe magazine's "10 Careers to Watch" in 2013. She has worked with Beyoncé and can be seen in the film Enemy Within alongside Tiler Peck and Matthew Rushing. Figgins joined the Company in 2014.
Alvin Ailey American Dance Theater | Speaker | TED.com