Judith Jamison and members of the Alvin Ailey American Dance Theater: Revelations from a lifetime of dance
Judith Jamison e Alvin Ailey American Dance Theater: Revelações de uma vida inteira de dança
Judith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future. Full bioAlvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance. Full bio
Double-click the English transcript below to play the video.
by Ella Jenkins)
de Ella Jenkins)
todo vestido de branco ♪
todo vestido de vermelho ♪
let's give a warm welcome
calorosas boas vindas
da Alvin Ailey American Dance Theater,
of the Alvin Ailey American Dance Theater,
you've just been to church?
acabaram de ir à igreja?
Mr. Ailey created in 1960,
que o sr. Ailey criou em 1960,
when he choreographed this masterpiece.
quando coreografou essa obra-prima.
and understood universally,
e compreendida universalmente,
the humanity in us all.
a humanidade em todos nós.
of a journey we all take in life,
que todos levamos na vida,
that connected us all.
que conectavam todos nós.
contava a sua história,
at the Judimar School of Dance,
na Judimar School of Dance,
from the Rio Grande."
"I'm an Old Cowhand from the Rio Grande".
every minute of it,
adorei cada minuto,
when I was six, I said,
que será uma carreira da nossa vida,
a career of your lifetime,
and through college,
that that's what I actually wanted to do.
que eu realmente queria fazer.
I've had in my life --
from that audition --
"Thank you very much,"
diziam: "Muito obrigado",
the Alvin Ailey American Dance Theater.
na Alvin Ailey American Dance Theatre.
with the company,
for something like 21 years.
and African American and a dancer,
afroamericano e dançarino,
was not being heard.
as you truly were.
na sua essência.
of the Civil Rights Movement,
movimento dos direitos civis,
sobre quem nós éramos
of American culture.
da panóplia da cultura americana.
to educate, to entertain,
came from the people
back to the people.
of who we were and still are,
de quem éramos e ainda somos,
part of the company.
importante da companhia.
para quem estamos dançando?
what it is to be human
para mostrar às pessoas o que é ser humano
that we dance for.
para o qual dançamos.
to make sure the community understood
que o que fazemos é parte da herança dela.
is a part of their heritage.
como também em todo o mundo.
outra companhia de dança do mundo.
dance company in the world.
was released from prison,
foi libertado da prisão,
to go to South Africa.
para a África do Sul".
that were really in dire straits.
que realmente passavam por dificuldades.
as we were there, I'm going like,
que, quando estávamos lá, eu dizia:
these people how to dance?"
essas pessoas a dançar?"
that they were interested in,
em nosso afroamericanismo
nos últimos 400 anos.
over the last 400 years.
or South America or Asia
Ásia ou em outro lugar,
communication really works.
realmente funciona.
in the '60s and the '70s;
dos anos 1960 e 1970;
of the time was about,
a verdade da época
to reveal it through dance.
por meio da dança.
he had and we had,
que ele e nós tínhamos,
and turned it into powerful dance.
e a transformou em uma dança poderosa.
about things so much,
conversar muito sobre as coisas,
our shared responsibilities.
as responsabilidades que compartilhávamos.
to take over the company
para assumir a companhia
para levar isso adiante.
of the same tree.
as mulheres negras,
é claro que ele não pensava:
do seu coração e do seu espírito.
from your heart and your spirit.
you can share that with.
com quem pode compartilhar isso.
to each other through spirit.
uns com os outros pelo espírito.
technique on top of that
alguma técnica para conseguir dançar.
and I brought my Judy to it.
e eu trouxe o meu Judy para ele.
present for his mother,
para a mãe dele,
to get her a tactile gift.
de dar um presente que podia ser tocado.
tive um desgaste físico e emocional.
and emotionally draining.
toda a peça do começo ao fim.
from beginning to end.
who has been to hell and back,
que esteve no inferno e voltou,
you're going to see she is triumphant.
que ela é triunfante.
step that she does,
she digs into the earth
for the next journey.
para a próxima jornada.
com um último pensamento.
with one last thought.
of the struggle that continues.
da luta que continua.
can elevate our human experience
nossa experiência humana
sentados no escuro,
ou incompreendidos.
by East Harlem)
de East Harlem)
pássaro que voa alto, voe ♪
que comprou cama ♪
Save your child
que comprou cama ♪
Save your child
que comprou cama ♪
Where will I be tomorrow night?
onde estarei amanhã à noite? ♪
ABOUT THE SPEAKERS
Judith Jamison - Dancer, choreographerJudith Jamison uses dance as a medium for honoring the past, celebrating the present and fearlessly reaching into the future.
Why you should listen
Judith Jamison joined Alvin Ailey American Dance Theater in 1965 and quickly became an international star. Over the next 15 years, Ailey created some of his most enduring roles for her, most notably the tour-de-force solo Cry. During the 1970s and 80s, Jamison appeared as a guest artist with ballet companies all over the world, starred in the hit Broadway musical Sophisticated Ladies and formed her own company, The Jamison Project. She returned to Alvin Ailey American Dance Theater in 1989 when Ailey asked her to succeed him as Artistic Director. In the 21 years that followed, she brought the Company to unprecedented heights, including two historic engagements in South Africa and a 50-city global tour to celebrate the Company’s 50th anniversary.
Jamison is the recipient of numerous awards and honors, among them an Emmy, an American Choreography Award, the Kennedy Center Honor, a National Medal of Arts, a "Bessie" Award, the Phoenix Award and the Handel Medallion. She was also listed in TIME's list of The World’s Most Influential People and honored by First Lady Michelle Obama at the first White House Dance Series event. In 2015, she became the 50th inductee into the Hall of Fame at the National Museum of Dance. Jamison continues to dedicate herself to asserting the prominence of the arts in our culture.
Judith Jamison | Speaker | TED.com
Alvin Ailey American Dance Theater - Dance company
Alvin Ailey American Dance Theater grew from a now-fabled 1958 performance at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance changed forever the perception of American dance.
Why you should listen
Constance Stamatiou began her dance training at Pat Hall's Dance Unlimited and North Carolina Dance and Theatre. She graduated from NorthWest School of the Arts and studied at SUNY Purchase before becoming a fellowship student at The Ailey School. In 2009, Stamatiou received the Leonore Annenberg Fellowship in the performing and visual arts. She performed at the White House Dance Series and has been a guest performer on So You Think You Can Dance, Dancing with the Stars, Logo's Trailblazer Honors, and The Today Show. Stamatiou has also danced in the films Shake Rattle & Roll and in Dan Pritzker's Bolden. Stamatiou was a member of Ailey ll a guest artist for Darrell Grand Moultrie and Caroline Calouche and Co. She is a certified Gyrotonic and Gyrokinesis instructor and a mother of two. Stamatiou first joined the Company in 2007 and rejoined in 2016.
Solomon Dumas was introduced to dance through AileyCamp. He later began his formal training at The Chicago Academy For The Arts and the Russell Talbert Dance Studio, where he received his most influential training. Dumas studied at New World School Of The Arts and was a fellowship Level 1 student at The Ailey School. He has performed with companies including Garth Fagan Dance; Ronald K. Brown/Evidence A Dance Company; and Labyrinth Dance Theater and was a member of Ailey II. Mr. Dumas joined the Company in 2016.
Samantha Figgins began dancing at Duke Ellington School of the Arts under the tutelage of Charles Auggins and Sandra Fortune-Greene and attended summer intensives at Dance Theatre of Harlem under the direction of Arthur Mitchell. She continued her education at SUNY Purchase Conservatory of Dance. There, she performed works by George Balanchine, Bill T. Jones, Paul Taylor and Twyla Tharp. Upon graduating cum laude, Figgins became a member of Complexions Contemporary Ballet, performing works by Dwight Rhoden, Jae Man Joo and Camille A. Brown. She also performed at the 2014 DanceOpen Festival in St. Petersburg, Russia. Figgins was featured both on the cover of Dance Spirit magazine and in Pointe magazine's "10 Careers to Watch" in 2013. She has worked with Beyoncé and can be seen in the film Enemy Within alongside Tiler Peck and Matthew Rushing. Figgins joined the Company in 2014.
Alvin Ailey American Dance Theater | Speaker | TED.com