TEDYouth 2013
Clayton Cameron: A-rhythm-etic. The math behind the beats
Clayton Cameron: "अ-रिद-मेटिक" । ताल के पीछे का गणित ।
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झूमने के लिए तैयार? ड्रमर क्लेटन कैमरून सभी प्रकार के संगीत को -- "आर&बी" से "लैटिन" एक एक ताल करके बजाते है। एक टाॅक जो सिद्ध करती है की संगीत गणित से बड़कर नहीं - उस पर आधारित है।
Clayton Cameron - Drummer
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell. Full bio
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell. Full bio
Double-click the English transcript below to play the video.
00:12
How many of you love rhythm?
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आप में से कितने लोगों को ताल पसंद है ?
00:16
Oh yeah, oh yeah. Oh yeah. (Cheers)
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ओह हाँ, ओह हाँ। ओह हाँ. (चियर्स)
00:18
(Drumming)
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(ढोल)
00:27
I mean, I love all kinds of rhythm.
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मैं सभी प्रकार के तालों को पसंद करता हूँ।
00:31
I like to play jazz,
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मैं जेज़ बजाना पसंद है,
00:33
a little funk,
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थोड़ा सा 'फंक',
00:36
and hip hop,
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और हिप हॉप,
00:40
a little pop, a little R&B,
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थोड़ा सा पॉप, थोड़ा सा 'आर & बी'.
00:47
a little Latin,
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थोड़ा सा लैटिन,
00:54
African.
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अफ्रीकी।
01:05
And this groove right here,
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और यह जो धुन है,
01:13
comes from the Crescent City,
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"क्रीसेंट सिटी" की है,
01:16
the old second line.
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पुरानी दूसरी पंक्ति।
01:18
(Cheers)
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(चियर्स)
01:25
Now, one thing all those rhythms have in common
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अब, एक बात है इन सब लय में समान है,
01:31
is math,
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गणित।
01:32
and I call it a-rhythm-etic.
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और मैं इसे कहता हूॅँ "अ-रिद-मेटिक"
01:35
Can you repeat after me? A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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क्या आप मेरे बाद दोहरा सकते हैं? "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
01:40
Clayton Cameron: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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क्लेटन कैमरून: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
01:42
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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क्लेटन कैमरून: "अ-रिद-म अ-रिद-म "
दर्शक: "अ-रिद-म अ-रिद-म"
दर्शक: "अ-रिद-म अ-रिद-म"
01:44
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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क्लेटन कैमरून: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
01:46
CC: Yeah.
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क्लेटन कैमरून: जी हाँ।
01:50
Now all those styles of rhythm
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अब सभी उन प्रकारों की लय
01:55
are all counted in four
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चार चार करके गिनते है
01:59
and then subdivided by three.
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और फिर तीन से भाग करदेते है़।
02:02
What?
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क्या?
02:04
Yeah. Three is a magic number.
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हाँ. तीन एक जादुई संख्या है।
02:08
Three is a groovin' number.
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तीन एक मदमस्त संख्या है।
02:10
Three is a hip-hop kind of number.
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तीन एक हिप हॉप संख्या की तरह है।
02:14
But what does subdividing by three mean?
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लेकिन "तीन से भाग करने" का क्या मतलब है?
02:17
And counting off by four?
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और चार चार में गिनतियाँ करने का ?
02:19
Well, look, think of it this way.
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ठीक है, देखो, इसे इस तरह सोचो।
02:21
A measure of music as a dollar.
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संगीत को डॅालर के रुप में नापो।
02:25
Now a dollar has four quarters, right?
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अब एक डालर में चार चवन्नी, सही है?
02:31
And so does a 4/4 measure of music.
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और तो संगीत का 4/4 हुआ ।
02:34
It has four quarter notes.
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इसमें चार चवन्नी हुई ।
02:38
Now, how do you subdivide?
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अब, कैसे आप प्रतिभाग करते हैं?
02:40
Now let's envision this:
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अब यह कल्पना करे :
02:45
three dollars' worth of quarters.
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तीन डॉलर के मूल्य की चवन्नीं हैं ।
02:48
You would have three groups of four,
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आप के पास तीन के चार समूह है,
02:52
and you would count it,
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और आप गिनेगें...
02:54
a-one-two-three-four, one-two-three-four,
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एक-दो-तीन-चार, एक-दो-तीन-चार,
02:56
one-two-three-four. Together.
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एक-दो-तीन-चार। एक साथ।
02:58
All: A-one-two-three-four,
one-two-three-four, one-two-three-four.
one-two-three-four, one-two-three-four.
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सभी: एक-दो-तीन-चार, एक-दो-तीन-चार, एक-दो-तीन-चार।
03:01
CC: Okay, now you feel that?
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अब आपको लगता है कि, ठीक है?
03:04
Now let's take those three groups of four
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अब चलो ये चार के तीन समूहों को लेते है
03:09
and make them four groups of three.
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और इन्हें तीन के चार समूह बनाते है।
03:13
And listen to this.
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और इसे सुनो।
03:15
A-one-two-three-four, one-two-three-four,
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एक-दो-तीन-चार, एक-दो-तीन-चार,
03:17
one-two-three-four, with me.
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एक-दो-तीन-चार, मेरे साथ।
03:19
One-two-three-four, one-two-three, come on, y'all!
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पर, तुम सब लोग एक-दो-तीन-चार, एक दो तीन, आओ!
03:22
All: One-two-three-four,
one-two-three-four, one-two-three-four, ah.
one-two-three-four, one-two-three-four, ah.
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सभी: एक-दो-तीन-चार, एक-दो-तीन-चार, एक-दो-तीन-चार, आह।
03:27
CC: There you go.
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यह हुई न बात।
03:28
All right, second line.
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ठीक है, दूसरी पंक्ति।
03:34
One-two-three-four, one-two-three.
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एक-दो-तीन-चार, एक दो तीन।
03:38
One-two-three-four, one-two-three.
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एक-दो-तीन-चार, एक दो तीन।
03:41
One-two-three-four, one-two-three.
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एक-दो-तीन-चार, एक दो तीन।
03:44
One-two-three-four, one-two-three. Yeah.
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एक-दो-तीन-चार, एक दो तीन। हाँ.
03:48
Now, that's what I call a-rhythm-etic.
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अब, इसे कहता हुँ में "अ-रिद-मेटिक"
03:51
Can you say it? A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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आप यह कह सकते हैं? "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
03:53
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
03:55
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
03:57
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
03:59
CC: Yeah. Now pick the swing
beat, and do the same thing.
beat, and do the same thing.
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हाँ। अब स्विंग उठाओ, और वैसे ही करो ।
04:02
One, two, one, two, a-one-two-three-four.
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एक, दो, एक, दो, एक-दो-तीन-चार।
04:12
Yeah. Mm.
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हाँ. हम...!
04:16
One-two-three, one-two-three,
one-two-three, one-two-three. Whoo.
one-two-three, one-two-three. Whoo.
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एक दो तीन, एक दो तीन, एक दो तीन, एक दो तीन। वू।
04:21
So I want to take the second line beat
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तो मैं दूसरी लाइन की ताल लेता हूँ
04:25
and the swing beat and put them together,
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और पहली ताल और उन्हें एक साथ रखा,
04:27
and it sounds something like this.
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और यह कुछ इस तरह लगता है।
04:43
Aha.
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अहा।
04:44
A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
04:46
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
04:48
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
04:50
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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"अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
दर्शक: "अ-रिद-मेटिक"
04:52
CC: Yeah. Hip-hop.
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हाँ। हिप हॉप।
04:56
Now it's using a faster group of three
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अब तीन के समूह का तेज़ी से उपयोग होगा
04:59
we call a triplet.
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हम इसे एक "ट्रीपलेट" कहते हैं।
05:01
Triplet-triplet. Say it with me.
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"ट्रीपलेट"- "ट्रीपलेट" मेरे संग कहे ।
05:03
All: Triplet-triplet.
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सब: "ट्रीपलेट"- "ट्रीपलेट"
05:06
CC: Triplet-triplet. Triplet-triplet.
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"ट्रीपलेट"- "ट्रीपलेट" । "ट्रीपलेट"- "ट्रीपलेट" ।
05:12
CC: So I'll take all the rhythms
that you heard earlier,
that you heard earlier,
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तो मैं आपको पहले सुनाई हुई सब लय लूँगा,
05:16
we'll put them together, and they sound like this.
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हम उन्हें एक साथ डालेगे और वे ध्वनि इस तरह की होगी।
05:43
A-rhythm-etic.
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"अ-रिद-मेटिक"
05:45
(Applause)
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(तालियों सहित अभिवादन)
ABOUT THE SPEAKER
Clayton Cameron - DrummerA pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell.
Why you should listen
Clayton Cameron holds a unique title: Brush Master. That's because this percussionist prefers brushes to sticks, and has spent his career perfecting the art of brush technique. Cameron grew up in Los Angeles and started drumming at a young age on empty oatmeal boxes. After college, he moved to Las Vegas, where he was hired as the drummer for Sammy Davis Jr.'s big band. "It would be Sammy's tap dancing night after night that would inspire my brush playing," says Cameron.
During his tenure with Sammy Davis Jr., Cameron played with Dean Martin and Frank Sinatra. And, after moving to New York, he struck up a longterm friendship with Tony Bennett, and spent 15 years touring with the master. Cameron recorded 15 albums with Bennett, including his Grammy-winning Tony Bennett Unplugged.
Cameron has also worked with jazz legend Kenny Burrell, who encouraged him to teach at UCLA's Herb Alpert School of Music. In addition, Cameron released his debut album in 2012, Here's to the Messengers: Tribute to Art Blakey, and formed his own group, Jazz eXplosion. Cameron has also released several DVDs over the years as well as a book, Brushworks.
Clayton Cameron | Speaker | TED.com