ABOUT THE SPEAKER
Imogen Heap - Musician
Imogen Heap's aching voice and surprising electronics infuse countless videos and iPods with bone-chilling atmospherics.

Why you should listen

Classically trained composer, multi-instrumentalist and singer Imogen Heap finds her muse in unlikely places. She's mined sonic mystery from sources ranging from cardboard tubes to cheap samplers to the data gloves--not to mention her own vocal cords.

A relentless experimenter, Heap's latest song cycle is built around some 900 fan-submitted "sound seeds," or samples of everyday sounds. The first six of these "Heapsongs" have been released via her website, and include the lovely "Propeller Seeds," inspired by a chance meeting at a past TEDGlobal. During 2012's TEDGlobal she recorded a song in various locations around Edinburgh, "anywhere that has a piano and they let me turn up with a microphone." She has also composed the orchestral score for the crowdsourced nature film "Love the Earth."

Heap's last album Ellipse earned her a Grammy and Ivor Novello award. This summer marks the release of Sparks, her fifth and most ambitious album to date. Sparks' songs have taken Imogen all over the world from her North East London home studio to the Himalayas via China. This year Imogen is the guest artist-curator for the iconic London Roundhouse venue’s new music festival, Reverb. The eagerly awaited Sparks world tour will begin at Reverb in August 2014. Meanwhile, Imogen will be celebrating her tenth TED anniversary this year.

More profile about the speaker
Imogen Heap | Speaker | TED.com
TEDGlobal 2009

Imogen Heap: "Wait It Out"

Imogen Heap con "Wait It Out" ("Stare Ad Aspettare")

Filmed:
1,084,087 views

Imogen Heap in una versione essenziale ed intensa di "Wait It Out" ("Stare Ad Aspettare"), dal suo nuovo album, Ellipse (Ellisse).
- Musician
Imogen Heap's aching voice and surprising electronics infuse countless videos and iPods with bone-chilling atmospherics. Full bio

Double-click the English transcript below to play the video.

00:18
♫ Where do we go from here? ♫
0
6000
4000
♫ Dove ce ne andremo a questo punto? ♫
00:22
♫ How do we carrytrasportare on? ♫
1
10000
3000
♫ Come andremo avanti? ♫
00:25
♫ I can't get beyondal di là the questionsle domande
2
13000
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♫ Non so andare oltre queste domande ♫
00:32
ClamberingInerpicandosi for the scrapsscarti
3
20000
2000
♫ Arrampicandoci in mezzo ai resti ♫
00:34
♫ in the shatterShatter of us, collapsedcollassata
4
22000
4000
♫ tra i frammenti di noi, ormai crollati ♫
00:38
♫ It cutstagli me with everyogni could have been ♫
5
26000
5000
♫ E ogni "poteva essere" è come una ferita ♫
00:46
PainDolore on paindolore on playgiocare, repeatingRipetere
6
34000
4000
♫ Dolore su dolore sempre in gioco, senza sosta ♫
00:50
♫ With the backupdi riserva, makeshiftmezzi di fortuna life in waitingin attesa
7
38000
6000
♫ Con una vita di ripiego al posto della mia, in attesa ♫
01:00
EverybodyTutti saysdice
8
48000
3000
♫ Dicono tutti ♫
01:06
♫ time healsguarisce everything ♫
9
54000
2000
♫ che il tempo allevia ogni cosa ♫
01:12
♫ What of the wretchedmiserabile hollowCava? ♫
10
60000
3000
♫ Ma che dire di quel maledetto senso di vuoto? ♫
01:18
♫ The endlessinfinito in betweenfra? ♫
11
66000
3000
♫ Di quell'eternità che sta in mezzo? ♫
01:21
♫ Are we just going to wait it out? ♫
12
69000
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♫ Dovremmo solo stare ad aspettare? ♫
01:24
♫ There is nothing to see here now ♫
13
72000
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♫ Ma non c'è nulla da vedere, qui, adesso ♫
01:27
TurningTornitura the signsegno around ♫
14
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3000
♫ Giriamo il cartello sulla porta ♫
01:30
♫ We're closedchiuso to the EarthTerra 'til' til furtherulteriore noticeAvviso
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78000
7000
♫ E siamo chiusi al Mondo intero, fino a nuovo avviso ♫
01:37
♫ A crumblingfatiscenti clichecliché casecaso
16
85000
3000
♫ Il tipico cliché decadente ♫
01:40
crumpledspiegazzato and puffyPuffy facedaffrontato
17
88000
3000
♫ dal volto gonfio e raggrinzito ♫
01:43
caughtcatturato deadmorto in the starefissare of a thousandmille milesmiglia
18
91000
6000
♫ morto nel fissare il vuoto ♫
01:51
♫ All I want, only one streetstrada levellivello miraclemiracolo
19
99000
4000
♫ Vorrei solo un piccolo miracolo ♫
01:57
♫ I'll be an out and out bornNato again ♫
20
105000
2000
♫ E sarei del tutto rinata ♫
01:59
♫ from nonenessuna more cynicalcinico
21
107000
2000
♫ da ora in poi più cinica ♫
02:02
EverybodyTutti saysdice
22
110000
3000
♫ Dicono tutti ♫
02:08
♫ that time healsguarisce everything ♫
23
116000
4000
♫ che il tempo allevia ogni cosa ♫
02:14
♫ But what of the wretchedmiserabile hollowCava? ♫
24
122000
5000
♫ Ma che dire di quel maledetto senso di vuoto? ♫
02:20
♫ The endlessinfinito in betweenfra? ♫
25
128000
3000
♫ Di quell'eternità che sta in mezzo? ♫
02:23
♫ Are we just going to wait it out? ♫
26
131000
3000
♫ Dovremmo solo stare ad aspettare? ♫
02:27
♫ And sitsedersi here coldfreddo? ♫
27
135000
3000
♫ E rimanere seduti al freddo? ♫
02:30
♫ We will be long goneandato by then ♫
28
138000
3000
♫ A quel punto ce ne saremo andati da tempo ♫
02:33
♫ In lacklusterscarno
29
141000
2000
♫ Nell'oscurità ♫
02:35
♫ In dustpolvere we layposare around oldvecchio magazinesriviste
30
143000
4000
♫ In mezzo alla polvere, siamo stesi tra vecchie riviste ♫
02:39
FluorescentFluorescente lightingilluminazione setsimposta the scenescena
31
147000
3000
♫ La luce fluorescente a immortalare la scena ♫
02:42
♫ for all we could and should be beingessere
32
150000
4000
♫ per tutto ciò che potremmo o dovremmo essere ♫
02:46
♫ in the one life that we'venoi abbiamo got ♫
33
154000
3000
♫ in quest'unica vita che abbiamo ♫
02:53
EverybodyTutti saysdice
34
161000
4000
♫ Dicono tutti ♫
03:00
♫ time healsguarisce everything ♫
35
168000
3000
♫ che il tempo allevia ogni cosa ♫
03:06
♫ And what of the wretchedmiserabile hollowCava? ♫
36
174000
4000
♫ Ma che dire di quel maledetto senso di vuoto? ♫
03:12
♫ The endlessinfinito in betweenfra? ♫
37
180000
3000
♫ Di quell'eternità che sta in mezzo? ♫
03:15
♫ Are we just going to wait it out? ♫
38
183000
3000
♫ Dovremmo solo stare ad aspettare? ♫
03:22
♫ Just going to sweatsudore it out? ♫
39
190000
3000
♫ Solo stare a sopportare? ♫
03:28
♫ Just going to sweatsudore it out? ♫
40
196000
3000
♫ Solo stare a sopportare? ♫
03:36
♫ Wait it out ♫
41
204000
8000
♫ Stare ad aspettare ♫
03:45
(ApplauseApplausi)
42
213000
4000
(Applausi)
Translated by Carmelina Barresi
Reviewed by Rafael Eufrasio

▲Back to top

ABOUT THE SPEAKER
Imogen Heap - Musician
Imogen Heap's aching voice and surprising electronics infuse countless videos and iPods with bone-chilling atmospherics.

Why you should listen

Classically trained composer, multi-instrumentalist and singer Imogen Heap finds her muse in unlikely places. She's mined sonic mystery from sources ranging from cardboard tubes to cheap samplers to the data gloves--not to mention her own vocal cords.

A relentless experimenter, Heap's latest song cycle is built around some 900 fan-submitted "sound seeds," or samples of everyday sounds. The first six of these "Heapsongs" have been released via her website, and include the lovely "Propeller Seeds," inspired by a chance meeting at a past TEDGlobal. During 2012's TEDGlobal she recorded a song in various locations around Edinburgh, "anywhere that has a piano and they let me turn up with a microphone." She has also composed the orchestral score for the crowdsourced nature film "Love the Earth."

Heap's last album Ellipse earned her a Grammy and Ivor Novello award. This summer marks the release of Sparks, her fifth and most ambitious album to date. Sparks' songs have taken Imogen all over the world from her North East London home studio to the Himalayas via China. This year Imogen is the guest artist-curator for the iconic London Roundhouse venue’s new music festival, Reverb. The eagerly awaited Sparks world tour will begin at Reverb in August 2014. Meanwhile, Imogen will be celebrating her tenth TED anniversary this year.

More profile about the speaker
Imogen Heap | Speaker | TED.com

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