ABOUT THE SPEAKER
Sanford Biggers - Conceptual artist
Sanford Biggers creates art that upends traditional narratives about topics ranging from hip hop to Buddhism to American history.

Why you should listen

An LA native working in NYC, Sanford Biggers creates artworks that integrate film, video, installation, sculpture, drawing, original music and performance. He intentionally complicates issues such as hip hop, Buddhism, politics, identity and art history in order to offer new perspectives and associations for established symbols. Through a multi-disciplinary formal process and a syncretic creative approach, he makes works that are as aesthetically pleasing as they are conceptual.

The significance of Biggers' work within contemporary society has been celebrated through solo exhibitions both nationally and internationally, most recently at the Brooklyn Museum, Sculpture Center and Mass MoCA. He has participated in prestigious residencies and fellowships including: Akademie Schloss Solitude, Stuttgart, Germany; Ujazdowski Castle, Warsaw, Poland; Headlands Center for the Arts, Sausalito, California; ARCUS Project Foundation, Ibaraki, Japan; and the Art in General/ Trafo Gallery Eastern European Exchange in Budapest, Hungary. He has been a fellow of the Creative Time Global Residency, the Socrates Sculpture Park Residency, the Lower Manhattan Cultural Council World Views AIR Program, the Eyebeam Atelier Teaching Residency, the Studio Museum AIR Program, the P.S. 1 International Studio Program and the Skowhegan School of Painting and Sculpture residency.

Biggers' installations, videos and performances have appeared in venues worldwide including Tate Britain and Tate Modern in London, the Whitney Museum and Studio Museum in Harlem, New York and the Yerba Bue a Center for the Arts in San Francisco, as well as institutions in China, Germany, Hungary, Japan, Poland and Russia. The artist's works have been included in notable exhibitions such as: Prospect 1 New Orleans Biennial, Illuminations at the Tate Modern, Performa 07 in NY, the Whitney Biennial and Freestyle at the Studio Museum in Harlem. His works are included in the collections of the Museum of Modern Art, Walker Art Center, Whitney Museum, Brooklyn Museum and Bronx Museum.

Biggers has won awards including: the American Academy in Berlin Prize, Greenfield Prize, New York City Art Teachers Association Artist-of-the-Year, Creative Time Travel Grant, Creative Capital Project Grant, New York Percent for the Arts Commission, Art Matters Grant, New York Foundation for the Arts Award, the Lambent Fellowship in the Arts, the Pennies From Heaven/ New York Community Trust Award, Tanne Foundation Award and Rema Hort Mann Foundation Award Grant.

Biggers is Assistant Professor at Columbia University's Visual Arts program and a board member of Sculpture Center, Soho House and the CUE Foundation. He has also taught at Virginia Commonwealth University’s Sculpture and Expanded Media program and was a visiting scholar at Harvard University's VES Department in 2009.

More profile about the speaker
Sanford Biggers | Speaker | TED.com
TED2016

Sanford Biggers: An artist's unflinching look at racial violence

Senfords Bigerss: Mākslinieka nesatricināmais skats uz rasu vardarbību

Filmed:
1,158,104 views

Konceptuālmākslinieks TED stipendiāts Senfords Bigerss izmanto gleznošanu, tēlniecību, video un priekšnesumiem lai uzsāktu izaicinošas sarunas par vēsturi melnādaino Amerikas vēsturi un traumām. Uzklausiet viņa stāstījumu par diviem interesantiem darbiem un motivāciju radīt šādu mākslu. "Tikai caur pārdomātāku dialogu par vēsturi un rasi varam attīstīties kā cilvēki un sabiedrība," saka Bigerss.
- Conceptual artist
Sanford Biggers creates art that upends traditional narratives about topics ranging from hip hop to Buddhism to American history. Full bio

Double-click the English transcript below to play the video.

Kā konceptmākslinieks
00:12
As a conceptualkonceptuāls artistmākslinieks,
0
976
1394
00:14
I'm constantlypastāvīgi looking for creativeradošs waysceļi
to sparkdzirkstele challengingizaicinošs conversationssarunas.
1
2394
4308
allaž meklēju radošus veidus
izaicinošu sarunu uzsākšanai.
00:18
I do this thoughtomēr paintingglezna, sculptureskulptūra,
videovideo and performancesniegums.
2
6726
3699
Es daru to ar gleznošanas, tēlniecības,
video un priekšnesumu palīdzību.
00:22
But regardlessneskatoties uz of the formatformātā,
3
10449
1439
Bet neskatoties uz formātu,
00:23
two of my favoritemīļākais materialsmateriāli
are historyvēsture and dialoguedialogs.
4
11912
3452
divi no maniem iecienītākajiem materiāliem
ir vēsture un dialogs.
00:27
In 2007, I createdradīts "LotusLotus,"
5
15796
2439
2007. gadā es izveidoju „Lotusu”,
00:30
a seven-and-a-half-footseptiņi ar pusi pēdas diameterdiametrs,
6
18259
1774
2,3 metru diametrā,
00:32
600-pound-pievieno glassstikls depictionattēlojums
of a lotuslotoss blossomzieds.
7
20057
3555
270 kilogramu smagu lotusa zieda
atveidojumu stiklā.
00:35
In BuddhismBudisms, the lotuslotoss is a symbolsimbols
for transcendenceTranscendents
8
23937
3469
Budismā lotuss ir pārpasaulības,
00:39
and for puritytīrība of mindprātā and spiritgars.
9
27430
2428
prāta un gara šķīstības simbols.
00:41
But a closertuvāk look at this lotuslotoss
10
29882
2421
Bet ja palūkosieties uz šo lotusu tuvāk,
00:44
revealsatklāj eachkatrs petalziedlapas
to be the cross-sectionšķērsgriezums of a slavevergs shipkuģis.
11
32327
3214
ieraudzīsiet, ka katra ziedlapa
ir vergu kuģa šķērsgriezums.
00:47
This iconicikonu diagramdiagramma was takenņemti
from a BritishLielbritānijas slavingslaving manualrokasgrāmata
12
35985
3675
Šī slavenā diagramma ir ņemta
no britu vergturības rokasgrāmatas,
00:51
and latervēlāk used by abolitionistsNāvessoda atcelšanas to showparādīt
the atrocitieszvērības of slaveryverdzība.
13
39684
3833
un abolicionisti to vēlāk izmantoja
vergturības zvērību ilustrēšanai.
00:56
In AmericaAmerika, we don't like
to talk about slaveryverdzība,
14
44104
2405
Mums Amerikā nepatīk runāt par verdzību,
00:58
nor do we look at it as a globalglobāls industrynozare.
15
46533
2840
un mēs uz to neraugāmies
kā vispasaules nozari.
01:01
But by usingizmantojot this BuddhistBudistu symbolsimbols,
16
49397
1628
Bet, izmantojot šo budistu simbolu, ceru
01:03
I hopeceru to universalizeuniversalize and transcendpārvarēt
17
51049
2603
melnādainās Amerikas vēsturi un traumu
padarīt vispārēju un pārpasaulīgu.
01:05
the historyvēsture and traumatrauma of blackmelns AmericaAmerika
18
53676
2389
01:08
and encourageiedrošināt discussionsdiskusijas
about our shareddalīts pastpagātne.
19
56089
3364
un ierosināt diskusiju
par mūsu kopīgo pagātni.
01:12
To createizveidot "LotusLotus,"
we carvedcirsts over 6,000 figuresskaitļi.
20
60033
4095
Lai izveidotu „Lotusu”,
mēs izgrebām vairāk nekā 6000 figūriņu.
01:16
And this latervēlāk led to a commissionkomisija
by the CityPilsēta of NewJauns YorkYork
21
64469
2723
Un tas noveda
pie Ņujorkas pilsētas pasūtījuma
01:19
to createizveidot a 28-foot-koka versionversija in steeltērauds
22
67216
2254
izveidot astoņarpus metru tērauda versiju
01:21
as a permanentpastāvīgs installationuzstādīšana
at the EagleĒrglis AcademyAkadēmija for YoungYoung MenVīrieši,
23
69494
3442
kā pastāvīgu instalāciju
pie Īglas zēnu akadēmijas,
01:24
a schoolskola for blackmelns and latinolatīniski studentsstudenti,
24
72960
2138
melnādaino un latīņamerikāņu zēnu skolas,
01:27
the two groupsgrupām mostlielākā daļa affectedietekmē
by this historyvēsture.
25
75122
2673
kas ir divas šo vēstures notikumu
visvairāk skartās grupas.
01:30
The samepats two groupsgrupām are very affectedietekmē
by a more recentnesen phenomenonparādība,
26
78244
3551
Šīs divas grupas ļoti skar
arī kāda nesenāka parādība,
01:33
but let me digressnovirzīties.
27
81819
1623
bet ļaujiet novirzīties no tēmas.
01:35
I've been collectingsavācot
woodenkoka AfricanĀfrikas figuresskaitļi
28
83840
2167
Es krāju afrikāņu koka figūriņas
01:38
from touristtūristu shopsveikali and fleablusu marketstirgi
around the worldpasaule.
29
86031
2484
no tūristu veikaliem
un krāmu tirdziņiem visā pasaulē.
01:40
The authenticityautentiskumu and originizcelsme
of them is completelypilnīgi debatableapstrīdams,
30
88539
3082
To autentiskums un izcelsme
ir ļoti diskutabla,
01:43
but people believe these
to be imbueduzsūcināta with powerjauda,
31
91645
2658
bet ļaudis tic, ka tām piemīt spēks
01:46
or even magicmaģija.
32
94327
1332
vai pat burvju spēks.
01:47
Only recentlynesen have I figuredrakstainas out
how to use this in my ownpašu work.
33
95683
3126
Tikai nesen sapratu,
kā to izmantot savā darbībā.
01:51
(GunLielgabals shotsšāvieni)
34
99412
6809
(Šāvieni)
02:05
SinceKopš 2012, the worldpasaule has witnessedliecinieks
the killingsslepkavības of TrayvonTrayvon MartinMārtiņš,
35
113253
4168
Kopš 2012. gada pasaule
ir pieredzējusi Treivona Mārtina,
02:09
MichaelMichael BrownBrown, EricĒriks GarnerKlēts,
SandraSandra BlandBland, TamirTamir RiceRīsi
36
117445
3740
Maikla Brauna, Erika Gārnera,
Sandras Blendas, Tamira Raisa
02:13
and literallyburtiski countlessneskaitāmi other
unarmedneapbruņots blackmelns citizenspilsoņiem
37
121209
2960
un neskaitāmu citu neapbruņotu
melnādaino pilsoņu nogalināšanu
02:16
at the handsrokas of the policepolicija,
38
124193
1429
no policistu rokām,
02:17
who frequentlybieži walkstaigāt away
with no punishmentsods at all.
39
125646
2808
kas bieži vien tiek cauri
vispār bez jebkāda soda.
02:20
In considerationatlīdzība of these victimsupuri
40
128775
2029
Ņemot vērā šos upurus,
02:22
and the severalvairāki timesreizes that even I,
41
130828
1810
un, ka vairākas reizes pat pret mani,
02:24
a law-abidinglikumpaklausīgām, IvyIvy LeagueLīga professorprofesors,
42
132662
2473
likumpaklausīgu Efeju līgas profesoru,
02:27
have been targetedmērķtiecīga and harassedvajā
at gunpointstobra galā by the policepolicija.
43
135159
3464
policija ir pavērsusi ieroču stobru.
02:30
I createdradīts this bodyķermenis of work
simplyvienkārši entitledtiesības "BAMBAM."
44
138647
3654
Es radīju šo darbu,
ko nosaucu vienkārši par „BAM”.
02:36
It was importantsvarīgs to erasedzēst
the identityidentitāte of eachkatrs of these figuresskaitļi,
45
144389
3499
Bija svarīgi izdzēst
katras figūriņas identitāti,
02:39
to make them all look the samepats
and easiervieglāk to disregardneņemt vērā.
46
147912
3749
lai tās visas izskatītos vienādas
un neievērojamākas.
02:43
To do this, I dipkrituma them in a thickbieza,
brownbrūna waxvaska
47
151685
2200
Lai to panāktu,
es tās iemērcu biezā, brūnā vaskā,
02:45
before takingņemot them to a shootingšaušana rangediapazons
48
153909
1963
un aiznesu uz šautuvi,
02:47
where I re-sculptedatkārtoti izgrebts them usingizmantojot bulletslodes.
49
155896
2798
kur pārveidoju tās ar lodēm.
02:51
And it was funjautri,
50
159098
1181
Bija interesanti
02:52
playingspēlē with bigliels gunsieroči and
high-speedliels ātrums videovideo cameraskameras.
51
160303
2837
spēlēties ar lieliem ieročiem
un ātrdarbības videokamerām.
02:55
But my reverencecieņa for these figuresskaitļi
kepttur me from actuallyfaktiski pullingvilkšana the triggersprūda,
52
163164
3657
Bet mana pietāte pret šīm figūriņām
neļāva nospiest gaili,
02:58
somehowkaut kā feelingsajūta as if I would
be shootingšaušana myselfsevi.
53
166845
2658
likās, ka šautu pats uz sevi.
03:01
FinallyBeidzot, my cameramankinooperators, RaulRaul,
firedkarsētie the shotsšāvieni.
54
169995
3230
Beidzot, šāvienus veica
mans video operators Rauls.
03:06
I then tookpaņēma the fragmentsfragmenti of these
55
174503
1869
Tad es savācu to fragmentus,
03:08
and createdradīts moldspelējuma,
and castcast them first in waxvaska,
56
176396
3528
izveidoju veidnes
un izlēju tās vispirms no vaska,
03:12
and finallybeidzot in bronzebronzas
like the imageattēls you see here,
57
180749
3103
un tad no bronzas
kā redzams šajā attēlā,
03:15
whichkas bearslāči the markszīmes
of its violentvardarbīgs creationradīšana
58
183876
2104
kurā redzamas
to veidošanas vardarbīgās pēdas
03:18
like battlecīņa woundsbrūces or scarsrētas.
59
186004
1808
kā kaujas ievainojumi vai rētas.
03:20
When I showedparādīja this work recentlynesen in MiamiMiami,
60
188583
2008
Kad šo darbu nesen parādīju Maiami,
03:22
a womansieviete told me she feltfilcs
everykatrs gunlielgabals shotšāviens to her souldvēsele.
61
190615
2785
kāda sieviete teica,
ka dvēselē jutusi katru šāvienu.
03:25
But she alsoarī feltfilcs that these artworksmākslas darbus
62
193424
2591
Bet viņa arī jutusi, ka šie mākslas darbi
03:28
memorializediemūžināti the victimsupuri of these killingsslepkavības
63
196039
2000
iemūžina atmiņas par šiem nogalinātajiem,
03:30
as well as other victimsupuri of
racialrasu violencevardarbība throughoutvisā US historyvēsture.
64
198063
3189
kā arī citiem rasu vardarbības
upuriem ASV vēsturē.
03:33
But "LotusLotus" and "BAMBAM" are largerlielāks
than just US historyvēsture.
65
201812
3034
Bet „Lotus” un „BAM”
attiecas ne tikai uz ASV vēsturi.
03:36
While showingrāda in BerlinBerlīne last yeargads,
66
204870
1864
Pagājušogad izstādē Berlīnē
03:38
a philosophyfilozofija studentstudents askedprasīja me
what promptedpamudināja these recentnesen killingsslepkavības.
67
206758
3561
kāds filosofijas students man jautāja,
kas veicinājis šo neseno vardarbību.
03:42
I showedparādīja him a photofoto
of a lynchingLynching postcardpastkarte
68
210343
2618
Es viņam parādīju
pastkarti ar linča tiesa
03:44
from the earlyagri 1900s
69
212985
1365
20. gadsimta sākumā
03:46
and remindedatgādināja him that these killingsslepkavības
have been going on for over 500 yearsgadiem.
70
214374
5072
un atgādināju, ka šai vardarbībai
ir vairāk nekā 500 gadu vēsture.
03:51
But it's only throughcauri questionsjautājumi like his
71
219922
1906
Bet, tikai uzdodot šādus jautājumus
03:53
and more thoughtfulpārdomāts dialoguedialogs
about historyvēsture and racerase
72
221852
2842
un risinot pārdomātāku dialogu
par vēsturi un rasi,
03:56
can we evolveattīstīties as individualsprivātpersonas and societysabiedrība.
73
224718
2578
varam attīstīties
kā cilvēki un sabiedrība.
03:59
I hopeceru my artworkmākslas darbs createsrada a safedroši spacetelpa
74
227709
2833
Ceru, mani mākslas darbi
rada drošu telpu
04:02
for this typetips of honestgodīgi exchangeapmaiņa
75
230566
2412
šādai godīgai sarunai
04:05
and an opportunityiespēja for people
to engageiesaistīties one anothercits
76
233002
2739
un sniedz iespēju cilvēkiem iesaistīties
04:07
in realreāls and necessarynepieciešams conversationsaruna.
77
235765
2888
īstā un vajadzīgā sarunā.
04:10
Thank you.
78
238751
1150
Paldies.
04:11
(ApplauseAplausi)
79
239925
6463
(Aplausi)
Translated by Raimonds Jaks
Reviewed by Kristaps Kadiķis

▲Back to top

ABOUT THE SPEAKER
Sanford Biggers - Conceptual artist
Sanford Biggers creates art that upends traditional narratives about topics ranging from hip hop to Buddhism to American history.

Why you should listen

An LA native working in NYC, Sanford Biggers creates artworks that integrate film, video, installation, sculpture, drawing, original music and performance. He intentionally complicates issues such as hip hop, Buddhism, politics, identity and art history in order to offer new perspectives and associations for established symbols. Through a multi-disciplinary formal process and a syncretic creative approach, he makes works that are as aesthetically pleasing as they are conceptual.

The significance of Biggers' work within contemporary society has been celebrated through solo exhibitions both nationally and internationally, most recently at the Brooklyn Museum, Sculpture Center and Mass MoCA. He has participated in prestigious residencies and fellowships including: Akademie Schloss Solitude, Stuttgart, Germany; Ujazdowski Castle, Warsaw, Poland; Headlands Center for the Arts, Sausalito, California; ARCUS Project Foundation, Ibaraki, Japan; and the Art in General/ Trafo Gallery Eastern European Exchange in Budapest, Hungary. He has been a fellow of the Creative Time Global Residency, the Socrates Sculpture Park Residency, the Lower Manhattan Cultural Council World Views AIR Program, the Eyebeam Atelier Teaching Residency, the Studio Museum AIR Program, the P.S. 1 International Studio Program and the Skowhegan School of Painting and Sculpture residency.

Biggers' installations, videos and performances have appeared in venues worldwide including Tate Britain and Tate Modern in London, the Whitney Museum and Studio Museum in Harlem, New York and the Yerba Bue a Center for the Arts in San Francisco, as well as institutions in China, Germany, Hungary, Japan, Poland and Russia. The artist's works have been included in notable exhibitions such as: Prospect 1 New Orleans Biennial, Illuminations at the Tate Modern, Performa 07 in NY, the Whitney Biennial and Freestyle at the Studio Museum in Harlem. His works are included in the collections of the Museum of Modern Art, Walker Art Center, Whitney Museum, Brooklyn Museum and Bronx Museum.

Biggers has won awards including: the American Academy in Berlin Prize, Greenfield Prize, New York City Art Teachers Association Artist-of-the-Year, Creative Time Travel Grant, Creative Capital Project Grant, New York Percent for the Arts Commission, Art Matters Grant, New York Foundation for the Arts Award, the Lambent Fellowship in the Arts, the Pennies From Heaven/ New York Community Trust Award, Tanne Foundation Award and Rema Hort Mann Foundation Award Grant.

Biggers is Assistant Professor at Columbia University's Visual Arts program and a board member of Sculpture Center, Soho House and the CUE Foundation. He has also taught at Virginia Commonwealth University’s Sculpture and Expanded Media program and was a visiting scholar at Harvard University's VES Department in 2009.

More profile about the speaker
Sanford Biggers | Speaker | TED.com

Data provided by TED.

This site was created in May 2015 and the last update was on January 12, 2020. It will no longer be updated.

We are currently creating a new site called "eng.lish.video" and would be grateful if you could access it.

If you have any questions or suggestions, please feel free to write comments in your language on the contact form.

Privacy Policy

Developer's Blog

Buy Me A Coffee