ABOUT THE SPEAKER
Malika Whitley - Arts curator, activist
Malika Whitley is an arts curator and activist in Atlanta, Georgia.

Why you should listen

At age 6, Malika Whitley began to experience homelessness with her family, then on her own at 16. During her homelessness, she found the arts as a tool for resistance from fully succumbing to the hardships of youth homelessness. After her experience, Whitley founded ChopArt, which is a multidisciplinary arts organization for homeless middle and high schoolers. Her work has been internationally recognized, as well as highlighted in Atlanta's local media. Most notably, Whitley has been named in Creative Loafing's "20 People to Watch", and ChopArt has been featured in Atlanta Magazine and on WSBTV. To support ChopArt's teens, please consider sponsoring a full year of programming for a homeless teen here.

More profile about the speaker
Malika Whitley | Speaker | TED.com
TED Residency

Malika Whitley: How the arts help homeless youth heal and build

Malika Whitley: Como as artes podem ajudar os jovens moradores de rua

Filmed:
1,020,146 views

Malika Whitley é a fundadora do ChopArt, uma instituição para jovens moradores de rua que procura orientá-los com dignidade e providenciar oportunidades por meio das artes. Nessa palestra comovente, ela compartilha sua própria história como moradora de rua, seu caminho de encontro às artes e sua missão: providenciar um escape criativo àqueles que sobrevivem às margens da sociedade.
- Arts curator, activist
Malika Whitley is an arts curator and activist in Atlanta, Georgia. Full bio

Double-click the English transcript below to play the video.

00:12
Don't you love a good nap?
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Você não adora uma boa soneca?
00:14
(Laughter)
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(Risos)
00:16
Just stealing away
that small block of time
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Tirar aquele tempinho no dia
00:20
to curl up on your couch
for that sweet moment of escape.
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para deitar no sofá
e escapar dos problemas.
00:23
It's one of my favorite things,
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É uma das minhas coisas favoritas.
00:25
but something I took for granted
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Não imaginei quanta falta faria
00:26
before I began experiencing
homelessness as a teenager.
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após ficar sem abrigo
durante a adolescência.
00:31
The ability to take a nap is only reserved
for stability and sureness,
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Soneca só se dá quando existe
estabilidade e segurança,
00:36
something you can't find
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algo difícil de encontrar
00:37
when you're carrying
everything you own in your book bag
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quando se carrega todos
os pertences numa bolsa,
00:40
and carefully counting the amount of time
you're allowed to sit in any given place
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contando os minutos que se pode
sentar em um lugar público
00:45
before being asked to leave.
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antes que te peçam pra sair.
00:48
I grew up in Atlanta, Georgia,
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Eu cresci em Atlanta,
no estado da Geórgia,
00:50
bouncing from house to house
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mudando de casa em casa
00:51
with a loving, close-knit family
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com a minha família que, apesar de unida,
00:54
as we struggled to find stability
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vivia com grandes dificuldades
00:57
in our finances.
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em relação às finanças.
01:00
But when my mom temporarily
lost herself to mania
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Quando minha mãe entrou
em um episódio de mania,
01:04
and when that mania chose me
as its primary scapegoat
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e quando aquela mania
me escolheu como vítima principal
01:07
through both emotional and physical abuse,
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de abusos tanto emocionais quanto físicos,
01:10
I fled for my safety.
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eu acabei fugindo.
01:13
I had come to the conclusion
that homelessness was safer for me
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Tinha concluído que para mim,
morar na rua era melhor
01:17
than being at home.
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do que morar em casa.
01:19
I was 16.
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Tinha 16 anos.
01:22
During my homelessness,
I joined Atlanta's 3,300 homeless youth
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Juntei-me aos 3,3 mil jovens
moradores de rua de Atlanta
01:26
in feeling uncared for,
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que se sentiam abandonados,
01:28
left out and invisible each night.
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rejeitados e invisíveis todas as noites.
01:32
There wasn't and still is not any place
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Não existia, e ainda não existe,
01:34
for a homeless minor
to walk off the street
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nenhum lugar onde o jovem desabrigado
01:36
to access a bed.
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tenha acesso a uma cama.
01:39
I realized that most people
thought of homelessness
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Comecei a perceber
que a maioria das pessoas
01:41
as some kind of lazy, drug-induced
squalor and inconvenience,
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achava moradores de rua preguiçosos,
drogados e inconvenientes,
01:47
but that didn't represent my book bag
full of clothes and schoolbooks,
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mas isso não representava
minha bolsa cheia de roupas e livros,
01:50
or my A+ grade point average.
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a às minhas notas altas na escola.
01:54
I would sit on my favorite bench downtown
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Eu me sentava no meu banco favorito
01:57
and watch as the hours passed by
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e esperava as horas passarem
01:58
until I could sneak in
a few hours of sleep
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até que pudesse conseguir
umas horinhas de sono
02:02
on couches, in cars,
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em sofás, carros,
02:05
in buildings or in storage units.
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em prédios ou armazéns.
02:08
I, like thousands of other homeless youth,
disappeared into the shadows of the city
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Como milhares de outros,
eu desapareci nas sombras da cidade,
02:13
while the whole world kept spinning
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enquanto o resto do mundo
continuava girando,
02:15
as if nothing at all
had gone terribly wrong.
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como se nada estivesse errado.
02:19
The invisibility alone
almost completely broke my spirit.
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Essa sensação de invisibilidade
quase acabava com a esperança.
02:25
But when I had nothing else,
I had the arts,
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Mas mesmo sem ter nada,
eu tinha a arte,
02:29
something that didn't demand
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algo que não pedia
02:30
material wealth from me
in exchange for refuge.
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meu dinheiro em troca de refúgio.
02:33
A few hours of singing, writing poetry
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Algumas horas cantando,
ou escrevendo poesia,
02:37
or saving up enough money
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ou guardando um dinheirinho
02:39
to disappear into another world at a play
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para poder assistir a uma peça de teatro.
02:42
kept me going and jolting me back to life
when I felt at my lowest.
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Isso que me trazia de volta à vida
quando chegava ao fundo.
02:47
I would go to church services
on Wednesday evenings
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Quando eu ia à igreja nas quartas-feiras,
02:50
and, desperate for the relief
the arts gave me,
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em busca do alívio que as artes me davam,
02:53
I would go a few hours early,
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eu saía mais cedo,
02:56
slip downstairs
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descia as escadas,
02:58
and into a part of the world
where the only thing that mattered
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e entrava no mundo onde
tudo o que importava
03:01
was whether or not I could hit
the right note in the song
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era conseguir alcançar
a nota certa na música
03:04
I was perfecting that week.
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que praticava aquela semana.
03:06
I would sing for hours.
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Eu cantava por horas.
03:09
It gave me so much strength
to give myself permission
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Me fortalecia muito esquecer todo o resto
03:12
to just block it all out and sing.
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e simplesmente cantar.
03:17
Five years later,
I started my organization, ChopArt,
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Cinco anos depois, fundei a ChopArt,
03:21
which is a multidisciplinary
arts organization for homeless minors.
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uma instituição das artes
para jovens moradores de rua.
03:26
ChopArt uses the arts
as a tool for trauma recovery
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A ChopArt usa a arte como uma
ferramenta de reabilitação,
03:30
by taking what we know
about building community
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pegando aquilo que sabemos
sobre a criação de comunidades
03:33
and restoring dignity
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e a construção da dignidade
03:35
and applying that to the creative process.
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e aplicando isso ao processo criativo.
03:38
ChopArt is headquartered
in Atlanta, Georgia,
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A sede da ChopArt fica em Atlanta,
03:41
with additional programs
in Hyderabad, India, and Accra, Ghana,
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com projetos adicionais
na Índia e no Gana.
03:45
and since our start in 2010,
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Desde o início, em 2010,
03:47
we've served over 40,000 teens worldwide.
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já ajudamos mais de 40 mil
jovens no mundo todo.
03:51
Our teens take refuge
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Nossos adolescentes são amparados
03:53
in the transformative
elements of the arts,
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pelos elementos transformativos das artes,
03:56
and they depend on the safe space
ChopArt provides for them to do that.
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e dependem de nós para fazerem
isso de forma saudável.
04:01
An often invisible population
uses the arts to step into their light,
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Uma população invisível usa as artes
para encontrar a própria luz,
04:07
but that journey out of invisibility
is not an easy one.
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mas essa jornada nem sempre é fácil.
04:11
We have a sibling pair, Jeremy and Kelly,
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Temos um casal de irmãos, Jeremy e Kelly,
04:15
who have been with our program
for over three years.
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que estão no programa
há mais de três anos.
04:18
They come to the ChopArt classes
every Wednesday evening.
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Comparecem às aulas
da ChopArt toda quarta.
04:23
But about a year ago,
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Mas um ano atrás,
04:25
Jeremy and Kelly witnessed their mom
seize and die right in front of them.
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eles assistiram a própria mãe
ter convulsões e morrer.
04:30
They watched as the paramedics
failed to revive her.
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Assistiram os paramédicos
tentarem ressuscitá-la.
04:34
They cried as their father
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Choraram quando o pai deles
04:36
signed over temporary custody
to their ChopArt mentor, Erin,
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passou sua guarda a uma
orientadora da ChopArt, a Erin,
04:40
without even allowing them to take
an extra pair of clothes on their way out.
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sem nem deixá-los pegar
roupas extras na hora de sair.
04:45
This series of events broke my heart,
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Essa série de eventos me abalou,
04:49
but Jeremy and Kelly's faith
and resolve in ChopArt
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mas a confiança desses irmãos na ChopArt,
04:52
is what keeps me grounded in this work.
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é o que me mantém nesse trabalho.
04:56
Kelly calling Erin in her lowest moment,
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A Kelly ligou para sua orientadora, Erin,
04:58
knowing that Erin would do
whatever she could
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naquele momento, sabendo
que receberia ajuda
05:00
to make them feel loved and cared for,
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e cuidados carinhosos.
05:03
is proof to me that by using
the arts as the entry point,
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Isso prova para mim que por meio das artes
05:09
we can heal and build
our homeless youth population.
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podemos reabilitar e investir
nos nossos jovens de rua.
05:13
And we continue to build.
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E continuamos a investir.
05:15
We build with Devin,
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Investimos no Devin,
05:17
who became homeless with his family
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cuja mãe teve que escolher
05:19
when his mom had to choose
between medical bills or the rent.
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entre pagar o aluguel
ou as contas médicas.
05:24
He discovered his love
of painting through ChopArt.
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Ele descobriu seu amor
pela pintura na ChopArt.
05:27
We build with Liz,
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Investimos na Liz,
05:29
who has been on the streets
most of her teenage years
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que tem vivido nas ruas
pela maior parte da adolescência,
05:32
but turns to music to return to herself
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e que usa a música para se centrar
05:35
when her traumas feel too heavy
for her young shoulders.
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quando seus traumas parecem
grandes demais para a sua idade.
05:40
We build for Maria,
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Investimos na Maria,
05:42
who uses poetry to heal
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que usa a poesia na recuperação
05:44
after her grandfather died in the van
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após seu avô ter morrido na van
05:47
she's living in
with the rest of her family.
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onde mora o resto de sua família.
05:50
And so to the youth out there
experiencing homelessness,
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Para todos os jovens moradores de rua,
05:56
let me tell you,
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eu digo:
05:58
you have the power to build within you.
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você tem o poder de investir em si mesmo.
06:02
You have a voice through the arts
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Por meio da arte, você tem uma voz
que não julga o seu passado.
06:03
that doesn't judge
what you've been through.
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06:06
So never stop fighting
to stand in your light
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Então nunca pare de lutar
para encontrar sua luz,
06:09
because even in your darkest times,
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porque até mesmo na escuridão,
06:12
we see you.
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nós te enxergamos.
06:14
Thank you.
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Obrigada.
06:15
(Applause)
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(Aplausos)
Translated by Raissa Castro
Reviewed by Custodio Marcelino

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ABOUT THE SPEAKER
Malika Whitley - Arts curator, activist
Malika Whitley is an arts curator and activist in Atlanta, Georgia.

Why you should listen

At age 6, Malika Whitley began to experience homelessness with her family, then on her own at 16. During her homelessness, she found the arts as a tool for resistance from fully succumbing to the hardships of youth homelessness. After her experience, Whitley founded ChopArt, which is a multidisciplinary arts organization for homeless middle and high schoolers. Her work has been internationally recognized, as well as highlighted in Atlanta's local media. Most notably, Whitley has been named in Creative Loafing's "20 People to Watch", and ChopArt has been featured in Atlanta Magazine and on WSBTV. To support ChopArt's teens, please consider sponsoring a full year of programming for a homeless teen here.

More profile about the speaker
Malika Whitley | Speaker | TED.com

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