ABOUT THE SPEAKERS
Tom Thum - Beatboxer
Hip-hop musician Tom Thum whirls together beatboxing, performance and an array of mouthsounds.

Why you should listen

Coming out of the small Brisbane, Australia, hip-hop scene, Tom Thum has become a world presence with his unhuman beatboxing sound. In 2005, he and Joel Turner won the team battle in the World Beatbox Championships, and Thum came second at the Scribble Jam Beatbox Battles, America’s most prestigious hip-hop competition, in 2006. He's a cast member in the hip-hop/circus performance troupe Tom Tom Crew, appearing on Broadway and London's West End.

Thum is also committed to teaching hip-hop, and travels throughout Australia sharing the positive message that music preaches.

More profile about the speaker
Tom Thum | Speaker | TED.com
Matthew Broadhurst - Ear, nose and throat surgeon
Matthew Broadhurst is an ear, nose and throat surgeon based in Brisbane, Australia.

Why you should listen

Matthew Broadhurst is Australia's first fellowship-trained laryngeal surgeon practicing in laryngology and voice restoration. His practice primarily involves management of voice and throat disorders and sleep-disordered breathing, including snoring and sleep apnea.

Broadhurst has a unique ability to provide assessment and management strategies for patients with voice disorders -- including hoarseness, vocal cord paralysis, throat cancer and more -- that are beyond the scope of general ear, nose and throat surgeons. He worked under the direct instruction of Steven Zeitels, a world leader and innovator in laryngeal surgery and voice restoration who was recently acknowledged at the Grammy's as the surgeon who restored the multi-platinum, award-winning artist Adele.

In Brisbane, Broadhurst performs groundbreaking specialized laryngeal surgical techniques using both 4K ultra-high definition microscopy and full high-definition video stroboscopy. He completed his Bachelor of Medicine, Bachelor of Surgery at Flinders University in 1996, and subsequently obtained his Fellowship of the Royal Australasian College of Surgeons in Otolaryngology, Head and Neck Surgery in 2005.

More profile about the speaker
Matthew Broadhurst | Speaker | TED.com
TEDxSydney

Tom Thum and Matthew Broadhurst: What happens in your throat when you beatbox?

Tom Thum e Matthew Broadhurst: O que acontece em sua garganta quando você faz beatbox?

Filmed:
407,595 views

O beatboxer Tom Thum tem uma orquestra na boca, mas como ele faz todos esses sons? Veja de muito perto quando o cirurgião de laringe Matthew Broadhurst coloca uma câmera dentro da garganta de Thum enquanto ele cria uma série de sons surpreendentes. Esta palestra e apresentação hilária e um tanto desagradável não é para os sensíveis! (Contém imagens médicas explícitas)
- Beatboxer
Hip-hop musician Tom Thum whirls together beatboxing, performance and an array of mouthsounds. Full bio - Ear, nose and throat surgeon
Matthew Broadhurst is an ear, nose and throat surgeon based in Brisbane, Australia. Full bio

Double-click the English transcript below to play the video.

00:13
(Beatboxing) Yo, what up?
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(Fazendo beatbox)
E aí?
00:16
My name is Tom Thum,
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Meu nome é Tom Thum,
00:18
and I've got to say
it's a pleasure to be back at TEDx.
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e tenho que dizer que é um prazer
estar de volta ao TEDx.
00:22
When I first stepped
upon the Sydney stage in 2013
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Quando subi ao palco em Sidney em 2013,
00:27
as a starry-eyed boy from Brisbane,
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como um rapaz ingênuo de Brisbane,
00:29
I had no idea that I was about to deliver
the most watched TEDx presentation ever.
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não tinha ideia de que eu
estava prestes a dar
a palestra TEDx mais visualizada
de todos os tempos.
00:35
(Laughter)
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(Risos)
00:37
(Applause)
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(Aplausos)
00:39
But you know, I was stoked
because it was completely unexpected.
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Mas fiquei animado porque foi
totalmente inesperado.
00:44
However, standing before you today
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No entanto, estar aqui com vocês hoje
como uma versão de mim mesmo
00:46
as a slightly inflated, time-battered
version of myself five years later,
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levemente inflada e maltratada
pelo tempo, cinco anos depois,
00:51
I'm very confident.
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estou muito confiante.
00:53
(Laughter)
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(Risos)
00:54
Confident that I'm about deliver
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Confiante de que estou prestes a dar
a palestra que mais fará
o público desligar o aparelho,
00:58
the most instantly switched off
and walked-out-on,
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correr da sala para induzir
o vômito de todos os tempos
01:02
vomit-inducing talk of all time.
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01:09
I'm about to show you things
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Estou prestes a mostrar coisas
01:11
that I think you'll find hard to unsee,
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que acho que vocês vão achar difícil
de apagar da memória,
01:15
but all in the name of science.
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mas tudo em nome da ciência.
01:18
First, for those unfamiliar
with what I do,
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Primeiro, para quem não está
familiarizado com o que faço,
01:22
I guess if you distilled it
right down to its essence,
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acho que, se vocês voltassem
à sua essência,
01:25
you would call me a beatboxer.
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me chamariam de "beatboxer".
01:27
(Beatboxing) Yo, for example ...
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(Fazendo beatbox)
Por exemplo...
eis uma amostra:
01:31
here's a sample:
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01:32
(Beatboxing)
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(Fazendo beatbox)
01:41
(Rhythm changes)
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(Mudança de ritmo)
01:54
(Hums a tune)
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(Canto com os lábios fechados)
01:57
(Applause and cheers)
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(Aplausos) (Vivas)
02:00
Thank you.
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Obrigado.
(Aplausos)
02:01
(Applause)
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02:04
And being a beatboxer,
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Ser beatboxer
02:06
it means that professionally,
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significa que, profissionalmente,
02:07
I am 100 percent reliant on the --
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confio 100% na...
02:10
(Beatboxing) flexibility
of the unfiltered human voice.
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(Fazendo beatbox)
flexibilidade da voz humana sem filtro.
02:15
And for years, my contemporaries and I
have been fielding questions like,
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Durante anos, meus contemporâneos e eu
estamos lidando com perguntas como:
02:19
"Oh my God, that's so cool.
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"Nossa, isso é tão legal.
02:21
When did you figure out
you could do that?"
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Quando descobriu que sabia fazer isso?"
02:23
After I practiced for thousands
and thousands of hours --
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Depois de praticar por milhares de horas.
02:27
(Laughter)
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(Risos)
02:28
"And what do you do for a real job?"
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"E qual é o seu emprego de verdade?"
02:30
"I'm a full-time beatboxer, Your Honor."
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"Sou beatboxer em tempo
integral, Meritíssimo".
02:32
But there is one question
that I get quite a lot
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Mas há uma pergunta que me fazem bastante
02:36
that's a little bit
more difficult to answer,
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que é um pouco mais difícil de responder,
02:39
and that is how are you doing it --
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que é: "Como você faz isso?
02:41
how are you making those noises?
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Como você faz esses sons?"
02:44
And I mean, I know muscle memory
dictates where I position my lips
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Quero dizer, sei que a memória muscular
dita como posiciono meus lábios para...
02:48
in order to --
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(Fazendo beatbox)
02:49
(Beatboxing)
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02:51
but I have no idea about the inner
mechanics of everything.
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mas não tenho ideia
da mecânica interna de tudo isso.
02:55
You know, all the flappy bits
and kind of dangly things
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Sabe, todos os pedaços vibrantes
e as coisas meio que balançantes
02:58
and how they interact in --
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e a interação entre elas...
(Risos)
03:00
(Laughter)
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de um jeito que me permite...
03:01
in a way that allows me to --
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03:03
(Beatboxing)
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(Fazendo beatbox)
03:08
To put it metaphorically,
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Metaforicamente falando,
03:10
I know how to drive,
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sei como fazer,
03:12
I just don't know what's under the hood.
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mas não sei o que está por trás disso.
03:15
So I decided to find out
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Então, decidi descobrir
03:17
and invite 5,000 captive strangers,
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e convidar 5 mil estranhos cativos,
03:20
a few uncomfortable cameras,
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algumas câmeras incômodas,
03:23
everybody watching online
and their browser history
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todos assistindo on-line
e o histórico do navegador deles
03:26
into a place where not even the most
intimate of encounters have been ...
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em um lugar onde nem mesmo
meus encontros mais íntimos já estiveram:
03:31
my throat.
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na minha garganta.
03:32
And to help me do that,
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Para me ajudar a fazer isso,
03:34
I'd like to introduce to the stage
a very specialist guest
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gostaria de trazer ao palco
um convidado muito especialista
03:39
from the Queensland Voice Center,
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do Queensland Voice Center,
03:41
a man that's been in my mouth
more times than I'd care to admit,
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um homem que já esteve em minha boca
mais do que eu queria admitir,
03:44
a legend of the larynx,
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uma lenda da laringe,
03:46
ENT doctor and laryngeal surgeon,
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o otorrinolaringologista
e cirurgião de laringe,
03:49
Matthew Broadhurst.
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Matthew Broadhurst.
03:50
(Applause and cheers)
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(Aplausos) (Vivas)
03:53
MB: Thank you, Tom, thank you.
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Matthew Broadhurst: Obrigado, Tom.
03:55
And a very good evening everyone.
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E muito boa noite a todos.
03:57
It is a pleasure to be here
on the TEDx stage tonight.
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É um prazer estar aqui
no palco do TEDx esta noite.
04:00
(Laughter)
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(Risos)
04:02
Whoo.
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Úuu.
04:03
(Laughter)
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(Risos)
04:04
TT: He's not warming up his hands.
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Tom Thum: Ele não está aquecendo as mãos.
04:07
It doesn't get that intimate.
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Não fica tão íntimo assim.
04:10
MB: We set out a little while ago
to try to go deep into the world --
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MB: Partimos há pouco para tentar
nos aprofundar no mundo,
04:13
and the throat --
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e na garganta,
04:15
of this beatboxer extraordinaire
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deste beatboxer extraordinário
04:17
to try to understand how such a vast
array of sounds are humanly possible.
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para tentar entender como uma gama enorme
de sons são humanamente possíveis.
04:22
And what we found --
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E o que descobrimos,
04:24
these are going in the mouth by the way --
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isso entra na boca, a propósito,
04:26
and what we found
was something absolutely amazing.
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e descobrimos algo absolutamente incrível.
04:31
Even after my two years
of laryngeal surgery
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Mesmo após meus dois anos
de cirurgia de laringe
04:34
in Harvard Medical School
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na Harvard Medical School
04:35
with world-renowned professor
Steven Zeitels,
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com o professor renomado
mundialmente Steven Zeitels,
04:38
we never saw anything
as extraordinary or fascinating as this,
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nunca vimos nada tão extraordinário
e fascinante como isto,
04:43
and that's what we're going
to show you tonight.
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que mostraremos a vocês esta noite.
04:47
(Laughter)
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(Risos)
04:50
Alright, so for those of you
who might be a little squeamish,
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Para aqueles que talvez
sejam um pouco sensíveis,
os próximos dez minutos ou mais vão ficar
cada vez mais explícitos e desagradáveis.
04:53
the next 10 minutes or so
will get incrementally more graphic
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04:56
and stomach-churning,
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Vamos começar.
04:58
so let's get into it --
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TT: Usem o balde à vontade.
04:59
TT: Feel free to use the bucket.
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(Risos)
05:01
(Laughter)
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05:02
MB: So when we make sound,
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MB: Quando emitimos sons,
05:05
we use the vocal cords
to take air from the lungs
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usamos as pregas vocais
para pegar o ar dos pulmões
05:08
and then turn it into a vibrating
air column in the throat.
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e depois transformá-lo em uma coluna
vibratória de ar na garganta.
05:11
If you think of it like a trumpet,
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Se pensarem nisso como um trompete,
05:13
we've got the mouthpiece --
that's the vocal folds --
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temos o bocal, que são as pregas vocais,
05:16
and then the horn section is the throat.
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e o corpo do trompete é a garganta.
05:19
If we took your head off,
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Se tirássemos nossa cabeça
e uma parte do pescoço,
05:20
took a bit of your neck off
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05:22
and left you as a torso
with just your vocal folds vibrating,
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e ficássemos como um torso,
apenas com as pregas vocais vibrando,
05:26
this is what you'd sound like.
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nosso som seria assim...
05:27
(Flatulent sound)
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(Som flatulento)
05:31
TT: (High pitch)
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MB: Muito difícil para nos comunicarmos.
05:32
MB: Pretty hard to communicate,
but fortunately we've got a throat.
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Mas, felizmente, temos
a garganta, os tecidos moles,
05:35
We've got all the soft tissues,
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que, na verdade, nos dão
toda a incrível dinâmica de som
05:37
and that actually gives you
all the incredible dynamics of sound
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05:40
that you'll hear tonight.
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que ouviremos esta noite.
05:42
Now, this is a rigid laryngoscope.
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Este é um laringoscópio rígido.
05:47
TT: Hmm, spicy boy.
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TT: Garoto picante.
05:48
(Laughter)
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(Risos)
05:49
MB: I know, I know.
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05:51
(Laughter)
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05:52
10 millimeters in diameter,
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Com 10 mm de diâmetro,
05:54
it gives us the highest resolution
image of the larynx we can get.
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obtemos a imagem da laringe
com a mais alta resolução possível.
05:57
And we teed up with a stroboscope here
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Trabalhamos com um estroboscópio aqui
06:00
and a trigger microphone.
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e um microfone de disparo.
06:03
The mic will pick up the frequency
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O microfone captará a frequência
06:05
and that will allow us
to show you how this all works.
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e isso nos permitirá mostrar a vocês
como tudo isso funciona.
06:09
So, if we can have the lights down?
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Podem desligar as luzes?
06:13
TT: (Low pitch)
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TT: (Tom grave)
06:14
MB: Turn the light on here.
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MB: Vou iluminar aqui.
06:16
TT: (High and low pitches)
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TT: (Tons agudo e grave)
06:21
MB: So I've got the frequency of sound
matched with the stroboscope.
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MB: Tenho a frequência de som
combinada com o estroboscópio.
06:25
That's the light you're seeing
flickering in the cup.
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Essa é a luz que vocês veem
tremulando no copo.
06:27
TT: (Low pitch)
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TT: (Tom grave)
06:29
MB: And that's at about 80 hertz or so.
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MB: Isso está em cerca
de 80 hertz ou mais.
06:31
So what we can do then is we can take that
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Então, podemos pegar isso
06:35
and put the phase of the strobe
and the sound just out of sync.
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e colocar a fase do estroboscóbio
e o som fora de sincronia.
06:39
That lets us capture real-time,
slow-motion activity of vibrating tissues.
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Isso nos permite capturar
a atividade em tempo real
e em movimento lento
dos tecidos vibrantes.
06:45
When we apply that to the larynx,
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Quando aplicamos isso à laringe,
06:47
we get this fluid, slow-motion
of the vibrating vocal folds.
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obtemos um movimento lento,
fluido, das pregas vocais vibrando.
06:51
So that's what we're going
to get on and do.
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Isso é o que faremos.
06:58
Alright, you ready?
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Tudo bem, está pronto?
06:59
TT: Yup.
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TT: Sim.
07:00
(Laughter)
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Tudo bem, lá vamos nós.
Vamos observar a caixa de voz.
07:01
MB: OK, so here we go.
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07:03
We're going to have
a look at the voice box.
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07:08
(Laughter)
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(Risos)
07:11
It's very hard not to gag with this.
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É muito difícil não se engasgar com isso.
07:14
Say, "e."
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Diga "i".
07:15
TT: (Singing) E --
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TT: Iiiiii...
07:17
MB: So down the bottom
you see the vocal cords,
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MB: Lá no fundo, vemos as pregas vocais,
07:19
the little cord-like structures.
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pequenas estruturas como cordas.
07:20
(Laughter)
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(Risos)
07:23
And now just look at the skin on the neck
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Observem a pele do pescoço dele
07:26
and you'll see how strong
the light is to penetrate the skin.
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e vejam o quanto a luz
é forte ao penetrá-la.
07:34
Alright, so if you'll have
the lights back on?
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Tudo bem, podem acender as luzes?
07:39
(Laughter)
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(Risos)
07:41
(Applause)
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(Aplausos)
07:43
Alright, so just give us
a comfortable "e."
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Tudo bem, faça um "i" confortável.
07:47
TT: (Singing) E.
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TT: Iii... iiiii...
07:49
(Laughter)
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(Risos)
07:50
TT: (Singing) E.
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TT: Iiiiii...
07:53
(Audience gasps)
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07:55
MB: So that's the vibrating vocal folds;
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MB: Estas são as pregas vocais vibrantes;
07:57
about 120 hertz.
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cerca de 120 hertz.
07:59
Means they've collided 120 times a second
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Significa que colidiram
120 vezes por segundo
08:03
just to make that sound.
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só para fazer esse som.
08:06
And we can also see that they're
absolutely, perfectly normal.
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Também podemos ver que elas estão
perfeita e absolutamente normais.
08:11
So all his beatboxing,
all those sounds for years
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Com todo o beatbox dele,
todos esses sons por anos
08:14
with Tom's way of doing it --
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do jeito que Tom faz isso,
08:16
absolutely no damage whatsoever.
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não houve absolutamente nenhum dano.
08:18
That's really remarkable.
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Isso é realmente extraordinário.
08:21
Well done.
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Muito bem.
08:22
OK.
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TT: (Tom agudo)
08:24
TT: (High pitch)
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08:25
We've got this.
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Consegui fazer isso.
08:26
MB: So watch now as the vocal cords
go from high pitch to low pitch.
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MB: Observem agora as pregas vocais
passando de tom agudo a grave.
08:30
You'll see them go from long
and skinny to short and fat.
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Nós as veremos passarem
de longas e magras a curtas e gordas.
08:35
Really think "e."
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Faça um "i".
08:37
TT: (High to low pitch) E.
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TT: (Tom agudo a grave) Iiiiii...
08:46
MB: Right.
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(Tom agudo a grave) Iiiiii...
08:47
TT: (High to low pitch) E.
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08:53
MB: And what you can see
is that his vocal range is so extreme --
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MB: Podem ver que o alcance vocal
dele é muito extremo,
08:56
much more extreme than any other
performer I've worked with --
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muito mais do que o de qualquer
outro artista com quem trabalhei.
08:59
the machine actually can't capture
the really high pitches.
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O equipamento, na verdade, não consegue
captar os tons muito agudos.
09:03
TT: (High pitch)
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TT: (Tom agudo)
09:05
MB: So we know that whistle register
is somewhere around 2,092 hertz.
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MB: Sabemos que o registro do assobio
está em torno de 2.092 hertz.
09:10
That means the vocal cords,
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Significa que as pregas vocais,
09:11
well over 2,000 times a second,
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bem mais de 2 mil vezes por segundo,
09:14
are banging together
just to make that sound.
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estão batendo juntas
só para fazer esse som.
09:16
That's really extraordinary.
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Isso é realmente extraordinário.
09:18
If you think about them,
they're only 15 millimeters long,
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Se as considerarmos, elas têm apenas
15 milímetros de comprimento,
09:22
so that's barely the width of your thumb.
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que é apenas a largura do seu polegar.
09:24
That's incred --
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(Risos)
09:25
(Laughter)
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09:27
That's amazing this organ
can do such a thing.
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É incrível que esse órgão
possa fazer algo assim.
09:30
So now we're going to swap
over to the flexible laryngoscope.
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Agora vamos trocar
para o laringoscópio flexível.
09:36
This is a little more graphic.
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Isso é um pouco mais explícito.
09:38
TT: He bought it at SEXPO.
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TT: Ele o comprou na SEXPO.
09:40
(Laughter)
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(Risos)
09:43
MB: That wasn't in the script.
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MB: Isso não estava combinado.
09:45
(Laughter)
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(Aplausos) (Risos)
09:46
(Applause)
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09:51
TT: Secondhand.
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TT: É de segunda mão.
09:52
(Laughter)
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(Risos)
09:57
MB: Now, we've had to time
this bit perfectly
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MB: Agora tivemos que calcular
o tempo perfeitamente
09:59
because of the requirement
for local anesthetic.
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devido à necessidade de anestesia local.
10:02
You've got to numb the nose,
get the camera in.
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É preciso anestesiar o nariz,
inserir a câmera.
10:04
It doesn't help for producing
a lot of the sounds,
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Não ajuda para a produção de muitos sons,
10:07
but it gives us a really cool view
of what's happening.
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mas nos dá uma visão muito legal
do que está acontecendo.
10:10
So hold onto the stomachs,
and let's see what we can do.
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Segurem o estômago,
e vamos ver o que podemos fazer.
10:14
(Audience gasps)
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(Surpresa da plateia)
10:17
So we're going to the back of the nose.
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Vamos para o fundo do nariz.
10:22
And there you can see the soft palate.
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Lá vocês podem ver o palato mole.
10:24
A lot of the sounds
we make from day to day,
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Muitos sons que emitimos todo dia,
10:27
even the simple ones,
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mesmo os mais simples,
são incrivelmente complexos.
10:28
are incredibly complex.
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10:30
The sound "kh" for example.
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O som "câ", por exemplo.
10:32
It's the soft palate sealing up
precisely against the back of the nose.
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É o palato mole fechando de modo preciso
contra o fundo do nariz.
10:36
So if you say it loudly five times,
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Se disserem isso em voz alta cinco vezes,
10:39
feel your own soft palate
snapping against the back of the throat.
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sentirão seu próprio palato mole
estalando no fundo da garganta.
10:43
Kh, kh, kh, kh, kh, kh.
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Câ, câ, câ, câ, câ, câ.
10:47
Alright, so this is what
it looks like when Tom does it.
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Certo, é isso que parece
quando Tom faz isso.
10:50
TT: Kh, kh, kh, kh, kh.
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TT: Câ, câ, câ, câ, câ.
10:53
A cacophony of cackling kookaburras
and cockatoos in Kakadu
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Uma cacofonia de kookaburras
cacarejantes e cacatuas em Kakadu
10:57
couldn't quite quit ketamine.
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não conseguia quitar o Ketalar.
10:59
(Laughter)
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(Risos)
11:01
(Applause)
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(Aplausos)
11:03
MB: Alright, now in the beatboxing world,
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MB: No mundo do beatbox, pode-se usar isso
para todo tipo de efeitos diferentes.
11:05
of course, they can use that
for all sorts of different effects.
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11:09
I can help you.
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Posso ajudar você.
11:11
TT: This is fine, we're professionals.
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TT: Tudo bem, somos profissionais.
11:14
(Laughter)
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(Risos)
11:16
(Beatboxing)
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(Fazendo beatbox)
11:36
MB: Alright.
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MB: Tudo bem.
11:37
(Applause and cheers)
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(Aplausos) (Vivas)
11:40
Now we're going to slide down
a little further.
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Agora vamos descer um pouco mais.
11:44
If you'll just have the lights off
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Se puderem desligar as luzes...
11:47
and just see if you can see
the light in the mouth somewhere.
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tentem ver a luz na boca em algum lugar,
e verão exatamente a posição da câmera.
11:50
You'll be able to see exactly
where the camera is at.
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11:53
(Laughter)
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(Risos)
11:56
TT: (Singing)
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TT: (Cantando) Surpresa!
11:57
Surprise.
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(Risos)
11:59
(Laughter)
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12:01
MB: Alright.
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12:02
(Audience gasps)
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12:04
So what you can see there,
that's the base of the tongue.
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MB: Podem ver ali a base da língua.
12:07
The side walls of the screen,
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A faringe são as paredes laterais da tela,
12:09
that's the pharynx.
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12:11
All muscle walls,
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Todas as paredes musculares e, nos pisos
escuros e profundos, está a laringe.
12:12
and in the deep, dark decks is the larynx.
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12:15
TT: Oh, should we have the lights back on?
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TT: Podem acender as luzes?
12:17
I think it's a good idea.
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12:18
It's getting a bit creepy with them off.
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Está ficando um pouco assustador assim.
MB: Acendam as luzes, obrigado.
12:20
MB: Turn the lights on, thanks.
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12:22
Good.
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Depois de examinar mais de 15 mil
laringes e gargantas no meu tempo,
12:23
Now having examined over 15,000
larynxes and throats in my time,
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12:27
I can tell you that Tom's
is as anatomically normal
255
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posso lhes dizer que a de Tom
é tão normal anatomicamente
12:31
as anyone else's.
256
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como a de qualquer pessoa.
12:33
It's just his unique use
of all the muscles and soft tissues
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É apenas seu uso sem igual de todos
os músculos e tecidos moles,
12:36
which lets him do all these amazing
sounds that you're going to hear.
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que permite que ele faça todos
esses sons incríveis que vocês irão ouvir.
12:41
So we will dissect some
of these sounds for you now.
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Dissecaremos alguns desses sons agora.
12:45
TT: It's in there really. Definitely.
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TT: Está lá dentro realmente, com certeza.
12:48
(Laughter)
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(Risos)
12:49
OK.
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12:52
(High-pitched sounds)
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(Sons agudos)
12:59
(High-pitched sounds)
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(Sons agudos)
13:02
(Hooting)
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(Imitando sirene)
13:04
MB: So what he's doing
is he's changing the shape
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MB: Ele está mudando a forma
e o comprimento da coluna de ar vibrante
13:07
and the length of the vibrating air column
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13:09
using rhythmic contractions
of all the muscles
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usando contrações rítmicas
de todos os músculos
13:11
to generate all those sounds
that you're hearing.
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para gerar os sons que estão ouvindo.
13:15
(Beatboxing)
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(Fazendo beatbox)
13:17
(Laughter)
271
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(Risos)
13:19
(Low pitch)
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(Tom grave)
13:22
MB: And now there's
rhythmic movements of the --
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MB: E agora há movimentos rítmicos,
são as cartilagens aritenoides lá embaixo,
13:25
they're the arytenoid
cartilages way down there,
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13:27
rocking back and forth
to create that different sound.
275
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2524
balançando para a frente e para trás
para criar esse som diferente.
13:30
TT: (Low pitch)
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TT: (Tom grave)
13:37
MB: And we like to call
this "sphincter bass."
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MB: Chamamos isso de "baixo esfíncter".
13:39
(Laughter)
278
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(Risos)
13:41
And what you can see
is that collapsing all the tissue down --
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E podem ver isso percorrendo
todo o tecido abaixo...
13:44
(Laughter)
280
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(Risos)
13:46
allows a different kind
of really deep bass note.
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permite um tipo diferente
de nota muito grave.
13:50
Alright, so with local
anesthetic on board,
282
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Com anestesia local aplicada,
um grande tubo preto no nariz,
13:52
a big black hose in the nose,
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1976
13:54
we're going to let loose
a sliver of his repertoire
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vamos soltar um pouco do repertório dele
e ver tudo isso em ação.
13:57
and see all this in play.
285
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14:00
And we'll move --
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E vamos nos mover...
14:01
careful.
287
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com cuidado.
14:06
TT: Can you pull it up just a smidgeon.
288
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TT: Pode levantar só um pouquinho.
14:09
(Laughter)
289
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(Risos)
14:14
TT: (Beatboxing)
290
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TT: (Fazendo beatbox)
14:16
Maybe just a little more --
291
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Talvez só mais um pouco...
14:19
(Laughter)
292
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14:20
Alright, cool, I think we're good.
293
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Tudo bem, legal, acho que estamos bem.
(Fazendo beatbox)
14:22
(Beatboxing) To all my peeps
who came to get deep,
294
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A todos os meus amigos
que vieram para se aprofundar,
14:25
deep as the abyss --
295
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profundo como o abismo,
14:27
check this.
296
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vejam isto.
14:28
(Beatboxing)
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(Fazendo beatbox)
15:34
(Cheers)
298
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15:37
(Applause)
299
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(Aplausos) (Vivas)
15:42
(Beatboxing)
300
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Começamos do básico e criamos do zero.
15:44
We start from the basics
and build from scratch.
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15:47
(Record scratch)
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(Arranhando o disco)
15:48
Yeah, like that.
303
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Isso, assim.
15:49
(Beatboxing)
304
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(Fazendo beatbox)
16:27
(Trumpet sound)
305
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(Som de trompete)
16:47
(Beatboxing)
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(Fazendo beatbox)
16:50
(Beatboxing) Back to basics.
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De volta ao básico.
16:53
(Beatboxing)
308
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(Fazendo beatbox)
17:00
(Beatboxing) You know the sound.
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Vocês conhecem o som.
(Fazendo beatbox)
17:05
(Beatboxing) Make some noise.
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Façam barulho.
17:07
(Applause and cheers)
311
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(Aplausos) (Vivas)
17:09
(Whistling)
312
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(Assobios)
17:12
(Applause and cheers)
313
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(Aplausos) (Vivas)
17:16
TT: Thank you so much.
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TT: Muito obrigado.
Translated by Maurício Kakuei Tanaka
Reviewed by Maricene Crus

▲Back to top

ABOUT THE SPEAKERS
Tom Thum - Beatboxer
Hip-hop musician Tom Thum whirls together beatboxing, performance and an array of mouthsounds.

Why you should listen

Coming out of the small Brisbane, Australia, hip-hop scene, Tom Thum has become a world presence with his unhuman beatboxing sound. In 2005, he and Joel Turner won the team battle in the World Beatbox Championships, and Thum came second at the Scribble Jam Beatbox Battles, America’s most prestigious hip-hop competition, in 2006. He's a cast member in the hip-hop/circus performance troupe Tom Tom Crew, appearing on Broadway and London's West End.

Thum is also committed to teaching hip-hop, and travels throughout Australia sharing the positive message that music preaches.

More profile about the speaker
Tom Thum | Speaker | TED.com
Matthew Broadhurst - Ear, nose and throat surgeon
Matthew Broadhurst is an ear, nose and throat surgeon based in Brisbane, Australia.

Why you should listen

Matthew Broadhurst is Australia's first fellowship-trained laryngeal surgeon practicing in laryngology and voice restoration. His practice primarily involves management of voice and throat disorders and sleep-disordered breathing, including snoring and sleep apnea.

Broadhurst has a unique ability to provide assessment and management strategies for patients with voice disorders -- including hoarseness, vocal cord paralysis, throat cancer and more -- that are beyond the scope of general ear, nose and throat surgeons. He worked under the direct instruction of Steven Zeitels, a world leader and innovator in laryngeal surgery and voice restoration who was recently acknowledged at the Grammy's as the surgeon who restored the multi-platinum, award-winning artist Adele.

In Brisbane, Broadhurst performs groundbreaking specialized laryngeal surgical techniques using both 4K ultra-high definition microscopy and full high-definition video stroboscopy. He completed his Bachelor of Medicine, Bachelor of Surgery at Flinders University in 1996, and subsequently obtained his Fellowship of the Royal Australasian College of Surgeons in Otolaryngology, Head and Neck Surgery in 2005.

More profile about the speaker
Matthew Broadhurst | Speaker | TED.com

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