ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com
TEDGlobal 2009

Edward Burtynsky: Photographing the landscape of oil

إدوارد بورتينسكي: تصوير أراضي النفط

Filmed:
550,970 views

من خلال صور فوتوغرافية كبيرة ومدهشة يقوم إدوارد بورتينسكي بتتّبع مسار النفط في المجتمع الحديث -- من فوهات الآبار إلى خط الأنابيب إلى محرّك السيارة -- ومن ثم إلى أبعد من ذلك إلى الذروة المتوقعة من نهاية لعبة النفط.
- Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind. Full bio

Double-click the English transcript below to play the video.

00:15
I startedبدأت my journeyرحلة 30 yearsسنوات agoمنذ.
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بدأت رحلتي منذ ثلاثين سنة
00:18
And I workedعمل in minesالألغام. And I realizedأدرك that
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وعملت في المناجم وأدركت أن
00:20
this was a worldالعالمية unseenغير مرئي.
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هذا العالم غير مرئي.
00:22
And I wanted, throughعبر colorاللون and largeكبير formatشكل camerasكاميرات
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وأردت -- من خلال الألوان وكاميرات التصوير الكبيرة
00:24
and very largeكبير printsمطبوعات,
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والصور المطبوعة الكبيرة الحجم --
00:26
to make a bodyالجسم of work that somehowبطريقة ما
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أن أنتج أعمالا
00:28
becameأصبح symbolsحرف of our
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تصبح بشكل ما رموزا لكيفية
00:31
use of the landscapeالمناظر الطبيعيه,
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استخدامنا لمناطقنا الطبيعية
00:33
how we use the landأرض.
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ولكيفية استخدامنا للأراضي.
00:35
And to me this was
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وكان هذا بالنسبة لي
00:37
a keyمفتاح componentمكون that somehowبطريقة ما, throughعبر this mediumمتوسط of photographyالتصوير,
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عنصرا أساسيا حيث أننا٬ ومن خلال التصوير الفوتوغرافي٬
00:40
whichالتي allowsيسمح us to contemplateتفكر these landscapesالمناظر الطبيعية,
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نستطيع أن نتأمل هذه الأراضي٬
00:43
that I thought photographyالتصوير was perfectlyتماما suitedمناسب
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وظننت أن التصوير الفوتوغرافي ملائم تماما
00:46
to doing this typeاكتب of work.
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من أجل هذا النوع من العمل.
00:48
And after 17 yearsسنوات of photographingتصوير largeكبير industrialصناعي landscapesالمناظر الطبيعية,
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بعد 17 سنة من تصوير الأراضي الصناعية الكبيرة
00:52
it occurredحدث to me that
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أدركت أن
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oilنفط is underpinningدعامة the scaleمقياس and speedسرعة.
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النفط يشكل الأساس في مستوى وسرعة --
00:56
Because that is what has changedتغير,
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لأن هذا الذي تغير --
00:58
is the speedسرعة at whichالتي we're takingمع الأخذ all our resourcesموارد.
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سرعتنا في استهلاك مواردنا.
01:01
And so then I wentذهب out to developطور a wholeكامل seriesسلسلة
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فخرجت لتطوير سلسلة كاملة
01:03
on the landscapeالمناظر الطبيعيه of oilنفط.
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تتمحور على أراضي النفط.
01:05
And what I want to do is to kindطيب القلب of mapخريطة an arcقوس
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وما أردت فعله هو أن أرسم خريطة قوس
01:10
that there is extractionاستخلاص, where we're takingمع الأخذ it from the groundأرض,
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للإستخراج٬ ومكان الإستخراج
01:13
refinementالتنقيح. And that's one chapterالفصل.
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والتكرير. وهذا كله عبارة عن فصلٍ واحد.
01:15
The other chapterالفصل that I wanted to look at was
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الفصل الٱخر الذي أردت تفحصه هو
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how we use it -- our citiesمدن,
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كيفية استخدامنا للنفط -- مدننا٬
01:19
our carsالسيارات, our motorculturesmotorcultures,
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سياراتنا٬ وثقافة المحركات خاصتنا
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where people gatherجمع around the vehicleمركبة
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حيث يتجمع الناس حول المركبة
01:25
as a celebrationاحتفال.
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للإحتفال.
01:27
And then the thirdالثالث one is this ideaفكرة of the endالنهاية of oilنفط,
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والفصل الثالث هو فكرة نهاية النفط هذه٬
01:29
this entropicالتدهور الحتمي endالنهاية,
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هذه النهاية الحتمية --
01:31
where all of our partsأجزاء of carsالسيارات, our tiresالإطارات,
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حيث كل سياراتنا٬ دواليب سياراتنا٬
01:34
oilنفط filtersمرشحات,
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مصافي الزيت٬
01:36
helicoptersطائرات هليكوبتر, planesطائرات --
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المروحيات٬ الطائرات --
01:38
where are the landscapesالمناظر الطبيعية where all of that stuffأمور endsنهايات up?
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في أي أراضٍ سينتهي بها الأمر؟
01:41
And to me, again, photographyالتصوير was
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ومجددا٬ كان التصوير الفوتوغرافي بالنسبة لي
01:43
a way in whichالتي I could exploreإستكشاف and researchابحاث the worldالعالمية,
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طريقة تمكنني من استكشاف ودراسة العالم
01:46
and find those placesأماكن.
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وايجاد هذه المناطق.
01:48
And anotherآخر ideaفكرة that I had as well,
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والفكرة الأخرى التي خطرت لي أيضا
01:50
that was broughtجلبت forwardإلى الأمام by an ecologistعالم البيئة --
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والتي جاء بها عالم بيئي --
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he basicallyفي الأساس did a calculationعملية حسابية where
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حيث قام بإجراء حساب
01:57
he tookأخذ one literلتر of gasغاز and said,
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أخذ فيه ليتراً من الغاز وسأل:
01:59
well, how much carbonكربون it would take, and how much organicعضوي materialمواد?
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"حسنا٬ كم تستلزم هذه من مادة الكاربون٬ وكم من المواد العضوية؟"
02:03
It was 23 metricقياس tonsطن for one literلتر.
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والجواب كان 23 طن متري للّيتر الواحد.
02:06
So wheneverكلما كان I fillملء up my gasغاز,
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لذا كلما أقوم بتعبئة الغاز٬
02:08
I think of that literلتر, and how much carbonكربون.
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أفكر بذلك الليتر٬ وكمية الكاربون الذي استلزمته.
02:10
And I know that oilنفط comesيأتي from the oceanمحيط and phytoplanktonالعوالق النباتية,
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وأنا أعلم أن النفط يأتي من المحيط والنباتات البحرية الطائفة
02:13
but he did the calculationsالعمليات الحسابية for our Earthأرض
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ولكنه قام بإجراء الحسابات لكوكبنا
02:16
and what it had to do to produceإنتاج that amountكمية of energyطاقة.
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وما فعلته لإنتاج تلك الكمية من الطاقة.
02:18
From the photosyntheticالضوئي growthنمو,
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من جهة النمو النباتي الضوئي٬
02:20
it would take 500 yearsسنوات of that growthنمو
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فإنها تتطلب 500 سنة من ذلك النمو
02:23
to produceإنتاج what we use, the 30 billionمليار barrelsبرميل we use perلكل yearعام.
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لإنتاج ما نستخدمه٬ أي 30 مليار برميل في السنة.
02:28
And that alsoأيضا broughtجلبت me to the factحقيقة that
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وهذا أيضا لفت إنتباهي لطبيعة
02:30
this posesيطرح suchهذه a riskخطر to our societyالمجتمع.
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الخطر الذي يواجه مجتمعنا.
02:33
Looking at 30 billionمليار perلكل yearعام,
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عندما ننظر إلى 30 مليار برميل في السنة
02:38
we look at our two largestأكبر suppliersالموردين,
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فإننا ننظر إلى اثنين من أكبر موّردينا
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Saudiسعودي Arabiaجزيره العرب and now Canadaكندا, with its dirtyقذر oilنفط.
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وهما السعودية٬ والٱن كندا بنفطها الوسخ.
02:42
And togetherسويا they only formشكل about 15 yearsسنوات of supplyيتبرع.
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كلاهما معا يشكلان 15 سنة من التزويد.
02:46
The wholeكامل worldالعالمية, at 1.2 trillionتريليون estimatedمقدر reservesمحميات,
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العالم كله بكمية احتياطه المقدرة ب1.2 تريليون
02:49
only givesيعطي us about 45 yearsسنوات.
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يعطينا حوالي 45 سنة فقط.
02:51
So, it's not a questionسؤال of if, but a questionسؤال of when
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لذا هي ليست مسألة "إذا"٬ هي مسألة "متى"
02:54
peakقمة oilنفط will come uponبناء على us.
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ستأتي علينا الذروة النفطية.
02:56
So, to me, usingاستخدام photographyالتصوير --
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لذا فإن استخدام التصوير الفوتوغرافي٬ بالنسبة لي --
02:58
and I feel that all of us need to now beginابدأ to really
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وأظن أننا الٱن يجب علينا أن نبدأ
03:01
take the taskمهمة of usingاستخدام our talentsالمواهب,
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بالعمل لإستخدام مواهبنا
03:03
our waysطرق of thinkingتفكير,
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وطرق تفكيرنا
03:06
to beginابدأ to dealصفقة with what I think is probablyالمحتمل
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من أجل التعامل مع ما أظنه
03:08
one of the mostعظم challengingالتحدي issuesمسائل of our time,
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أكثر القضايا صعوبة في عصرنا
03:11
how to dealصفقة with our energyطاقة crisisأزمة.
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وهي كيفية التعامل مع أزمة الطاقة.
03:13
And I would like to say that, on the other sideجانب of it,
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وأود أن أقول أن من جهة أخرى
03:15
30, 40 yearsسنوات from now, the childrenالأطفال that I have,
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30 أو 40 سنة من الٱن٬ أي مع أولادنا٬
03:17
I can look at them and say, "We did everything
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يمكنني أن أنظر إليهم وأن أقول: "لقد فعلنا كل شيء
03:19
we possiblyربما, humanlyبشريا could do,
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استطعنا فعله وبذلنا قصارى جهدنا
03:22
to beginابدأ to mitigateتخفيف this,
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من أجل البدء بتخفيف هذا٬
03:25
what I feel is one of the mostعظم importantمهم and criticalحرج
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وهو ما أظنه من أهم وأخطر
03:27
momentsلحظات in our time. Thank you.
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الأوقات في عصرنا." شكرا لكم.
03:30
(Applauseتصفيق)
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(تصفيق)
Translated by Omar Ayoub
Reviewed by Khalid Elshafie

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ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com