ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com
TEDGlobal 2009

Edward Burtynsky: Photographing the landscape of oil

Эдуард Буртынски: Фотографируя нефтяной ландшафт

Filmed:
550,970 views

В ошеломляющих широкоформатных фотографиях Эдyард Бyртынски следует за нефтяным потоком через современное общество, от скважины, через нефтепровод, до мотора и далее к ожидаемому эндшпилю пика потребления.
- Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind. Full bio

Double-click the English transcript below to play the video.

00:15
I startedначал my journeyпоездка 30 yearsлет agoтому назад.
0
0
3000
Своё путешествие я начал 30 лет назад.
00:18
And I workedработал in minesмины. And I realizedпонял that
1
3000
2000
Работал я в шахтах. И я понял, что
00:20
this was a worldМир unseenневидимый.
2
5000
2000
эта часть мира остаётся невидимой.
00:22
And I wanted, throughчерез colorцвет and largeбольшой formatформат camerasкамеры
3
7000
2000
Тогда я решил, посредством цветных и широкоформатных аппаратов
00:24
and very largeбольшой printsпечать,
4
9000
2000
и крупноразмерных фотографий,
00:26
to make a bodyтело of work that somehowкак-то
5
11000
2000
создать собрание произведений, которое так или иначе
00:28
becameстал symbolsсимволы of our
6
13000
3000
стало бы символом
00:31
use of the landscapeпейзаж,
7
16000
2000
нашего использования ландшафта,
00:33
how we use the landземельные участки.
8
18000
2000
использования земли.
00:35
And to me this was
9
20000
2000
Для меня это был
00:37
a keyключ componentкомпонент that somehowкак-то, throughчерез this mediumсредний of photographyфотография,
10
22000
3000
ключ, который неким образом, посредством фотографии,
00:40
whichкоторый allowsпозволяет us to contemplateсозерцать these landscapesпейзажи,
11
25000
3000
позволяет нам созерцать такой пейзаж.
00:43
that I thought photographyфотография was perfectlyв совершенстве suitedподходящий
12
28000
3000
Я посчитал, что фотографирование прекрасно подходит
00:46
to doing this typeтип of work.
13
31000
2000
для такого рода работы.
00:48
And after 17 yearsлет of photographingфотографирование largeбольшой industrialпромышленные landscapesпейзажи,
14
33000
4000
После 17 лет фотографирования огромных индустриальных ландшафтов
00:52
it occurredпроизошло to me that
15
37000
2000
мне пришло в голову, что
00:54
oilмасло is underpinningподоплека the scaleмасштаб and speedскорость.
16
39000
2000
нефть лежит в основе масштаба и скорости,
00:56
Because that is what has changedизменено,
17
41000
2000
поскольку изменилась именно скорость,
00:58
is the speedскорость at whichкоторый we're takingпринятие all our resourcesРесурсы.
18
43000
3000
с которой мы исчерпываем все наши ресурсы.
01:01
And so then I wentотправился out to developразвивать a wholeвсе seriesсерии
19
46000
2000
Тогда я начал создавать целую серию
01:03
on the landscapeпейзаж of oilмасло.
20
48000
2000
на тему нефтяных ландшафтов.
01:05
And what I want to do is to kindсвоего рода of mapкарта an arcдуга
21
50000
5000
Я решил прочертить нечто типа траектории.
01:10
that there is extractionдобыча, where we're takingпринятие it from the groundземля,
22
55000
3000
Начало её – место добычи нефти из-под земли
01:13
refinementутонченность. And that's one chapterглава.
23
58000
2000
и её обработка. Это первая часть.
01:15
The other chapterглава that I wanted to look at was
24
60000
2000
Другая часть, на которую я хотел взглянуть – это то,
01:17
how we use it -- our citiesгорода,
25
62000
2000
как мы используем нефть, это наши города,
01:19
our carsлегковые автомобили, our motorculturesmotorcultures,
26
64000
2000
автомобили, культура моторизации,
01:21
where people gatherсобирать around the vehicleсредство передвижения
27
66000
4000
когда центр события – само транспортное средство
01:25
as a celebrationпраздник.
28
70000
2000
и его превознесение.
01:27
And then the thirdв третьих one is this ideaидея of the endконец of oilмасло,
29
72000
2000
Наконец, третья часть посвящена идее конца пути этой нефти.
01:29
this entropicэнтропийный endконец,
30
74000
2000
На этом конце мы видим разложение,
01:31
where all of our partsчасти of carsлегковые автомобили, our tiresшины,
31
76000
3000
наших автозапчастей, наших покрышек,
01:34
oilмасло filtersфильтры,
32
79000
2000
масляных фильтров,
01:36
helicoptersвертолеты, planesсамолеты --
33
81000
2000
вертолетов, самолетов,
01:38
where are the landscapesпейзажи where all of that stuffматериал endsконцы up?
34
83000
3000
целые ландшафты, к которым текут все эти предметы.
01:41
And to me, again, photographyфотография was
35
86000
2000
Для меня, повторяю, фотографирование было
01:43
a way in whichкоторый I could exploreисследовать and researchисследование the worldМир,
36
88000
3000
инструментом изучения мира, его исследования,
01:46
and find those placesмест.
37
91000
2000
поиска таких мест.
01:48
And anotherдругой ideaидея that I had as well,
38
93000
2000
У меня также была ещё одна идея,
01:50
that was broughtпривел forwardвперед by an ecologistэколог --
39
95000
4000
которая была подсказана экологом.
01:54
he basicallyв основном did a calculationрасчет where
40
99000
3000
Он просто сделал расчет,
01:57
he tookвзял one literлитр of gasгаз and said,
41
102000
2000
задавшись вопросом: сколько потребуется
01:59
well, how much carbonуглерод it would take, and how much organicорганический materialматериал?
42
104000
4000
углерода и органического материала на один литр бензина?
02:03
It was 23 metricметрический tonsтонны for one literлитр.
43
108000
3000
На 1 литр требуется 23 тонны.
02:06
So wheneverвсякий раз, когда I fillзаполнить up my gasгаз,
44
111000
2000
Каждый раз, когда я теперь заливаю бензин
02:08
I think of that literлитр, and how much carbonуглерод.
45
113000
2000
я думаю об объеме углерода на литр.
02:10
And I know that oilмасло comesвыходит from the oceanокеан and phytoplanktonфитопланктон,
46
115000
3000
А я знаю, что нефть достаётся из океана и фитопланктона.
02:13
but he did the calculationsвычисления for our EarthЗемля
47
118000
3000
Он также сделал вычисления для всей планеты:
02:16
and what it had to do to produceпроизводить that amountколичество of energyэнергия.
48
121000
2000
сколь долго ей пришлось бы создавать такое количество энергии?
02:18
From the photosyntheticфотосинтезирующий growthрост,
49
123000
2000
Начиная с роста фотосинтеза,
02:20
it would take 500 yearsлет of that growthрост
50
125000
3000
требуется 500 лет роста
02:23
to produceпроизводить what we use, the 30 billionмиллиард barrelsбаррели we use perв yearгод.
51
128000
5000
для создания тех 30 млрд. баррелей, что мы потребляем в год,
02:28
And that alsoтакже broughtпривел me to the factфакт that
52
133000
2000
Благодаря этому я узнал, какую угрозу
02:30
this posesпозы suchтакие a riskриск to our societyобщество.
53
135000
3000
это представляет для нашего общества.
02:33
Looking at 30 billionмиллиард perв yearгод,
54
138000
5000
Говоря о 30 миллиардах в год,
02:38
we look at our two largestкрупнейший suppliersпоставщики,
55
143000
2000
мы думаем о двух наших крупнейших поставщиках,
02:40
SaudiСаудовская ArabiaАравия and now CanadaКанада, with its dirtyгрязный oilмасло.
56
145000
2000
Саудовской Аравии, и теперь Канаде, с её грязной нефтью.
02:42
And togetherвместе they only formформа about 15 yearsлет of supplyпоставка.
57
147000
4000
Их совместных запасов хватит только лет на 15.
02:46
The wholeвсе worldМир, at 1.2 trillionтриллион estimatedпо оценкам reservesрезервы,
58
151000
3000
Весь мир, с его предполагаемыми запасами в 1,2 триллиона,
02:49
only givesдает us about 45 yearsлет.
59
154000
2000
даст нам всего лишь около 45 лет.
02:51
So, it's not a questionвопрос of if, but a questionвопрос of when
60
156000
3000
Итак, вопрос не в том, «грянет ли», а в том, «когда грянет»
02:54
peakвершина горы oilмасло will come uponна us.
61
159000
2000
пик потребления нефти.
02:56
So, to me, usingс помощью photographyфотография --
62
161000
2000
Способ выражения через фотографии для меня …
02:58
and I feel that all of us need to now beginначать to really
63
163000
3000
Я считаю, что все мы должны начать действовать,
03:01
take the taskзадача of usingс помощью our talentsталанты,
64
166000
2000
взяться за задачу использовать наши таланты,
03:03
our waysпути of thinkingмышление,
65
168000
3000
наш образ мышления,
03:06
to beginначать to dealпо рукам with what I think is probablyвероятно
66
171000
2000
обратить все усилия на самый, по моему мнению,
03:08
one of the mostбольшинство challengingиспытывающий issuesвопросы of our time,
67
173000
3000
сложный вопрос нашего времени:
03:11
how to dealпо рукам with our energyэнергия crisisкризис.
68
176000
2000
как справиться с энергетическим кризисом.
03:13
And I would like to say that, on the other sideбоковая сторона of it,
69
178000
2000
С другой стороны, я хочу суметь сказать
03:15
30, 40 yearsлет from now, the childrenдети that I have,
70
180000
2000
нашим детям, через 30-40 лет,
03:17
I can look at them and say, "We did everything
71
182000
2000
хочу суметь взглянуть им в глаза и сказать «Мы сделали всё возможное,
03:19
we possiblyвозможно, humanlyпо-человечески could do,
72
184000
3000
всё, что в силах человеческих,
03:22
to beginначать to mitigateсмягчать this,
73
187000
3000
для смягчения [кризиса].»
03:25
what I feel is one of the mostбольшинство importantважный and criticalкритический
74
190000
2000
Я считаю это одним из важнейших и критических
03:27
momentsмоменты in our time. Thank you.
75
192000
3000
моментов нашего времени. Спасибо.
03:30
(ApplauseАплодисменты)
76
195000
4000
(Аплодисменты)
Translated by Marina Odintsova
Reviewed by Namik Kasumov

▲Back to top

ABOUT THE SPEAKER
Edward Burtynsky - Photographer
2005 TED Prize winner Edward Burtynsky has made it his life's work to document humanity's impact on the planet. His riveting photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.

Why you should listen

To describe Canadian photographer Edward Burtynsky's work in a single adjective, you have to speak French: jolie-laide. His images of scarred landscapes -- from mountains of tires to rivers of bright orange waste from a nickel mine -- are eerily pretty yet ugly at the same time. Burtynsky's large-format color photographs explore the impact of humanity's expanding footprint and the substantial ways in which we're reshaping the surface of the planet. His images powerfully alter the way we think about the world and our place in it.

With his blessing and encouragement, WorldChanging.com and others use his work to inspire ongoing global conversations about sustainable living. Burtynsky's photographs are included in the collections of over 50 museums around the world, including the Tate, London and the Museum of Modern Art and the Guggenheim in New York City. A large-format book, 2003's Manufactured Landscapes, collected his work, and in 2007, a documentary based on his photography, also called Manufactured Landscapes, debuted at the Toronto Film Festival before going on to screen at Sundance and elsewhere. It was released on DVD in March 2007. In 2008, after giving a talk at the Long Now Foundation, Burtynsky proposed "The 10,000 Year Gallery," which could house art to be curated over thousands of years preserved through carbon transfers in an effort to reflect the attitudes and changes of the world over time. 

When Burtynsky accepted his 2005 TED Prize, he made three wishes. One of his wishes: to build a website that will help kids think about going green. Thanks to WGBH and the TED community, the show and site Meet the Greens debuted at TED2007. His second wish: to begin work on an Imax film, which morphed into the jaw-dropping film Manufactured Landscapes with Jennifer Baichwal. And his third wish, wider in scope, was simply to encourage "a massive and productive worldwide conversation about sustainable living." Thanks to his help and the input of the TED community, the site WorldChanging.com got an infusion of energy that has helped it to grow into a leading voice in the sustainability community.

In 2016, he won a Governor General's Award in Visual and Media Arts for his work.

More profile about the speaker
Edward Burtynsky | Speaker | TED.com

Data provided by TED.

This site was created in May 2015 and the last update was on January 12, 2020. It will no longer be updated.

We are currently creating a new site called "eng.lish.video" and would be grateful if you could access it.

If you have any questions or suggestions, please feel free to write comments in your language on the contact form.

Privacy Policy

Developer's Blog

Buy Me A Coffee