James Bridle: The nightmare videos of children's YouTube -- and what's wrong with the internet today
詹姆斯 · 布瑞德: 兒童 YouTube 上的夢魘影片——現今的網際網路到底出了什麼問題?
Working across technologies and disciplines, James Bridle examines technology, knowledge and the end of the future. Full bio
Double-click the English transcript below to play the video.
of military drones
在世界各地的城市街道上繪製
and get their heads around
and hard-to-think-about technologies.
也很難想像的科技。
that predict the results of elections
of these weird new technologies are.
my own self-driving car.
really trust technology,
I find them completely fascinating,
我覺得它們真的很吸引我,
when we talk about technology,
當我們談到科技時,
關於科技的故事。
opening up loads of chocolate eggs
打開了一堆巧克力蛋,
for seven long minutes.
7 分鐘的影片就這個內容。
two things about this.
has 30 million views.
3000 萬人次的點閱率。
that has 6.3 million subscribers,
擁有 630 萬名的訂閱者,
都差不多是這樣子的,
opening up these eggs.
for "surprise eggs" on YouTube,
YouTube 上搜索「驚喜蛋」,
10 million of these videos,
就會發現它們多不勝數。
of these videos
of brands and materials,
being uploaded every single day.
who are watching these videos.
觀眾並不是成人,
like crack for little kids.
dopamine hit of the reveal,
讓多巴胺一點一滴地累積,
over and over and over again,
觀看這些影片,
and hours and hours.
the screen away from them,
in the audience nodding --
有人在點頭了——
with small children and ask them,
去問問那些有小孩的人,
the surprise egg videos.
Facebook and Instagram are using
現今在用的相同機制,
to hack the brains of very small children
這種方法入侵小孩子的腦袋,
賺取廣告收入。
that's what they're doing.
只是為了賺錢,
of making ad revenue on YouTube.
有更簡單賺取廣告收入的方法。
或抄襲別人的東西,
popular kids' cartoons
很流行的兒童卡通,
或「汪汪隊立大功」,
of these online as well.
by the original content creators.
不是原創者上傳的,
of different random accounts,
who's posting them
of our digital services,
數位網路平台所做的事。
where this information is coming from.
that comes along,
a terribly good idea.
that's really big on kids' YouTube.
在兒童圈也很夯,
in the audience.
200,000 views,
只有 20 萬人次的點擊率。
into your brain
會傳入你們腦中盤旋不去,
it seared itself into mine,
these finger family videos
這些手指家庭之歌的影片
in different languages
of animation elements
各種動畫元素都有相應的版本。
and millions and millions of these videos
數百萬支這樣的影片,
kind of insane combinations.
you start to spend with them,
you start to feel that you might be.
kind of launched into this,
and deep lack of understanding
也完全沒有辦法理解
that seems to be presented around me.
是怎麼被製造出來的。
where these things are coming from.
of teams of professional animators.
專業動畫師團隊製作的,
assembled by software.
young kids' entertainers.
shouldn't be around children at all.
of figuring out who's making this stuff --
這些東西是由誰製作的。
that we can't tell the difference
它們的差別時,
feel kind of familiar right now?
不確定性是否有點熟悉?
on their videos --
of these videos with these popular terms.
"Paw Patrol," "Easter egg,"
和「復活節彩蛋」
popular videos into your title,
關鍵字加進你的標題,
meaningless mash of language
tiny kids who are watching your video,
for this stuff is software.
are like other videos,
to make them recommended.
kind of completely meaningless mash,
標題或內容,
this algorithmically optimized system,
還是有人的參與。
of increasingly forced to act out
combinations of words,
responding to the combined screams
100 萬名齊聲尖叫的學步兒。
trapped within these systems,
about this algorithmically driven culture,
還有個很奇怪的特點,
watching this stuff,
by these weird mechanisms.
都被這些詭異的手法所吸引。
to even use a website.
都還不會使用網路。
on the screen with their little hands.
over and over and over in a loop,
以接力賽的方式播放,
in the system now
to some pretty strange places.
看到一些很奇怪的影片。
of a counting train
keywords come home to roost.
所自食的惡果。
trollish in-jokes or something,
或其他東西,
to a very weird place indeed.
非常奇怪的頁面。
or sexual content, right?
相關的內容,對嗎?
genuinely terrify children.
all of these different influences
上述各種雜亂無章的元素後,
kids' worst nightmares.
does affect small children.
being traumatized,
cartoon characters.
it's that if you have small children,
那就是:若你有小孩,
that really gets to me about this,
understand how we got to this point.
我們是如何走到今天這一步的。
all of these things,
所有的東西,
that no one really intended.
that we're building the entire world.
建造整個世界的方式。
full of prejudice,
impulses of history,
into huge data sets
龐大的數據庫中,
into things like credit reports,
policing systems,
constructing the world today
that seems to be entirely optimized
of human behavior,
to have done it by accident,
卻這樣做了,
that we were doing it,
自己在做什麼,
the systems that we were building,
我們建立的系統,
how to do anything differently with it.
其他不同的方式可以採用。
that really seem to be driving this
是在 YouTube 上
actually developing this content,
the separation of those things.
影響變數。
about the use of advertising
使用廣告來宣傳某個商品
rolling around in the sand
在沙灘上打滾的畫面,
that they don't really understand
probably isn't the thing
our society and culture upon,
立基在這種東西之上,
we should be funding it.
the major driver of this is automation,
of all of this technology
without any kind of oversight,
"Hey, it's not us, it's the technology."
跟我們無關,是科技製做出來的。」
just algorithmically governed,
不僅是由演算法來主導,
to pay attention to this,
they'd do about it
better machine learning algorithms
機器學習演算法,
as any expert in it will tell you,
任何專家都會告訴你,
understand how it works.
enough of that already.
this stuff up to AI to decide
legitimate public speech.
that's left up to unaccountable systems.
無法負起責任的系統來決定。
all of us should be having.
都應該思考與討論的。
very pleasant, either.
a version of their kids' app
moderated by humans.
much the same thing at Congress,
也在國會說了相同的話,
were going to moderate their stuff.
the first person to see this stuff,
成為第一個看這些內容的人,
precarious contract workers
薪水過低、
遠不止這些。
quite a lot better than that.
two things together, really, for me,
understand -- by agency, I mean:
藉由監管,我的意思是:
in our own best interests.
really fully understand.
是不可能達成的。
always leads to violence.
does the same thing.
to start to improve these systems,
to the people who use them,
能更清楚地了解它們。
a common understanding
most about these systems
I've explained, really about YouTube.
其實並不關乎於 Youtube。
that inherently results
of power in a few hands --
and not just of technology in general,
或一般的科技問題而已,
this global system, the internet,
全球性的系统 ── 網際網路,
in this extraordinary way,
often hidden desires and biases
而其通常隱藏著慾望與偏見,
一併編碼寫進了這世界,
so that we can see them,
所以我們看得到,
they don't exist anymore.
as a solution to all of our problems,
是解決所有問題的利器。
to what those problems actually are,
帶領我們發現真正的問題所在,
about them properly
for coming and giving us that talk.
謝謝你蒞臨演講。
the robotic overlords take over,
than what you're describing.
you have the resistance mounting.
towards this stuff?
是否有所增長呢?
green shoots of resistance?
萌芽的阻抗嗎?
我並不知道正面的阻抗,
about direct resistance,
is super long-term.
in really deep ways.
Eleanor Saitta, always says
她總是說:
of sufficient scale and scope
巨大的科技問題,
to address within this
just by building the technology better,
that's producing these technologies.
a hell of a long way to go.
about them super honestly,
這個漫長旅程的第一步。
to at least begin that process.
legibility and digital literacy,
當你談及易懂性和數位素養的時候,
of digital literacy on users themselves.
is education in this new world?
教育是誰的責任呢?
is kind of up to all of us,
這責任落在我們所有人的身上,
everything we build, everything we make,
in a consensual discussion
intended to trick and surprise people
欺騙或者震攝人們
in every step in educating them,
is educational.
about even this really grim stuff,
即使它如此令人不悅,
and look at it properly,
a piece of education
how complex systems come together and work
是如何結合在一起工作的,
that knowledge elsewhere in the world.
應用到世界其他地方。
這是個重要的討論。
an important discussion,
來聆聽你的演說。
are really open and prepared to have it,
揭開精彩的序幕。
非常感謝大家!
ABOUT THE SPEAKER
James Bridle - Artist, writerWorking across technologies and disciplines, James Bridle examines technology, knowledge and the end of the future.
Why you should listen
James Bridle is an artist and writer working across technologies and disciplines. His artworks and installations have been exhibited in Europe, North and South America, Asia and Australia, and have been viewed by hundreds of thousands of visitors online. He has been commissioned by organizations including the Victoria & Albert Museum, the Barbican, Artangel, the Oslo Architecture Triennale and the Istanbul Design Biennial, and he has been honored by Ars Electronica, the Japan Media Arts Festival and the Design Museum, London. His writing on literature, culture and networks has appeared in magazines and newspapers including Frieze, Wired, Domus, Cabinet, The Atlantic, the New Statesman and many others, and he has written a regular column for The Observer.
New Dark Age, Bridle's book about technology, knowledge and the end of the future is forthcoming from Verso (UK & US) in 2018. He lectures regularly on radio, at conferences, universities and other events including SXSW, Lift, the Global Art Forum and Re:Publica. He has been a resident at Lighthouse, Brighton, the White Building, London and Eyebeam, New York, and an adjunct professor on the interactive telecommunications program at New York University.
James Bridle | Speaker | TED.com