Justin Davidson: Why glass towers are bad for city life -- and what we need instead
ג'סטין דייוידסון: מדוע מגדלי זכוכית מבריקים מזיקים לחיי העיר
Justin Davidson writes about a broad range of urban, civic, design and arts issues. Full bio
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in here this evening,
looked almost exactly the same:
idiosyncratic inner life,
the same blank expression all the time.
that is taking over cities,
שקורה גם בערים שלנו,
of great individuality and character
מלאי אישיות ואופי
(לטביה)
splendor of cities.
is that the need for shelter
היא שהצורך במקלט
the human desire for beauty.
give us a touchable city.
נותנים לנו עיר "מוחשית".
over brick and stone.
made of concrete and steel
all over the world --
בכל העולם --
of high-gloss robots
the full range of available materials.
בכל מגוון החומרים האפשרי.
and limestone and sandstone
and terra-cotta and brick
all of the world's cuisines
את רמת הבישול בעולם
like this one in Moscow
כמו זה שבמוסקבה
and communal aspects of urban living.
העירוניים והקהילתיים בעיר, נכון?
to enrich their owners and tenants,
את דיירי ובעלי הדירות,
the lives of the rest of us,
the spaces between the buildings.
and killing off public space.
והורגים מקומות ציבוריים.
as being like makeup,
כמו על איפור,
to a building that's effectively complete.
על בניין שלמעשה כבר נבנה.
affect the way we live in it.
על אורח החיים בה.
sunlight rakes the facades,
בוהקות בחזיתות,
segments the buildings
מחלקות את הבניינים
of visual activity.
where the generations can meet.
sprawling on the pavers,
like an opera set.
about the exteriors of buildings,
give texture to our lives,
create the spaces around them,
with the quality of those exteriors.
of the Plaza Mayor in Salamanca
to their cubicles
as little time in as possible.
the architect Philip Johnson
European plaza in Pittsburgh.
בפיטסבורג.
encircled by commercial buildings
מבנים מסחריים
with metal trim and bays
עיטורים ודפנות ממתכת
through the fountain
of a leisurely hangout.
שבבילוי נינוח.
you really want to just hang out and chat.
שאתם באמת רוצים לצאת ולבלות בהם.
for many different reasons.
מהרבה סיבות שונות.
excessively on glass.
from enormous, ultraclear sheets
החל מגליונות שקופים אדירים
לשינוי מצב רוח
it has the magical power
יש לו את היכולת המופלאה
real estate values by allowing views,
that developers have to offer
of the Crystal Palace in London,
of quintessentially modern substances.
חומרים נדירים ומודרניים.
the downtowns of some American cities,
really spectacular office buildings
designed by Skidmore, Owings and Merrill.
שתוכנן ע"י זקידמור, אווינגס ומריל.
advanced to the point
structures so transparent
of the high-rise city,
בערים רבי קומות,
powerful reason for that.
converge on cities,
into jerry-built shantytowns.
need apartments and places to work
לדירות ומקומות עבודה
to put up towers
and practical curtain walls.
in southern Mexico.
בדרום מקסיקו.
of high ritual significance.
פולחן בעל חשיבות גבוהה
a historical and textural continuity
המשכיות היסטורית ומרקמית
the mountains all around
on top of the ruins
even ordinary plaster buildings
אפילו מבני טיח רגילים
bright colors, political murals
would simply wipe out.
that architects and developers
שארכיטקטים ומפתחים
the joys of texture
את האושר במרקם
for old materials like brick
בחומרים ישנים כמו לבנים
like the molded panels that Snøhetta used
כמו לוחות מעוצבים ששימש את סנוחטה
Museum of Modern Art
בסן פרנסיסקו
even created living facades.
יצר חזיתות חיות.
a pair of apartment towers in Milan,
זוג מגדלי דירות במילאנו,
for Nanjing in China.
עבור נאנג'ינג בסין.
were as ubiquitous as glass ones
היו שכיחות כמו הזכוכית
in Chinese cities would become.
בערים הסיניות.
that these are mostly one-offs,
חד פעמיים ויוקרתיים,
that have a local significance,
from all looking the same.
to cover the American Copper Building,
את בניין הנחושת האמריקאי,
on the East River.
באיסט ריבר.
sunset lights up that metallic facade,
השקיעה מעירה את החזית המתכתית,
pretty much the same way it did before
have the ability
בעל יכולת
in Salt Lake City in copper and zinc,
בסולט לייק סיטי בנחושת ואבץ,
in the area for 150 years
against the ochre hills
natural history.
Pritzker Prize winner Wang Shu
a wrapper for the past,
that had been demolished.
and this one by Frank Gehry
that they toss back and forth
of concentrated variety
and languages and lifestyles
שפות ואורח חיים
of crushing sameness,
בעלי דמיון מוחץ
the full range of the urban experience.
את מירב הגון האורבני
ABOUT THE SPEAKER
Justin Davidson - Architecture criticJustin Davidson writes about a broad range of urban, civic, design and arts issues.
Why you should listen
Justin Davidson is the author of Magnetic City: A Walking Companion to New York (Spiegel & Grau), which leads readers through a portrait of the city told through its history, architecture, music, art and literature.
Davidson has been the architecture and classical music critic at New York magazine since 2007. Before that, he spent 12 years as classical music critic at Newsday, where he also wrote about architecture and was a regular cultural commentator. He won a Pulitzer Prize for criticism in 2002, an American Society of Newspaper Editors criticism (ASNE) award and the 2015 Stephen A. Kliment Oculus Award for Architectural Journalism from the American Institute of Architects, New York Chapter.
A native of Rome, Davidson graduated from Harvard and later earned a doctoral degree in music composition at Columbia University. He has contributed to many publications, including The New Yorker, Smithsonian, W., The New York Times Book Review, Travel & Leisure, Condé Nast Traveler and Pursuits. He was a columnist for the website Wondering Sound and has appeared regularly on WNYC and other radio and television outlets. He has taught at the Design Criticism program at the School of Visual Arts, the Goldring Arts Journalism Program of Syracuse University and NEA Arts Journalism Institutes. He lives on the Upper West Side of Manhattan.
Justin Davidson | Speaker | TED.com