Justin Davidson: Why glass towers are bad for city life -- and what we need instead
贾斯汀·戴维森: 为何闪亮的玻璃高楼对城市生活有害
Justin Davidson writes about a broad range of urban, civic, design and arts issues. Full bio
Double-click the English transcript below to play the video.
in here this evening,
看上去几乎都一模一样
looked almost exactly the same:
idiosyncratic inner life,
the same blank expression all the time.
that is taking over cities,
发生着的诡异转变
of great individuality and character
这些地区的公寓楼房中
splendor of cities.
is that the need for shelter
对美(生活)的追求
the human desire for beauty.
give us a touchable city.
一个触手可及的城市
over brick and stone.
小巷深处的记忆
made of concrete and steel
all over the world --
of high-gloss robots
高抛光机器人大军
我们将失去的一切
the full range of available materials.
and limestone and sandstone
花岗岩 石灰岩 砂岩
and terra-cotta and brick
all of the world's cuisines
like this one in Moscow
这种玻璃高楼的组合
城市社会生活的歧视
and communal aspects of urban living.
招揽开发商或是入驻公司的手段
to enrich their owners and tenants,
the lives of the rest of us,
the spaces between the buildings.
也碾压了我们的公共空间
and killing off public space.
as being like makeup,
当作被粉饰的门面
会让建筑看起来很完整
to a building that's effectively complete.
影响人们生活方式的吧
affect the way we live in it.
萨拉曼卡的时候
sunlight rakes the facades,
灯光将楼房分割成了
segments the buildings
of visual activity.
无论男女老少都可以邂逅的舞台
where the generations can meet.
sprawling on the pavers,
戏剧里所布景的那样
like an opera set.
about the exteriors of buildings,
give texture to our lives,
给我们的生活带来了触动
create the spaces around them,
with the quality of those exteriors.
由建筑外观的质量决定的
相较衡的现代广场
of the Plaza Mayor in Salamanca
被玻璃墙围绕的开放空间
to their cubicles
as little time in as possible.
少花时间呆在里面
the architect Philip Johnson
一个叫做Philip Johnson的建筑师
重塑一个优雅的欧式广场
European plaza in Pittsburgh.
encircled by commercial buildings
被由玻璃组成的
with metal trim and bays
是的 在夏日的午后
through the fountain
of a leisurely hangout.
you really want to just hang out and chat.
会让你想去聚会畅谈的地方
for many different reasons.
取决于很多不同的原因
它们结合了古朴与新潮
excessively on glass.
还是简单的透明砖
from enormous, ultraclear sheets
让它们在光照的变化中
it has the magical power
玻璃拥有神奇的能力
使房地产价格轻松翻倍
real estate values by allowing views,
that developers have to offer
of the Crystal Palace in London,
标准现代化材料清单的榜首
of quintessentially modern substances.
the downtowns of some American cities,
really spectacular office buildings
和Merrill三人设计的利华大厦
designed by Skidmore, Owings and Merrill.
advanced to the point
structures so transparent
城市中的默认材料
of the high-rise city,
powerful reason for that.
有着强大的理由来支持
converge on cities,
偷工减料建造的棚户区当中
into jerry-built shantytowns.
还是会需要越来越高大的
need apartments and places to work
to put up towers
建立高塔并用便宜且实用的
and practical curtain walls.
是完全合理的
前西班牙城米特拉
in southern Mexico.
of high ritual significance.
a historical and textural continuity
我们能够清晰地感受到
取材于当地的石材并建造于
the mountains all around
on top of the ruins
even ordinary plaster buildings
即使是普通的石膏建筑
色彩表达 政治壁画
bright colors, political murals
would simply wipe out.
that architects and developers
the joys of texture
for old materials like brick
砖头或是赤陶瓦等旧材料的
like the molded panels that Snøhetta used
比如Snøhetta在旧金山现代艺术博物馆
Museum of Modern Art
皱巴巴的雕塑般的气质
even created living facades.
创造了这种活着的表面纹理
在米兰的一对公寓高楼
a pair of apartment towers in Milan,
for Nanjing in China.
设计一个类似的版本
were as ubiquitous as glass ones
能够和玻璃一样普及的话
in Chinese cities would become.
将会得到多么大的改善啊
that these are mostly one-offs,
that have a local significance,
from all looking the same.
东河岸的一对扭曲塔楼
to cover the American Copper Building,
再次使用了它
on the East River.
看到那耀眼的金属光泽
sunset lights up that metallic facade,
pretty much the same way it did before
have the ability
in Salt Lake City in copper and zinc,
犹他自然历史博物馆
已经有150年了
in the area for 150 years
against the ochre hills
隐藏于了矿山之中
natural history.
Pritzker Prize winner Wang Shu
(普利茨克奖获得者)
a wrapper for the past,
存留下来的砖石木瓦
that had been demolished.
图中的这个则是Frank Gehry的作品
and this one by Frank Gehry
that they toss back and forth
of concentrated variety
and languages and lifestyles
of crushing sameness,
丰富多彩的城市体验
the full range of the urban experience.
ABOUT THE SPEAKER
Justin Davidson - Architecture criticJustin Davidson writes about a broad range of urban, civic, design and arts issues.
Why you should listen
Justin Davidson is the author of Magnetic City: A Walking Companion to New York (Spiegel & Grau), which leads readers through a portrait of the city told through its history, architecture, music, art and literature.
Davidson has been the architecture and classical music critic at New York magazine since 2007. Before that, he spent 12 years as classical music critic at Newsday, where he also wrote about architecture and was a regular cultural commentator. He won a Pulitzer Prize for criticism in 2002, an American Society of Newspaper Editors criticism (ASNE) award and the 2015 Stephen A. Kliment Oculus Award for Architectural Journalism from the American Institute of Architects, New York Chapter.
A native of Rome, Davidson graduated from Harvard and later earned a doctoral degree in music composition at Columbia University. He has contributed to many publications, including The New Yorker, Smithsonian, W., The New York Times Book Review, Travel & Leisure, Condé Nast Traveler and Pursuits. He was a columnist for the website Wondering Sound and has appeared regularly on WNYC and other radio and television outlets. He has taught at the Design Criticism program at the School of Visual Arts, the Goldring Arts Journalism Program of Syracuse University and NEA Arts Journalism Institutes. He lives on the Upper West Side of Manhattan.
Justin Davidson | Speaker | TED.com