TEDGlobal 2012
David Binder: The arts festival revolution
Dejvid Binder (David Binder): Revolucija umetničkih festivala
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Dejvid Binder je poznati brodvejski producent, ali prošlog leta našao se u malom australijskom susedstvu, gde je gledao lokalno stanovništvo kako pleše i glumi na svojim travnjacima - i to mu se svidelo. On nam prikazuje novo lice umetničkih festivala, koji ruše granice između publike i izvođača i pomažu gradovima da se izraze.
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio
Double-click the English transcript below to play the video.
00:16
Sydney. I had been waiting my whole life to get to Sydney.
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Sidnej. Celog svog života
sam čekao da odem u Sidnej.
sam čekao da odem u Sidnej.
00:20
I got to the airport, to the hotel, checked in,
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Stigao sam na aerodrom,
u hotel, prijavio se
u hotel, prijavio se
00:23
and, sitting there in the lobby, was a brochure
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i u holu naišao na brošuru
00:26
for the Sydney Festival. I thumbed through it,
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za sidnejski festival.
Prelistao sam je,
Prelistao sam je,
00:28
and I came across a show called "Minto: Live."
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i naišao na predstavu
pod imenom "Minto: Uživo".
pod imenom "Minto: Uživo".
00:31
The description read: "The suburban streets of Minto
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Opis je glasio:
"Ulice u predgrađu Minta
"Ulice u predgrađu Minta
00:35
become the stage for performances
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postaju pozornica za predstave
00:38
created by international artists
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koje prave internacionalni umetnici
00:40
in collaboration with the people of Minto."
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u saradnji sa stanovnicima Minta."
00:43
What was this place called Minto?
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Kakvo je ovo mesto zvano Minto?
00:45
Sydney, as I would learn, is a city of suburbs,
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Sidnej, kako sam shvatio,
jeste grad predgrađa
jeste grad predgrađa
00:48
and Minto lies southwest, about an hour away.
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i Minto se nalazi na jugozapadu,
udaljen oko sat vremena.
udaljen oko sat vremena.
00:51
I have to say, it wasn't exactly what I had in mind
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Moram da priznam, ovo nije bilo ono
što sam imao na umu
što sam imao na umu
00:55
for my first day down under.
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za moj prvi dan "tamo dole".
00:56
I mean, I'd thought about the Harbour Bridge or Bondi Beach,
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Mislim, razmišljao sam
o mostu Harbor ili plaži Bondi,
o mostu Harbor ili plaži Bondi,
00:59
but Minto? But still, I'm a producer,
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ali Minto? Ali ipak, ja sam producent,
01:02
and the lure of a site-specific theater project
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i dražima pozorišnog projekta
vezanog za lokaciju
vezanog za lokaciju
01:05
was more than I could resist. (Laughter)
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nisam mogao da odolim.
(Smeh)
(Smeh)
01:08
So, off I went into Friday afternoon traffic,
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Dakle, krenuo sam
kroz popodnevni saobraćaj,
kroz popodnevni saobraćaj,
01:10
and I'll never forget what I saw when I got there.
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i nikada neću zaboraviti ono što sam video
kad sam stigao tamo.
kad sam stigao tamo.
01:13
For the performance, the audience walked
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Tokom izvođenja, ljudi su hodali
01:15
around the neighborhood from house to house,
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kroz susedstvo od kuće do kuće,
01:18
and the residents, who were the performers,
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a stanovnici, koji su bili izvođači,
01:21
they came out of their houses, and they performed
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izlazili su iz svojih kuća i izvodili
01:23
these autobiographical dances on their lawns,
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autobiografske plesove
na svojim travnjacima,
na svojim travnjacima,
01:27
on their driveways. (Laughter)
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na svojim prilazima.
(Smeh)
(Smeh)
01:29
The show is a collaboration with a U.K.-based
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Predstava je saradnja sa britanskom
01:32
performance company called Lone Twin.
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pozorišnom trupom
pod nazivom "Lone Twin".
pod nazivom "Lone Twin".
01:35
Lone Twin had come to Minto and worked
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"Lone Twin" su došli u Minto i sarađivali
01:37
with the residents, and they had created these dances.
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sa stanovnicima i oni su stvorili ove plesove.
01:40
This Australian-Indian girl, she came out and started
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Jedna australoindijka je izašla i počela
01:44
to dance on her front lawn,
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da igra na travnjaku ispred kuće,
01:46
and her father peered out the window to see
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a njen otac je provirio kroz prozor da vidi
01:49
what all the noise and commotion was about,
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odakle dopire sva ta buka i zbrka,
01:51
and he soon joined her.
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i uskoro joj se pridružio.
01:53
And he was followed by her little sister.
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Zatim im se pridružila i njena mlađa sestra.
01:56
And soon they were all dancing this joyous,
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I uskoro su svi plesali ovaj radosni,
01:59
exuberant dance right there on their lawn. (Laughter)
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veseli ples tu, na njihovom travnjaku.
(Smeh)
(Smeh)
02:04
And as I walked through the neighborhood,
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I dok sam išao kroz susedstvo,
02:06
I was amazed and I was moved by the incredible
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bio sam zadivljen i dirnut neverovatnim
02:10
sense of ownership this community clearly felt
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osećajem posedovanja
koji je ova zajednica osećala
koji je ova zajednica osećala
02:13
about this event.
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prema ovom događaju.
02:15
"Minto: Live" brought Sydneysiders into dialogue
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"Minto: Uživo" doveo je
građane Sidneja u dijalog
građane Sidneja u dijalog
02:18
with international artists, and really celebrated
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sa internacionalnim umetnicima
i stvarno slavio
i stvarno slavio
02:21
the diversity of Sydney on its own terms.
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raznolikost Sidneja na svoj način.
02:25
The Sydney Festival which produced "Minto: Live" I think
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Mislim da sidnejski festival
koji je producirao "Minto: Uživo"
koji je producirao "Minto: Uživo"
02:29
represents a new kind of 21st-century arts festival.
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predstavlja novu vrstu
umetničkog festivala 21. veka.
umetničkog festivala 21. veka.
02:32
These festivals are radically open.
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Ovi festivali su radikalno otvoreni.
02:36
They can transform cities and communities.
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Oni mogu da transformišu
gradove i zajednice.
gradove i zajednice.
02:40
To understand this, I think it kind of makes sense
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Da bismo ovo razumeli,
smatram da ima smisla
smatram da ima smisla
02:42
to look where we've come from.
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da pogledamo odakle potičemo.
02:45
Modern arts festivals were born
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Moderni umetnički festivali nikli su
02:47
in the rubble of World War II.
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iz ruševina Drugog svetskog rata.
02:48
Civic leaders created these annual events
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Vođe naroda stvorile su
ove godišnje događaje
ove godišnje događaje
02:51
to celebrate culture as the highest
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da bi slavili kulturu kao najviši
02:54
expression of the human spirit.
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izraz ljudskog duha.
02:56
In 1947, the Edinburgh Festival was born
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1947. godine nastao je edinburški festival
03:00
and Avignon was born and hundreds of others
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i nastao je avinjonski i stotine drugih
03:02
would follow in their wake.
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nastalo je posle njih.
03:04
The work they did was very, very high art,
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Oni su stvarali veoma,
veoma visoku umetnost,
veoma visoku umetnost,
03:07
and stars came along like Laurie Anderson
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i pojavile su se zvezde
kao što su Lori Anderson
kao što su Lori Anderson
03:10
and Merce Cunningham and Robert Lepage
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i Mers Kaninghem i Robert Lapaž
03:12
who made work for this circuit,
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koji su radili u ovom krugu pozorišta,
03:14
and you had these seminal shows like "The Mahabharata"
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i nastale su poznate predstave
kao što je "Mahabharata"
kao što je "Mahabharata"
03:16
and the monumental "Einstein on the Beach."
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i monumentalni "Ajnštajn na plaži".
03:19
But as the decades passed,
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Ali, kako su decenije prolazile,
03:22
these festivals, they really became the establishment,
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ovi festivali postali su deo establišmenta
03:25
and as the culture and capital accelerated,
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i kako su se kultura i kapital uvećavali,
03:28
the Internet brought us all together,
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internet nas je spojio,
03:30
high and low kind of disappeared,
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visoko i nisko je na neki način nestalo
03:33
a new kind of festival emerged.
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i nova vrsta festivala je nastala.
03:35
The old festivals, they continued to thrive, but
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Stari festivali nastavili su da napreduju,
03:38
from Brighton to Rio to Perth, something new was emerging,
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ali od Brajtona preko Rija do Perta,
nešto novo se rađalo,
nešto novo se rađalo,
03:43
and these festivals were really different.
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i ovi festivali zaista su bili drugačiji.
03:45
They're open, these festivals, because, like in Minto,
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Oni su otvoreni zato što, kao u Mintu,
03:48
they understand that the dialogue
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shvataju da je dijalog
03:51
between the local and the global is essential.
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između lokalnog i globalnog
od suštinske važnosti.
od suštinske važnosti.
03:54
They're open because they ask the audience to be a player,
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Otvoreni su jer traže
da publika bude učesnik,
da publika bude učesnik,
03:59
a protagonist, a partner, rather than a passive spectator,
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protagonista, partner,
pre nego pasivan posmatrač
pre nego pasivan posmatrač
04:03
and they're open because they know that imagination
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i otvoreni su jer znaju da mašta
04:07
cannot be contained in buildings,
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ne može biti zatvorena u zgradama
04:09
and so much of the work they do
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i veliki deo njihovog rada
04:11
is site-specific or outdoor work.
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je rad na otvorenom ili vezan za lokaciju.
04:14
So, the new festival, it asks the audience to play
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Dakle, ovaj novi tip festivala
traži od publike da igra
traži od publike da igra
04:17
an essential role in shaping the performance.
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najvažniju ulogu u oblikovanju izvođenja.
04:21
Companies like De La Guarda, which I produce, and Punchdrunk
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Trupe kao što su De La Guarda,
koju ja produciram i Punchdrunk,
koju ja produciram i Punchdrunk,
04:26
create these completely immersive experiences
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stvaraju ova kompletno sveobuhvatna iskustva
04:28
that put the audience at the center of the action,
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koja publiku stavljaju u centar zbivanja,
04:32
but the German performance company Rimini Protokoll
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ali nemačka pozorišna trupa Rimini Protokoll
04:35
takes this all to a whole new level.
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podigla je sve ovo na viši nivo.
04:38
In a series of shows that includes "100 Percent Vancouver,"
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U nizu predstava u koje spadaju
"Sto posto Vankuver",
"Sto posto Vankuver",
04:42
"100 Percent Berlin," Rimini Protokoll makes shows
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"Sto posto Berlin",
Rimini Protokoll pravi predstave
Rimini Protokoll pravi predstave
04:46
that actually reflect society.
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koje oslikavaju društvo.
04:49
Rimini Protokoll chooses 100 people that represent that city
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Rimini Protokoll bira sto ljudi
koji predstavljaju taj grad
koji predstavljaju taj grad
04:53
at that moment in terms of race and gender and class,
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u tom trenutku u pogledu rase, pola i klase,
04:57
through a careful process that begins three months before,
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kroz pažljiv proces
koji počinje tri meseca ranije
koji počinje tri meseca ranije
05:00
and then those 100 people share stories about
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i onda tih sto ljudi deli priče o
05:03
themselves and their lives, and the whole thing
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njima samima i njihovim životima i sve to
05:06
becomes a snapshot of that city at that moment.
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postaje slika tog grada u tom trenutku.
05:10
LIFT has always been a pioneer in the use of venues.
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LIFT je uvek bio pionir u upotrebi lokacija.
05:14
They understand that theater and performance
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Oni razumeju da pozorište i performans
05:16
can happen anywhere.
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mogu da se odigraju bilo gde.
05:17
You can do a show in a schoolroom,
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Predstava se može izvesti u učionici,
05:21
in an airport, — (Laughter) —
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na aerodromu
- (Smeh) -
- (Smeh) -
05:23
in a department store window.
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u izlogu tržnog centra.
05:26
Artists are explorers. Who better to show us the city anew?
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Umetnici su istraživači. Ko može bolje
da nam pokaže grad iznova i iznova?
da nam pokaže grad iznova i iznova?
05:30
Artists can take us to a far-flung part of the city
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Umetnici nas mogu odvesti
u udaljene delove grada
u udaljene delove grada
05:33
that we haven't explored, or they can take us into
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koje nismo isražili
ili nas mogu uvesti
ili nas mogu uvesti
05:35
that building that we pass every day but we never went into.
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u onu zgradu pored koje prolazimo svakog dana
ali u koju nikada nismo ušli.
ali u koju nikada nismo ušli.
05:40
An artist, I think, can really show us people
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Mislim da umetnik može
stvarno da nam pokaže ljude
stvarno da nam pokaže ljude
05:44
that we might overlook in our lives.
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koje možda ne primećujemo
u svojim životima.
u svojim životima.
05:47
Back to Back is an Australian company of people
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Back to Back je australijsko udruženje ljudi
05:50
with intellectual disabilities. I saw their amazing show
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sa intelektualnim invaliditetom. Video sam
njhovu izuzetnu predstavu
njhovu izuzetnu predstavu
05:55
in New York at the Staten Island Ferry Terminal
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u Njujorku na pristaništu za trajekte
na Steten Ajlendu
na Steten Ajlendu
05:58
at rush hour.
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u vreme najvećeg prometa.
06:00
We, the audience, were given headsets and seated
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Mi, publika, dobili smo slušalice
i sedeli smo
i sedeli smo
06:02
on one side of the terminal.
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na jednoj strani pristaništa.
06:05
The actors were right there in front of us,
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Glumci su bili tačno ispred nas,
06:07
right there among the commuters,
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baš tu među putnicima
06:10
and we could hear them,
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i mogli smo da ih čujemo,
06:11
but we might not have otherwise seen them.
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ali ih inače možda ne bismo videli.
06:14
So Back to Back takes site-specific theater and uses it
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Dakle, Back to Back koristi
pozorište vezano za lokaciju
pozorište vezano za lokaciju
06:19
to gently remind us about who and what we choose
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da nas suptilno podseti koga i šta biramo
06:22
to edit out of our daily lives.
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da izbacimo iz svog svakodnevnog života.
06:25
So, the dialogue with the local and the global,
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Dakle, dijalog sa lokalnim i globalnim,
06:28
the audience as participant and player and protagonist,
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publika kao učesnik i glumac i protagonista,
06:32
the innovative use of site, all of these things
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inovativna upotreba lokacije, sve ove stvari
06:35
come to play in the amazing work
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ulaze u zadivljujući rad
06:38
of the fantastic French company Royal de Luxe.
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fantastične francuske trupe Royal de Luxe.
06:42
Royal de Luxe's giant puppets come into a city
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Ogromne lutke Royal de Luxe-a dolaze u grad
06:46
and they live there for a few days.
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i tu žive nekoliko dana.
06:48
For "The Sultan's Elephant," Royal de Luxe
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Za "Sultanovog slona" Royal de Luxe
06:52
came to central London and brought it to a standstill
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su došli u centralni London
i zaustavili saobraćaj
i zaustavili saobraćaj
06:55
with their story of a giant little girl and her friend,
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pričom o ogromnoj devojčici
i njenom prijatelju,
i njenom prijatelju,
06:59
a time-traveling elephant.
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slonu koji putuje kroz vreme.
07:02
For a few days, they transformed a massive city
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Na nekoliko dana,
transformisali su ogromni grad
transformisali su ogromni grad
07:07
into a community where endless possibility reigned.
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u zajednicu kojom su vladale
beskonačne mogućnosti.
beskonačne mogućnosti.
07:11
The Guardian wrote, "If art is about transformation,
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"Gardijan" je obajvio:
"Ako je umetnost transformacija,
"Ako je umetnost transformacija,
07:15
then there can be no more transformative experience.
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onda ne postoji iskustvo
koje u većoj meri transformiše.
koje u većoj meri transformiše.
07:19
What 'The Sultan's Elephant' represents is no less
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Ono što "Sultanov slon" predstavlja je
07:23
than an artistic occupation of the city
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umetnička okupacija grada
07:26
and a reclamation of the streets for the people."
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i zauzimanje ulica u ime naroda."
07:31
We can talk about the economic impacts of these festivals
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Možemo pričati o ekonomskim uticaju
ovih festivala
ovih festivala
07:34
on their cities, but I'm much [more] interested in many more things,
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na njihove gradove, ali ja sam mnogo više
zainteresovan za mnoge druge stvari,
zainteresovan za mnoge druge stvari,
07:38
like how a festival helps a city to express itself,
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kao, na primer, kako festival pomaže
gradu da se izrazi,
gradu da se izrazi,
07:42
how it lets it come into its own.
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kako mu omogućava da dođe na svoje.
07:45
Festivals promote diversity,
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Festivali promovišu raznolikost,
07:48
they bring neighbors into dialogue,
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dovode susede u dijalog,
07:50
they increase creativity,
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povećavaju kreativnost,
07:52
they offer opportunities for civic pride,
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nude mogućnosti za građanski ponos,
07:55
they improve our general psychological well-being.
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oni unapređuju naše generalno blagostanje.
07:59
In short, they make cities better places to live.
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Ukratko, oni čine gradove
boljim mestima za život.
boljim mestima za život.
08:03
Case in point:
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Konkretan primer:
08:04
When "The Sultan's Elephant" came to London
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kada je "Sultanov slon" došao u London
08:07
just nine months after 7/7, a Londoner wrote,
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samo devet meseci posle 7. jula,
građanin Londona je napisao:
građanin Londona je napisao:
08:12
"For the first time since the London bombings,
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"Po prvi put posle bombardovanja Londona,
08:15
my daughter called up with that sparkle back in her voice.
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mojoj ćerki se javila ona iskra u glasu.
08:19
She had gathered with others
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Sastala se sa ostalima
08:21
to watch 'The Sultan's Elephant,' and, you know,
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da gledaju "Sultanovog slona" i znate,
08:24
it just made all the difference."
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to je imalo ogroman uticaj."
08:27
Lyn Gardner in The Guardian has written
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Lin Gardner iz "Gardijana" napisala je
08:29
that a great festival can show us a map of the world,
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da dobar festival može da posluži
kao mapa sveta,
kao mapa sveta,
08:33
a map of the city and a map of ourselves,
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mapa grada i mapa nas samih,
08:37
but there is no one fixed festival model.
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ali da ne postoji fiksni model festivala.
08:40
I think what's so brilliant about the festivals,
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Mislim da je ono što je tako sjajno kod festivala,
08:43
the new festivals, is that they are really fully capturing
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novih festivala, to što oni u potpunosti prikazuju
08:48
the complexity and the excitement
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složenost i uzbudljivost
08:52
of the way we all live today.
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načina na koji živimo u današnje vreme.
08:54
Thank you very much. (Applause)
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Hvala vam puno.
(Aplauz)
(Aplauz)
ABOUT THE SPEAKER
David Binder - Theater producerA Tony Award winner, theater producer David Binder is interested in taking performances off the stage.
Why you should listen
David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.
Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.
PHOTO CREDITS for David's 2012 TED Talk:
Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen
The Mahabharata
16 © Image Entertainment
Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012
De La Guarda
21 Courtesy of De La Guarda
Sleep No More
22 © Alick Crossley
100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk
Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland
Urban Dream Capsule
34 Photo courtesy of Bedno.com
Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine
Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
David Binder | Speaker | TED.com