ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com
EG 2007

Paola Antonelli: Design and the Elastic Mind

Paola Antonelli 预报「设计与弹性思维」展览

Filmed:
377,553 views

MOMA 现代艺术博物馆设计策展人 Paola Antonelli 预报了突破性的展览「设计与弹性思维」- 充满了反映我们现在思考方式的产品与设计。
- Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio

Double-click the English transcript below to play the video.

00:16
I dabble玩水 in design设计. I'm a curator馆长 of architecture建筑 and design设计;
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我涉及设计;我是建筑与设计的策展人。
00:19
I happen发生 to be at the Museum博物馆 of Modern现代 Art艺术.
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我在现代艺术博物馆工作,
00:21
But what we're going to talk about today今天
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但重要的是 - 今天我们要谈的
00:24
is really design设计. Really good designers设计师 are like sponges海绵:
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是真正的设计。真正好的设计师就像海棉。
00:27
they really are curious好奇
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他们充满好奇心
00:29
and absorb吸收 every一切 kind of information信息 that comes their way,
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吸收各种他们遇到的信息,
00:33
and transform转变 it so that it can be used by people like us.
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将它转换后让我们使用。
00:36
And so that gives me an opportunity机会,
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因此,那给我机会,
00:38
because every一切 design设计 show显示 that I curate策划
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因为每个我策划的设计展
00:41
kind of looks容貌 at a different不同 world世界. And it's great,
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都像看到不同的世界。那很棒,
00:43
because it seems似乎 like every一切 time I change更改 jobs工作.
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就像我每次都换了工作。
00:47
And what I'm going to do today今天 is I'm going to give you a preview预习
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今天我要给你们预览
00:49
of the next下一个 exhibition展览 that I'm working加工 on, which哪一个 is called
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我正在筹备的下个展览,叫做:
00:52
"Design设计 and the Elastic Mind心神."
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「设计与弹性思维」。
00:54
The world世界 that I decided决定 to focus焦点 on this particular特定 time
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这次我要聚焦的世界
00:58
is the world世界 of science科学 and the world世界 of technology技术.
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是科学世界及技术世界。
01:01
Technology技术 always comes into play when design设计 is involved参与,
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当涉及设计时,技术总是有关,
01:04
but science科学 does a little less.
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而科学则稍少一些。
01:06
But designers设计师 are great at taking服用 big revolutions革命 that happen发生
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但设计师总能善用伟大的变革,
01:10
and transforming转型 them so that we can use them.
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转换后让我们使用。
01:13
And this is what this exhibition展览 looks容貌 at.
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这就是这项展览所追求的。
01:17
If you think about your life today今天,
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想想你今天的生活,
01:19
you go every一切 day through通过 many许多 different不同 scales,
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每天走过许多不同的尺度,
01:22
many许多 different不同 changes变化 of rhythm韵律 and pace步伐.
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许多不同韵律及步调的改变。
01:24
You work over different不同 time zones, you talk to very different不同 people,
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在不同时区工作,与差异很大的人交谈,
01:28
you multitask多任务. We all know it, and we do it kind of automatically自动.
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多任务处理。我们都知道它,而且能自动处理。
01:32
Some of the minds头脑 in this audience听众 are super elastic,
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你们的思维有的是超级弹性
01:35
others其他 are a little slower比较慢,
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有的则反应慢一点,
01:37
others其他 have a few少数 stretch伸展 marks分数, but nonetheless尽管如此,
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其他人的则有点拉痕,但无论如何
01:40
this is a quite相当 exceptional优秀 audience听众 from that viewpoint观点.
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以此观点,你们是极独特的群众。
01:44
Other people are not as elastic.
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其他人则不那么有弹性。
01:46
I can't get my father父亲 in Italy意大利 to work on the Internet互联网.
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我无法让在意大利的老爸上网。
01:49
He doesn't want to put high-speed高速 Internet互联网 at home.
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他不想在家中装高速网络。
01:51
And that's because there's some little bit of fear恐惧,
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那是因为有一点害怕,
01:54
little bit of resistance抵抗性 or just clogged堵塞 mechanisms机制.
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有一点抗拒或阻碍的情形。
01:57
So designers设计师 work on this particular特定 malaise全身乏力 that we have,
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因此,设计师为我们特有的不适应、
02:01
these kinds of discomforts不适 that we have,
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我们的不自在而去设计,
02:04
and try to make life easier更轻松 for us.
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试着让我们生活得较容易。
02:06
Elasticity弹性 of mind心神 is something that we really need, you know,
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思维的弹性是我们真正需要的,
02:10
we really need, we really cherish珍视 and we really work on.
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我们真的需要,真的珍惜,并认真追求。
02:14
And this exhibition展览 is about the work of designers设计师
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这个展览是关于设计师的作品
02:17
that help us be more elastic,
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它让我们更有弹性,
02:19
and also of designers设计师 that really work on this elasticity弹性
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和追求弹性机会的设计师们。
02:23
as an opportunity机会. And one last thing is that
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还有最后一点...
02:26
it's not only designers设计师, but it's also scientists科学家们.
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不只是设计师,也有科学家。
02:28
And before I launch发射 into the display显示 of some of the slides幻灯片
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在开始播放幻灯片、
02:33
and into the preview预习, I would like to point out
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开始预览之前,我要指出
02:35
this beautiful美丽 detail详情 about scientists科学家们 and design设计.
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科学家和设计的美丽细节。
02:39
You can say that the relationship关系 between之间 science科学 and design设计
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你可以说,科学和设计的关系
02:42
goes back centuries百年. You can of course课程 talk about
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已有好几世纪。你当然也可以谈
02:44
Leonardo莱昂纳多 daDA Vinci达芬奇 and many许多 other Renaissance再生 men男人 and women妇女 --
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李奥那多‧达芬奇,许多其他文艺复兴时期的男女,
02:48
and there's a gigantic巨大 history历史 behind背后 it.
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背后有个巨大的历史。
02:51
But according根据 to a really great science科学 historian历史学家 you might威力 know,
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但依据一位伟大科学史学者的说法,
02:55
Peter彼得 Galison盖里森 -- he teaches at Harvard哈佛 --
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彼得‧卡里森 - 他在哈佛大学教书 -
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what nanotechnology纳米技术 in particular特定 and quantum量子 physics物理
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特别是纳米科技和量子物理学
03:01
have brought to designers设计师 is this renewed更新 interest利益,
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带给设计师的是一股新的兴趣,
03:04
this real真实 passion for design设计.
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对设计的真正热情。
03:07
So basically基本上, the idea理念 of being存在 able能够 to build建立 things bottom底部 up,
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因此基本上,由下而上建造物品的想法,
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atom原子 by atom原子, has made制作 them all into tinkerers能工巧匠.
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用原子一个个建,使他们成为修补匠。
03:14
And all of a sudden突然 scientists科学家们 are seeking designers设计师,
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突然间科学家们都在找设计师,
03:17
just like designers设计师 are seeking scientists科学家们.
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就如设计师们在找科学家一样。
03:20
It's a brand-new全新的 love affair事务 that we're trying to cultivate培育
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这是一个新的爱情故事,我们试图由现代艺术博物馆
03:25
at MOMAMOMA. Together一起 with Adam亚当 Bly布莱, who is the founder创办人 of Seed种子 magazine杂志 --
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和亚当‧柏莱合作,他创办了 Seed 杂志 -
03:29
that's now a multimedia多媒体 company公司, you might威力 know it --
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现在是个多媒体公司,也许你知道它 -
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we founded成立 about a year ago a monthly每月一次 salon沙龙
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约一年前,我们创立让科学家和设计师
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for designers设计师 and scientists科学家们, and it's quite相当 beautiful美丽.
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每月一次的沙龙,极为美妙。
03:38
And Keith基思 has come, and also Jonathan乔纳森 has come and many许多 others其他.
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济慈来了,约納坦 也来了,还有许多其他人。
03:41
And it was great, because at the beginning开始 was this apology歉意 fest巨星 --
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结果很棒,因为一开始是道歉连连,
03:44
you know, scientists科学家们 would tell designers设计师,
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科学家告诉设计师:
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you know, I don't know what style样式 is, I'm not really elegant优雅.
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我不知道何谓风格,我真的不够优雅。
03:49
And designers设计师 would like, oh, I don't know how to do an equation方程,
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而设计师则说:我不会做数学式子,
03:52
I don't understand理解 what you're saying. And then all of a sudden突然
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我不懂你说的。而突然间
03:55
they really started开始 talking each others'其他' language语言,
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他们真的开始说起彼此的语言,
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and now we're already已经 at the point that they collaborate合作.
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而现在我们已到了彼此合作的地步。
03:59
Paul保罗 Steinhardt斯坦哈特, a physicist物理学家 from New York纽约,
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你知道保罗‧史坦哈特,来自纽约的物理学者,
04:02
and Aranda阿兰达/Lasch拉希, architects建筑师, collaborated合作 in an installation安装
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和 Aranda/Lasch 建筑师合作在伦敦的
04:07
in London伦敦 at the Serpentine蛇形.
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蛇本坦做装置设计。
04:09
And it's really interesting有趣 to see how this happens发生.
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看着它的进展真是有趣。
04:13
The exhibition展览 will talk about the work
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这个展览将要谈
04:16
of both designers设计师 and scientists科学家们,
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设计师与科学家的作品,
04:18
and show显示 how they're presenting呈现 the possibilities可能性 of the future未来 to us.
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展示他们如何为我们展现未来。
04:22
I'm showing展示 to you
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现在我正要为你展示
04:23
different不同 sections部分 of the show显示 right now,
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这个展览的不同部分,
04:25
just to give you a taste味道 of it.
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让你先睹为快,
04:26
Nanophysics纳米物理 and nanotechnology纳米技术, for instance,
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例如,纳米物理学与纳米科技,
04:30
have really opened打开 the designer's设计师 mind心神.
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已真正开启了设计师的思维
04:32
In this case案件 I'm showing展示 more the designers'设计师 work,
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这个例子我将展示较多设计师的作品,
04:34
because they're the ones那些 that have really been stimulated刺激.
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因为真正受到刺激的就是他们。
04:37
A lot of the objects对象 in the show显示 are concepts概念,
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展览中的许多物品只是概念,
04:39
not objects对象 that exist存在 already已经. But what you're looking at here
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不是已经存在的物品。但你看到的
04:44
is the work of some scientists科学家们 from UCLA加州大学洛杉矶分校.
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是洛杉矶加州大学科学家的作品。
04:47
This kind of alphabet字母 soup is a new way to mark标记 proteins蛋白质 --
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这种字母汤是标示蛋白质的新方法,
04:50
not only by color颜色 but literally按照字面 by alphabet字母 letters.
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不但用颜色,也用字母。
04:53
So they construct构造 it, and they can construct构造 all kinds of forms形式
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他们制作它,可用纳米尺度
04:56
at the nanoscale纳米级. This is the work of design设计 students学生们
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做成各种形态。而这个作品来自伦敦的
04:59
from the Royal王室的 College学院 of Arts艺术 in London伦敦
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皇家艺术学院的设计系学生和
05:01
that have been working加工 together一起 with their tutor导师, Tony托尼 Dunne邓恩,
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指导老师东尼‧杜恩,
05:04
and with a bunch of scientists科学家们 around Great Britain英国
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以及一些英国科学家做的 -
05:07
on the possibilities可能性 of nanotechnology纳米技术 for design设计 in the future未来.
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探讨纳米科技用在未来设计的可能性。
05:10
New sensing传感 elements分子 on the body身体 --
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身体的新感应单元。
05:12
you can grow增长 hairs on your nails钉子,
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让指甲长毛,
05:14
and therefore因此 grab some of the particles粒子 from another另一个 person.
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因此可以抓取他人身上的分子。
05:17
They seem似乎 very, very obsessed痴迷
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他们似乎执意要找出
05:19
with finding发现 out more about the ideal理想 mate伴侣.
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更多关于理想伴侣的事。
05:21
So they're working加工 on enhancing提高 everything: touch触摸, smell --
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因此他们强化每件事 - 触觉、嗅觉,
05:25
everything they can, in order订购 to find the perfect完善 mate伴侣.
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任何能做的事,以找到完美的伴侣。
05:28
Very interesting有趣. This is a typeface字体 designer设计师
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很有趣。而这是一位字体设计师
05:31
from Israel以色列 who has designed设计 -- he calls电话 them "typospermatyposperma."
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来自以色列,他设计了 - 所谓的「精虫体」
05:35
He's thinking思维 -- of course课程 it's all a concept概念 --
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他想 - 当然只是个概念 -
05:38
of injecting注射 typefaces字体 into spermatozoa精子,
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把字体注入精虫、注入精子 -
05:42
I don't know how to say it in English英语 -- spermatazoispermatazoi --
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英文该怎么念 - spermatazoi,
05:45
in order订购 to make them become成为 -- to almost几乎 have a song歌曲
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使它们变成 - 几乎每次射精都会
05:49
or a whole整个 poem written书面 with every一切 ejaculation射精. (Laughter笑声)
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唱一首歌或吟一首诗。(笑声)
05:56
I tell you, designers设计师 are quite相当 fantastic奇妙, you know.
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我认为,设计师真是神奇,
05:58
So, tissue组织 design设计.
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接着,肌肉组织设计。
06:00
In this case案件 too, you have a mixture混合物 of scientists科学家们 and designers设计师.
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这例子也是科学家和设计师的结合。
06:04
This here is part部分 of the same相同 lab实验室 at the Royal王室的 College学院 of Arts艺术.
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这也是出自皇家艺术学院的同一个实验室。
06:08
The RCARCA is really quite相当 an amazing惊人 school学校 from that viewpoint观点.
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就这方面,皇家艺术学院真是个奇妙的学校。
06:11
One of the assignments任务 for a year was to work with in-vitro体外 meat.
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有一年的作业是用培养皿种肉。
06:14
You know that already已经 you can grow增长 meat in vitro体外.
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你知道,已经可以用培养皿种肉。
06:17
In Australia澳大利亚 they did it -- this research研究 company公司, called SymbioticASymbioticA.
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澳洲有人种它 - 一家研究公司叫做 SymbioticA,
06:20
But the problem问题 is that it's a really ugly丑陋 patty肉饼.
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但问题是种出来的很难看。
06:24
And so, the assignment分配 to the students学生们 was,
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因此,给学生的作业是:
06:26
how should the steak牛扒 of tomorrow明天 be?
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未来的牛排该长得怎样?
06:28
When you don't have to kill cows奶牛 and it can have any shape形状,
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如果你不必杀牛,则它可以是任何形状,
06:31
what should it be like?
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它该长得怎样?
06:32
So this particular特定 student学生, James詹姆士 King国王,
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这名学生叫詹姆斯‧金恩
06:35
went around the beautiful美丽 English英语 countryside农村,
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到漂亮的英国乡下四处去,
06:37
picked采摘的 the best最好, best最好 cow that he could see,
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挑了他看到的最美、最美的牛,
06:40
and then put her in the MRIMRI machine.
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然后将它放在磁共振成像机上。
06:42
Then, he took the scans扫描 of the best最好 organs器官 and made制作 the meat --
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取最佳部位的扫描影像用来做肉。
06:46
of course课程, this is doneDONE with a Japanese日本 resins树脂 food餐饮 maker制作者,
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当然,这是由日本树脂食品模型师做的,
06:49
but you know, in the future未来 it could be made制作 better --
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而未来可以做得更好。
06:52
which哪一个 reproduces再现 the best最好 MRIMRI scan扫描 of the best最好 cow he could find.
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而那再现了他能找到的最美的牛的最佳磁共振影像。
06:56
Instead代替, this element元件 here is much more banal平庸.
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而这个单元则较为俗气一点。
07:00
Something that you know can be doneDONE already已经
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你已经知道可以做到的
07:02
is to grow增长 bone tissue组织, so that you can make a wedding婚礼 ring
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是增长骨头组织来做一枚婚戒
07:06
out of the bone tissue组织 of your loved喜爱 one -- literally按照字面.
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来自你心爱的人的骨头组织。
07:08
So, this is indeed确实 made制作 of human人的 bone tissue组织.
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这是真人骨组织做成的。
07:12
This is SymbioticASymbioticA, and they've他们已经 been working加工 --
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这家 SymbioticA 公司,他们正在做,
07:15
they were the first ones那些 to do this in-vitro体外 meat --
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他们是第一家做培养皿肉。
07:17
and now they've他们已经 also doneDONE an in-vitro体外 coat涂层, a leather皮革 coat涂层.
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现在他们也做培养皿外套,一种皮外套,
07:20
It's miniscule微乎其微, but it's a real真实 coat涂层. It's shaped成形 like one.
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是袖珍型的,却是真的外套。形状也像。
07:24
So, we'll be able能够 to really not have any excuse借口
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因此,我们将没有任何借口
07:27
to be wearing穿着 everything leather皮革 in the future未来.
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在未来还穿真皮的。
07:30
One of the most important重要 topics主题 of the show显示 -- you know,
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这展览的一个最重要主题就是
07:33
as anything in our life today今天,
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就如我们今日的生活一般,
07:35
we can look at it from many许多, many许多 different不同 viewpoints观点,
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我们可以有许多不同观点看它,
07:37
and at different不同 levels水平.
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不同的层次看它。
07:38
One of the most interesting有趣 and most important重要 concepts概念
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其中一个最有趣最重要的概念
07:41
is the idea理念 of scale规模. We change更改 scale规模 very often经常:
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就是尺度的观念。我们很常改变尺度,
07:44
we change更改 resolution解析度 of screens屏幕, and
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我们改变显示器的分辨率,但我们不 -
07:46
we're not really fazed狼狈 by it, we do it very comfortably舒服.
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并不以为意,我们习以为常。
07:50
So you go, even in the exhibition展览,
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因此,甚至在展览里,
07:52
from the idea理念 of nanotechnology纳米技术 and the nanoscale纳米级
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从纳米科技及纳米尺度的概念
07:54
to the manipulation操作 of really great amounts of data数据 --
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到处理极大量的数据;
07:57
the mapping制图 and tagging标记 of the universe宇宙 and of the world世界.
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去映射及标示宇宙及世界。
08:00
In this particular特定 case案件 a section部分 will be devoted忠诚
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这个特例中,将有一个部分是
08:03
to information信息 design设计.
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信息设计。
08:04
You see here the work of Ben Fry. This is "Human人的 vsVS. Chimps黑猩猩" --
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这里可看到本‧富莱的作品。这是人类对猩猩。
08:08
the few少数 chromosomes染色体 that distinguish区分 us from chimps黑猩猩.
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少数几个染色体区分我们和猩猩。
08:11
It was a beautiful美丽 visualization可视化 that he did for Seed种子 magazine杂志.
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这是他为 Seed 杂志做的漂亮视觉图。
08:15
And here's这里的 the whole整个 code of Pac-Man吃豆人, visualized可视化
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这是可视化的吃豆人游戏全套程序代码
08:18
with all the go-to, go-back-to去背到,
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包含所有的 go-to、go-back-to,
08:20
also made制作 into a beautiful美丽 choreography编舞.
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都变成漂亮的舞谱。
08:23
And then also graphs by scientists科学家们,
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也有科学家的图:
08:25
this beautiful美丽 diagraph向图 of protein蛋白 homology同源性.
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这张漂亮的蛋白质同源分度图。
08:28
Scientists科学家们 are starting开始 to also consider考虑 aesthetics美学.
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科学家已注意到美学。
08:30
We were discussing讨论 with Keith基思 ShrubbShrubb* this morning早上
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我们今天早上和济慈‧施乐伯讨论
08:33
the fact事实 that many许多 scientists科学家们
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事实上许多科学家
08:35
tend趋向 not to use anything beautiful美丽 in their presentations简报,
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在发表时倾向不用漂亮的东西,
08:38
otherwise除此以外 they're afraid害怕 of being存在 considered考虑 dumb blondes金发.
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怕被认为虚有漂亮的外表。
08:41
So they pick the worst最差 background背景
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因此挑选最糟糕的背景
08:43
from any kind of PowerPoint幻灯片 presentation介绍, the worst最差 typeface字体.
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去做各种幻灯片发表,最差的字体。
08:47
It's only recently最近 that this kind of marriage婚姻
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直到最近设计师和科学家
08:50
between之间 design设计 and science科学 is producing生产 some of the first "pretty漂亮" --
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的结合,才产生了第一次的-
08:54
if we can say so -- scientific科学 presentations简报.
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我们所谓的 - 「漂亮的」科学发表。
08:57
Another另一个 aspect方面 of contemporary现代的 design设计
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当代设计的另一面向
08:59
that I think is mind-opening心态开放, promising有希望
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我认为让人心智大开、充满期许、
09:02
and will really be the future未来 of design设计,
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也会成为未来的设计,
09:03
is the idea理念 of collective集体 design设计.
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就是集体设计的概念。
09:05
You know, the whole整个 XOXO laptop笔记本电脑, from One Laptop笔记本电脑 per Child儿童,
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你知道,整个 XO 手提电脑,即:学童都有计算机,
09:09
is based基于 on the idea理念 of collaboration合作 and mash糊状物 and networking联网.
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就是基于合作、结合、及网络的概念。
09:13
So, the more the merrier越多越好.
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因此,越多越愉快。
09:15
The more computers电脑, the stronger the signal信号,
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计算机越多,信号越强,
09:17
and children孩子 work on the interface接口 so that it's all based基于
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儿童们使用接口,全部基于
09:21
on doing things together一起, tasks任务 together一起.
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一起做事,分工做事。
09:24
So the idea理念 of collective集体 design设计
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因此,合作设计的概念
09:27
is something that will become成为 even bigger in the future未来,
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是未来会更盛行的事,
09:29
and this is chosen选择 as an example.
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这也被选为一个例子。
09:33
Related有关 to the idea理念 of collective集体 design设计 and to the new balance平衡
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关于合作设计的概念和
09:36
between之间 the individual个人 and the collectiveness集体主义, collectivity集体
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个人与集体活动之间的新平衡
09:40
is the idea理念 of existence存在 maximum最大值.
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就是「存在最大化」的概念。
09:42
That's a term术语 that I coined创造 a few少数 years年份 ago
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这个词是几年前由我创用的
09:44
while I was thinking思维 of how pressed压制 we are together一起,
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那时我想我们都挤在一起,
09:47
and at the same相同 time how these small objects对象,
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而同时那些小小的物品,
09:51
like the Walkman随身听 first and then the iPodiPod的,
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如随身听和 iPod,却又能
09:53
create创建 bubbles泡泡 of space空间 around us that enable启用 us
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为我们创造了空间范围,让我们
09:56
to have a metaphysical抽象的 space空间
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拥有无形的空间,
09:58
that is much bigger than our physical物理 space空间.
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那比我们物理空间大很多。
10:00
You can be in the subway地铁 and you can be completely全然 isolated孤立
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你可以在地鉄却完全孤立
10:04
and have your own拥有 room房间 in your iPodiPod的.
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独享你自己的 iPod 空间。
10:06
And this is the work of several一些 designers设计师
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这是几个设计师的作品
10:09
that really enhance提高 the idea理念 of solitude孤独 and expansion扩张
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以各种技法,它真正强化了
10:13
by means手段 of various各个 techniques技术.
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孤独及扩张的概念。
10:15
This is a spa温泉 telephone电话. The idea理念 is that it's become成为 so difficult
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这是个水疗电话。概念是现在很难
10:19
to have a private私人的 conversation会话 anywhere随地
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随处有私人谈话了 -
10:20
that you go to the spa温泉, you have a massage按摩, you have a facial面部,
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你去水疗、去按摩、去做脸、
10:23
maybe a rub, and then you have this beautiful美丽 pool
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去推拿,水池多么漂亮,
10:25
with this perfect完善 temperature温度, and you can have
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温度恰到好处,让你
10:27
this isolation隔离 tank坦克 phone电话 conversation会话
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在这个「孤立泡」中讲电话
10:30
with whomever任何人 you've been wanting希望 to talk with for a long time.
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和任何你想好好长谈的人聊聊。
10:33
And same相同 thing here, Social社会 Tele-presence远程呈现.
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而这是相同的事:社会远距在场。
10:36
It's actually其实 already已经 used by the military军事 a little bit,
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军中已多少用到它,
10:38
but it's the idea理念 of being存在 able能够 to be somewhere某处 else其他
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但它的想法是让你的感官
10:41
with your senses感官 while you're removed去除 from it physically物理.
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在身体不在场时能感觉得到。
10:45
And this is called Blind Date日期. It's a [unclear不明],
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这叫做盲目约会。
10:48
so if you're too shy害羞 to be really at the date日期,
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如果你太害羞不敢去约会,
10:50
you can stay at a distance距离 with your flowers花卉
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你就带着花离远一点
10:52
and somebody else其他 reenacts重演 the date日期 for you.
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别人会替你扮演约会。
10:55
Rapid快速 manufacturing制造业 is another另一个 big area
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快速制造是另一个重要领域
10:58
in which哪一个 technology技术 and design设计 are, I think,
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让技术与设计,我认为...
11:02
bound to change更改 the world世界. You've heard听说 about it before many许多 times.
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一起来改变世界。以前你听过很多次了
11:06
Rapid快速 manufacturing制造业 is a computer电脑 file文件
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快速制造是用计算机档案
11:08
sent发送 directly from the computer电脑 to the manufacturing制造业 machine.
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直接由计算机送到制造设备上。
11:11
It used to be called rapid快速 prototyping原型, rapid快速 modeling造型.
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它曾叫做快速原型、快速模型法。
11:15
It started开始 out in the '80s, but at the beginning开始
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它开始于 '80 年代,开始时
11:17
it was machines carving雕刻 out of a foam泡沫 block
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是用机器雕刻泡棉块
11:20
a model模型 that was very, very fragile脆弱,
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这种模型很脆弱,
11:23
and could not have any real真实 use.
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很难有实际用途。
11:25
Slowly慢慢地 but surely一定, the materials物料 became成为 better -- better resins树脂.
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渐渐地,材料变好了 - 用较好的树脂。
11:29
Techniques技术 became成为 better -- not only carving雕刻
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技巧也变好了 - 不只是雕刻
11:31
but also stereolithography立体光刻 and laser激光 -- solidifying all kinds of resins树脂,
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也用立体印制及激光,固化各种树脂,
11:37
whether是否 in powder粉末 or in liquid液体 form形成. And the vats大桶 became成为 bigger,
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不论是粉末或液状。而桶子也变大了,
11:41
to the point that now we can have actual实际 chairs椅子
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直到现在我们能有实际的椅子
11:44
made制作 by rapid快速 manufacturing制造业.
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由快速制造做成。
11:46
It takes seven days today今天 to manufacture制造 a chair椅子,
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如今做一张椅子要七天,
11:49
but you know what? One day it will take seven hours小时.
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但你知道吗?有一天将只需七小时。
11:51
And then the dream梦想 is that you'll你会 be able能够 to, from home,
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梦想将是:你将能在家里
11:55
customize定制 your chair椅子. You know, companies公司 and designers设计师
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订制你的椅子。公司和设计师
11:57
will be designing设计 the matrix矩阵 or the margins利润率
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将设计本体或周边
12:00
that respect尊重 both solidity坚固 and brand, and design设计 identity身分.
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并兼顾坚实性、及品牌和设计识别。
12:05
And then you can send发送 it to the Kinko's金考 store商店 at the corner
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然后你将送它到街角的 Kinko 商店
12:08
and go get your chair椅子. Now, the implications启示 of this are enormous巨大,
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去拿取你的椅子。这个意涵很大,
12:11
not only regarding关于 the participation参与 of the final最后 buyer买方
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不只关于最终购买者的参与
12:15
in the design设计 process处理, but also no tracking追踪,
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设计过程,也不必追踪、
12:17
no warehousing仓储, no wasted浪费 materials物料.
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不必仓储、不浪费材料。
12:20
Also, I can imagine想像 many许多 design设计 manufacturers制造商
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因此,我能想象许多设计制造公司
12:23
will have to retool重新装备 their own拥有 business商业 plans计划
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将要重新改造它的商业计划。
12:25
and maybe invest投资 in this Kinko's金考 store商店. But it really is a big change更改.
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并投资到 Kinko 商店。那真是一个大变化。
12:29
And here I'm showing展示 a picture图片 that was in Wired有线 Magazine杂志 --
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接着我秀一张 WIRED 杂志的照片,
12:32
you know, the Artifacts文物 of the Future未来 section部分 that I love so much --
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这是我很喜欢的「未来用品」部分,
12:35
that shows节目 you can have your desktop桌面 3D printer打印机
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看到你可以有自己的桌上型立体印制机
12:37
and print打印 your own拥有 basketball篮球.
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印制自己的篮球。
12:39
But here instead代替 are examples例子, you can already已经 3D-printd打印 textiles纺织品,
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这里只是举例,已经有真的立体印纺机,
12:43
which哪一个 is very interesting有趣.
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那是很有趣的。
12:45
This is just a really nice不错 touch触摸 -- it's called slow prototyping原型.
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这是一个很细腻的东西 - 叫做慢速原型法。
12:48
It's a designer设计师 that put 10,000 bees蜜蜂 at work and they built内置 this vase花瓶.
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有个设计师放一万只蜜蜂做了这个蜂巢花瓶。
12:53
They had a particular特定 shape形状 that they had to stay in.
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它们依预给的形状建巢。
12:56
Mapping制图 and tagging标记.
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映射与标示。
12:57
As the capacity容量 of computers电脑 becomes really, really big,
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计算机的能力越来越大,真的很大,
13:01
and the capacity容量 of our mind心神 not that much bigger,
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而我们的心智能力并没变大,
13:05
we find that we need to tag标签 as much as we can what we do
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我们发现我们必须标示做过的事
13:08
in order订购 to then retrace追溯 our path路径.
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以便能跟踪走过的路。
13:11
Also, we do it in order订购 to share分享 with other people.
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再一次,这种经验的共享
13:13
Again, this communal公社 sense of experience经验
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再一次,这种经验的共享
13:16
that seems似乎 to be so important重要 today今天.
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今日看来极为重要。
13:18
So, various各个 ways方法 to map地图 and tag标签
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因此,各种映射与标示方法
13:21
are also the work of many许多 designers设计师 nowadays如今.
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也是当今许多设计师的工作。
13:25
Also, the senses感官 -- designers设计师 and scientists科学家们 all work on trying to expand扩大
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感觉。设计师与科学家都试图扩大
13:29
our senses感官 capabilities功能 so that we can achieve实现 more.
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我们的感觉能力以求达成更多。
13:33
And also animal动物 senses感官 in a way.
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某方面则是动物的感觉。
13:36
This particular特定 object目的 that many许多 people love so much
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这项特别的物品许多人都很喜欢
13:40
is actually其实 based基于 on kind of a scientific科学 experiment实验 --
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实际上是基于一种科学实验 -
13:43
the fact事实 that bees蜜蜂 have a very strong强大 olfactory嗅觉 sense,
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事实上蜂有很强的嗅觉,
13:46
and so -- much like dogs小狗 that can smell certain某些 kinds of skin皮肤 cancer癌症 --
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因此 - 就像狗可以嗅出某种皮肤癌 -
13:50
bees蜜蜂 can be trained熟练 by Pavlovian巴甫洛夫 reflex反射
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蜂也能训练以巴甫洛夫反射
13:54
to detect检测 one type类型 of cancer癌症, and also pregnancy怀孕.
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来侦测一种癌症,以及验孕。
13:57
And so this student学生 at the RCARCA
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同样这个皇家艺术学院学生
13:59
designed设计 this beautiful美丽 blown-glass吹制玻璃 object目的
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设计了这个漂亮的吹玻璃
14:02
where the bees蜜蜂 move移动 from one chamber to the other
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让蜂由一个隔间飞到另一隔间
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if they detect检测 that particular特定 smell
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一旦它们侦测到特殊的气味
14:07
that signifies表示, in this case案件, pregnancy怀孕.
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那意味着,本例是验孕。
14:09
Another另一个 shape形状 is made制作 for cancer癌症.
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另一种形状则可以验癌。
14:11
Design设计 for Debate辩论 is a very interesting有趣 new endeavor努力
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「设计为辩论」是很有趣的新尝试
14:15
that designers设计师 have really shaped成形 for themselves他们自己.
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是设计师为自己而创设的
14:18
Some designers设计师 don't design设计 objects对象, products制品,
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有些设计师并不设计物品、产品,
14:21
things that we're going to actually其实 use,
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不做供实用的东西,
14:22
but rather, they design设计 scenarios场景 that are object-based基于对象.
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而是设计基于物品的剧情。
14:26
They're still very useful有用.
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剧情也很有用的。
14:28
They help companies公司 and other designers设计师 think better about the future未来.
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可以帮助公司或其他设计师更好地思考未来。
14:32
And usually平时 they are accompanied伴随着 by videos视频.
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通常它们伴随影片来呈现。
14:35
This is quite相当 beautiful美丽. It's Dunne邓恩 and Raby芮捷锐, "All the Robots机器人."
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这个很美。是杜恩与拉比的「所有机器人」。
14:38
Those are a series系列 of robots机器人 that are meant意味着 to be taken采取 care关心 of.
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那些是一系列要人照顾的机器人。
14:42
We always think that robots机器人 will take care关心 of us,
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我们都认为机器人将会照顾我们,
14:44
and instead代替 they designed设计 these robots机器人 that are very, very needy贫穷.
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反之,他们设计了这些很黏人的机器人。
14:46
You need to take one in your arms武器 and look at it in the eyes眼睛
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有一个你要抱在手臂,亲眼看着它
14:49
for about five minutes分钟 before it does something.
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要约五分钟它才会做动作。
14:51
Another另一个 one gets得到 really, really nervous紧张 if you get in to the room房间,
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另一个在你进入房间时会非常、非常紧张,
14:54
and starts启动 shaking发抖, so you have to calm冷静 it down.
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开始发抖,因此你要安抚它。
14:56
So it's really a way to make us think more
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这样让我们进一步去想
14:59
about what robots机器人 mean to us.
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机器人对我们的意义。
15:01
Noam诺姆· ToranToran and "Accessories饰品 for Lonely孤独 Men男人":
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诺安‧拓南的「寂人配件」
15:05
the idea理念 is that when you lose失去 your loved喜爱 one
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概念是当你失去心爱的人
15:07
or you go through通过 a bad breakup分手,
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或经历痛苦的分手,
15:09
what you miss小姐 the most are those annoying恼人的 things
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你最怀念的是那些琐事
15:12
that you used to hate讨厌 when you were with the other person.
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你和那人一起时的那些讨厌的事。
15:15
So he designed设计 all these series系列 of accessories饰品.
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因此他设计了这系列的附件。
15:17
This one is something that takes away the sheets床单 from you at night.
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像这个夜里会把你的被单抽走。
15:22
Then there's another另一个 one that breathes吐气 on your neck颈部.
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而这个的呼吸会吹在你的脖子上。
15:25
There's another另一个 one that throws plates and breaks休息 them.
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还有另一个会丢盘子、甩破它。
15:27
So it's just this idea理念 of what we really miss小姐 in life.
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整个想法就是生活中我们怀念的事。
15:31
Elio埃利奥 CaccavaleCaccavale: he took the idea理念
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另外,爱利奧‧喀卡瓦尔,他采用这想法
15:34
of those dolls玩偶 that explain说明 leukemia白血病.
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用玩偶解释白血病。
15:37
He's working加工 on dolls玩偶 that explain说明 xenotransplantation异种移植,
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他正在做一个解释异体移植的玩偶,
15:41
and also the spider蜘蛛 gene基因 into the goat山羊, from a few少数 years年份 ago.
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及将蜘蛛基因置入山羊,几年前的。
15:46
He's working加工 for the exhibition展览 on a whole整个 series系列 of dolls玩偶
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他为这个展览做一整系列的玩偶
15:49
that explain说明 to children孩子 where babies婴儿 come from today今天.
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为儿童解释今天婴儿是怎么来的。
15:52
Because it's not anymore Mom妈妈, Dad, the flowers花卉 and the bees蜜蜂,
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因为已不是妈、爸,花和蜂
15:55
and then there's the baby宝宝. No, it can be two moms妈妈, three dads爸爸,
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然后婴儿就来了。不,可以是两个妈,三个爸,
15:58
in-vitro体外 -- there's the whole整个 idea理念
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在培养皿里 - 就是这个概念
16:01
of how babies婴儿 can be made制作 today今天 that has changed.
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今天婴儿是如何产生的,已经改变了。
16:05
So it's a series系列 of dolls玩偶 that he's working加工 on right now.
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因此,这是他正在做的一系列玩偶。
16:09
One of the most beautiful美丽 things
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一件最美的事
16:10
is that designers设计师 really work on life,
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设计师并不真的制作生命,
16:13
even though虽然 they take technology技术 into account帐户.
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即使他们采用了科技。
16:15
And many许多 designers设计师 have been working加工 recently最近
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最近许多设计师在做的
16:17
on the idea理念 of death死亡 and mourning,
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是死亡及哀悼的想法,
16:19
and what we can do about it today今天 with new technologies技术.
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运用新科技我们能为它做什么。
16:23
Or how we should behave表现 about it with new technologies技术.
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或者,以新科技我们会有什么做法。
16:26
These three objects对象 over there are hard drives驱动器
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那三件物品上都有硬盘
16:29
with a Bluetooth蓝牙 connection连接. But they're in reality现实
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有蓝芽连结。但它们事实上
16:32
very, very beautiful美丽 sculpted雕刻 artifacts文物
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是非常、非常漂亮的雕塑品
16:35
that contain包含 the whole整个 desktop桌面 and computer电脑 memory记忆
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包含了某个过世者的
16:38
of somebody who passed通过 away.
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整个桌面及计算机记忆。
16:40
So instead代替 of having only the pictures图片,
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因此,不是只有一些照片,
16:42
you will be able能够 to put this object目的 next下一个 to the computer电脑
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你将能把物品摆在计算机旁
16:45
and all of a sudden突然 have, you know,
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因而突然间,你知道的,
16:47
Gertrude's格特鲁德 whole整个 life and all of her files
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葛尔楚的一生和她的所有档案
16:50
and her address地址 book come alive.
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及她的连络簿都活了过来。
16:51
And this is even better. This is Auger-Loizeau俄歇Loizeau, "AfterLife来世."
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这个更好。它是奧格‧雷宙的「来世」。
16:54
It's the idea理念 that some people don't believe in an afterlife来世.
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主要构想是有些人不信有来世。
16:57
So to give them something tangible有形 that shows节目 that
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因此提供他们一些有形事物,
17:00
there is something after death死亡, they take the gastric胃的 juices果汁
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显示死后的事,他们取用死者的胃液
17:04
of people who passed通过 away and concentrate集中 them,
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把它浓缩后,
17:06
and put them into a battery电池 that can actually其实 be used
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放在电池里而真的能
17:09
to power功率 flashlights手电筒. They also go -- you know, sex性别 toys玩具, whatever随你.
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点亮手电筒。也可以用在 - 例如,情趣玩具、等等。
17:13
It's quite相当 amazing惊人 how these things can make you smile微笑,
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令人惊讶的,这些事都令人会心一笑,
17:17
can make you laugh, can make you cry sometimes有时.
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甚至大笑,有时让人哭。
17:19
But I'm hoping希望 that this particular特定 exhibition展览
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但我希望这个特别的展览
17:22
will be able能够 to trace跟踪 a new portrait肖像 of where design设计 is going --
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可以描绘出设计将走的新图像,
17:25
which哪一个 is always, hopefully希望, a portrait肖像 a few少数 years年份 in advance提前
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这个图像总是,但愿是,早几年
17:28
of where the world世界 is going.
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说出世界要往哪里去。
17:30
Thank you very much.
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谢谢大家。
Translated by Manlai You
Reviewed by Chun-wen Chen

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ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com