EG 2007
Paola Antonelli: Design and the Elastic Mind
Paola Antonelli 預報「設計與彈性思維」展覽
Filmed:
Readability: 4.3
377,553 views
MOMA 現代藝術博物館設計策展人 Paola Antonelli 預報了突破性的展覽「設計與彈性思維」－ 充滿了反映我們現在思考方式的產品與設計。
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio
Double-click the English transcript below to play the video.
00:16
I dabble in design. I'm a curator of architecture and design;
0
0
3000
我涉及設計；我是建築與設計的策展人。
00:19
I happen to be at the Museum of Modern Art.
1
3000
2000
我在現代藝術博物館工作，
00:21
But what we're going to talk about today
2
5000
3000
但重要的是 － 今天我們要談的
00:24
is really design. Really good designers are like sponges:
3
8000
3000
是真正的設計。真正好的設計師就像海棉。
00:27
they really are curious
4
11000
2000
他們充滿好奇心
00:29
and absorb every kind of information that comes their way,
5
13000
3000
吸收各種他們遇到的資訊，
00:33
and transform it so that it can be used by people like us.
6
17000
3000
將它轉換後讓我們使用。
00:36
And so that gives me an opportunity,
7
20000
2000
因此，那給我機會，
00:38
because every design show that I curate
8
22000
2000
因為每個我策畫的設計展
00:41
kind of looks at a different world. And it's great,
9
25000
2000
都像看到不同的世界。那很棒，
00:43
because it seems like every time I change jobs.
10
27000
3000
就像我每次都換了工作。
00:47
And what I'm going to do today is I'm going to give you a preview
11
31000
2000
今天我要給你們預覽
00:49
of the next exhibition that I'm working on, which is called
12
33000
3000
我正在籌備的下個展覽，叫做：
00:52
"Design and the Elastic Mind."
13
36000
1000
「設計與彈性思維」。
00:54
The world that I decided to focus on this particular time
14
38000
4000
這次我要聚焦的世界
00:58
is the world of science and the world of technology.
15
42000
3000
是科學世界及技術世界。
01:01
Technology always comes into play when design is involved,
16
45000
3000
當涉及設計時，技術總是有關，
01:04
but science does a little less.
17
48000
2000
而科學則稍少一些。
01:06
But designers are great at taking big revolutions that happen
18
50000
4000
但設計師總能善用偉大的變革，
01:10
and transforming them so that we can use them.
19
54000
3000
轉換後讓我們使用。
01:13
And this is what this exhibition looks at.
20
57000
3000
這就是這項展覽所追求的。
01:17
If you think about your life today,
21
61000
2000
想想你今天的生活，
01:19
you go every day through many different scales,
22
63000
3000
每天走過許多不同的尺度，
01:22
many different changes of rhythm and pace.
23
66000
2000
許多不同韻律及步調的改變。
01:24
You work over different time zones, you talk to very different people,
24
68000
4000
在不同時區工作，與差異很大的人交談，
01:28
you multitask. We all know it, and we do it kind of automatically.
25
72000
4000
多工處理。我們都知道它，而且能自動處理。
01:32
Some of the minds in this audience are super elastic,
26
76000
3000
你們的思維有的是超級彈性，
01:35
others are a little slower,
27
79000
2000
有的則反應慢一點，
01:37
others have a few stretch marks, but nonetheless
28
81000
3000
其他人的則有點拉痕，但無論如何
01:40
this is a quite exceptional audience from that viewpoint.
29
84000
4000
以此觀點，你們是極獨特的群眾。
01:44
Other people are not as elastic.
30
88000
2000
其他人則不那麼有彈性。
01:46
I can't get my father in Italy to work on the Internet.
31
90000
3000
我無法讓在義大利的家父上網。
01:49
He doesn't want to put high-speed Internet at home.
32
93000
2000
他不想在家中裝高速網路。
01:51
And that's because there's some little bit of fear,
33
95000
3000
那是因為有一點害怕，
01:54
little bit of resistance or just clogged mechanisms.
34
98000
3000
有一點抗拒或阻礙的情形。
01:57
So designers work on this particular malaise that we have,
35
101000
4000
因此，設計師為我們特有的不適應、
02:01
these kinds of discomforts that we have,
36
105000
3000
我們的不自在而去設計，
02:04
and try to make life easier for us.
37
108000
2000
試著讓我們生活得較容易。
02:06
Elasticity of mind is something that we really need, you know,
38
110000
4000
思維的彈性是我們真正需要的，
02:10
we really need, we really cherish and we really work on.
39
114000
3000
我們真的需要，真的珍惜，並認真追求。
02:14
And this exhibition is about the work of designers
40
118000
3000
這個展覽是關於設計師的作品
02:17
that help us be more elastic,
41
121000
2000
它讓我們更有彈性，
02:19
and also of designers that really work on this elasticity
42
123000
4000
和追求彈性機會的設計師們。
02:23
as an opportunity. And one last thing is that
43
127000
2000
還有最後一點...
02:26
it's not only designers, but it's also scientists.
44
130000
2000
不只是設計師，也有科學家。
02:28
And before I launch into the display of some of the slides
45
132000
5000
在開始播放幻燈片、
02:33
and into the preview, I would like to point out
46
137000
2000
開始預覽之前，我要指出
02:35
this beautiful detail about scientists and design.
47
139000
4000
科學家和設計的美麗細節。
02:39
You can say that the relationship between science and design
48
143000
2000
你可以說，科學和設計的關係
02:42
goes back centuries. You can of course talk about
49
146000
2000
已有好幾世紀。你當然也可以談
02:44
Leonardo da Vinci and many other Renaissance men and women --
50
148000
4000
李奧那多達文西，許多其他文藝復興時期的男女，
02:48
and there's a gigantic history behind it.
51
152000
2000
背後有個巨大的歷史。
02:51
But according to a really great science historian you might know,
52
155000
4000
但依據一位偉大科學史學者的說法，
02:55
Peter Galison -- he teaches at Harvard --
53
159000
2000
Peter Galison － 他在哈佛大學教書 －
02:57
what nanotechnology in particular and quantum physics
54
161000
4000
特別是奈米科技和量子物理學
03:01
have brought to designers is this renewed interest,
55
165000
3000
帶給設計師的是一股新的興趣，
03:04
this real passion for design.
56
168000
2000
對設計的真正熱情。
03:07
So basically, the idea of being able to build things bottom up,
57
171000
3000
因此基本上，由下而上建造物品的想法，
03:11
atom by atom, has made them all into tinkerers.
58
175000
3000
用原子一個個建，使他們成為修補匠。
03:14
And all of a sudden scientists are seeking designers,
59
178000
3000
突然間科學家們都在找設計師，
03:17
just like designers are seeking scientists.
60
181000
2000
就如設計師們在找科學家一樣。
03:20
It's a brand-new love affair that we're trying to cultivate
61
184000
4000
這是一個新的愛情故事，我們試圖由 MOMA
03:25
at MOMA. Together with Adam Bly, who is the founder of Seed magazine --
62
189000
4000
和 Adam Bly 合作，他創辦了 Seed 雜誌 －
03:29
that's now a multimedia company, you might know it --
63
193000
2000
現在是個多媒體公司，也許你知道它 －
03:31
we founded about a year ago a monthly salon
64
195000
4000
約一年前，我們創立讓科學家和設計師
03:36
for designers and scientists, and it's quite beautiful.
65
200000
2000
每月一次的沙龍，極為美妙。
03:38
And Keith has come, and also Jonathan has come and many others.
66
202000
3000
Keith 來了，Jonathan 也來了，還有許多其他人。
03:41
And it was great, because at the beginning was this apology fest --
67
205000
3000
結果很棒，因為一開始是道歉連連，
03:44
you know, scientists would tell designers,
68
208000
2000
科學家告訴設計師：
03:46
you know, I don't know what style is, I'm not really elegant.
69
210000
3000
我不知道何謂風格，我真的不夠優雅。
03:49
And designers would like, oh, I don't know how to do an equation,
70
213000
3000
而設計師則說：我不會做數學式子，
03:52
I don't understand what you're saying. And then all of a sudden
71
216000
3000
我不懂你說的。而突然間
03:55
they really started talking each others' language,
72
219000
2000
他們真的開始說起彼此的語言，
03:57
and now we're already at the point that they collaborate.
73
221000
2000
而現在我們已到了彼此合作的地步。
03:59
Paul Steinhardt, a physicist from New York,
74
223000
3000
你知道 Paul Steinhardt，來自紐約的物理學者，
04:02
and Aranda/Lasch, architects, collaborated in an installation
75
226000
4000
和 Aranda/Lasch 建築師合作在倫敦的
04:07
in London at the Serpentine.
76
231000
1000
Serpentine 做裝置設計。
04:09
And it's really interesting to see how this happens.
77
233000
3000
看著它的進展真是有趣。
04:13
The exhibition will talk about the work
78
237000
3000
這個展覽將要談
04:16
of both designers and scientists,
79
240000
2000
設計師與科學家的作品，
04:18
and show how they're presenting the possibilities of the future to us.
80
242000
4000
展示他們如何為我們展現未來。
04:22
I'm showing to you
81
246000
1000
現在我正要為你展示
04:23
different sections of the show right now,
82
247000
2000
這個展覽的不同部分，
04:25
just to give you a taste of it.
83
249000
1000
讓你先睹為快，
04:26
Nanophysics and nanotechnology, for instance,
84
250000
3000
例如，奈米物理學與奈米科技，
04:30
have really opened the designer's mind.
85
254000
2000
已真正開啟了設計師的思維。
04:32
In this case I'm showing more the designers' work,
86
256000
2000
這個例子我將展示較多設計師的作品，
04:34
because they're the ones that have really been stimulated.
87
258000
3000
因為真正受到刺激的就是他們。
04:37
A lot of the objects in the show are concepts,
88
261000
2000
展覽中的許多物品只是概念，
04:39
not objects that exist already. But what you're looking at here
89
263000
4000
不是已經存在的物品。但你看到的
04:44
is the work of some scientists from UCLA.
90
268000
3000
是 UCLA 科學家的作品。
04:47
This kind of alphabet soup is a new way to mark proteins --
91
271000
3000
這種字母湯是標示蛋白質的新方法，
04:50
not only by color but literally by alphabet letters.
92
274000
3000
不但用顏色，也用字母。
04:53
So they construct it, and they can construct all kinds of forms
93
277000
3000
他們製作它，可用奈米尺度
04:56
at the nanoscale. This is the work of design students
94
280000
3000
做成各種形態。而這個作品來自倫敦的
04:59
from the Royal College of Arts in London
95
283000
2000
皇家藝術學院的設計系學生和
05:01
that have been working together with their tutor, Tony Dunne,
96
285000
3000
指導老師 Tony Dunne，
05:04
and with a bunch of scientists around Great Britain
97
288000
2000
以及一些英國科學家做的 －
05:07
on the possibilities of nanotechnology for design in the future.
98
291000
3000
探討奈米科技用在未來設計的可能性。
05:10
New sensing elements on the body --
99
294000
2000
身體的新感應單元。
05:12
you can grow hairs on your nails,
100
296000
2000
讓指甲長毛，
05:14
and therefore grab some of the particles from another person.
101
298000
3000
因此可以抓取他人身上的分子。
05:17
They seem very, very obsessed
102
301000
1000
他們似乎執意要找出
05:19
with finding out more about the ideal mate.
103
303000
2000
更多關於理想伴侶的事。
05:21
So they're working on enhancing everything: touch, smell --
104
305000
4000
因此他們強化每件事 － 觸覺、嗅覺，
05:25
everything they can, in order to find the perfect mate.
105
309000
3000
任何能做的事，以找到完美的伴侶。
05:28
Very interesting. This is a typeface designer
106
312000
3000
很有趣。而這是一位字體設計師
05:31
from Israel who has designed -- he calls them "typosperma."
107
315000
4000
來自以色列，他設計了 － 所謂的｢精蟲體｣
05:35
He's thinking -- of course it's all a concept --
108
319000
2000
他想 － 當然只是個概念 －
05:38
of injecting typefaces into spermatozoa,
109
322000
4000
把字體注入精蟲、注入精子 －
05:42
I don't know how to say it in English -- spermatazoi --
110
326000
3000
英文該怎麼念 － spermatazoi，
05:45
in order to make them become -- to almost have a song
111
329000
4000
使它們變成 － 幾乎每次射精都會
05:49
or a whole poem written with every ejaculation. (Laughter)
112
333000
7000
唱一首歌或吟一首詩。(笑聲)
05:56
I tell you, designers are quite fantastic, you know.
113
340000
2000
我認為，設計師真是神奇，
05:58
So, tissue design.
114
342000
2000
接著，肌肉組織設計。
06:00
In this case too, you have a mixture of scientists and designers.
115
344000
3000
這例子也是科學家和設計師的結合。
06:04
This here is part of the same lab at the Royal College of Arts.
116
348000
4000
這也是出自皇家藝術學院的同一個實驗室。
06:08
The RCA is really quite an amazing school from that viewpoint.
117
352000
3000
就這方面，RCA 真是個奇妙的學校。
06:11
One of the assignments for a year was to work with in-vitro meat.
118
355000
3000
有一年的作業是用培養皿種肉。
06:14
You know that already you can grow meat in vitro.
119
358000
3000
你知道，已經可以用培養皿種肉。
06:17
In Australia they did it -- this research company, called SymbioticA.
120
361000
3000
澳洲有人種它 － 一家研究公司叫做 SymbioticA，
06:20
But the problem is that it's a really ugly patty.
121
364000
4000
但問題是種出來的很難看。
06:24
And so, the assignment to the students was,
122
368000
2000
因此，給學生的作業是：
06:26
how should the steak of tomorrow be?
123
370000
2000
未來的牛排該長得怎樣？
06:28
When you don't have to kill cows and it can have any shape,
124
372000
3000
如果你不必殺牛，則它可以是任何形狀，
06:31
what should it be like?
125
375000
1000
它該長得怎樣？
06:32
So this particular student, James King,
126
376000
2000
這名學生叫 James King
06:35
went around the beautiful English countryside,
127
379000
2000
到漂亮的英國鄉下四處去，
06:37
picked the best, best cow that he could see,
128
381000
2000
挑了他看到的最美、最美的牛，
06:40
and then put her in the MRI machine.
129
384000
2000
然後將它放在磁共振成像機上。
06:42
Then, he took the scans of the best organs and made the meat --
130
386000
4000
取最佳部位的掃描影像用來做肉。
06:46
of course, this is done with a Japanese resins food maker,
131
390000
3000
當然，這是由日本樹脂食品模型師做的，
06:49
but you know, in the future it could be made better --
132
393000
3000
而未來可以做得更好。
06:52
which reproduces the best MRI scan of the best cow he could find.
133
396000
3000
而那再現了他能找到的最美的牛的最佳 MRI 影像。
06:56
Instead, this element here is much more banal.
134
400000
4000
而這個單元則較為俗氣一點。
07:00
Something that you know can be done already
135
404000
2000
你已經知道可以做到的
07:02
is to grow bone tissue, so that you can make a wedding ring
136
406000
4000
是增長骨頭組織來做一枚婚戒
07:06
out of the bone tissue of your loved one -- literally.
137
410000
2000
來自你心愛的人的骨頭組織。
07:08
So, this is indeed made of human bone tissue.
138
412000
4000
這是真人骨組織做成的。
07:12
This is SymbioticA, and they've been working --
139
416000
3000
這家 SymbioticA 公司，他們正在做，
07:15
they were the first ones to do this in-vitro meat --
140
419000
2000
他們是第一家做培養皿肉，
07:17
and now they've also done an in-vitro coat, a leather coat.
141
421000
3000
現在他們也做培養皿外套，一種皮外套，
07:20
It's miniscule, but it's a real coat. It's shaped like one.
142
424000
4000
是袖珍型的，卻是真的外套。形狀也像。
07:24
So, we'll be able to really not have any excuse
143
428000
3000
因此，我們將沒有任何藉口
07:27
to be wearing everything leather in the future.
144
431000
3000
在未來還穿真皮的。
07:30
One of the most important topics of the show -- you know,
145
434000
3000
這展覽的一個最重要主題就是
07:33
as anything in our life today,
146
437000
2000
就如我們今日的生活一般，
07:35
we can look at it from many, many different viewpoints,
147
439000
2000
我們可以有許多不同觀點看它，
07:37
and at different levels.
148
441000
1000
不同的層次看它。
07:38
One of the most interesting and most important concepts
149
442000
3000
其中一個最有趣最重要的概念
07:41
is the idea of scale. We change scale very often:
150
445000
3000
就是尺度的觀念。我們很常改變尺度，
07:44
we change resolution of screens, and
151
448000
2000
我們改變顯示器的解析度，但我們不 －
07:46
we're not really fazed by it, we do it very comfortably.
152
450000
3000
並不以為意，我們習以為常。
07:50
So you go, even in the exhibition,
153
454000
2000
因此，甚至在展覽裡，
07:52
from the idea of nanotechnology and the nanoscale
154
456000
2000
從奈米科技及奈米尺度的概念
07:54
to the manipulation of really great amounts of data --
155
458000
3000
到處理極大量的資料；
07:57
the mapping and tagging of the universe and of the world.
156
461000
3000
去映射及標示宇宙及世界。
08:00
In this particular case a section will be devoted
157
464000
3000
這個特例中，將有一個部分是
08:03
to information design.
158
467000
1000
資訊設計。
08:04
You see here the work of Ben Fry. This is "Human vs. Chimps" --
159
468000
4000
這裡可看到 Ben Fry 的作品。這是人類對猩猩。
08:08
the few chromosomes that distinguish us from chimps.
160
472000
3000
少數幾個染色體區分我們和猩猩。
08:11
It was a beautiful visualization that he did for Seed magazine.
161
475000
3000
這是他為 Seed 雜誌做的漂亮視覺圖。
08:15
And here's the whole code of Pac-Man, visualized
162
479000
3000
這是視覺化的小精靈遊戲全套程式碼
08:18
with all the go-to, go-back-to,
163
482000
1000
包含所有的 go-to、go-back-to，
08:20
also made into a beautiful choreography.
164
484000
2000
都變成漂亮的舞譜。
08:23
And then also graphs by scientists,
165
487000
2000
也有科學家的圖：
08:25
this beautiful diagraph of protein homology.
166
489000
3000
這張漂亮的蛋白質同源分度圖。
08:28
Scientists are starting to also consider aesthetics.
167
492000
2000
科學家已注意到美學。
08:30
We were discussing with Keith Shrubb* this morning
168
494000
2000
我們今天早上和 Keith Shrubb 討論
08:33
the fact that many scientists
169
497000
2000
事實上許多科學家
08:35
tend not to use anything beautiful in their presentations,
170
499000
3000
在發表時傾向不用漂亮的東西，
08:38
otherwise they're afraid of being considered dumb blondes.
171
502000
3000
怕被認為虛有漂亮的外表。
08:41
So they pick the worst background
172
505000
2000
因此挑選最糟糕的背景
08:43
from any kind of PowerPoint presentation, the worst typeface.
173
507000
4000
去做各種 PowerPoint 發表，最差的字體。
08:47
It's only recently that this kind of marriage
174
511000
3000
直到最近設計師和科學家
08:50
between design and science is producing some of the first "pretty" --
175
514000
4000
的結合，才產生了第一次的－
08:54
if we can say so -- scientific presentations.
176
518000
3000
我們所謂的 － 「漂亮的」科學發表。
08:57
Another aspect of contemporary design
177
521000
2000
當代設計的另一面向
08:59
that I think is mind-opening, promising
178
523000
3000
我認為讓人心智大開、充滿期許、
09:02
and will really be the future of design,
179
526000
1000
也會成為未來的設計，
09:03
is the idea of collective design.
180
527000
2000
就是集體設計的概念。
09:05
You know, the whole XO laptop, from One Laptop per Child,
181
529000
4000
你知道，整個 XO 手提電腦，即：學童都有電腦，
09:09
is based on the idea of collaboration and mash and networking.
182
533000
4000
就是基於合作、結合、及網絡的概念。
09:13
So, the more the merrier.
183
537000
2000
因此，越多越愉快。
09:15
The more computers, the stronger the signal,
184
539000
2000
電腦越多，信號越強，
09:17
and children work on the interface so that it's all based
185
541000
4000
兒童們使用介面，全部基於
09:21
on doing things together, tasks together.
186
545000
3000
一起做事，分工做事。
09:24
So the idea of collective design
187
548000
3000
因此，合作設計的概念
09:27
is something that will become even bigger in the future,
188
551000
2000
是未來會更盛行的事，
09:29
and this is chosen as an example.
189
553000
2000
這也被選為一個例子。
09:33
Related to the idea of collective design and to the new balance
190
557000
3000
關於合作設計的概念和
09:36
between the individual and the collectiveness, collectivity
191
560000
4000
個人與集體活動之間的新平衡
09:40
is the idea of existence maximum.
192
564000
2000
就是｢存在最大化｣的概念。
09:42
That's a term that I coined a few years ago
193
566000
2000
這個詞是幾年前由我創用的
09:44
while I was thinking of how pressed we are together,
194
568000
3000
那時我想我們都擠在一起，
09:47
and at the same time how these small objects,
195
571000
3000
而同時那些小小的物品，
09:51
like the Walkman first and then the iPod,
196
575000
2000
如隨身聽和 iPod，卻又能
09:53
create bubbles of space around us that enable us
197
577000
3000
為我們創造了空間範圍，讓我們
09:56
to have a metaphysical space
198
580000
2000
擁有無形的空間，
09:58
that is much bigger than our physical space.
199
582000
2000
那比我們物理空間大很多。
10:00
You can be in the subway and you can be completely isolated
200
584000
4000
你可以在地鐡卻完全孤立
10:04
and have your own room in your iPod.
201
588000
2000
獨享你自己的 iPod 空間。
10:06
And this is the work of several designers
202
590000
2000
這是幾個設計師的作品
10:09
that really enhance the idea of solitude and expansion
203
593000
4000
以各種技法，它真正強化了
10:13
by means of various techniques.
204
597000
2000
孤獨及擴張的概念。
10:15
This is a spa telephone. The idea is that it's become so difficult
205
599000
4000
這是個水療電話。概念是現在很難
10:19
to have a private conversation anywhere
206
603000
1000
隨處有私人談話了 －
10:20
that you go to the spa, you have a massage, you have a facial,
207
604000
3000
你去水療、去按摩、去做臉、
10:23
maybe a rub, and then you have this beautiful pool
208
607000
2000
去推拿，水池多麼漂亮，
10:25
with this perfect temperature, and you can have
209
609000
2000
溫度恰到好處，讓你
10:27
this isolation tank phone conversation
210
611000
3000
在這個｢孤立泡｣中講電話
10:30
with whomever you've been wanting to talk with for a long time.
211
614000
3000
和任何你想好好長談的人聊聊。
10:33
And same thing here, Social Tele-presence.
212
617000
3000
而這是相同的事：社會遠距在場。
10:36
It's actually already used by the military a little bit,
213
620000
2000
軍中已多少用到它，
10:38
but it's the idea of being able to be somewhere else
214
622000
3000
但它的想法是讓你的感官
10:41
with your senses while you're removed from it physically.
215
625000
4000
在身體不在場時能感覺得到。
10:45
And this is called Blind Date. It's a [unclear],
216
629000
3000
這叫做盲目約會。
10:48
so if you're too shy to be really at the date,
217
632000
2000
如果你太害羞不敢去約會，
10:50
you can stay at a distance with your flowers
218
634000
1000
你就帶著花離遠一點
10:52
and somebody else reenacts the date for you.
219
636000
3000
別人會替你扮演約會。
10:55
Rapid manufacturing is another big area
220
639000
3000
快速製造是另一個重要領域
10:58
in which technology and design are, I think,
221
642000
4000
讓技術與設計，我認為...
11:02
bound to change the world. You've heard about it before many times.
222
646000
4000
一起來改變世界。以前你聽過很多次了
11:06
Rapid manufacturing is a computer file
223
650000
2000
快速製造是用電腦檔案
11:08
sent directly from the computer to the manufacturing machine.
224
652000
3000
直接由電腦送到製造設備上。
11:11
It used to be called rapid prototyping, rapid modeling.
225
655000
4000
它曾叫做快速原型、快速模型法。
11:15
It started out in the '80s, but at the beginning
226
659000
2000
它開始於 '80 年代，開始時
11:17
it was machines carving out of a foam block
227
661000
3000
是用機器雕刻泡棉塊
11:20
a model that was very, very fragile,
228
664000
3000
這種模型很脆弱，
11:23
and could not have any real use.
229
667000
2000
很難有實際用途。
11:25
Slowly but surely, the materials became better -- better resins.
230
669000
4000
漸漸地，材料變好了 － 用較好的樹脂。
11:29
Techniques became better -- not only carving
231
673000
2000
技巧也變好了 － 不只是雕刻
11:31
but also stereolithography and laser -- solidifying all kinds of resins,
232
675000
6000
也用立體印製及雷射，固化各種樹脂，
11:37
whether in powder or in liquid form. And the vats became bigger,
233
681000
4000
不論是粉末或液狀。而桶子也變大了，
11:41
to the point that now we can have actual chairs
234
685000
3000
直到現在我們能有實際的椅子
11:44
made by rapid manufacturing.
235
688000
2000
由快速製造做成。
11:46
It takes seven days today to manufacture a chair,
236
690000
2000
如今做一張椅子要七天，
11:49
but you know what? One day it will take seven hours.
237
693000
2000
但你知道嗎？有一天將只需七小時。
11:51
And then the dream is that you'll be able to, from home,
238
695000
3000
夢想將是：你將能在家裡
11:55
customize your chair. You know, companies and designers
239
699000
2000
訂製你的椅子。公司和設計師
11:57
will be designing the matrix or the margins
240
701000
3000
將設計本體或周邊
12:00
that respect both solidity and brand, and design identity.
241
704000
5000
並兼顧堅實性、及品牌和設計識別。
12:05
And then you can send it to the Kinko's store at the corner
242
709000
3000
然後你將送它到街角的 Kinko 商店
12:08
and go get your chair. Now, the implications of this are enormous,
243
712000
3000
去拿取你的椅子。這個意涵很大，
12:11
not only regarding the participation of the final buyer
244
715000
3000
不只關於最終購買者的參與
12:15
in the design process, but also no tracking,
245
719000
2000
設計過程，也不必追蹤、
12:17
no warehousing, no wasted materials.
246
721000
3000
不必倉儲、不浪費材料。
12:20
Also, I can imagine many design manufacturers
247
724000
3000
因此，我能想像許多設計製造公司
12:23
will have to retool their own business plans
248
727000
2000
將要重新改造它的商業計畫。
12:25
and maybe invest in this Kinko's store. But it really is a big change.
249
729000
4000
並投資到 Kinko 商店。那真是一個大變化。
12:29
And here I'm showing a picture that was in Wired Magazine --
250
733000
3000
接著我秀一張 WIRED 雜誌的照片，
12:32
you know, the Artifacts of the Future section that I love so much --
251
736000
3000
這是我很喜歡的｢未來用品｣部分，
12:35
that shows you can have your desktop 3D printer
252
739000
2000
看到你可以有自己的桌上型立體印製機
12:37
and print your own basketball.
253
741000
2000
印製自己的籃球。
12:39
But here instead are examples, you can already 3D-print textiles,
254
743000
4000
這裡只是舉例，已經有真的立體印紡機，
12:43
which is very interesting.
255
747000
2000
那是很有趣的。
12:45
This is just a really nice touch -- it's called slow prototyping.
256
749000
3000
這是一個很細膩的東西 － 叫做慢速原型法。
12:48
It's a designer that put 10,000 bees at work and they built this vase.
257
752000
5000
有個設計師放一萬隻蜜蜂做了這個蜂巢花瓶。
12:53
They had a particular shape that they had to stay in.
258
757000
3000
它們依預給的形狀建巢。
12:56
Mapping and tagging.
259
760000
1000
映射與標示。
12:57
As the capacity of computers becomes really, really big,
260
761000
4000
電腦的能力越來越大，真的很大，
13:01
and the capacity of our mind not that much bigger,
261
765000
3000
而我們的心智能力並沒變大，
13:05
we find that we need to tag as much as we can what we do
262
769000
3000
我們發現我們必須標示做過的事
13:08
in order to then retrace our path.
263
772000
3000
以便能跟蹤走過的路。
13:11
Also, we do it in order to share with other people.
264
775000
2000
同時，這樣也能和他人分享。
13:13
Again, this communal sense of experience
265
777000
3000
再一次，這種經驗的共享
13:16
that seems to be so important today.
266
780000
2000
今日看來極為重要。
13:18
So, various ways to map and tag
267
782000
3000
因此，各種映射與標示方法
13:21
are also the work of many designers nowadays.
268
785000
3000
也是當今許多設計師的工作。
13:25
Also, the senses -- designers and scientists all work on trying to expand
269
789000
4000
感覺。設計師與科學家都試圖擴大
13:29
our senses capabilities so that we can achieve more.
270
793000
4000
我們的感覺能力以求達成更多。
13:33
And also animal senses in a way.
271
797000
3000
某方面則是動物的感覺。
13:36
This particular object that many people love so much
272
800000
4000
這項特別的物品許多人都很喜歡
13:40
is actually based on kind of a scientific experiment --
273
804000
3000
實際上是基於一種科學實驗 －
13:43
the fact that bees have a very strong olfactory sense,
274
807000
3000
事實上蜂有很強的嗅覺，
13:46
and so -- much like dogs that can smell certain kinds of skin cancer --
275
810000
4000
因此 － 就像狗可以嗅出某種皮膚癌 －
13:50
bees can be trained by Pavlovian reflex
276
814000
4000
蜂也能訓練以巴甫洛夫反射
13:54
to detect one type of cancer, and also pregnancy.
277
818000
3000
來偵測一種癌症，以及驗孕。
13:57
And so this student at the RCA
278
821000
2000
同樣這個 RCA 學生
13:59
designed this beautiful blown-glass object
279
823000
3000
設計了這個漂亮的吹玻璃
14:02
where the bees move from one chamber to the other
280
826000
2000
讓蜂由一個隔間飛到另一隔間
14:05
if they detect that particular smell
281
829000
2000
一旦它們偵測到特殊的氣味
14:07
that signifies, in this case, pregnancy.
282
831000
2000
那意味著，本例是驗孕。
14:09
Another shape is made for cancer.
283
833000
2000
另一種形狀則可以驗癌。
14:11
Design for Debate is a very interesting new endeavor
284
835000
4000
｢設計為辯論｣是很有趣的新嘗試
14:15
that designers have really shaped for themselves.
285
839000
2000
是設計師為自己而創設的。
14:18
Some designers don't design objects, products,
286
842000
3000
有些設計師並不設計物品、產品，
14:21
things that we're going to actually use,
287
845000
1000
不做供實用的東西，
14:22
but rather, they design scenarios that are object-based.
288
846000
4000
而是設計基於物品的劇情。
14:26
They're still very useful.
289
850000
2000
劇情也很有用的。
14:28
They help companies and other designers think better about the future.
290
852000
3000
可以幫助公司或其他設計師更好地思考未來。
14:32
And usually they are accompanied by videos.
291
856000
3000
通常它們伴隨影片來呈現。
14:35
This is quite beautiful. It's Dunne and Raby, "All the Robots."
292
859000
3000
這個很美。是 Dunne 與 Raby 的｢所有機器人｣。
14:38
Those are a series of robots that are meant to be taken care of.
293
862000
3000
那些是一系列要人照顧的機器人。
14:42
We always think that robots will take care of us,
294
866000
2000
我們都認為機器人將會照顧我們，
14:44
and instead they designed these robots that are very, very needy.
295
868000
2000
反之，他們設計了這些很黏人的機器人。
14:46
You need to take one in your arms and look at it in the eyes
296
870000
3000
有一個你要抱在手臂，親眼看著它
14:49
for about five minutes before it does something.
297
873000
2000
要約五分鐘它才會做動作。
14:51
Another one gets really, really nervous if you get in to the room,
298
875000
3000
另一個在你進入房間時會非常、非常緊張，
14:54
and starts shaking, so you have to calm it down.
299
878000
2000
開始發抖，因此你要安撫它。
14:56
So it's really a way to make us think more
300
880000
3000
這樣讓我們進一步去想
14:59
about what robots mean to us.
301
883000
2000
機器人對我們的意義。
15:01
Noam Toran and "Accessories for Lonely Men":
302
885000
4000
Noam Toram 的｢寂人配件｣
15:05
the idea is that when you lose your loved one
303
889000
2000
概念是當你失去心愛的人
15:07
or you go through a bad breakup,
304
891000
2000
或經歷痛苦的分手，
15:09
what you miss the most are those annoying things
305
893000
2000
你最懷念的是那些瑣事
15:12
that you used to hate when you were with the other person.
306
896000
3000
你和那人一起時的那些討厭的事。
15:15
So he designed all these series of accessories.
307
899000
2000
因此他設計了這系列的附件。
15:17
This one is something that takes away the sheets from you at night.
308
901000
5000
像這個夜裡會把你的被單抽走。
15:22
Then there's another one that breathes on your neck.
309
906000
3000
而這個的呼吸會吹在你的脖子上。
15:25
There's another one that throws plates and breaks them.
310
909000
2000
還有另一個會丟盤子、甩破它。
15:27
So it's just this idea of what we really miss in life.
311
911000
4000
整個想法就是生活中我們懷念的事。
15:31
Elio Caccavale: he took the idea
312
915000
3000
另外，Elio Caccavale 他採用這想法
15:34
of those dolls that explain leukemia.
313
918000
3000
用玩偶解釋白血病。
15:37
He's working on dolls that explain xenotransplantation,
314
921000
4000
他正在做一個解釋異體移植的玩偶，
15:41
and also the spider gene into the goat, from a few years ago.
315
925000
5000
及將蜘蛛基因置入山羊，幾年前的。
15:46
He's working for the exhibition on a whole series of dolls
316
930000
3000
他為這個展覽做一整系列的玩偶
15:49
that explain to children where babies come from today.
317
933000
3000
為兒童解釋今天嬰兒是怎麼來的。
15:52
Because it's not anymore Mom, Dad, the flowers and the bees,
318
936000
3000
因為已不是媽、爸，花和蜂
15:55
and then there's the baby. No, it can be two moms, three dads,
319
939000
3000
然後嬰兒就來了。不，可以是兩個媽，三個爸，
15:58
in-vitro -- there's the whole idea
320
942000
3000
在培養皿裡 － 就是這個概念
16:01
of how babies can be made today that has changed.
321
945000
3000
今天嬰兒是如何產生的，已經改變了。
16:05
So it's a series of dolls that he's working on right now.
322
949000
3000
因此，這是他正在做的一系列玩偶。
16:09
One of the most beautiful things
323
953000
1000
一件最美的事
16:10
is that designers really work on life,
324
954000
2000
設計師並不真的製作生命，
16:13
even though they take technology into account.
325
957000
2000
即使他們採用了科技。
16:15
And many designers have been working recently
326
959000
2000
最近許多設計師在做的
16:17
on the idea of death and mourning,
327
961000
2000
是死亡及哀悼的想法，
16:19
and what we can do about it today with new technologies.
328
963000
3000
運用新科技我們能為它做什麼。
16:23
Or how we should behave about it with new technologies.
329
967000
3000
或者，以新科技我們會有什麼做法。
16:26
These three objects over there are hard drives
330
970000
3000
那三件物品上都有硬碟
16:29
with a Bluetooth connection. But they're in reality
331
973000
3000
有藍芽連結。但它們事實上
16:32
very, very beautiful sculpted artifacts
332
976000
2000
是非常、非常漂亮的雕塑品
16:35
that contain the whole desktop and computer memory
333
979000
3000
包含了某個過世者的
16:38
of somebody who passed away.
334
982000
2000
整個桌面及電腦記憶。
16:40
So instead of having only the pictures,
335
984000
2000
因此，不是只有一些照片，
16:42
you will be able to put this object next to the computer
336
986000
3000
你將能把物品擺在電腦旁
16:45
and all of a sudden have, you know,
337
989000
2000
因而突然間，你知道的，
16:47
Gertrude's whole life and all of her files
338
991000
3000
葛爾楚的一生和她的所有檔案
16:50
and her address book come alive.
339
994000
1000
及她的連絡簿都活了過來。
16:51
And this is even better. This is Auger-Loizeau, "AfterLife."
340
995000
3000
這個更好。它是 Auger-Loizeau 的｢來世｣。
16:54
It's the idea that some people don't believe in an afterlife.
341
998000
3000
主要構想是有些人不信有來世。
16:57
So to give them something tangible that shows that
342
1001000
2000
因此提供他們一些有形事物，
17:00
there is something after death, they take the gastric juices
343
1004000
4000
顯示死後的事，他們取用死者的胃液
17:04
of people who passed away and concentrate them,
344
1008000
2000
把它濃縮後，
17:06
and put them into a battery that can actually be used
345
1010000
3000
放在電池裡而真的能
17:09
to power flashlights. They also go -- you know, sex toys, whatever.
346
1013000
4000
點亮手電筒。也可以用在 － 例如，情趣玩具、等等。
17:13
It's quite amazing how these things can make you smile,
347
1017000
4000
令人驚訝的，這些事都令人會心一笑，
17:17
can make you laugh, can make you cry sometimes.
348
1021000
2000
甚至大笑，有時讓人哭。
17:19
But I'm hoping that this particular exhibition
349
1023000
3000
但我希望這個特別的展覽
17:22
will be able to trace a new portrait of where design is going --
350
1026000
3000
可以描繪出設計將走的新圖像，
17:25
which is always, hopefully, a portrait a few years in advance
351
1029000
3000
這個圖像總是，但願是，早幾年
17:28
of where the world is going.
352
1032000
2000
說出世界要往哪裡去。
17:30
Thank you very much.
353
1034000
1000
謝謝大家。
ABOUT THE SPEAKER
Paola Antonelli - Design curatorPaola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.
Why you should listen
Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.
Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.
Paola Antonelli | Speaker | TED.com