TED@NYC
Dustin Yellin: A journey through the mind of an artist
Dustin Yellin: Putovanje umom umjetnika
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Dustin Yellin proizvodi očaravajuća umjetnička djela koja pričaju kompleksne, mitovima inspirirane priče. Kako je razvio svoj stil? U ovom razoružavajućem govoru, Dustin s nama dijeli putovanje umjetnika — od osme godine — i svoje idiosinkrazijsko mišljenje i viđenje. Pratite put koji ga vodi k posljednjem velikom djelu (ili par njih).
Dustin Yellin - Sculptor
Acclaimed for his monumental “sculptural paintings,” Dustin Yellin now nurtures voices in the art community with Pioneer Works, his mammoth Brooklyn art center. Full bio
Acclaimed for his monumental “sculptural paintings,” Dustin Yellin now nurtures voices in the art community with Pioneer Works, his mammoth Brooklyn art center. Full bio
Double-click the English transcript below to play the video.
00:12
I was raised by lesbians in the mountains,
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Odgojile su me lezbijke u planinama
00:14
and I sort of came like a forest gnome
to New York City a while back.
to New York City a while back.
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i došao sam u New York City
kao šumski patuljak,
kao šumski patuljak,
00:18
(Laughter)
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(Smijeh)
00:19
Really messed with my head,
but I'll get into that later.
but I'll get into that later.
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Stvarno mi je pomutilo um,
ali kasnije ću o tome.
ali kasnije ću o tome.
00:24
I'll start with when
I was eight years old.
I was eight years old.
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Započet ću s pričom od svoje
osme godine.
osme godine.
00:27
I took a wood box,
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Uzeo sam drvenu kutiju
00:29
and I buried a dollar bill, a pen
and a fork inside this box in Colorado.
and a fork inside this box in Colorado.
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i u nju stavio dolar, penkalu i vilicu i
zakopao to u Coloradu.
zakopao to u Coloradu.
00:35
And I thought some strange humanoids
or aliens in 500 years would find this box
or aliens in 500 years would find this box
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I mislio sam da će neki humanoidi ili
izvanzemaljci za 500 godina naći tu kutiju
izvanzemaljci za 500 godina naći tu kutiju
00:40
and learn about the way
our species exchanged ideas,
our species exchanged ideas,
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i naučiti o načinima na koje je
naša vrsta razmijenjivala informacije,
naša vrsta razmijenjivala informacije,
00:45
maybe how we ate our spaghetti.
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možda kako smo jeli špagete.
00:47
I really didn't know.
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Nisam znao što točno.
00:49
Anyway, this is kind of funny,
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Ovo je pomalo smiješno
00:50
because here I am, 30 years later,
and I'm still making boxes.
and I'm still making boxes.
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zato što sam ovdje, 30 godina kasnije i
još uvijek izrađujem kutije.
još uvijek izrađujem kutije.
00:56
Now, at some point I was in Hawaii --
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U jednom trenutku bio
sam na Havajima --
sam na Havajima --
00:59
I like to hike and surf
and do all that weird stuff,
and do all that weird stuff,
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volim pješačiti, surfati, raditi
sve te čudne stvari
sve te čudne stvari
01:01
and I was making a collage for my ma.
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i radio sam kolaž za mamu.
01:04
And I took a dictionary
and I ripped it up,
and I ripped it up,
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Uzeo sam rječnik i rastrgao ga
01:06
and I made it into a sort
of Agnes Martin grid,
of Agnes Martin grid,
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te sam ga oblikovao u mrežu
u stilu Agnes Martin
u stilu Agnes Martin
01:09
and I poured resin all over it
and a bee got stuck.
and a bee got stuck.
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i premazao sam ga smolom
pa se pčela zaljepila.
pa se pčela zaljepila.
01:11
Now, she's afraid of bees
and she's allergic to them,
and she's allergic to them,
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Mama se boji pčela i alergična je na njih
01:14
so I poured more resin on the canvas,
thinking I could hide it or something.
thinking I could hide it or something.
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pa sam nanio još smole misleći da ću
ju moći sakriti ili nešto slično.
ju moći sakriti ili nešto slično.
01:18
Instead, the opposite happened:
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No, dogodilo se suprotno:
01:20
It sort of created a magnification,
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To je stvorilo povećanje,
01:22
like a magnifying glass,
on the dictionary text.
on the dictionary text.
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kao povećalo na tekstu rječnika.
01:25
So what did I do? I built more boxes.
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Što sam napravio? Izradio sam još kutija.
01:27
This time, I started putting
electronics, frogs,
electronics, frogs,
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Ovoga sam puta počeo
stavljati elektroniku, žabe,
stavljati elektroniku, žabe,
01:31
strange bottles I'd find in the street --
anything I could find --
anything I could find --
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neobične boce koje bi našao na
ulici -- bilo što na što sam naišao --
ulici -- bilo što na što sam naišao --
01:35
because I was always
finding things my whole life,
finding things my whole life,
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zato što sam cijeloga
života nalazio stvari,
života nalazio stvari,
01:37
and trying to make relationships
and tell stories between these objects.
and tell stories between these objects.
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i pokušavao stvoriti odnos i
ispričati priču tih predmeta.
ispričati priču tih predmeta.
01:41
So I started drawing around the objects,
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Tako sam počeo crtati oko predmeta
01:44
and I realized: Holy moly,
I can draw in space!
I can draw in space!
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i shvatio sam: Ajme meni,
mogu crtati u prostoru!
mogu crtati u prostoru!
01:47
I can make free-floating lines,
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Mogu stvarati slobodne linije,
01:49
like the way you would draw
around a dead body at a crime scene.
around a dead body at a crime scene.
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kao one koje se crtaju oko
trupla na mjestu zločina.
trupla na mjestu zločina.
01:52
So I took the objects out,
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Počeo sam micati predmete
01:54
and I created my own taxonomy
of invented specimens.
of invented specimens.
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i stvorio sam vlastitu
taksonomiju izmišljenih vrsta.
taksonomiju izmišljenih vrsta.
01:57
First, botanical --
which you can kind of get a sense of.
which you can kind of get a sense of.
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Prvo, botaničku --
koju možete shvatiti.
koju možete shvatiti.
02:01
Then I made some
weird insects and creatures.
weird insects and creatures.
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Zatim sam napravio neke
čudne kukce i stvorenja.
čudne kukce i stvorenja.
02:05
It was really fun; I was just
drawing on the layers of resin.
drawing on the layers of resin.
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Bilo je stvarno zabavno,
samo sam crtao po slojevima smole.
samo sam crtao po slojevima smole.
02:08
And it was cool, because I was actually
starting to have shows and stuff,
starting to have shows and stuff,
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I bilo je "cool", jer sam
počeo održavati izložbe i slično,
počeo održavati izložbe i slično,
02:12
I was making some money,
I could take my girlfriend for dinner,
I could take my girlfriend for dinner,
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zarađivao sam, mogao
sam izvesti djevojku na večeru,
sam izvesti djevojku na večeru,
02:15
and like, go to Sizzler.
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i čak ići u Sizzler.
02:16
It was some good shit, man.
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Bilo je fenomenalno, čovječe.
02:18
(Laughter)
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(Smijeh)
02:19
At some point, I got up to the human form,
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U jednom sam trenutku
došao do ljudskog obličja,
došao do ljudskog obličja,
02:23
life-size resin sculptures
with drawings of humans inside the layers.
with drawings of humans inside the layers.
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skulpture od smole u stvarnoj veličini
s crtežima ljudi unutar slojeva.
s crtežima ljudi unutar slojeva.
02:28
This was great, except for one thing:
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To je bilo odlično, osim jedne stvari:
02:30
I was going to die.
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Bio sam na samrti.
02:32
I didn't know what to do,
because the resin was going to kill me.
because the resin was going to kill me.
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Nisam znao što da napravim,
jer me smola ubijala.
jer me smola ubijala.
02:35
And I went to bed every night
thinking about it.
thinking about it.
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I svake noći sam išao u
krevet misleći o tome.
krevet misleći o tome.
02:37
So I tried using glass.
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Zato sam pokušao sa staklom.
02:40
I started drawing on the layers of glass,
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Počeo sam oslikavati slojeve stakla,
02:42
almost like if you drew on a window,
then you put another window,
then you put another window,
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kao da slikate na prozoru,
zatim stavite drugi prozor
zatim stavite drugi prozor
02:45
and another window, and you had
all these windows together
all these windows together
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pa još jedan i skupite te prozore
02:48
that made a three-dimensional composition.
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koji čine trodimenzionalnu kompoziciju.
02:50
And this really worked,
because I could stop using the resin.
because I could stop using the resin.
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I to je stvarno funkcioniralo, jer sam
mogao prestati koristiti smolu.
mogao prestati koristiti smolu.
02:53
So I did this for years,
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To sam radio godinama
02:55
which culminated in a very large work,
which I call "The Triptych."
which I call "The Triptych."
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i sve je kulminiralo velikim djelom,
koje sam nazvao "Triptih".
koje sam nazvao "Triptih".
03:00
"The Triptych" was largely inspired
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Inspiracija za "Triptih" je
03:02
by Hieronymus Bosch's
"[The] Garden of Earthly Delights,"
"[The] Garden of Earthly Delights,"
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bila "Vrt zemaljske naslade"
Hieronymusa Boscha,
Hieronymusa Boscha,
03:05
which is a painting
in the [Museo del] Prado in Spain.
in the [Museo del] Prado in Spain.
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slika izložena u muzeju
Prado u Španjolskoj.
Prado u Španjolskoj.
03:07
Do you guys know this painting?
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Znate li za tu sliku?
03:09
Good, it's a cool painting.
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Dobro, to je super slika.
03:10
It's kind of ahead of its time, they say.
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Ispred svog vremena je, tako kažu.
03:12
So, "The Triptych."
I'll walk you through this piece.
I'll walk you through this piece.
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Dakle, "Triptih";
provest ću vas kroz djelo.
provest ću vas kroz djelo.
03:15
It weighs 24,000 pounds.
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Teži 10,800 kilograma.
03:18
It's 18 feet long.
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Dug je 5.5 metara.
03:20
It's double-sided,
so it's 36 feet of composition.
so it's 36 feet of composition.
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Ima dvije strane, dakle to je
kompozicija od 11 metara.
kompozicija od 11 metara.
03:23
It's kind of weird.
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To je pomalo čudno.
03:26
Well, that's the blood fountain.
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Pa, to je fontana krvi.
03:29
(Laughter)
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(Smijeh)
03:31
To the left, you have
Jesus and the locusts.
Jesus and the locusts.
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Na lijevoj strani nalaze
se Isus i skakavci.
se Isus i skakavci.
03:34
There's a cave
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Tamo je špilja
03:35
where all these animal-headed creatures
travel between two worlds.
travel between two worlds.
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gdje sva ova bića sa životinjskim
glavama putuju između dva svijeta.
glavama putuju između dva svijeta.
03:38
They go from the representational world,
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Odlaze iz predstavljenog svijeta
03:40
to this analog-mesh underworld,
where they're hiding.
where they're hiding.
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u ovo analogno podzemlje gdje se skrivaju.
03:43
This is where the animal-headed creatures
are by the lighthouse,
are by the lighthouse,
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Ovdje su stvorenja sa životinjskim
glavama kraj svjetionika
glavama kraj svjetionika
03:46
and they're all about to commit
mass suicide into the ocean.
mass suicide into the ocean.
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i spremaju počiniti masovno
samoubojstvo skakanjem u ocean.
samoubojstvo skakanjem u ocean.
03:49
The ocean is made up
of thousands of elements.
of thousands of elements.
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Ocean se sastoji od tisuća elemenata.
03:52
This is a bird god
tied up to a battleship.
tied up to a battleship.
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Ovo je bog ptica zavezan za ratni brod.
03:55
(Laughter)
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(Smijeh)
03:56
Billy Graham is in the ocean;
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Billy Graham je u oceanu,
03:57
the Horizon from the oil spill;
Waldo; Osama Bin Laden's shelter --
Waldo; Osama Bin Laden's shelter --
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Horizon koji je uzrokovao istjecanje
nafte, Waldo, sklonište Osame Bin Ladena-
nafte, Waldo, sklonište Osame Bin Ladena-
04:02
there's all kinds of weird stuff
that you can find
that you can find
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možete pronaći razne čudne stvari
04:04
if you look really hard, in the ocean.
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ako se zagledate u ocean.
04:06
Anyway, this is a lady creature.
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Ovo je žensko stvorenje.
04:09
She's coming out of the ocean,
and she's spitting oil into one hand
and she's spitting oil into one hand
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Izlazi iz oceana i pljuje naftu u jednu ruku,
04:12
and she has clouds
coming out of her other hand.
coming out of her other hand.
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a iz druge ruke joj izlaze oblaci.
04:15
Her hands are like scales,
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Ruke su joj poput vage
04:16
and she has the mythological reference
of the Earth and cosmos in balance.
of the Earth and cosmos in balance.
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i ona predstavlja mitološku referencu
Zemlje i svemira u ravnoteži.
Zemlje i svemira u ravnoteži.
04:22
So that's one side of "The Triptych."
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To je, dakle, jedna strana "Triptiha".
04:23
It's a little narrative thing.
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On je kao mala pripovijetka.
04:25
That's her hand that she's spitting into.
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Ovo je njezina ruka u koju pljuje.
04:28
And then, when you go to the other side,
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A onda kad prijeđete na drugu stranu,
04:30
she has like a trunk, like a bird's beak,
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ima nešto poput surle,
poput ptičjeg kljuna
poput ptičjeg kljuna
04:32
and she's spitting clouds
out of her trunk.
out of her trunk.
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i iz surle pljuje oblake.
04:34
Then she has an 18-foot-long serpent's
tail that connects "The Triptych."
tail that connects "The Triptych."
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Zatim ima 5.5 metara dug zmijski
rep koji povezuje "Triptih".
rep koji povezuje "Triptih".
04:38
Anyway, her tail catches on fire
from the back of the volcano.
from the back of the volcano.
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Njen rep zahvaća vatra sa
stražnje strane vulkana.
stražnje strane vulkana.
04:41
(Laughter)
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(Smijeh)
04:42
I don't know why that happened.
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Ne znam zašto se to dogodilo.
04:44
(Laughter)
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(Smijeh)
04:46
That happens, you know.
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Događa se, znate.
04:48
Her tail terminates
in a cycloptic eyeball,
in a cycloptic eyeball,
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Njezin rep završava u
očnoj jabučici kiklopa
očnoj jabučici kiklopa
04:51
made out of 1986 terrorist cards.
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koja je napravljena od
terorističkih karti iz 1986-e.
terorističkih karti iz 1986-e.
04:54
Have you guys seen those?
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Jeste li ih ikad vidjeli?
04:55
They were made in the 1980's,
they're like baseball cards of terrorists.
they're like baseball cards of terrorists.
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Napravljene su 1980-ih, one su
kao bejzbolske kartice terorista.
kao bejzbolske kartice terorista.
04:59
Way ahead of their time.
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Daleko ispred svog vremena.
05:00
(Laughter)
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(Smijeh)
05:02
That will bring you to my latest project.
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To će vas dovesti do mog
zadnjeg projekta.
zadnjeg projekta.
05:04
I'm in the middle of two projects:
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Usred dva projekta sam:
05:06
One's called "Psychogeographies."
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Jedan se zove "Psihogeografije".
05:08
It's about a six-year project
to make 100 of these humans.
to make 100 of these humans.
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To je šestogodišnji projekt
za izradu 100 ovih ljudi.
za izradu 100 ovih ljudi.
05:11
Each one is an archive of our culture,
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Svaki je arhiv naše kulture,
05:13
through our ripped-up media and matter,
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kroz naše istrgnute medije i građu,
05:15
whether it's encyclopedias
or dictionaries or magazines.
or dictionaries or magazines.
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bilo da se radi o enciklopedijama,
ili riječnicima, ili časopisima.
ili riječnicima, ili časopisima.
05:18
But each one acts as a sort of an archive
in the shape of a human,
in the shape of a human,
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Ali svaki djeluje kao svojevrsni
arhiv u obliku čovjeka
arhiv u obliku čovjeka
05:22
and they travel in groups
of 20, 4, or 12 at a time.
of 20, 4, or 12 at a time.
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i putuju u grupama od 20, 4 ili 12.
05:25
They're like cells --
they come together, they divide.
they come together, they divide.
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Oni su kao stanice --
dolaze zajedno, razdvajaju se.
dolaze zajedno, razdvajaju se.
05:28
And you kind of walk through them.
It's taking me years.
It's taking me years.
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A vi na neki način hodate kroz njih.
Traje godinama.
Traje godinama.
05:31
Each one is basically
a 3,000-pound microscope slide
a 3,000-pound microscope slide
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Svaki je 1,400 kilograma teško
mikroskopsko stakalce
mikroskopsko stakalce
05:35
with a human stuck inside.
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s čovjekom unutra.
05:38
This one has a little cave in his chest.
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Ovaj ima malu špilju u prsima.
05:40
That's his head; there's the chest,
you can kind of see the beginning.
you can kind of see the beginning.
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Ovo mu je glava, ovo prsa,
možete na neki način vidjeti početak.
možete na neki način vidjeti početak.
05:43
I'm going to go down the body for you:
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Pokazat ću vam cijelo tijelo:
05:46
There's a waterfall
coming out of his chest,
coming out of his chest,
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Iz prsa mu izlazi vodopad,
05:50
covering his penis -- or not-penis,
or whatever it is,
or whatever it is,
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koji mu prekriva penis, ili ne penis
ili što god to bilo,
ili što god to bilo,
05:52
a kind of androgynous thing.
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neka androgina stvar.
05:54
I'll take you quickly through these works,
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Brzo ću vas provesti kroz ova djela,
05:57
because I can't explain them for too long.
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jer ih ne mogu predugo objašnjavati.
06:00
There are the layers,
you can kind of see it.
you can kind of see it.
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Ovdje su slojevi, možete ih vidjeti.
06:03
That's a body getting split in half.
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Ovo je tijelo koje se raspolavlja.
06:06
This one has two heads,
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Ovo ima dvije glave
06:07
and it's communicating
between the two heads.
between the two heads.
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i komunicira između dviju glava.
06:10
You can see the pills coming out,
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Možete vidjeti kako izlaze tablete
06:12
going into one head
from this weird statue.
from this weird statue.
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koje ulaze u glavu jedne
na ovoj neobičnoj skulpturi.
na ovoj neobičnoj skulpturi.
06:14
There's a little forest scene
inside the chest cavity.
inside the chest cavity.
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U prsnoj šupljini je mala šumska scena.
06:17
Can you see that?
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Možete li ju vidjeti?
06:18
Anyway, this talk's all about these boxes,
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Ovo je govor o ovim kutijama,
06:20
like the boxes we're in.
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kao o kutijama u kojima smo mi.
06:22
This box we're in,
the solar system is a box.
the solar system is a box.
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O kutiji u kojoj smo mi,
sunčev sustav je kutija.
sunčev sustav je kutija.
06:25
This brings you to my latest box.
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To vas dovodi mojoj posljednoj kutiji.
06:28
It's a brick box.
It's called Pioneer Works.
It's called Pioneer Works.
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To je ciglena kutija.
Zove se "Pionirska Djela".
Zove se "Pionirska Djela".
06:30
(Cheers)
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(Klicanje)
06:32
Inside of this box is a physicist,
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Unutar ove kutije su fizičar,
06:36
a neuroscientist, a painter, a musician,
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neuroznanstvenik, slikar, glazbenik.
06:39
a writer, a radio station,
a museum, a school,
a museum, a school,
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pisac, radio stanica, muzej, škola,
06:45
a publishing arm to disseminate all
the content we make there into the world;
the content we make there into the world;
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izdavačka ruka koja ispušta sav
sadržaj koji tamo činimo u svijet,
sadržaj koji tamo činimo u svijet,
06:50
a garden.
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vrt.
06:52
We shake this box up,
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Protresemo ovu kutiju
06:53
and all these people kind of start
hitting each other like particles.
hitting each other like particles.
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i svi ovi ljudi počnu udarati
jedni o druge kao čestice.
jedni o druge kao čestice.
06:56
And I think that's the way
you change the world.
you change the world.
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I smatram da je to način
mijenjanja svijeta.
mijenjanja svijeta.
06:59
You redefine your insides
and the box that you're living in.
and the box that you're living in.
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Iznova definirate svoju
unutrašnjost i kutiju u kojoj živite.
unutrašnjost i kutiju u kojoj živite.
07:03
And you come together to realize
that we're all in this together,
that we're all in this together,
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I ujedinite se u spoznaji da
smo svi zajedno u ovome,
smo svi zajedno u ovome,
07:06
that this delusion of difference --
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da je ovo iluzija različitosti --
07:08
this idea of countries, of borders,
of religion -- doesn't work.
of religion -- doesn't work.
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ideja zemalja, granica,
religije -- ne funkcionira.
religije -- ne funkcionira.
07:13
We're all really made up
of the same stuff, in the same box.
of the same stuff, in the same box.
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Sačinjeni smo od istih stvari,
u istoj kutiji.
u istoj kutiji.
07:18
And if we don't start
exchanging that stuff sweetly and nicely,
exchanging that stuff sweetly and nicely,
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I ako ne počnemo razmijenjivati
stvari lijepo i ljubazno
stvari lijepo i ljubazno
07:22
we're all going to die real soon.
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svi ćemo uskoro umrijeti.
07:25
Thank you very much.
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Puno vam hvala.
07:27
(Applause)
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(Pljesak)
ABOUT THE SPEAKER
Dustin Yellin - SculptorAcclaimed for his monumental “sculptural paintings,” Dustin Yellin now nurtures voices in the art community with Pioneer Works, his mammoth Brooklyn art center.
Why you should listen
Dustin Yellin’s mesmerizing glass sculptures explode collage into three dimensional forms, and have won him accolades from all over the art world. From early works of layered resin, Yellin’s sculptures increased in size (and weight), culminating in the 12-ton, three-paneled The Triptych.
But Yellin’s most ambitious project may be Pioneer Works, a colossal, 27,000-square-foot artist’s complex and foundation in Red Hook, Brooklyn. With its residencies, workshops and on-site science lab, Pioneer Works cultivates cross-disciplinary experimentation regardless of profit potential.
Dustin Yellin | Speaker | TED.com