Alyssa Monks: How loss helped one artist find beauty in imperfection
Alisa Monks (Alyssa Monks): Kako je gubitak pomogao jednoj umetnici da pronađe lepotu u nesavršenosti
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface. Full bio
Double-click the English transcript below to play the video.
about something personal
da bih vam pričala o ličnoj stvari
i moju tačku gledišta.
may be helpful to somebody.
možda nekome biti od pomoći.
I grew up the youngest of eight.
odrasla sam kao najmlađe od osmoro dece.
svuda po gradu
i to ne samo na jedan ili dva.
from when I was eight to 16,
časove umetnosti
in New York City.
jedan kurs sa mnom u Njujorku.
I learned a few survival skills.
nekoliko veština preživljavanja.
see you do anything stupid.
vidi kako radite nešto glupo.
and stay in line.
i prilagodim se.
sam ja određivala pravila.
to be an artist.
da zaista želim da budem umetnica.
to support my painting.
da bih mogla da finansiram slikanje.
and I got an MFA,
i stekla master diplomu lepih umetnosti,
my brother asked me,
brat me je upitao:
mean next to the paintings?"
te crvene tačke pored slika?“
that the paintings were sold
da su slike prodate
had four electrical outlets,
and a toaster at the same time,
mikrotalasnu i toster,
from back around that time.
što je moguće više realistična.
as realistic as possible.
isolated and in total control.
izolovana i koje sam potpuno kontrolisala.
of painting people in water.
slikajući ljude u vodi.
the perfect enclosed environment.
savršeni ograđeni ambijent.
that kept me busy for a decade.
koji me je okupirao čitavu deceniju.
with the bathwater to make it cloudy
sa vodom za kupanje da bi bila zamućena,
I couldn't wait to paint it.
da dočekam da je naslikam.
kind of impulsive curiosity,
ta neka impulsivna radoznalost,
da dodam nešto novo:
in my head and hair
gomilu vazelina po glavi i kosi
with more than four outlets.
sa više od četiri utičnice.
bismo ostajale budne do kasno
and inspiring each other.
i inspirisale jedna drugu.
who made this painting
koji je naslikao sliku
plešu pored okeana,
into adulthood, you're no longer a child,
u odraslo doba, više nisi dete,
by the responsibilities of life."
životnim obavezama.“
and it was in her brain.
i bio je u njenom mozgu.
and I looked at her,
da joj pomognem.
how to help her.
having him in charge,
što je on tu bio glavni,
taking care of her.
everything I could to help,
sve što mogu da pomognem,
I'm going to need you later."
and the internet didn't know:
ako pokušavam da popravim stvari,
and whatever situation came up,
i kakva god situacija bi naišla,
then now I was surrendering,
sada sam se predala,
ono što se ne može kontrolisati
the uncontrollable
into bed with her and sleep with her.
u njen krevet i spavala sa njom.
kada bismo čule kako pristiže njegov auto.
his car coming up the driveway.
for breakfast.
koliko god sam mogla,
and bring their kids,
i dovela svoju decu,
we could find to drink her coffee.
koju smo mogli naći da pije kafu.
da mi pomogne pri tuširanju.
to help me with the showers.
after her diagnosis.
nakon njene dijagnoze.
supportive and attentive way.
na podržavajući i pažljiv način.
all together in this unknown,
of my time alone in a studio working,
provodi sam, radeći u ateljeu,
toliko isceljujuća.
for me to go back to my studio.
da se vratim u svoj atelje.
and I drove back to Brooklyn,
i dovezla se u Bruklin,
so that's what I did.
pa sam to i radila.
that was unraveling in me.
što se odigravalo u meni.
rendered safe place
uređeno bezbedno mesto
I didn't want to paint anymore.
jer nisam želela da više slikam.
da izađem napolje.
and I wasn't a landscape painter,
a nisam bila slikar pejzaža,
nikakva posebna vrsta slikara,
much of any kind of painter at all,
nisam imala očekivanja,
da budem bezbrižna i slobodna.
jednu od ovih vlažnih slika
Nije bilo bitno. To nije bilo bitno.
It didn't matter. It didn't matter.
back to my studio,
da predstavim stvaran prostor.
that were fascinating me,
the paint like I used to.
kao što sam to nekada činila.
and suggesting,
chaotic, turbulent surface
turbulentna površina
as I was when I was a student.
kao kada sam bila student.
to put figures in these paintings, people,
na ove slike, ljude,
both people and this atmosphere.
i ljude i ovu atmosferu.
what I've been working on.
na čemu sam radila.
and it's like a preview, I guess,
i predstavlja nešto kao prikaz, rekla bih,
what matters most to me,
svoja najdublja stremljenja,
where there's no resisting or controlling.
u kome nema opiranja ili kontrolisanja.
big losses in our lives,
are out of our control.
to find something beautiful
da pronađemo nešto lepo
ABOUT THE SPEAKER
Alyssa Monks - PainterAlyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.
Why you should listen
Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.
The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.
Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.
Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.
Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.
Alyssa Monks | Speaker | TED.com