ABOUT THE SPEAKER
Liz Diller - Designer
Liz Diller and her maverick firm DS+R bring a groundbreaking approach to big and small projects in architecture, urban design and art -- playing with new materials, tampering with space and spectacle in ways that make you look twice.

Why you should listen

Liz Diller's firm, Diller Scofidio & Renfro, might just be the first post-wall architects. From a mid-lake rotunda made of fog to a gallery that destroys itself with a robotic drill, her brainy takes on the essence of buildings are mind-bending and rebellious. DS+R partakes of criticism that goes past academic papers and into real structures -- buildings and art installations that seem to tease the squareness of their neighbors.

DS+R was the first architecture firm to receive a MacArthur "genius" grant -- and it also won an Obie for Jet Lag, a wildly creative piece of multimedia off-Broadway theater. A reputation for rampant repurposing of materials and tricksy tinkering with space -- on stage, on paper, on the waterfront -- have made DS+R a sought-after firm, winning accounts from the Juilliard School, Alice Tully Hall and the School of American Ballet, as part of the Lincoln Center overhaul; at Brown University; and on New York's revamp of Governer's Island. Their Institute for Comtemporary Art has opened up a new piece of Boston's waterfront, creating an elegant space that embraces the water.

Learn more about the Hirshhorn Museum >>

 

More profile about the speaker
Liz Diller | Speaker | TED.com
TED2012

Liz Diller: A new museum wing ... in a giant bubble

莉斯 迪勒:充满争议的巨型气泡

Filmed:
691,859 views

你怎么在一个伟大的公共空间内部建造一个并不伟大的建筑呢?莉斯 迪勒在这里分享了她的故事:在华盛顿赫什宏博物馆的周边建造一个受欢迎的让人心情愉快的(甚至,我们敢说,是性感的)建筑。
- Designer
Liz Diller and her maverick firm DS+R bring a groundbreaking approach to big and small projects in architecture, urban design and art -- playing with new materials, tampering with space and spectacle in ways that make you look twice. Full bio

Double-click the English transcript below to play the video.

00:16
We conventionally传统 divide划分 space空间
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我们时常把空间分割成
00:19
into private私人的 and public上市 realms境界,
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私人或公用空间
00:20
and we know these legal法律 distinctions very well
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我们对这两者在法律上的区别了解颇丰
00:24
because we've我们已经 become成为 experts专家
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因为我们是
00:26
at protecting保护 our private私人的 property属性 and private私人的 space空间.
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保护私有财产和私人空间的专家
00:30
But we're less attuned合拍
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然而,我们对
00:32
to the nuances细微之处 of the public上市.
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公用空间的各种细节却不甚合拍
00:35
What translates转换 generic通用 public上市 space空间 into qualitative定性 space空间?
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是什么把普通的公用空间变得有质感?
00:39
I mean, this is something
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我的意思是
00:40
that our studio工作室 has been working加工 on
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这正是我们工作室一直以来在努力打造的
00:42
for the past过去 decade.
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这项工作至今已有十个年头
00:44
And we're doing this through通过 some case案件 studies学习.
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我们一直通过案例研究的方式开展工作
00:46
A large chunk of our work
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我们工作的一大部分
00:47
has been put into transforming转型
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是改造
00:49
this neglected被忽视的 industrial产业 ruin废墟
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这块被遗弃的老工业区
00:52
into a viable可行 post-industrial后工业 space空间
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把它变成后工业时代的新空间
00:55
that looks容貌 forward前锋 and backward落后
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让它看上去既前卫,又不失历史感
00:56
at the same相同 time.
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同时兼具两种时代感
00:57
And another另一个 huge巨大 chunk of our work
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我们工作的另一大部分
01:00
has gone走了 into making制造 relevant相应
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是把一个陈旧的空间
01:02
a site现场 that's grown长大的 out of sync同步 with its time.
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变得与时俱进
01:05
We've我们已经 been working加工 on democratizing民主化 Lincoln林肯 Center中央
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我们在让林肯中心更加民主化
01:08
for a public上市 that doesn't usually平时 have $300
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让人们不必为了在一个公用场所欣赏歌剧
01:12
to spend on an opera歌剧 ticket.
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而破费300美元
01:15
So we've我们已经 been eating, drinking,
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因而,我们在公用场所体验吃、喝、
01:17
thinking思维, living活的 public上市 space空间
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思考、生活
01:19
for quite相当 a long time.
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体验了相当长一段时间
01:21
And it's taught us really one thing,
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这段经历教了我们一件事
01:24
and that is to truly make good public上市 space空间,
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那就是:如果真的想让一个公用场所名副其实
01:28
you have to erase抹去 the distinctions
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必须抹去一切“特殊性”,一切“与众不同”之处
01:31
between之间 architecture建筑, urbanism城市化,
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无论是建筑、城市规划、
01:33
landscape景观, media媒体 design设计
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还是风景,或媒体设计
01:35
and so on.
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诸如此类,等等
01:37
It really goes beyond distinction分别.
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都应该摒弃“特殊性”
01:39
Now we're moving移动 onto Washington华盛顿, D.C.
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现在,我们在首都华盛顿开展新项目
01:42
and we're working加工 on another另一个 transformation转型,
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在为另一个建筑打造新的转变
01:44
and that is for the existing现有 Hirshhorn赫什霍恩 Museum博物馆
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那就是美国国家博物馆(赫希杭博物馆和雕塑园)
01:47
that's sited选址
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它位于
01:49
on the most revered尊敬 public上市 space空间 in America美国,
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美国最受尊敬的公用场所
01:51
the National国民 Mall购物中心.
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美国国家广场
01:54
The Mall购物中心 is a symbol符号
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美国国家广场是
01:55
of American美国 democracy民主.
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美利坚民主的象征
01:58
And what's fantastic奇妙 is that this symbol符号
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令我们心驰神往的是:这一象征
02:01
is not a thing, it's not an image图片,
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并非一个物体,也非一张图片
02:03
it's not an artifact神器,
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更不是飞机、火箭
02:05
actually其实 it's a space空间,
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而是一个真真切切的空间
02:07
and it's kind of just defined定义 by a line线 of buildings房屋
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是一排排列整齐的建筑
02:10
on either side.
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位于道路两边
02:12
It's a space空间 where citizens公民 can voice语音 their discontent牢骚
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公民可以在那里抒发不满
02:15
and show显示 their power功率.
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彰显力量
02:16
It's a place地点 where pivotal关键的 moments瞬间 in American美国 history历史
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它也见证了美国历史上无数
02:20
have taken采取 place地点.
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关键事件
02:22
And they're inscribed in there forever永远 --
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这些事在此留下永恒的印记
02:24
like the march游行 on Washington华盛顿 for jobs工作 and freedom自由
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例如为了就业和自由的华盛顿大游行
02:27
and the great speech言语 that Martin马丁 Luther路德 King国王 gave there.
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还有马丁路德金的伟大演讲
02:30
The Vietnam越南 protests抗议, the commemoration纪念活动 of all that died死亡
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还有抗议越南战争,纪念为越战牺牲的同胞
02:34
in the pandemic流感大流行 of AIDS艾滋病,
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以及艾滋病大游行
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the march游行 for women's女士的 reproductive生殖 rights权利,
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和为女人争取生育权的游行
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right up until直到 almost几乎 the present当下.
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凡此种种,绵延至今
02:42
The Mall购物中心 is the greatest最大 civic公民 stage阶段
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美国国家广场是最民主的舞台
02:45
in this country国家 for dissent异议.
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在这个意见不一的国度,包容各类观点
02:49
And it's synonymous代名词 with free自由 speech言语,
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它是言论自由的代名词
02:53
even if you're not sure what it is that you have to say.
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纵使你不知道要说些什么
02:55
It may可能 just be a place地点 for civic公民 commiseration怜悯.
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它是一个让民众抒发怜悯之情的地方
03:01
There is a huge巨大 disconnect断开, we believe,
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我们认为,有一个巨大的鸿沟
03:04
between之间 the communicative交际 and discursive话语 space空间 of the Mall购物中心
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存在于国家广场
03:08
and the museums博物馆 that line线 it to either side.
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与两边的博物馆,似乎有一些空间交流的障碍
03:12
And that is that those museums博物馆 are usually平时 passive被动,
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那是因为,周围的博物馆都是阳面的,突出的
03:16
they have passive被动 relationships关系 between之间 the museum博物馆
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体现了一种积极的空间关系
03:19
as the presenter主持人 and the audience听众,
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仿佛就像演讲者与听众
03:21
as the receiver接收器 of information信息.
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又如信息的接收者
03:23
And so you can see dinosaurs恐龙
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因此,你可以看见恐龙
03:25
and insects昆虫 and collections集合 of locomotives机车
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昆虫、各种机车
03:29
and all of that,
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诸如此类,等等
03:30
but you're really not involved参与;
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但是,同时你又置身事外
03:32
you're being存在 talked to.
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只是被告知这些信息
03:34
When Richard理查德 KoshalekKoshalek took over as director导向器 of the Hirshhorn赫什霍恩
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当理查德科厦勒接管美国国家博物馆(赫希杭博物馆和雕塑园)时
03:38
in 2009,
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那是2009年
03:40
he was determined决心 to take advantage优点
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他决定利用
03:43
of the fact事实 that this museum博物馆 was sited选址
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这座博物馆的地理优势
03:46
at the most unique独特 place地点:
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因为它位于一个独特的地方
03:48
at the seat座位 of power功率 in the U.S.
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那就是美国权利的中心
03:49
And while art艺术 and politics政治
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尽管艺术和政治
03:52
are inherently本质 and implicitly隐式 together一起 always and all the time,
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总是生来就密不可分,有着千丝万缕的关系
03:57
there could be some very special特别 relationship关系
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似乎总有些非常独特的关系
04:01
that could be forged伪造的 here in its uniqueness独特性.
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可以把两者连接起来
04:05
The question is, is it possible可能 ultimately最终
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问题在于:最终是否可能
04:08
for art艺术 to insert itself本身
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让艺术
04:10
into the dialogue对话 of national国民 and world世界 affairs事务?
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融入国内、国际事务的对话之中?
04:13
And could the museum博物馆 be an agent代理人 of cultural文化 diplomacy外交?
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能否让博物馆变成文化大使?
04:17
There are over 180 embassies使馆 in Washington华盛顿 D.C.
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首都华盛顿容纳了逾180个国家的大使馆
04:22
There are over 500 think tanks坦克.
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有超过500个智囊团
04:25
There should be a way
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总有一种方式
04:26
of harnessing治理 all of that intellectual知识分子 and global全球 energy能源
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可以有效结合和利用文化元素合全球资源
04:29
into, and somehow不知何故 through通过, the museum博物馆.
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把这些融入博物馆,同时,也借助博物馆
04:31
There should be some kind of brain trust相信.
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因而,需要建立一些信任
04:34
So the Hirshhorn赫什霍恩, as we began开始 to think about it,
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美国国家博物馆(赫希杭博物馆和雕塑园)也是如此,因此,我们开始着手考虑这个问题
04:38
and as we evolved进化 the mission任务,
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随着我们一步步开展这项任务
04:40
with Richard理查德 and his team球队 --
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与理查德和他的团队
04:42
it's really his life blood血液.
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他视之如生命
04:44
But beyond exhibiting参展 contemporary现代的 art艺术,
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然而,在展示当代艺术之外,
04:48
the Hirshhorn赫什霍恩 will become成为 a public上市 forum论坛,
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美国国家博物馆(赫希杭博物馆和雕塑园)将成为一个公共场所
04:51
a place地点 of discourse演讲
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一个展示
04:53
for issues问题 around arts艺术,
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与艺术相关事宜的地方
04:55
culture文化, politics政治 and policy政策.
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包括文化、政治、政策
05:00
It would have the global全球 reach达到 of the World世界 Economic经济 Forum论坛.
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它甚至可以连接到世界经济论坛
05:04
It would have the interdisciplinarity跨学科 of the TEDTED Conference会议.
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也可以举办TED会议
05:07
It would have the informality不拘小节 of the town square广场.
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它可以不拘于城镇广场的形式
05:12
And for this new initiative倡议,
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为了这项新举措
05:14
the Hirshhorn赫什霍恩 would have to expand扩大
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国家博物馆(赫希杭博物馆和雕塑园)必须扩大规模
05:15
or appropriate适当 a site现场
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或者采取一个合适的结构
05:17
for a contemporary现代的, deployable展开 structure结构体.
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利用现有的空间
05:20
This is it. This is the Hirshhorn赫什霍恩 --
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这就是崭新的国家博物馆(赫希杭博物馆和雕塑园)
05:21
so a 230-foot-diameter-foot直径 concrete具体 doughnut甜甜圈
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一个直径为230英尺的实心甜甜圈状物
05:25
designed设计 in the early '70s
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设计与70年代初期
05:27
by Gordon戈登 Bunshaft邦沙夫特.
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由戈登本夏特创作
05:29
It's hulking笨重的, it's silent无声,
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它看上去笨重、沉默
05:30
it's cloistered与世隔绝, it's arrogant傲慢,
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又很森严、很高傲
05:32
it's a design设计 challenge挑战.
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它是个设计难题
05:34
Architects建筑师 love to hate讨厌 it.
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建筑师喜欢憎恨它
05:35
One redeeming弥补的 feature特征
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它的一个特征
05:37
is it's lifted取消 up off the ground地面
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是它可以从地上被抬升起来
05:39
and it's got this void空虚,
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它可以被填充
05:41
and it's got an empty core核心
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它的内部是真空的
05:43
kind of in the spirit精神 and that facade正面
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有点像披着那层外表的精神物质
05:45
very much corporate企业 and federal联邦 style样式.
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很像企业和联邦的类型
05:49
And around that space空间,
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而这个空间的周围
05:51
the ring is actually其实 galleries画廊.
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则是一个环状的长廊
05:53
Very, very difficult to mount安装 shows节目 in there.
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很难在上面举办走秀(或“展示”)活动
05:55
When the Hirshhorn赫什霍恩 opened打开,
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美国国家博物馆(赫希杭博物馆和雕塑园)开张时
05:57
Ada阿达 Louise路易丝 HuxstableHuxstable, the New York纽约 Times critic评论家,
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艾达路易斯,纽约时报的批评家
05:59
had some choice选择 words:
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称之为
06:01
"Neo-penitentiary新监狱 modern现代."
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“摩登监狱”
06:03
"A maimed致残 monument纪念碑 and a maimed致残 Mall购物中心
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“致残的时刻与致残的广场”
06:06
for a maimed致残 collection采集."
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献给一个致残的群体”
06:07
Almost几乎 four decades几十年 later后来,
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近四十年后
06:09
how will this building建造 expand扩大
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这幢大楼会变成什么摸样
06:11
for a new progressive进步 program程序?
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在一个崭新的、发展的项目的支撑下
06:13
Where would it go?
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它将何去何从?
06:14
It can't go in the Mall购物中心.
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不能再扩张到广场上
06:15
There is no space空间 there.
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因为那里已经没有空间了
06:17
It can't go in the courtyard庭院.
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它也不能再往庭院里扩建
06:18
It's already已经 taken采取 up by landscape景观 and by sculptures雕塑.
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那儿早已坐落了很多地标和雕像
06:23
Well there's always the hole.
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于是我们发现:那儿不是有个洞吗?
06:25
But how could it take the space空间 of that hole
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可是,怎么让洞挤出新的空间呢?
06:29
and not be buried隐藏 in it invisibly无形?
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并且在不被掩埋、不被视而不见的前提下?
06:31
How could it become成为 iconic标志性的?
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怎么样才能让它变成标志性建筑?
06:33
And what language语言 would it take?
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要用什么语言去诠释它?
06:37
The Hirshhorn赫什霍恩 sits坐镇 among其中 the Mall's商城 momumentalmomumental institutions机构.
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美国国家博物馆(赫希杭博物馆和雕塑园)周围有众多纪念性的建筑
06:40
Most are neoclassical新古典, heavy and opaque不透明,
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但大多数都是新古典主义风格,厚重而敦实
06:43
made制作 of stone or concrete具体.
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大多是由石头或水泥堆砌而成的
06:46
And the question is,
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于是,问题是
06:47
if one inhabits栖息 that space空间,
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如果在那儿建一个建筑
06:49
what is the material材料 of the Mall购物中心?
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应该使用什么材料?
06:52
It has to be different不同 from the buildings房屋 there.
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它得在材质上与众不同
06:55
It has to be something entirely完全 different不同.
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而且是截然不同
06:57
It has to be air空气.
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最好是空气
06:59
In our imagination想像力, it has to be light.
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在我们的想象中,它应该是很轻盈的
07:01
It has to be ephemeral短暂的. It has to be formless无形.
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它应该是短暂的、形态的
07:03
And it has to be free自由.
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可以自由自在的变幻
07:05
(Video视频)
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(视频短片)
07:17
So this is the big idea理念.
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以上就是大致的概念
07:20
It's a giant巨人 airbag安全气囊.
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我们设想它为一个巨大的气囊
07:22
The expansion扩张 takes the shape形状 of its container容器
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将充满整个容器
07:26
and it oozes渗出 out wherever哪里 it can --
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它可以渗透到四面八方
07:28
the top最佳 and sides双方.
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充到顶端、到达周边
07:30
But more poetically诗意,
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但是更诗意的是
07:32
we like to think of the structure结构体
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我们要设计它的架构
07:34
as inhaling吸入 the democratic民主的 air空气 of the Mall购物中心,
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可以让它吸收博物馆的民主气息
07:35
bringing使 it into itself本身.
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把这种气息融入它自身建筑之中
07:40
The before and the after.
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随着时间推移
07:43
It was dubbed配音 "the bubble泡沫" by the press.
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媒体将它冠名为“气泡”
07:47
That was the lounge休息室.
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那里是一个酒廊
07:49
It's basically基本上 one big volume of air空气
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从本质上来说就是一团空气
07:52
that just oozes渗出 out in every一切 direction方向.
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飘逸到各个角度
07:54
The membrane is translucent半透明.
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外部的膜是半透明
07:56
It's made制作 of silcon-coatedSilcon的涂 glass玻璃 fiber纤维.
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这层膜是由有机硅涂层玻璃纤维做成的
08:00
And it's inflated充气 twice两次 a year for one month at a time.
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每年为它充气两次,每次充一个月
08:04
This is the view视图 from the inside.
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这是从内部看出去的视觉效果
08:07
So you might威力 have been wondering想知道
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你或许会有疑问
08:09
how in the world世界
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我们是怎么
08:11
did we get this approved批准 by the federal联邦 government政府.
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得到联邦政府的批准的呢
08:13
It had to be approved批准 by actually其实 two agencies机构.
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实际上,我们得获得两个部门的许可
08:18
And one is there to preserve保留
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一个部门要保护
08:21
the dignity尊严 and sanctity尊严 of the Mall购物中心.
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博物馆的庄严、肃穆
08:24
I blush脸红 whenever每当 I show显示 this.
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每每说到这一点,我就不禁脸红
08:27
It is yours你的 to interpret.
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当然,如何解读就看你了
08:30
But one thing I can say
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但是,我要说的是一点
08:32
is that it's a combination组合
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那就是它是一个结合体
08:35
of iconoclasm反传统
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结合了破除迷信
08:37
and adoration崇拜.
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以及崇拜感
08:41
There was also some creative创作的 interpretation解释 involved参与.
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曾经一度有一些颇有创意的解读
08:44
The Congressional国会 Buildings房屋 Act法案 of 1910
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例如,1910年的国会建筑法案
08:47
limits范围 the height高度 of buildings房屋 in D.C.
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它限制了华盛顿市内建筑的高度
08:49
to 130 feet,
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规定它们不准找过130英尺
08:51
except for spires尖顶, towers, domes圆顶 and minarettesminarettes.
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除非是尖顶、塔、圆顶、尖塔
08:54
This pretty漂亮 much exempts两免 monuments纪念碑 of the church教会 and state.
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这个法案挽救了很多教堂
08:58
And the bubble泡沫 is 153 ftFT.
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我们的“气泡”是153英尺
09:01
That's the Pantheon万神殿 next下一个 to it.
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这是“气泡”旁边的英雄纪念堂
09:04
It's about 1.2 million百万 cubic立方体 feet of compressed压缩 air空气.
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体积约有120万立方英尺,满满地填充了压缩气体
09:07
And so we argued争论 it
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于是我们称
09:09
on the merits优点 of being存在 a dome拱顶.
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它的实质是一个圆顶
09:11
So there it is,
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大家看,
09:13
very stately庄严,
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很显然是一个庄严的圆顶
09:14
among其中 all the stately庄严 buildings房屋 in the Mall购物中心.
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位于国家广场中一片庄严的建筑群内
09:18
And while this Hirshhorn赫什霍恩 is not landmarked地标性,
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尽管这座博物馆并非地标
09:21
it's very, very historically历史 sensitive敏感.
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但它有很强的历史敏感性
09:23
And so we couldn't不能 really touch触摸 its surfaces.
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因而我们没有触及它的表面
09:26
We couldn't不能 leave离开 any traces痕迹 behind背后.
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我们不能留有任何可追溯回去的线索
09:27
So we strained紧张 it from the edges边缘,
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我们从周边开始建模
09:30
and we held保持 it by cables电缆.
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用电缆拉住它
09:32
It's a study研究 of some bondage束缚 techniques技术,
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是一项关于线速技术的实验
09:35
which哪一个 are actually其实 very, very important重要
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这项实验对整个建筑非常重要
09:37
because it's hit击中 by wind all the time.
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因为“气泡”周边无时不刻没有风
09:38
There's one permanent常驻 steel ring at the top最佳,
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在顶端有一根固定的钢丝环
09:40
but it can't be seen看到 from any vantage华帝 point on the Mall购物中心.
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但从博物馆内部是看不到这个环的
09:43
There are also some restrictions限制
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另外,还有一些限制
09:46
about how much it could be lit发光的.
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关于它能承载多大分量
09:47
It glows光晕 from within, it's translucent半透明.
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由于它是从内部充气的,因此它是半透明的
09:49
But it can't be more lit发光的 than the Capitol国会大厦
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但它不能比国会大厦亮
09:52
or some of the monuments纪念碑.
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至少大多数时候不行
09:54
So it's down the hierarchy等级制度 on lighting灯光.
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所以,它不能太亮
09:54
So it comes to the site现场 twice两次 a year.
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因此,每年充气两次
09:58
It's taken采取 off the delivery交货 truck卡车.
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把它放在装载卡车商运送过去
10:01
It's hoisted悬挂.
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然后把它悬挂起来
10:03
And then it's inflated充气
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之后,就开始充气
10:05
with this low-pressure低压 air空气.
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用低压气体填充
10:07
And then it's restrained矜持 with the cables电缆.
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然后,用电缆固定住它
10:08
And then it's ballasted with water at the very bottom底部.
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最后,用水在底部再固定一下
10:12
This is a very strange奇怪 moment时刻
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这个时刻挺特殊的
10:16
where we were asked by the bureaucracy官僚 at the Mall购物中心
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当时博物馆当局问了我们一些问题
10:19
how much time would it take to install安装.
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它问我们:填充这些气体大约需要多少时间
10:22
And we said, well the first erection勃起 would take one week.
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我们回答说:第一次填充满需要一周
10:24
And they really connected连接的 with that idea理念.
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他们非常认同这个想法
10:28
And then it was really easy简单 all the way through通过.
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之后的事情就进行的非常顺利
10:32
So we didn't really have that many许多 hurdles障碍, I have to say,
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我不得不说,我们确实没有经历太多坎坷
10:36
with the government政府 and all the authorities当局.
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在与政府打交道的各个环节
10:38
But some of the toughest最艰难的 hurdles障碍
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但是最艰难的时刻是
10:39
have been the technical技术 ones那些.
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在技术层面上的
10:41
This is the warp and weft纬线.
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就是经线与纬线
10:42
This is a point cloud.
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这是一个点云
10:44
There are extreme极端 pressures压力.
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有几点受到的压力很大
10:47
This is a very, very unusual异常 building建造
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这对一幢建筑来说是很罕见的
10:48
in that there's no gravity重力 load加载,
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这个气泡里没有承载重力
10:50
but there's load加载 in every一切 direction方向.
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但是气体又充满在每个角落
10:52
And I'm just going to zip压缩 through通过 these slides幻灯片.
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让我来滚动播放这些幻灯片
10:57
And this is the space空间 in action行动.
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这是这部分气体动起来的样子
11:00
So flexible灵活 interior室内 for discussions讨论,
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是个灵活的内部空间
11:03
just like this, but in the round回合 --
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就像这样,只是更加圆润一点
11:05
luminous发光的 and reconfigurable可重构.
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而且会发光,也可以重新塑形
11:06
Could be used for anything,
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这个博物馆可以用于很多场合
11:09
for performances演出, films影片,
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比如演出、发电影
11:10
for installations安装.
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用于安装
11:13
And the very first program程序
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第一个项目
11:15
will be one of cultural文化 dialogue对话 and diplomacy外交
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将会是某个文化交流与外交活动
11:17
organized有组织的 in partnership合伙
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这个活动是联合主办的
11:19
with the Council评议会 on Foreign国外 Relations关系.
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由博物馆方与外事关系委员会共同组织而成
11:22
Form形成 and content内容 are together一起 here.
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形式和内容并存
11:23
The bubble泡沫 is an anti-monument抗碑.
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这个气泡本身作为反对纪念的象征
11:26
The ideals理想 of participatory参与 democracy民主
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其理念是共同参与民主
11:29
are represented代表 through通过 suppleness柔软
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这一点在气泡的柔韧性中彰显无遗
11:31
rather than rigidity刚性.
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而非任何刚性的(建筑)所能及的
11:32
Art艺术 and politics政治
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艺术和政治
11:34
occupy占据 an ambiguous暧昧 site现场 outside the museum博物馆 walls墙壁,
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占据了博物馆墙外的每一个角落
11:37
but inside of the museum's博物馆 core核心,
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但博物馆内部的核心
11:41
blending混纺 its air空气
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则是交融的一团气体
11:43
with the democratic民主的 air空气 of the Mall购物中心.
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与博物馆的民主气氛完美结合
11:45
And the bubble泡沫 will inflate膨胀
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这个大气泡
11:51
hopefully希望 for the first time
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将在2013年首次填充
11:52
at the end结束 of 2013.
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于2013年末与大家见面
11:54
Thank you.
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谢谢大家!
11:57
(Applause掌声)
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(掌声)
Translated by Kang Rong SUN
Reviewed by 建松 刘

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ABOUT THE SPEAKER
Liz Diller - Designer
Liz Diller and her maverick firm DS+R bring a groundbreaking approach to big and small projects in architecture, urban design and art -- playing with new materials, tampering with space and spectacle in ways that make you look twice.

Why you should listen

Liz Diller's firm, Diller Scofidio & Renfro, might just be the first post-wall architects. From a mid-lake rotunda made of fog to a gallery that destroys itself with a robotic drill, her brainy takes on the essence of buildings are mind-bending and rebellious. DS+R partakes of criticism that goes past academic papers and into real structures -- buildings and art installations that seem to tease the squareness of their neighbors.

DS+R was the first architecture firm to receive a MacArthur "genius" grant -- and it also won an Obie for Jet Lag, a wildly creative piece of multimedia off-Broadway theater. A reputation for rampant repurposing of materials and tricksy tinkering with space -- on stage, on paper, on the waterfront -- have made DS+R a sought-after firm, winning accounts from the Juilliard School, Alice Tully Hall and the School of American Ballet, as part of the Lincoln Center overhaul; at Brown University; and on New York's revamp of Governer's Island. Their Institute for Comtemporary Art has opened up a new piece of Boston's waterfront, creating an elegant space that embraces the water.

Learn more about the Hirshhorn Museum >>

 

More profile about the speaker
Liz Diller | Speaker | TED.com

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