ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com
Small Thing Big Idea

Paola Antonelli: The 3,000-year history of the hoodie

Paola Antonelli: La historia de 3000 años de la capucha

Filmed:
662,618 views

La capucha es mucho más que una prenda cómoda. La curadora de diseño Paola Antonelli nos lleva por su historia.
- Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio

Double-click the English transcript below to play the video.

00:12
The hoodiecapucha is an amazingasombroso objectobjeto.
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La capucha es un objeto increíble.
00:14
It's one of those timelesseterno objectsobjetos
that we hardlyapenas think of,
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Es uno de esos objetos atemporales
en que apenas pensamos,
00:19
because they work so well
that they're partparte of our livesvive.
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porque funciona tan bien
que forma parte de nuestra vida.
00:22
We call them "humblehumilde masterpiecesobras maestras."
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Los llamamos "humildes obras maestras".
00:24
[SmallPequeña thing.]
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[Cosa pequeña.]
00:25
[BigGrande ideaidea.]
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[Idea grande.]
00:28
[PaolaPaola AntonelliAntonelli on
the HoodieSudadera con capucha]
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[Paola Antonelli habla
de la capucha]
00:30
The hoodiecapucha has been --
even if it was not calledllamado so --
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La capucha, aunque
no se haya denominado así,
00:34
it's been an iconicono throughouten todo historyhistoria
for good and for badmalo reasonsrazones.
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es un icono a través de la historia
por razones buenas y malas.
00:38
The earliestmás temprano onesunos that we can tracerastro
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Las capuchas más tempranas
que encontramos
00:41
are from ancientantiguo GreeceGrecia and ancientantiguo RomeRoma.
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proceden de la antigua Grecia
y la antigua Roma.
00:43
The MiddleMedio AgesSiglos, you see a lot of monksmonjes
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Durante la Edad Media,
muchos monjes llevaban trajes
00:45
that were wearingvistiendo garmentsvestidos
that were cape-likecabo-como, with hoodscapuchas attachedadjunto,
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parecidos a túnicas con "capa",
de allí, "capucha".
00:49
so thereforepor lo tanto, "hoodiessudaderas."
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00:51
LadiesSeñoras in the 17thth centurysiglo
would wearvestir hoodiessudaderas
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En el siglo XVII, las damas
llevaban prendas con capuchas
00:53
to kindtipo of hideesconder themselvessí mismos
when they were going to meetreunirse theirsu loversamantes.
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para esconderse en camino
a estar con su amante.
00:57
And then, of coursecurso,
there's the legendleyenda, there's fantasyfantasía.
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Y luego, claro,
está la leyenda, la fantasía.
01:01
There's the imageimagen of the hoodiecapucha
connectedconectado to the grimsevero reapersegador.
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La capucha se asocia con la Parca.
01:04
There's the imageimagen of the hoodiecapucha
connectedconectado to the executionerverdugo.
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La capucha se asocia con el verdugo.
01:07
So there's the darkoscuro sidelado of the hoodiecapucha.
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Así que la capucha tiene un lado oscuro.
01:10
The modernmoderno incarnationencarnación of the hoodiecapucha --
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La encarnación moderna
de la capucha...
01:13
a garmentprenda that's madehecho
usuallygeneralmente of cottonalgodón jerseyjersey,
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una prenda normalmente
de jersey de algodón,
01:16
that has a hoodcapucha attachedadjunto
with a drawstringlazo;
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que tiene una capucha pegada
y tiene un cordón,
01:19
sometimesa veces it has a marsupialmarsupial pocketbolsillo --
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a veces tiene bolsillo marsupial,
01:22
was introducedintroducido in the 1930s
by KnickerbockerKnickerbocker KnittingPara hacer punto CompanyEmpresa.
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fue presentada en los años 30
por Knickerbocker Knitting Company.
01:26
Now it's calledllamado ChampionCampeón.
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Ahora se llama Champion.
01:28
It was meantsignificado to keep athletesAtletas warmcalentar.
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La idea era mantener
la temperatura de los atletas.
01:31
Of coursecurso, thoughaunque, it was
suchtal a functionalfuncional, comfortablecómodo garmentprenda
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Pero claro, es una prenda
tan funcional y cómoda
01:35
that it was very rapidlyrápidamente adoptedadoptado
by workmenobreros everywhereen todos lados.
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que fue adoptada enseguida
por obreros en todas partes.
01:39
And then, around the 1980s,
it alsoademás getsse pone adoptedadoptado
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Y luego en los años 80,
es adoptada también
01:43
by hip-hophip hop and B-boysB-boys, skateboardersskaters,
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por el hip-hop y los b-boys, los skaters,
01:47
and it takes on this kindtipo of
youthjuventud streetcalle culturecultura.
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y representa un tipo de cultura urbana.
01:50
It was, at the samemismo time,
super-comfortablesuper cómodo,
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Es a la vez súper cómoda,
perfecta para llevar en la calle,
01:52
perfectPerfecto for the streetscalles
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01:53
and alsoademás had that addedadicional valuevalor of anonymityanonimato
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y tiene ese valor adicional de anonimato
cuando la necesitas.
01:57
when you needednecesario it.
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01:58
And then we have Markmarca ZuckerbergZuckerberg,
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Y luego tenemos a Mark Zuckerberg,
02:00
who defiesdesafía conventionconvención
of respectablerespetable attireatuendo for businesspeoplegente de negocios.
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que desafía las normas de vestimenta
respetable para la gente de negocios.
02:04
But interestinglycuriosamente, it's alsoademás a way to showespectáculo
how powerpoder has changedcambiado.
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Curiosamente, también es una manera
de demostrar cómo ha cambiado el poder.
02:09
If you're wearingvistiendo a two-piecedos piezas suittraje,
you mightpodría be the bodyguardguardaespaldas.
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Si llevas un traje de dos piezas,
quizás eres el guardaespaldas,
02:12
The realreal powerfulpoderoso personpersona is wearingvistiendo
a hoodiecapucha with a T-shirtcamiseta and jeanspantalones.
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y la persona poderosa de verdad
lleva una capucha
con una camiseta y jeans.
02:17
It's easyfácil to think of
the physicalfísico aspectsaspectos of the hoodiecapucha.
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Es fácil imaginar los aspectos físicos
de esta prenda.
02:21
You can immediatelyinmediatamente think
of wearingvistiendo the hoodcapucha up,
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Pensamos automáticamente
en la capucha puesta,
02:23
and you feel this warmthcalor
and this protectionproteccion,
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en sentir su calor y su protección.
02:26
but at the samemismo time,
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Pero al mismo tiempo, podemos sentir
los aspectos psicológicos.
02:27
you can alsoademás feel
the psychologicalpsicológico aspectsaspectos of it.
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02:30
I mean, think of donningcolocación a hoodiecapucha,
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Piensa en ponerte una capucha,
02:32
all of a suddenrepentino, you feel more protectedprotegido,
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y de repente sientes más protección,
02:34
you feel that you are in your ownpropio shellcáscara.
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sientes que estás en tu propia cáscara.
02:41
We know very well what the hoodiecapucha
has come to signifysignificar
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Sabemos muy bien lo que
ha significado la capucha
02:45
in the pastpasado fewpocos yearsaños
in the UnitedUnido StatesEstados.
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en los últimos años en EE.UU.
02:47
When TrayvonTrayvon MartinMartín, a 17-year-old-edad
African-AmericanAfroamericano kidniño,
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Cuando Trayvon Martin, un chico
afroestadounidense de 17 años,
02:52
was shotDisparo by a neighborhoodbarrio vigilantevigilante,
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fue asesinado por un miembro
de una patrulla vecinal,
02:55
and MillionMillón HoodieSudadera con capucha MarchesLas marchas happenedsucedió
all over the UnitedUnido StatesEstados,
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hubo manifestaciones
"Million Hoodie Marches"
por todo Estados Unidos,
03:00
in whichcual people worellevaba hoodiessudaderas
with the hoodcapucha up
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en las cuales las personas
llevaban prendas con capuchas
03:03
and marchedmarchado in the streetscalles
againsten contra this kindtipo of prejudiceperjudicar.
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y desfilaron por las calles
en contra a ese tipo de prejuicio.
03:07
It doesn't happenocurrir that oftena menudo
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No ocurre mucho
03:09
for a garmentprenda to have
so much symbolismsimbolismo and historyhistoria
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que una prenda encarne
tanto simbolismo e historia,
03:13
and that encompassesengloba
so manymuchos differentdiferente universesuniversos
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y que abarque tantos diferentes universos
03:17
as the hoodiecapucha.
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como la capucha.
03:18
So, like all garmentsvestidos,
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Como todas las prendas,
particularmente las prendas
verdaderamente utilitarias,
03:20
especiallyespecialmente all trulyverdaderamente utilitarianutilitario garmentsvestidos,
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03:23
it is very basicBASIC in its designdiseño.
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la capucha es muy básica en su diseño.
03:25
But at the samemismo time,
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Pero al mismo tiempo,
03:26
it has a wholetodo universeuniverso
of possibilitiesposibilidades attachedadjunto.
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lleva consigo un universo entero
de posibilidades.
Translated by Camille Martínez
Reviewed by Sebastian Betti

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ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com

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