Paola Antonelli: The 3,000-year history of the hoodie
Paola Antonelli: La historia de 3000 años de la capucha
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio
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that we hardly think of,
en que apenas pensamos,
that they're part of our lives.
que forma parte de nuestra vida.
the Hoodie]
de la capucha]
even if it was not called so --
no se haya denominado así,
for good and for bad reasons.
por razones buenas y malas.
que encontramos
y la antigua Roma.
muchos monjes llevaban trajes
that were cape-like, with hoods attached,
would wear hoodies
llevaban prendas con capuchas
when they were going to meet their lovers.
a estar con su amante.
there's the legend, there's fantasy.
está la leyenda, la fantasía.
connected to the grim reaper.
connected to the executioner.
de la capucha...
usually of cotton jersey,
de jersey de algodón,
with a drawstring;
y tiene un cordón,
by Knickerbocker Knitting Company.
por Knickerbocker Knitting Company.
la temperatura de los atletas.
such a functional, comfortable garment
tan funcional y cómoda
by workmen everywhere.
por obreros en todas partes.
it also gets adopted
es adoptada también
youth street culture.
super-comfortable,
perfecta para llevar en la calle,
of respectable attire for businesspeople.
respetable para la gente de negocios.
how power has changed.
de demostrar cómo ha cambiado el poder.
you might be the bodyguard.
quizás eres el guardaespaldas,
a hoodie with a T-shirt and jeans.
lleva una capucha
the physical aspects of the hoodie.
de esta prenda.
of wearing the hood up,
en la capucha puesta,
and this protection,
los aspectos psicológicos.
the psychological aspects of it.
has come to signify
ha significado la capucha
in the United States.
African-American kid,
afroestadounidense de 17 años,
de una patrulla vecinal,
all over the United States,
"Million Hoodie Marches"
with the hood up
llevaban prendas con capuchas
against this kind of prejudice.
en contra a ese tipo de prejuicio.
so much symbolism and history
tanto simbolismo e historia,
so many different universes
verdaderamente utilitarias,
of possibilities attached.
de posibilidades.
ABOUT THE SPEAKER
Paola Antonelli - Design curatorPaola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.
Why you should listen
Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.
Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.
Paola Antonelli | Speaker | TED.com