ABOUT THE SPEAKERS
Jill Sobule - Singer/songwriter
Jill Sobule isn't just another singer-songwriter with catchy tunes and smart lyrics, she's one of the more insightful satirists of our age. Each of her fanciful songs captures an issue or irony, an emotion or epiphany that helps us understand what it's like to live now.

Why you should listen

Jill Sobule first found her place in music history with the controversial 1995 hit "I Kissed a Girl." The song's silly sweetness masked its significance: It broke new ground as the first Top 40 hit to deal with overtly gay themes.

This approach -- packaging hard-hitting social commentary in a wrapper of whimsy -- has defined Sobule's career. Her endearing story-songs veer from fanciful storytelling to forceful satire and back again, covering a wide range of political and social issues from climate change to prostitution; anorexia to anti-semitism. Her winning combination of memorable characters, clever lyrics and catchy tunes has inspired comparisons that range from Burt Bacharach to Gertrude Stein. It also makes her performances and recordings a delight.

Sobule's candy-coated commentary can be found on her Huffington Post blog, as well as in her steady stream of stand-out albums, including Jill Sobule (1995), Happy Town (1997), Pink Pearl (2000) and Underdog Victorious (2004). Lately, Sobule has performed regularly with comedian Julia Sweeney (the two met at TED2006). They put on the "Jill and Julia Show," an utterly endearing evening of stories and songs. She's also recording an album with the string quartet Ethel (another TED2006 match).

More profile about the speaker
Jill Sobule | Speaker | TED.com
Julia Sweeney - Actor, comedian, playwright
Julia Sweeney creates comedic works that tackle deep issues: cancer, family, faith.

Why you should listen

Julia Sweeney is a writer, director, actress, comedian and monologist. She is known for being a cast member on Saturday Night Live from 1990 to 1995, where she created and popularized the androgynous character, Pat. She is also well known for her comedic and dramatic monologues. God Said Ha! is a monologue about serious illness, her brother's lymphoma and her own cancer, and her family's crazy reactions to this crisis as they soldiered their way through struggle, confusion and death. This play was performed all over the U.S. and on Broadway at the Lyceum Theater. It was made into a film produced by Quentin Tarantino, and the comedy album from the show was nominated for a Grammy.

Sweeney's second monologue, In the Family Way, played in theatrical runs in New York and Los Angeles. It was ultimately fashioned into a book, a memoir titled If It's Not One Thing, It's Your Mother. Sweeney's third monologue, Letting Go of God, chronicled her journey from Catholicism to atheism. It was made into a film that played on Showtime.

More profile about the speaker
Julia Sweeney | Speaker | TED.com
TED2007

Jill Sobule + Julia Sweeney: The Jill and Julia Show

De Jill en Julia Show

Filmed:
546,581 views

2 favorieten van TED, Jill Sobule en Julia Sweeney, werken samen in een prachtige set die grappige teksten vermengt met een klein beetje sociale commentaar.
- Singer/songwriter
Jill Sobule isn't just another singer-songwriter with catchy tunes and smart lyrics, she's one of the more insightful satirists of our age. Each of her fanciful songs captures an issue or irony, an emotion or epiphany that helps us understand what it's like to live now. Full bio - Actor, comedian, playwright
Julia Sweeney creates comedic works that tackle deep issues: cancer, family, faith. Full bio

Double-click the English transcript below to play the video.

00:32
JillJill SobuleSobule: At a conferenceconferentie in MontereyMonterey by the biggroot, biggroot jellyfishkwallen tanktank, ♫
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♫ Tijdens de conferentie in Monterey bij het grote, grote kwallenaquarium, ♫
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♫ I first saw you and I got so shyverlegen. ♫
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♫ zag ik je voor het eerst en werd ik zo verlegen. ♫
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♫ You see, I was a little paranoidParanoid 'causewant I mightmacht have been highhoog. ♫
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♫ Je ziet, ik had een beetje argwaan. Misschien was ik wel high. ♫
00:45
♫ And I hadn'thad niet donegedaan that in agesleeftijden and I won'tzal niet do that again. ♫
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♫ En ik had dat in jaren niet meer gedaan en ik zal het niet meer doen. ♫
00:48
♫ But that's anothereen ander storyverhaal. ♫
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♫ Maar dat is een ander verhaal. ♫
00:51
LovedHield you forevervoor altijd and I've been a biggroot fanventilator, ♫
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♫ Ik heb altijd van je gehouden en ik ben een grote fan ♫
00:56
♫ the one-womanOne-Woman showsshows, I even rentedverhuurd "PatPat." ♫
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♫ van one-womanshows, ik heb zelfs "Pat" gehuurd. ♫
00:59
♫ I got enoughgenoeg nervezenuw to come up to you, ♫
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♫ Ik vond genoeg moed om naar je toe te komen, ♫
01:03
♫ but little did I know one yearjaar laterlater we'dwij hadden be doing this showtonen. ♫
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♫ maar ik wist niet dat we 1 jaar later deze show zouden doen. ♫
01:08
♫ I singzingen. JuliaJulia SweeneySweeney: I tell storiesverhalen. TogetherSamen: The JillJill and JuliaJulia ShowToon. ♫
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♫ Ik zing. Julia Sweeney: ik vertel verhalen. Samen: De Jill en Julia Show. ♫
01:15
SobuleSobule: SometimesSoms it workswerken. SweeneySweeney: SometimesSoms it doesn't. ♫
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♫ Sobule: Soms werkt het. Sweeney: Soms niet. ♫
01:18
TogetherSamen: The JillJill and JuliaJulia ShowToon. ♫
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♫ Samen: De Jill en Julia Show ♫
01:22
SweeneySweeney: At a conferenceconferentie in MontereyMonterey nextvolgende to the biggroot, biggroot jellyfishkwallen tanktank, ♫
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♫ Sweeny: Tijdens de conferentie in Monterey naast het grote, grote kwallenaquarium, ♫
01:29
♫ I first saw you and I wasn'twas niet so shyverlegen. ♫
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♫ zag ik je voor het eerst en ik was niet zo verlegen. ♫
01:33
I madegemaakt a beelineBeeline for you and told you what a hugereusachtig fanventilator I was
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Ik kwam recht naar je toe en vertelde je wat een grote fan ik was,
01:37
ever sincesinds I was writingschrift that pilotpiloot for FoxFox, and WendyWendy
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al sinds ik de piloot voor Fox aan het schrijven was, en Wendy
01:40
and I wanted you to do the themethema songlied.
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en ik wilden dat je de melodie zou zingen.
01:41
And then the pilotpiloot didn't go and I was so sadverdrietig,
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Toen ging de piloot niet door en was ik zo droevig,
01:43
but I keptgehouden remainingoverblijvende a fanventilator of yoursde jouwe.
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maar ik bleef een fan van jou.
01:44
And then when I wentgegaan throughdoor that biggroot, horribleverschrikkelijk breakupuiteenvallen with CarlCarl
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Toen moest ik die grote, vreselijke breuk met Carl verwerken.
01:48
and I couldn'tkon het niet get off the couchdivan, I listenedluisterde to your songlied,
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Ik kon niet uit de zetel komen, en ik luisterde naar jouw liedje,
01:50
♫ "Now That I Don't Have You," ♫ over and over and over and over again.
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♫ "Now That I Don't Have You" ♫, altijd opnieuw en opnieuw en opnieuw.
01:54
And I can't believe you're here and that I'm meetingvergadering you here at TEDTED.
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En ik kan niet geloven dat je hier bent en dat ik je hier ontmoet op TED.
01:57
And alsoook, I can't believe that we're eatingaan het eten sushiSushi
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En ik kan ook niet geloven dat we sushi aan het eten zijn
02:00
in frontvoorkant of the fishvis tanktank,
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voor het aquarium,
02:01
whichwelke, personallypersoonlijk, I think is really inappropriateongepast.
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wat ik persoonlijk heel ongepast vind.
02:03
(LaughterGelach)
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(Gelach)
02:05
(ApplauseApplaus)
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(Applaus)
02:06
And little did I know that one yearjaar laterlater ... ♫ we'dwij hadden be doing this showtonen. ♫
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En ik wist niet dat we 1 jaar later ... ♫ deze show zouden doen. ♫
02:10
SobuleSobule: I singzingen. SweeneySweeney: I tell storiesverhalen. TogetherSamen: The JillJill and JuliaJulia ShowToon. ♫
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♫ Sobule: Ik zing. Sweeney: Ik vertel verhalen. Samen: De Jill en Julia Show. ♫
02:16
SobuleSobule: Hey, they askedgevraagd us back! SweeneySweeney: Can you standstand it?!
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He, ze vragen ons terug! Sweeney: Snap jij dat?
02:20
TogetherSamen: The JillJill and JuliaJulia, the JillJill and JuliaJulia, the JillJill and JuliaJulia ShowToon. ♫
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♫ Samen: De Jill en Julia, de Jill en Julia, de Jill en Julia Show ♫
02:26
SobuleSobule: Why are all our heroesheroes so imperfectonvolmaakt? ♫
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♫ Sobule: Waarom zijn al onze helden zo onvolmaakt? ♫
02:34
♫ Why do they always bringbrengen me down? ♫
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♫ Waarom halen ze mij altijd neer? ♫
02:40
♫ Why are all our heroesheroes so imperfectonvolmaakt? ♫
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♫ Waarom zijn al onze helden zo onvolmaakt? ♫
02:45
StatueStandbeeld in the parkpark has lostde weg kwijt his crownkroon. ♫
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♫ Het standbeeld in het park heeft zijn kroon verloren. ♫
02:50
WilliamWilliam FaulknerFaulkner, drunkdronken and depressedterneergeslagen. ♫ SweeneySweeney: MmmMMM.
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♫ William Faulkner, dronken en depressief. ♫
02:53
DorothyDorothy ParkerParker, mean, drunkdronken and depressedterneergeslagen. ♫ SweeneySweeney: I know.
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♫ Dorothy Parker, gemeen, dronken en depressief. ♫
02:56
♫ And that guy, "SevenZeven YearsJaar in TibetTibet," turnedgedraaid out to be a NaziNazi. ♫ SweeneySweeney: Yeah.
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♫ En die man, Zeven Jaar in Tibet, bleek een Nazi te zijn. ♫
03:01
FoundingOprichting fathersvaders all had slavesslaven. ♫ SweeneySweeney: I know.
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♫ De Founding Fathers hadden allemaal slaven. ♫
03:03
♫ The explorersontdekkingsreizigers slaughteredgeslacht the bravesBraves. ♫ SweeneySweeney: HorriblyVreselijk.
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♫ De verkenners slachtten de dapperen af. ♫ Sweeney: Verschrikkelijk.
03:06
SobuleSobule: The OldOude TestamentTestament God can be so pettykleinzielig. ♫
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♫ Sobule: De God uit het Oude Testament kan zo kleinzerig zijn. ♫
03:10
SweeneySweeney: Don't get me startedbegonnen on that. (LaughterGelach)
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Sweeney: Laat me daar niet over beginnen.
03:12
SobuleSobule: PaulPaul McCartneyMcCartney, jealousjaloers of JohnJohn, even more so now that he's goneweg. ♫
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♫ Sobule: Paul McCartney is nog meer jaloers op John nu hij dood is. ♫
03:16
DylanDylan was so mean to DonovanDonovan in that moviefilm. ♫
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♫ Dylan was zo gemeen tegen Donovan in die film. ♫
03:21
PabloPablo PicassoPicasso, cruelwreed to his wivesvrouwen. ♫ SweeneySweeney: HorribleVerschrikkelijk.
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♫ Pablo Picasso, wreed tegenover zijn vrouwen. ♫ Sweeney: Verschrikkelijk.
03:24
SobuleSobule: My favoritefavoriete poetsdichters tooknam theirhun owneigen liveslevens. ♫
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♫ Mijn favoriete dichters benamen zich het leven. ♫
03:26
OrsonOrson WellesWelles peakedpiek at twenty-fivevijfentwintig, belowbeneden before our eyesogen. ♫
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♫ Orson Welles had zijn hoogtepunt op 25, en explodeerde voor onze ogen. ♫
03:31
♫ And he solduitverkocht badslecht winewijn. ♫
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♫ En hij verkocht slechte wijn. ♫
03:33
TogetherSamen: Why are all our heroesheroes so imperfectonvolmaakt? Yeah ♫
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♫ Samen: Waarom zijn al onze helden zo onvolmaakt, ja? ♫
03:38
♫ Why do they always bringbrengen me down? ♫
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♫ Waarom halen ze mij altijd neer? ♫
03:43
SobuleSobule: HeardGehoord BabeBabe RuthRuth was fullvol of maliceMalice. ♫ SweeneySweeney: Oh.
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♫ Sobule: Ik heb gehoord dat Babe Ruth heel boosaardig was. ♫
03:46
LewisLewis CarrollCarroll I'm sure did AliceAlice. ♫ SweeneySweeney: What?!
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♫ Ik ben zeker dat Lewis Caroll Alice binnendeed. ♫
03:48
PlatoPlato in the cavegrot with those very youngjong boysjongens. ♫ SweeneySweeney: OohOoh...
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♫ Plato in de grot met die kleine jongens. ♫ Sweeney: Oooh...
03:53
SobuleSobule: HillaryHillary supportedondersteunde the waroorlog. ♫
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♫ Sobule: Hillary was voor de oorlog. ♫
03:56
SweeneySweeney: Even ThomasThomas FriedmanFriedman supportedondersteunde the waroorlog. ♫ (LaughterGelach)
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♫ Sweeney: Zelfs Thomas Friedman was voor de oorlog. ♫
03:59
SobuleSobule: ColinColin PowellPowell turnedgedraaid out to be ... TogetherSamen: ... suchzodanig a pussykutje. ♫ (LaughterGelach) (ApplauseApplaus)
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♫ Colin Powell bleek -- Samen: -- zo een mietje ♫
04:04
SobuleSobule: WilliamWilliam FaulknerFaulkner, drunkdronken and depressedterneergeslagen, ♫
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♫ Sobule: William Faulkner, dronken en depressief, ♫
04:06
TennesseeTennessee WilliamsWilliams, drunkdronken and depressedterneergeslagen. ♫ SweeneySweeney: Yeah.
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♫ Tennessee Williams, dronken en depressief. ♫
04:08
SobuleSobule: Take it, JuliaJulia. ♫
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Sobule: Neem het over, Julia.
04:10
SweeneySweeney: Okay. OprahOprah was never necessarilynodig a biggroot heroheld of minede mijne.
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Sweeney: Oké. Oprah was nooit echt een grote held van mij.
04:14
I mean, I watch OprahOprah mostlymeestal when I'm home in SpokaneSpokane
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Ik bedoel, ik kijk meestal naar Oprah wanneer ik thuis in Spokane ben
04:17
visitingbezoekende my mothermoeder. And to my mothermoeder,
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om mijn moeder te bezoeken. En volgens mijn moeder
04:19
OprahOprah is a greatergroter moralMoreel authorityautoriteit than the PopePaus,
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is Oprah een grotere morele autoriteit dan de paus,
04:21
whichwelke is actuallywerkelijk sayinggezegde something because she's a devoutVroom CatholicKatholieke.
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wat eigenlijk wel iets wilt zeggen omdat ze een vrome christen is.
04:24
AnywayHoe dan ook, I like OprahOprah -- I like her girlfriendy-nessgirlfriendy-heid,
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Hoe dan ook, ik vind Oprah leuk. Ik hou van haar meisjesvriendelijkheid.
04:27
I like her weightgewicht issueskwesties,
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Ik hou van haar gewichtsproblemen.
04:29
I like how she's transformedgetransformeerd talk televisiontelevisie,
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Ik vind het leuk dat ze praattelevisie heeft veranderd.
04:31
I like how she's broughtbracht readinglezing back to AmericaAmerika --
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Ik vind het leuk dat ze Amerika terug leerde lezen.
04:34
but there was something that happenedgebeurd the last two weeksweken
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Maar de laatste twee weken is er iets gebeurd.
04:36
that was ... I call it the Soon-YiSoon-Yi momentmoment:
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Dat was -- ik noem het het Soon-Yi moment.
04:39
it is the momentmoment when I cannotkan niet continuevoortzetten supportingondersteuning van someoneiemand.
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Het is het moment waarop ik iemand niet meer kan ondersteunen.
04:44
And that was that she did two entiregeheel showsshows
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En dat was toen ze twee volledige shows deed
04:48
promotinghet bevorderen van that moviefilm "The SecretGeheim."
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om de film "The Secret" te promoten.
04:50
Do you guys know about that moviefilm "The SecretGeheim"?
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Kennen jullie die film "The Secret"?
04:52
It makesmerken "What the BleepWhat the Bleep Do We Know" seemlijken like a doctoralpromovendi dissertationproefschrift
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Het zorgt ervoor dat "Wat de piep weten we" lijkt op een proefschrift
04:57
from HarvardHarvard on quantumquantum mechanicsmechanica -- that's how badslecht it is.
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van Harvard over kwantummechanica -- zo slecht is het.
05:00
It makesmerken "The DaVinciDaVinci CodeCode" seemlijken like "WarOorlog and PeaceVrede."
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Het zorgt ervoor dat "De Da Vinci-code" lijkt op Oorlog en Vrede.
05:04
That moviefilm is so horribleverschrikkelijk. It promotesbevordert suchzodanig awfulafschuwelijk pseudosciencepseudowetenschap.
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Die film is zo vreselijk. Hij promoot zo'n barslechte pseudo-wetenschap.
05:09
And the basicbasis- ideaidee is
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En het basisidee is
05:10
that there's this lawwet of attractionaantrekkelijkheid, and
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dat er een "Wet van de aantrekking" is en
05:13
your thoughtsgedachten have this vibratingvibrerende energyenergie
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dat je gedachten trillende energie hebben
05:15
that goesgaat out into the universeuniversum
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die uitkomt in het universum
05:16
and then you attractaantrekken good things to happengebeuren to you.
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en dan trek je goede dingen aan die je overkomen.
05:18
On a scientificwetenschappelijk basisbasis, it's more than just "PowerMacht of PositivePositieve ThinkingDenken" --
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Wetenschappelijk gezien is het meer dan gewoon "de Kracht van het Positief Denken" --
05:22
it has a horribleverschrikkelijk, horribleverschrikkelijk darkdonker sidekant. Like if you get illziek,
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het heeft een verschrikkelijke slechte kant. Bijvoorbeeld, als je ziek wordt,
05:27
it's because you've just been thinkinghet denken negativenegatief thoughtsgedachten.
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komt dat omdat je net negatieve gedachten aan het denken was.
05:29
Yeah, stuffspul like that was in the moviefilm and she's promotinghet bevorderen van it.
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Ja, dat soort dingen zaten in de film. En zij promoot het.
05:32
And all I'm sayinggezegde is that I really wishwens that MurrayMurray Gell-MannGell-Mann
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Kortom, ik zou echt willen dat Murray Gell-Man
05:35
would go on OprahOprah
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naar Oprah zou gaan
05:36
and just explainuitleg geven to her that the lawwet of attractionaantrekkelijkheid is, in factfeit, not a lawwet.
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en haar uitlegde dat de "Wet van de Aantrekking" feitelijk geen wet is.
05:41
So that's what I have to say.
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Dus dat is wat ik wil zeggen.
05:43
(LaughterGelach)
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(Gelach)
05:45
(ApplauseApplaus)
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(Applaus)
05:51
SobuleSobule: I singzingen. SweeneySweeney: I tell storiesverhalen. TogetherSamen: The JillJill and JuliaJulia ShowToon. ♫
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♫ Sobule: Ik zing. Sweeney: Ik vertel verhalen. Samen: De Jill en Julia Show. ♫
05:57
SobuleSobule: SometimesSoms it workswerken. SweeneySweeney: SometimesSoms it doesn't. ♫
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♫ Sobule: Soms werkt het. Sweeney: Soms niet. ♫
06:02
TogetherSamen: The JillJill and JuliaJulia, the JillJill and JuliaJulia, the JillJill and JuliaJulia ShowToon. ♫
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♫ Samen: De Jill en Julia, de Jill en Julia, de Jill en Julia Show. ♫
06:10
(ApplauseApplaus)
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(Applaus)
Translated by Wouter Valvekens
Reviewed by Els De Keyser

▲Back to top

ABOUT THE SPEAKERS
Jill Sobule - Singer/songwriter
Jill Sobule isn't just another singer-songwriter with catchy tunes and smart lyrics, she's one of the more insightful satirists of our age. Each of her fanciful songs captures an issue or irony, an emotion or epiphany that helps us understand what it's like to live now.

Why you should listen

Jill Sobule first found her place in music history with the controversial 1995 hit "I Kissed a Girl." The song's silly sweetness masked its significance: It broke new ground as the first Top 40 hit to deal with overtly gay themes.

This approach -- packaging hard-hitting social commentary in a wrapper of whimsy -- has defined Sobule's career. Her endearing story-songs veer from fanciful storytelling to forceful satire and back again, covering a wide range of political and social issues from climate change to prostitution; anorexia to anti-semitism. Her winning combination of memorable characters, clever lyrics and catchy tunes has inspired comparisons that range from Burt Bacharach to Gertrude Stein. It also makes her performances and recordings a delight.

Sobule's candy-coated commentary can be found on her Huffington Post blog, as well as in her steady stream of stand-out albums, including Jill Sobule (1995), Happy Town (1997), Pink Pearl (2000) and Underdog Victorious (2004). Lately, Sobule has performed regularly with comedian Julia Sweeney (the two met at TED2006). They put on the "Jill and Julia Show," an utterly endearing evening of stories and songs. She's also recording an album with the string quartet Ethel (another TED2006 match).

More profile about the speaker
Jill Sobule | Speaker | TED.com
Julia Sweeney - Actor, comedian, playwright
Julia Sweeney creates comedic works that tackle deep issues: cancer, family, faith.

Why you should listen

Julia Sweeney is a writer, director, actress, comedian and monologist. She is known for being a cast member on Saturday Night Live from 1990 to 1995, where she created and popularized the androgynous character, Pat. She is also well known for her comedic and dramatic monologues. God Said Ha! is a monologue about serious illness, her brother's lymphoma and her own cancer, and her family's crazy reactions to this crisis as they soldiered their way through struggle, confusion and death. This play was performed all over the U.S. and on Broadway at the Lyceum Theater. It was made into a film produced by Quentin Tarantino, and the comedy album from the show was nominated for a Grammy.

Sweeney's second monologue, In the Family Way, played in theatrical runs in New York and Los Angeles. It was ultimately fashioned into a book, a memoir titled If It's Not One Thing, It's Your Mother. Sweeney's third monologue, Letting Go of God, chronicled her journey from Catholicism to atheism. It was made into a film that played on Showtime.

More profile about the speaker
Julia Sweeney | Speaker | TED.com

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