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Cornelia Geppert: A video game that helps us understand loneliness
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Step into artist Cornelia Geppert's visually stunning video game "Sea of Solitude," which explores how battling the "monsters" of loneliness and self-doubt can help us better grapple with the complexity and struggles of mental health.
Cornelia Geppert - Artist, video game creator
Cornelia Geppert creates innovative, visually original video games that explore the depths of human emotion. Full bio
Cornelia Geppert creates innovative, visually original video games that explore the depths of human emotion. Full bio
Double-click the English transcript below to play the video.
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Have you ever felt lonely?
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The urge of wanting
to connect with people,
to connect with people,
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but you seem to have no one
you really would want to contact?
you really would want to contact?
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Or, it's a Friday night
and you want to be with others,
and you want to be with others,
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but you have no energy to go out,
so instead you sit at home all evening,
so instead you sit at home all evening,
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watch Netflix
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and feel more alone than ever?
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You feel like a monster
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between humans that know how to function.
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This is what loneliness felt like to me.
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So I'm an artist,
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and I process my emotional world
by sharing my feelings through my art.
by sharing my feelings through my art.
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If you share your feelings with someone,
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and they understand
and share those feelings too,
and share those feelings too,
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you create an emotional
and deep connection.
and deep connection.
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This is why you can be surrounded
by hundreds of people,
by hundreds of people,
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jump from one candidate to the next,
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but still feel lonely.
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It's because these deeper connections
haven't been made.
haven't been made.
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I was an always-happy child.
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I think we nearly have
no single photo of me
no single photo of me
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where I don't smile broadly
or laugh or joke around.
or laugh or joke around.
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And this went on until ...
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well, it's still the case.
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But I had many friend groups
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up until, as a young adult,
I moved to another city
I moved to another city
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for my first job as a comic artist.
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And like so many young,
thriving people all over the planet,
thriving people all over the planet,
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I concentrated all my energy
into my work life.
into my work life.
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But, if you spend, like, 90 percent
of your daily capacity
of your daily capacity
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trying to succeed at work,
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of course there is nothing left
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to take care of all the other
important aspects in your life,
important aspects in your life,
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like your human relationships.
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Nourishing friendships
as an adult is work.
as an adult is work.
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You need to be consistent with connecting.
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You need to be open,
you need to be honest.
you need to be honest.
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And this is all I struggled with,
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because I tend to camouflage
my real feelings
my real feelings
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by trying to appear always happy
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and trying to make
everyone else happy, too,
everyone else happy, too,
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by trying to fix their problems.
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And I know a lot of us are guilty of this,
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because it's an easy way to not
think about your own issues.
think about your own issues.
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Isn't it?
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Hmm? Hmm? Hmm?
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(Laughter)
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OK.
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The turning point came
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when I fell into an emotionally
abusive relationship
abusive relationship
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just a few years ago.
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He isolated me
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and left me feeling more alone than ever.
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It was the lowest point in my life,
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but it was also my wake-up call,
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because it was the first time
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that I really felt loneliness.
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Many others put
their feelings into their art.
their feelings into their art.
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There are endless books,
movies, paintings, music,
movies, paintings, music,
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all filled with the real
emotion of an artist.
emotion of an artist.
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So, as an artist myself, I did the same.
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I shared my feelings.
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I wanted to help people
cope with loneliness.
cope with loneliness.
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I wanted, yeah, to make them
understand it,
understand it,
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to really experience it through my art
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in the form of an interactive story,
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a video game.
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So, in our game --
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we called it "Sea of Solitude" --
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you are a person named Kay,
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who is suffering from
such strong loneliness
such strong loneliness
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that her inner feelings --
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the anger,
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the feeling of hopelessness,
worthlessness --
worthlessness --
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turn to the outside,
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and she becomes a monster.
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The game -- well, Kay --
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is actually a representation of me
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and the path I went through
to overcome my struggles.
to overcome my struggles.
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The game plays, actually, in Kay's mind,
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so you walk through a world
that is flooded by her tears,
that is flooded by her tears,
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and the weather is changing by her mood,
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how her mood is changing.
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And, well, the only thing Kay wears,
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the only thing,
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is her backpack.
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It's the baggage we all carry
throughout our life.
throughout our life.
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And Kay doesn't know how to cope
with her emotions in the right way,
with her emotions in the right way,
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so her backpack becomes bigger and bigger
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until it bursts,
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and she finally is forced
to overcome her own struggles.
to overcome her own struggles.
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In our story, we present many different
manifestations of loneliness.
manifestations of loneliness.
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Loneliness through
social exclusion is very common.
social exclusion is very common.
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In our game, the brother of Kay
got bullied in his school,
got bullied in his school,
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and he just wants to hide and fly away.
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And we portray him as a huge bird monster
surrounded by thick fog.
surrounded by thick fog.
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The player has to actually
walk through his school
walk through his school
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and experience, really feel the harm,
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that the brother had been through,
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because for a long time,
nobody really listens to him.
nobody really listens to him.
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But the very moment
friends and family start to listen,
friends and family start to listen,
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the first step towards overcoming
this form of loneliness had been made.
this form of loneliness had been made.
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We also show loneliness in relationships,
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like when parents just stay together
for the sake of their kids
for the sake of their kids
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but end up hurting the entire family.
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We put the player literally in between
the two parents while they are fighting,
the two parents while they are fighting,
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and you get hurt in the middle.
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They don't even see that their daughter,
Kay, is right there
Kay, is right there
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until she breaks down.
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We also show loneliness
through mental health issues,
through mental health issues,
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with the boyfriend of Kay,
who suffers from depression
who suffers from depression
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and shows that sometimes
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it is most important to focus
on your own well-being first.
on your own well-being first.
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The boyfriend also tends
to camouflage his feelings,
to camouflage his feelings,
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so he appears like a lone,
shiny white wolf.
shiny white wolf.
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But the moment he starts
to interact with his girlfriend, Kay,
to interact with his girlfriend, Kay,
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the mask falls off,
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and we see the black dog beneath it:
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depression.
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Sometimes we put on a smile
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instead of dealing
with the issues at hand,
with the issues at hand,
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and that can ultimately make it worse,
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affect the people around us
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and damage our relationships.
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So Kay herself
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we portray as ripped apart
into her basic emotions.
into her basic emotions.
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Some help you,
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some are trying to stop you.
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Self-Doubt is a huge creature,
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always telling Kay how worthless she is
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and that she should just give up.
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Like in real life,
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Self-Doubt is blocking the path,
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and it seems impossible to overcome it.
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Destroying the omnipresence
of Self-Doubt is a slow process.
of Self-Doubt is a slow process.
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But in the game,
you can slowly, like, shrink her,
you can slowly, like, shrink her,
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so she turns from self-doubt
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to actually healthy doubt,
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and you can finally trust her advice.
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We also show Self-Destruction.
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It's a huge monster
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always lurking nearby
under the water's surface.
under the water's surface.
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Self-Destruction is actually
the main antagonist of the game,
the main antagonist of the game,
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and she is always trying to drown you
in the ocean of tears.
in the ocean of tears.
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But, when she actually drowns you,
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you wake up just a few moments [before],
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and you have a chance to progress again.
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We wanted to show
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that we all go through hardships
in our life, we all do.
in our life, we all do.
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But if you at least, like, stand up
and try to move forward,
and try to move forward,
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you are very likely to make it
through your struggle,
through your struggle,
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step by step.
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Joy is something that Kay
cannot really embrace or touch.
cannot really embrace or touch.
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It's always something in the distance.
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We portrayed Joy
as a child version of Kay,
as a child version of Kay,
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with a yellow raincoat,
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so she is invulnerable
to the ocean of tears.
to the ocean of tears.
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But Joy can also turn into obsession
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and start to be actually harmful for Kay,
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like when she starts obsessing
over her boyfriend.
over her boyfriend.
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Joy will not turn back to normal
until Kay realizes
until Kay realizes
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that her happiness
should not depend on anybody else
should not depend on anybody else
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but herself.
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So our monsters appear huge and scary,
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but if you overcome your reluctance
and approach them,
and approach them,
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you soon see that they
are no monsters at all,
are no monsters at all,
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but just fragile beings that are simply
overwhelmed by what life throws at them.
overwhelmed by what life throws at them.
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All of those emotions,
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be it self-doubt or even self-destruction,
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don't completely vanish in our game.
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The key message is to not only
chase for joy or happiness
chase for joy or happiness
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but to embrace all your emotions
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and bring them into balance,
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being OK with sometimes not being OK.
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Everyone has their own
loneliness story to tell.
loneliness story to tell.
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This realization changed
everything for me.
everything for me.
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Being much more open with my emotions
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and concentrating much more
on my private life,
on my private life,
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my friends, my family.
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When we released the game,
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literally thousands of fans wrote us,
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all sharing their stories with us
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and telling us they felt
not so alone anymore
not so alone anymore
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just because they played our game.
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Many people wrote us that they felt hope
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for a better future for themselves
for the first time in decades.
for the first time in decades.
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Many wrote us that they seek therapy now,
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just because they played our game
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and felt hopeful to overcome
their own struggles.
their own struggles.
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Our game is not a therapy.
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It's not meant to be a therapy.
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It's just my friends and me
sharing our stories
sharing our stories
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through our art, video games.
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But we are so deeply thankful
for every single message
for every single message
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that people feel better,
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just because we shared
our story with them.
our story with them.
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So ...
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I didn't completely overcome
my urge to help others.
my urge to help others.
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But I don't want to overcome it anymore.
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I love it.
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I just needed to bring it
to a healthy size,
to a healthy size,
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so it doesn't stand in the way
of deeper relationships anymore,
of deeper relationships anymore,
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but even help me to connect with people.
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So, if you have an inner monster
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that is born out of negative emotions,
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it is not only the goal
to kill that monster
to kill that monster
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but to understand that we humans
are complex beings.
are complex beings.
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Look at what part of your life
is so big that others fall short.
is so big that others fall short.
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Look at what emotions you barely feel
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or maybe feel too much
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and move towards lowering those peaks.
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Most of all, it's about understanding
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that all the wide range
of emotions and struggles
of emotions and struggles
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makes us what we are:
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humans.
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Thank you.
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(Applause)
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ABOUT THE SPEAKER
Cornelia Geppert - Artist, video game creatorCornelia Geppert creates innovative, visually original video games that explore the depths of human emotion.
Why you should listen
Cornelia Geppert is the cofounder and creative head of Jo-Mei Games. She began her career as an illustrator and character designer for the renowned comic series Mosaik, working at Germany's largest comic publisher, Steinchen für Steinchen Verlag. In 2001, she was hired as a character designer and character sheets creator on Misson Odyssey, produced by the French cartoon production house Marathon.
Geppert recieved the first merit-based scholarship for game design at the Games Academy Berlin and joined the production of Paraworld by Spieleentwicklungskombinat GmbH as a concept, character and level artist. There she met Boris Munser and, together, they created game concepts for Ubisoft, BMW, Gazprom and Telekom.
In November 2009, Geppert and Munser cofounded Jo-Mei Games, where she supervises all artistic aspects of production, company development and public relations. She wrote, designed and provided the art direction for her latest project, Sea of Solitude, published by Electronic Arts.
Cornelia Geppert | Speaker | TED.com