Dread Scott: How art can shape America's conversation about freedom
דרד סקוט: איך אומנות יכולה לעצב את השיח האמריקאי על חופש
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to propel history forward.
and tell you something:
big questions from that perspective.
להתייחס לשאלות גדולות מנקודת מבט זו.
but ideas matter tremendously.
most people think, "Oh, he's a painter."
רוב האנשים יחשבו, "הו, הוא צייר."
חלק מהעבודה שאני עושה.
some of the kind of work I do.
זה ציור,
Without America" is a painting,
של ביטויי אומנות,
video and performance art.
"Slave Rebellion Reenactment,"
"שחזור מרד העבדים,"
on the outskirts of New Orleans
the center of controversy
שהפכה למרכזה של מחלוקת
of the American flag.
בדגל האמריקאי.
to Display a US Flag?"
להציג את דגל ארה"ב?"
audience participation.
את השתתפות הקהל.
that had text that read,
to Display a US Flag?"
להציג את דגל ארה"ב?"
could write responses to that question in,
יכלו לכתוב את התגובה שלהם לשאלה,
לאנשים הייתה את האפשרות לעמוד עליו.
that people had the option of standing on.
of images of South Korean students
של סטודנטים מדרום קוריאה
"Yankee go home. Son of a bitch,"
"יאנקי לך הביתה, בן כלבה"
אשר חזרו מויאטנם.
coming back from Vietnam.
in a lot of different languages.
בהמון שפות שונות.
our flag as you all do,
את הדגל שלנו כמו שאתם את שלכם,
trouble about this flag."
התעסקות בדגל הזה."
should be returned to his heritage,
לחזור לשורשים שלו,
in his artistic way."
בדרך האמנותית שלו."
everything oppressive in this system:
את כל הדיכוי במערכת הזאת:
and all the oppressed around the world,
הנרדפים מסביב לעולם,
who was shot by a pig,
to 'make sure the nigger was dead.'
for this opportunity."
defend your stupid ass!
על התחת הטפש שלך!
-- צוות אריות הים של חיל-הים האמריקאי.
very strong reactions about the flag then,
תגובות מאוד חזקות לדגל אז,
in front of the Art Institute of Chicago.
מול המכון לאמנות של שיקגו.
תלו את שניהם למעלה,"
hang them both high,"
were phoned in to my school.
של בית ספרי.
כינה את עבודת האומנות "מבישה,"
the work "disgraceful,"
מחוץ לחוק.
כאשר אני ואחרים התנגדנו לחוק הזה,
when I and others defied that law,
on the steps of the Capitol.
על מדרגות הקפיטול.
legal and political battle
והמשפטי שקרה אחריו
that prevented the government
המהווה ציון דרך, שמנעה מהממשל
patriotism be mandatory.
would make a difference.
בשביל צילום תמונות
עליהן עמדו יוצאי הצבא באותו הזמן.
where the veterans were at that time.
בלשון המעטה.
for me to be there, to say the least.
לעשות את הצילום הזה,
to do that shoot,
זו גם הייתה סיטואציה
it was also a situation
כמייצג את כל הדיכוי
as standing for everything oppressive
about US national symbols,
על סמלים לאומיים של ארה"ב,
by scientific breakthroughs
על ידי פריצות דרך מדעיות
might not have worked out so well.
עלול היה לא לעבוד כל כך טוב.
שווה את הסיכון
led to a wonderful,
ABOUT THE SPEAKER
Dread Scott - Visual artistDread Scott makes revolutionary art to propel history forward.
Why you should listen
Dread Scott's work is exhibited across the US and internationally. In 1989, his art became the center of national controversy over its transgressive use of the American flag, while he was a student at the School of the Art Institute of Chicago. President G.H.W. Bush called his art "disgraceful," and the entire US Senate denounced and outlawed this work. Scott became part of a landmark Supreme Court case when he and others defied the new law by burning flags on the steps of the US Capitol. His studio is now based in Brooklyn.
Scott's work has been included in exhibitions at New York's MoMA PS1, the Walker Art Center, Minneapolis and Gallery MOMO in Cape Town, South Africa. His performance work has been presented at BAM in Brooklyn and on the streets of Harlem, NY. His work is in the collection of the Whitney Museum of American Art and the Brooklyn Museum, and it has been featured on the cover of Artforum magazine and the front page of NYTimes.com. Scott is a recipient of a 2018 United States Artists Fellowship and grants from the Creative Capital Foundation and the Open Society Institute. He works in a range of media, from performance and photography to screen-printing and video.
Scott plays with fire -- metaphorically and sometimes literally -- as when he burned $171 on Wall Street and encouraged those with money to add theirs to the pyre. His work asks viewers to look soberly at America's past and our present. Writing about a recent banner project, Angelica Rogers wrote in the New York Times: "...it was difficult to look away from the flag's blocky, capitalized type. 'A Man Was Lynched by Police Yesterday.' It shouted the words so matter-of-factly that I felt myself physically flinch."
Scott is currently working on Slave Rebellion Reenactment, a community engaged performance that will reenact the largest rebellion of enslaved people in American History.
Dread Scott | Speaker | TED.com